"The Voice", Vol. 2: The Art of Folksong / Baroque Cantatas

~ Veröffentlichung von Andreas Scholl (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Ach senliches leiden
Instrumente:
Shield of Harmony
Countertenorgesang:
Andreas Scholl (countertenor)
conductor:
Crawford Young (lutenist)
recording of:
Ach senliches leiden
Komponist(in):
Oswald von Wolkenstein (German composer & poet, c. 1377-1445)
Oswald von Wolkenstein3:37
2Nue rue mit sorgen
Instrumente:
Shield of Harmony
Countertenorgesang:
Andreas Scholl (countertenor)
conductor:
Crawford Young (lutenist)
recording of:
Nu rue mit sorgen (Kl.121)
Verfasser(in):
Oswald von Wolkenstein (German composer & poet, c. 1377-1445)
Oswald von Wolkenstein5:01
3Kom, liebster man with
Instrumente:
Shield of Harmony
Countertenorgesang:
Andreas Scholl (countertenor)
conductor:
Crawford Young (lutenist)
recording of:
Kum, liebster man!
Komponist(in):
Oswald von Wolkenstein (German composer & poet, c. 1377-1445)
Oswald von Wolkenstein3:26
4Behold a Wonder Here
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
The Third Booke of Songs or Ayres, No. 3: "Behold a wonder here"
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1603)
Teil von:
The Third Booke of Songs or Ayres
John Dowland3:03
5All ye Whom Love or Fortune hath betray'd
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
The First Booke of Songs or Ayres, No. 14: "All Ye, Whom Love or Fortune"
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
Teil von:
The First Booke of Songs or Ayres
John Dowland4:56
6Waly, waly
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
[anonymous]3:10
7King Henry
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
[anonymous]3:13
8My sweetest Lesbia
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
My Sweetest Lesbia, Let Us Live and Love
Komponist(in):
Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion3:52
9I care not for these Ladies
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
I Care Not for These Ladies
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) und Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion2:37
10My love hath vow'd
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
My Love Hath Vow'd
Verfasser(in):
Thomas Campion (English composer, poet & physician, 1567–1620)
Thomas Campion2:58
11I saw my lady weep
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
The Second Booke of Songs or Ayres, No. 1: "I Saw My Lady Weep"
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
Teil von:
The Second Booke of Songs or Ayres
John Dowland4:06
12Can she excuse my wrongs
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
The First Booke of Songs or Ayres, No. 5: “Can She Excuse My Wrongs?”
Texter:
[anonymous] (special purpose artist) (in 1597)
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
Teil von:
The First Booke of Songs or Ayres
John Dowland2:31
13I will give my love an apple
Laute:
Andreas Martin (lute player)
Countertenorgesang:
Andreas Scholl (countertenor)
John Dowland1:50
14Go crystal tears
Instrumente:
Concerto di Viole (Swiss early / baroque music ensemble)
Laute:
Julian Behr (lutenist)
Countertenorgesang:
Andreas Scholl (countertenor)
John Dowland6:24
15Now, O now I needs must part
Instrumente:
Concerto di Viole (Swiss early / baroque music ensemble)
Laute:
Julian Behr (lutenist)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
The First Booke of Songs or Ayres, No. 6: "Now, o now I needs must part"
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
Teil von:
The First Booke of Songs or Ayres
John Dowland4:31
16Like as the day
Instrumente:
Concerto di Viole (Swiss early / baroque music ensemble)
Laute:
Julian Behr (lutenist)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
Like as the day
Komponist(in):
Patrick Mando
Patrick Mando4:02
17Four-note pavan
Instrumente:
Concerto di Viole (Swiss early / baroque music ensemble)
Laute:
Julian Behr (lutenist)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
Pavan à 5 no. 4 "Four-Note Pavan"
Komponist(in):
Alfonso Ferrabosco (the younger, ca. 1575-1628)
Alfonso Ferrabosco4:50
18Death, rock me asleep
Instrumente:
Concerto di Viole (Swiss early / baroque music ensemble)
Laute:
Julian Behr (lutenist)
Countertenorgesang:
Andreas Scholl (countertenor)
[anonymous]2:56
19Come heavy Sleep
Instrumente:
Concerto di Viole (Swiss early / baroque music ensemble)
Laute:
Julian Behr (lutenist)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
The First Booke of Songs or Ayres, No. 20: “Come, Heavy Sleep”
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
Teil von:
The First Booke of Songs or Ayres
John Dowland4:57
20Have you seen the bright lily grow?
Instrumente:
Concerto di Viole (Swiss early / baroque music ensemble)
Laute:
Julian Behr (lutenist)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
Have You Seen but a White Lily Grow?
Komponist(in):
Robert Johnson (English renaissance composer)
Robert Johnson2:51
21Venus' birds whose mournful tunes
Instrumente:
Concerto di Viole (Swiss early / baroque music ensemble)
Laute:
Julian Behr (lutenist)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
Venus' Birds
Texter:
[anonymous] (special purpose artist)
Komponist(in):
John Bennet (16th/17th century composer)
John Bennet3:34
22Full fathom five
Instrumente:
Concerto di Viole (Swiss early / baroque music ensemble)
Laute:
Julian Behr (lutenist)
Countertenorgesang:
Andreas Scholl (countertenor)
recording of:
Full Fathom Five
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Robert Johnson (English renaissance composer)
Robert Johnson2:11
2▼CD
Nr.TitelKünstlerBewertungLänge
1Amarilli vezzosa (Il duello amoroso), HWV 82: Sonata (Allegro – Menuetto)
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Accademia Bizantina
conductor:
Ottavio Dantone (harpsichordist, organist and conductor)
George Frideric Handel2:38
2Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo (Daliso) "Amarilli vezzosa"
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Accademia Bizantina
conductor:
Ottavio Dantone (harpsichordist, organist and conductor)
George Frideric Handel4:24
3Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo (Amirilli) "Dunque tanto s’avanza"
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Accademia Bizantina
conductor:
Ottavio Dantone (harpsichordist, organist and conductor)
George Frideric Handel5:27
4Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo (Daliso, Amarilli) "Si, si crudel, ti accheta"
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Accademia Bizantina
conductor:
Ottavio Dantone (harpsichordist, organist and conductor)
George Frideric Handel3:02
5Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo (Daliso) "Amarilli, Amarilli"
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Accademia Bizantina
conductor:
Ottavio Dantone (harpsichordist, organist and conductor)
George Frideric Handel5:39
6Amarilli vezzosa (Il duello amoroso), HWV 82: Recitativo (Amarilli, Daliso) "Or su, giacche ostinato"
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Accademia Bizantina
conductor:
Ottavio Dantone (harpsichordist, organist and conductor)
George Frideric Handel3:36
7Geist und Seele wird verwirret, BWV 35: Concerto
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, I. Sinfonia (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach5:39
8Geist und Seele wird verwirret, BWV 35: Aria "Geist und Seele wird verwirret"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, II. Aria (Alto) "Geist und Seele wird verwirret" (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach7:18
9Geist und Seele wird verwirret, BWV 35: Recitativo "Ich wundre mich"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, III. Recitativo (Alto) "Ich wundre mich, denn alles, was man sieht" (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach1:19
10Geist und Seele wird verwirret, BWV 35: Aria "Gott hat alles wohlgemacht"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht" (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach3:13
11Geist und Seele wird verwirret, BWV 35: Sinfonia –
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, V. Sinfonia (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach3:27
12Geist und Seele wird verwirret, BWV 35: Recitativo "Ach starker Gott, lass mich"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VI. Recitativo (Alto) "Ach, starker Gott, laß mich doch" (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach1:00
13Geist und Seele wird verwirret, BWV 35: Aria "Ich wunsche mur bei Gott zu leben"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VII. Aria (Alto) "Ich wünsche mir, bei Gott zu leben" (in 1997-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach3:08
14Vergnügte Ruh, beliebte Seelenlust, BWV 170: Aria "Vergnugte Ruh! Beliebte Seelenlust!"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07) und Jean-Philippe Rousseau (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1997-07)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:42
15Vergnügte Ruh, beliebte Seelenlust, BWV 170: Recitativo "Die Welt das Sundenhaus"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07) und Jean-Philippe Rousseau (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 1997-07)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:24
16Vergnügte Ruh, beliebte Seelenlust, BWV 170: Aria "Wie jammern mich doch die verkehrten Herzen"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07) und Jean-Philippe Rousseau (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 1997-07)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach7:58
17Vergnügte Ruh, beliebte Seelenlust, BWV 170: Recitativo "Wer sollte sich demnach"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 1997-07)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:10
18Vergnügte Ruh, beliebte Seelenlust, BWV 170: Aria "Mir ekelt mehrzu leben"
Assistent recording engineer:
Jean-Philippe Rousseau (in 1997-07)
recording engineer:
Jean‐Martial Golaz (in 1997-07)
Produzent(in):
Jean‐Martial Golaz
Countertenorgesang:
Andreas Scholl (countertenor)
Hochgesang:
Andreas Scholl (countertenor) (in 1997-07)
Orchester:
Collegium Vocale Gent (in 1997-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1997-07)
phonographisches Urheberrecht (℗) von:
harmonia mundi s.a. (not for release label use!) (in 1998)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1997-07)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-07-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
Georg Christian Lehms (in 1711)
Teil von:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach5:36