The Great Renata Tebaldi

~ Release by Renata Tebaldi (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Gianni Schicchi: O mio babbino caro
soprano vocals [Lauretta]:
Renata Tebaldi (soprano) (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Teatro Della Pergola in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:16
2Tosca: Vissi d'arte
soprano vocals:
Renata Tebaldi (soprano) (on 1959-07-29)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (on 1959-07-29)
conductor:
Francesco Molinari‐Pradelli (conductor) (on 1959-07-29)
performer:
Renata Tebaldi (soprano)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1959-07-29)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1959-07-29)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:22
3La Wally: Ebben?... Ne andrò lontana
soprano vocals [Wally]:
Renata Tebaldi (soprano) (on 1968-06-26)
vocals:
Renata Tebaldi (soprano)
orchestra:
Orchestre national de l’Opéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1968-06-26)
conductor:
Fausto Cleva (conductor) (on 1968-06-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1968-06-26)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (on 1968-06-26)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani5:03
4La Wally: Prendi, fanciul, e serbala!
soprano vocals [Wally]:
Renata Tebaldi (soprano) (on 1968-06-26)
soprano vocals [Walter]:
Lydia Marimpietri (soprano) (on 1968-06-26)
orchestra:
Orchestre national de l’Opéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1968-06-26)
conductor:
Fausto Cleva (conductor) (on 1968-06-26)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1968-06-26)
recording of:
La Wally: Atto IV. “Prendi, fanciul, e serbala!” (Wally, Walter)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
part of:
La Wally: Atto IV
Alfredo Catalani4:20
5La Gioconda: Suicidio!
soprano vocals:
Renata Tebaldi (soprano) (in 1967-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1967-07)
conductor:
Lamberto Gardelli (conductor) (in 1967-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1967-07)
recording of:
La Gioconda: Atto IV. Aria “Suicidio!” (Gioconda) (in 1967-07)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli4:32
6Adriana Lecouvreur: I fiori offerti in un'ora d'oblio... Poveri fiori
soprano vocals:
Renata Tebaldi (soprano) (in 1961-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1961-07)
conductor:
Franco Capuana (conductor) (in 1961-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1961-07)
recording of:
Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) (in 1961-07)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Adriana Lecouvreur: Atto IV
Francesco Cilea11:07
7Andrea Chénier: Ecco l'altare... Eravate possente
recorded in:
Roma (Rome), Roma, Lazio, Italy (in 1957-09)
soprano vocals:
Renata Tebaldi (soprano) (in 1957-09)
tenor vocals:
Mariano Caruso (tenor) (in 1957-09) and Mario Del Monaco (tenor) (in 1957-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1957-09)
conductor:
Gianandrea Gavazzeni (conductor) (in 1957-09)
recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (in 1957-09)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano8:31
8Mefistofele: L'altra notte in fondo al mare
bass vocals:
Cesare Siepi (operatic bass)
soprano vocals:
Renata Tebaldi (soprano) (on 1958-09-03)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1958-09-03)
conductor:
Tullio Serafin (conductor) (on 1958-09-03)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1958-09-03)
recording of:
Mefistofele: Atto III. “L’altra notte in fondo al mare” (Margherita, Faust, Mefistofele) (on 1958-09-03)
composer and librettist:
Arrigo Boϊto (librettist, composer)
publisher:
G. Ricordi & Co. London (UK division) and G. Ricordi & Co. Milan (Italian publisher)
part of:
Mefistofele: Atto III
Arrigo Boito7:53
9Suor Angelica: Senza mamma, o bimbo tu sei morto
soprano vocals:
Renata Tebaldi (soprano) (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
recorded at:
Teatro Della Pergola in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1962-07)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
Giacomo Puccini4:43
10Il tabarro: Michele! Michele!... Avevo ben ragione... Sì, vicina
baritone vocals:
Robert Merrill (American operatic baritone) (in 1962-07)
soprano vocals:
Renata Tebaldi (soprano) (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
recorded at:
Teatro Della Pergola in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1962-07)
recording of:
Il tabarro: “Avevo ben ragione” (Michele, Giorgetta) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
part of:
Il tabarro
recording of:
Il tabarro: “Michele! Michele!” (Giorgetta, Michele) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
part of:
Il tabarro
Giacomo Puccini2:30
11La fanciulla del West: Una partita a poker!
baritone vocals:
Cornell MacNeil (American baritone) (on 1955-08-07)
soprano vocals:
Renata Tebaldi (soprano) (on 1955-08-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1955-08-07)
conductor:
Franco Capuana (conductor) (on 1955-08-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1955-08-07)
recording of:
La fanciulla del West: Atto II. "Una partita a poker!" (Minnie, Rance) (on 1955-08-07)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Carlo Zangarini (in 1910)
part of:
La fanciulla del West: Atto II
Giacomo Puccini5:55
12Turandot: Signore, ascolta!
soprano vocals:
Renata Tebaldi (soprano) (in 1955-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-08)
conductor:
Alberto Erede (conductor) (in 1955-08)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-08)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (in 1955-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:45
13Turandot: Tu che di gel sei cinta
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-08)
soprano vocals:
Renata Tebaldi (soprano) (in 1955-08)
tenor vocals:
Mario Del Monaco (tenor) (in 1955-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-08)
conductor:
Alberto Erede (conductor) (in 1955-08)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-08)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla) (in 1955-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:57
14La bohème: Sì. Mi chiamano Mimì... O soave fanciulla
baritone vocals:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals:
Renato Cesari (bass-baritone) (in 1959-08) and Cesare Siepi (operatic bass) (in 1959-08)
soprano vocals:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini10:15
2▼CD
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1Aida: Ritorna vincitor!
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1949-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1949-11)
conductor:
Alberto Erede (conductor) (in 1949-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1949-11)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1949-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:54
2Il Trovatore: Tacea la notte placida
soprano vocals [Leonora]:
Renata Tebaldi (soprano) (on 1949-11-21)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1949-11-21)
conductor:
Alberto Erede (conductor) (on 1949-11-21)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1949-11-21)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (on 1949-11-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi4:02
3La Traviata: Parigi, o cara, noi lasceremo
soprano vocals:
Renata Tebaldi (soprano) (in 1954-08)
tenor vocals:
Gianni Poggi (tenor) (in 1954-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1954-08)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (in 1954-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi7:34
4La forza del destino: Me pellegrina ed orfana
soprano vocals:
Renata Tebaldi (soprano) (on 1955-08-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1955-08-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (on 1955-08-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1955-08-07)
recording of:
La forza del destino: Atto I. Romanza: “Me pellegrina ed orfana” (Leonora) (on 1955-08-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto I
Giuseppe Verdi3:41
5La forza del destino: Pace, pace, mio Dio!
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Leonora]:
Renata Tebaldi (soprano) (in 1955-07)
vocals:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
Giuseppe Verdi5:58
6Otello: Già nella notte densa
soprano vocals [Desdemona]:
Renata Tebaldi (soprano) (in 1961-07)
tenor vocals [Otello]:
Mario Del Monaco (tenor) (in 1961-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-07)
conductor:
Herbert von Karajan (conductor) (in 1961-07)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-07)
recording of:
Otello: Atto I, scena 3. “Già nella notte densa” (Otello, Desdemona) (in 1961-07)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi10:52
7Don Carlo: Giustizia! o Sire
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1965-07)
mezzo-soprano vocals:
Grace Bumbry (mezzo‐soprano) (in 1965-07)
soprano vocals:
Renata Tebaldi (soprano) (in 1965-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965-07)
conductor:
Sir Georg Solti (conductor) (in 1965-07)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (in 1965-07)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (in 1965-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:35
8Un ballo in maschera: Morrò, ma prima in grazia
soprano vocals:
Renata Tebaldi (soprano) (on 1964-09-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1964-09-18)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1964-09-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-09-18)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (on 1964-09-18)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:51
9Manon Lescaut: Sola, perduta abbandonata
soprano vocals:
Renata Tebaldi (soprano) (in 1954-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1954-08)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1954-08)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1954-08)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux) (in 1954-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
Giacomo Puccini4:08
10Madama Butterfly: Con onor muore
soprano vocals:
Renata Tebaldi (soprano) (on 1958-07-14)
tenor vocals:
Carlo Bergonzi (tenor) (on 1958-07-14)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1958-07-14)
conductor:
Tullio Serafin (conductor) (on 1958-07-14)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (on 1958-07-14)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (on 1958-07-14)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:13
11La regata Veneziana: Anzoleta avanti la regata
soprano vocals:
Renata Tebaldi (soprano) (on 1969-03-01)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1969-03-01)
conductor:
Richard Bonynge (conductor and pianist) (on 1969-03-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1969-03-01)
recording of:
La regata veneziana: I. Anzoleta avanti la regata (on 1969-03-01)
lyricist:
Francesco Maria Piave
composer:
Gioachino Rossini (composer)
part of:
La regata veneziana
part of:
Péchés de vieillesse, Volume 1 "Album italiano"
Gioachino Rossini3:24
12La regata Veneziana: Anzoleta co' passa la regata
soprano vocals:
Renata Tebaldi (soprano) (on 1969-03-01)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1969-03-01)
conductor:
Richard Bonynge (conductor and pianist) (on 1969-03-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1969-03-01)
recording of:
La regata veneziana: II. Anzoleta co passa la regata (on 1969-03-01)
lyricist:
Francesco Maria Piave
composer:
Gioachino Rossini (composer)
part of:
La regata veneziana
part of:
Péchés de vieillesse, Volume 1 "Album italiano"
Gioachino Rossini2:28
13La regata Veneziana: Anzoleta dopo la regata
soprano vocals:
Renata Tebaldi (soprano) (on 1969-03-01)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1969-03-01)
conductor:
Richard Bonynge (conductor and pianist) (on 1969-03-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1969-03-01)
recording of:
La regata veneziana: III. Anzoleta dopo la regata (on 1969-03-01)
lyricist:
Francesco Maria Piave
composer:
Gioachino Rossini (composer)
part of:
La regata veneziana
part of:
Péchés de vieillesse, Volume 1 "Album italiano"
Gioachino Rossini4:05
14Die lustige Witwe: Vilja-Lied, for voice & piano
soprano vocals:
Renata Tebaldi (soprano) (in 1960)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1960)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) (in 1960)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár4:57