Verve Jazz Masters 5

~ Release by Bill Evans (see all versions of this release, 1 available)

Annotation

Compilation of 1960's recordings of Bill Evans on the Verve label. Recording date for track 2 "Here's that Rainy Day" needs confirmation, the 1969 recording date in the booklet does not match other sources, so two dates are currently associated with the recording.

Annotation last modified on 2024-02-29 11:41 UTC.

Tracklist

1CD
#TitleRatingLength
1Israel
recorded in:
New York, United States (on 1965-02-03)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Chuck Israels (on 1965-02-03)
drums (drum set):
Larry Bunker (on 1965-02-03)
piano:
Bill Evans (pianist) (on 1965-02-03)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-02-03)
cover recording of:
Israel (Miles Davis/John Carisi's song) (on 1965-02-03)
composer:
John Carisi (American trumpeter and composer)
publisher:
Beechwood Music
4:49
2Here’s That Rainy Day
recording engineer:
Ray Hall (engineer) (from 1968-09-23 until 1968-10-21)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1968-09-23 until 1968-10-21)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09-23 until 1968-10-21)
instrumental recording of:
Here’s That Rainy Day (from 1968-09-23 until 1968-10-21)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
instrumental recording of:
Here’s That Rainy Day (on 1969-12-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:23
3Just You, Just Me
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
Just You, Just Me (on 1963-02-09)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
2:37
4A Sleepin’ Bee
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (on 1963-12-18)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
5:31
5Let’s Go Back to the Waltz
recorded in:
New York, New York, United States (on 1962-08-14)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass [bass]:
Monty Budwig (on 1962-08-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1962-08-14)
piano:
Bill Evans (pianist) (on 1962-08-14)
instrumental recording of:
Let’s Go Back to the Waltz (on 1962-08-14)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music and Irving Berlin Music Company
4:33
6Funkallero
producer:
Creed Taylor
double bass:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
recording of:
Funkallero (on 1964-05-06)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
6:44
7NYC’s No Lark
recording engineer:
Ray Hall (engineer) (on 1963-02-06)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-06)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-06)
recording of:
N.Y.C.’s No Lark (on 1963-02-06)
composer:
Bill Evans (pianist)
5:34
8Mother of Earl
recording engineer:
Pierre Grandjean (on 1968-06-15), Jean-Claude Martin (on 1968-06-15) and Bob Schwarz (on 1968-06-15)
producer:
Helen Keane
editor:
Bob Schwarz
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-15)
drums (drum set):
Jack DeJohnette (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
remixer:
Bob Schwarz
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-15)
recording of:
Mother of Earl (on 1968-06-15)
composer:
Earl Zindars
5:02
9Bemsha Swing
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
cover recording of:
Bemsha Swing (instrumental) (on 1963-02-09)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:58
10Angel Face
producer:
Creed Taylor
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1966-05-10)
piano:
Bill Evans (pianist) (on 1966-05-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-05-10)
cover recording of:
Angel Face (on 1966-05-10)
writer:
Joe Zawinul (jazz and fusion keyboard player)
6:36
11Alfie
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-18)
piano:
Bill Evans (pianist) (on 1967-08-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-18)
live instrumental cover recording of:
Alfie (on 1967-08-18)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
5:09
12On Green Dolphin Street
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17, from 1967-08-17 until 1967-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17, from 1967-08-17 until 1967-08-18)
piano:
Bill Evans (pianist) (on 1967-08-17, from 1967-08-17 until 1967-08-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17, from 1967-08-17 until 1967-08-18)
live instrumental cover recording of:
On Green Dolphin Street (on 1967-08-17)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
instrumental recording of:
On Green Dolphin Street (on 1967-08-18)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
4:51
13Quiet Now
recording engineer:
Ray Hall (engineer) (on 1967-08-09)
producer:
Helen Keane
piano:
Bill Evans (pianist) (on 1967-08-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1967-08-09)
cover recording of:
Quiet Now (on 1967-08-09)
composer:
Denny Zeitlin
publisher:
Ludlow Music, Ludlow Music, Inc. and TRO Essex Music Ltd.
7:55

Credits

Release

art direction:Sheryl Lutz-Brown (art director and designer)
photography:Chuck Stewart (photographer, best known for his portraits of jazz singers and musicians)
liner notes:Art Lange (author, journalist, producer) (in 1993-06)
miscellaneous support:Michael Lang (record label executive) (task: compilation supervised by)
assistant producer:Aric Lach Morrison (task: additional production assistance)
Jon Schapiro (Sound engineer and producer.) (task: additional production assistance)
mastering:Suha Gur
compiler:Art Lange (author, journalist, producer)
design:Étsuko Iseki
Christina Lage
booklet editor:Peter Pullman
mastered at:PolyGram Studios (Tape master storage facility and mastering studio in Edison, NJ) in Edison, New Jersey, United States
Discogs:https://www.discogs.com/release/1232134 [info]
ASIN:US: B0000046RF [info]

Release group

part of:Verve Jazz Masters (number: VJM 5) (order: 5)
Allmusic:https://www.allmusic.com/album/mw0000111493 [info]