The Encyclopaedia of Music: Best of 80's, Volume 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Get Out of My Dreams, Get Into My Car
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
edit of:
Get Outta My Dreams, Get Into My Car by Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
writer:
Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd and Zomba Music Publishing Ltd.
Billy Ocean2.354:43
2I'm So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters4.83:50
3Sexual Healing
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1982 to present)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3:24
4Stimulation
recording of:
Stimulation
writer:
Paul Gray (former Wa Wa Nee vocalist/keyboardist)
Wa Wa Nee53:41
5Let's Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:20
6Maniac
producer:
Phil Ramone and Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
writer:
Dennis Matkosky and Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1983 nominee)
Michael Sembello4.154:02
7White Lines (Don't Do It)
recording of:
White Lines (Don’t Don’t Do It)
writer:
Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
Four Hills Music Ltd and IQ Music Ltd.
is based on:
Cavern
Grandmaster Flash4:27
8Blame It on the Boogie
engineer:
Don Murray (producer / engineer)
executive producer:
Mike Atkinson and Bobby Colomby
mixer:
John Luongo
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) and Nathan Watts (in 1978)
congas:
Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
drums (drum set) and percussion:
Rick Morotta (US drummer/percussionist) (in 1978)
flute, saxophone and trumpet:
Seawind Horns
guitar:
Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
keyboard:
Greg Phillinganes (in 1978)
background vocals:
Jackie Jackson (member of the Jackson 5), Marlon Jackson and Randy Jackson (brother of Michael and Janet)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978)
horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Dawnbreakers Studios in Los Angeles, California, United States, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and Total Experience Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
cover recording of:
Blame It on the Boogie (in 1978)
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
recording of:
Blame It on the Boogie
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
The Jacksons4.153:32
9Let's GrooveEarth, Wind & Fire43:32
10Bedroom Eyes
phonographic copyright (℗) by:
Mushroom Records (in 1989)
recording of:
Bedroom Eyes
writer:
Raymond Jones and Sami McKinney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Kate Ceberano3:55
11Heaven (Must Be There)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) and Nostata Pty. Limited (in 1983, in 1984)
recording of:
Heaven (Must Be There)
lyricist and composer:
Bernie Lynch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orient Pacific Music Pty. Ltd. and Warner Chappell Music (publisher as Warner/Chappell Music)
Eurogliders33:39
12State of the Heart
phonographic copyright (℗) by:
Fable Records (in 1980)
part of:
Mixtape – Game Soundtrack (number: 9)
recording of:
State of the Heart
lyricist and composer:
Eric McCusker
publisher:
Origin Music (publisher)
Mondo Rock4:17
13Trust Me
phonographic copyright (℗) by:
Regular Records (Australian label) (in 1984)
recording of:
Trust Me
writer:
Kate Ceberano, Stephen Charlesworth (I'm Talking), Ian Cox, Robert Goodge, Barbara Hogarth and Cameron Newman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music Publishing
I’m Talking3:49
14Be Good Johnny
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Be Good Johnny
lyricist:
Colin Hay
composer:
Greg Ham (member of Men at Work) and Colin Hay
publisher:
EMI Music (do not use as release label! this is a music publisher) and EMI Songs Australia Pty. Ltd.
Men at Work3.653:36
15Chained to the Wheel
producer:
Jeff Burstin, Joe Camilleri and Tomie (producer)
bass guitar:
Mick Girasole
drums (drum set):
Peter Luscombe
percussion:
Alex Pertout
vocals:
Joe Camilleri
phonographic copyright (℗) by:
CBS Productions Pty. Limited (in 1988), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1988) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1988)
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia and RBX Studios in Melbourne, Victoria, Australia
recording of:
Chained to the Wheel
lyricist:
Nick Smith (Australian Guitar Player and Songwriter)
writer:
Joe Camilleri
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Orient Pacific Music Pty. Ltd. and Warner Chappell Music (publisher as Warner/Chappell Music)
The Black Sorrows3:54

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Release group

part of:The Encyclopaedia of Music (number: 80.3) (order: 15)