The Complete Early Recordings on Deutsche Grammophon

~ Release by Lorin Maazel (see all versions of this release, 2 available)

Tracklist

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1▼CD: Berlioz: Roméo et Juliette, Op.17 / Part 2; Part 4; Part 3; Part 6
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1Roméo et Juliette, op. 17: Grande fête chez Capulet
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 2. Roméo seul - Tristesse - Bruit lointain de bal et de concert - Grande Fête chez Capulet (from 1957-02 until 1997-06)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz11:46
2Roméo et Juliette, op. 17: La reine Mab. Scherzo
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 4. Scherzo: La Reine Mab, ou la Fée des Songes (from 1957-02 until 1957-06)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz7:42
3Roméo et Juliette, op. 17: Scène d’amour
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
partial recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 3. Scène d'amour: Nuit sereine - Le Jardin de Capulet, silencieux et désert « Ohé ! Capulets, bonsoir ! » - Les jeunes Capulets sortant de la fête, passent en chantant des réminiscences de la musique du bal (from 1957-02 until 1957-06)
lyricist:
Émile Deschamps (poet)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz17:36
4Roméo et Juliette, op. 17: Roméo au tombeau des Capulets
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
partial recording of:
Roméo et Juliette, op. 17 : Troisième partie : Nº 6. Roméo au tombeau des Capulets – Invocation – Réveil de Juliette – Joie délirante, désespoir – Dernières angoisses et mort des deux amants (from 1957-02 until 1957-06)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz8:04
2▼CD: Tchaikovsky: Romeo And Juliet, Fantasy Overture / Prokofiev: Romeo And Juliet, Ballet Suite, Op.64a
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1Romeo and Juliet
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
balance engineer:
Alfred Steinke (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1957-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky22:12
2Romeo and Juliet: The Montagues and the Capulets
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Serge Prokofiev5:27
3Romeo and Juliet: Dance
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: IV. Dance (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Serge Prokofiev1:50
4Romeo and Juliet: Romeo at Juliet’s Tomb
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: VII. Romeo at Juliet's Grave (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Serge Prokofiev6:33
5Romeo and Juliet: Dance of the Girls from the Antilles
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: VI. Dance of the Girls with Lilies (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Serge Prokofiev2:17
6Romeo and Juliet: Tybalt’s Death
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet Suite no. 1, op. 64bis
Serge Prokofiev4:43
3▼CD: Stravinsky: The Firebird; The Song Of The Nightingale
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1L'Oiseau de feu: Introduction – L’Oiseau de feu et sa danse
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: I. Introduction (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
recording of:
L’Oiseau de feu: I. L’Oiseau de feu et sa danse (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:25
2L'Oiseau de feu: Variation de l’Oiseau de feu
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: I. Variation de l’Oiseau de feu (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky1:16
3L'Oiseau de feu: Ronde des princesses (Khorovode)
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: II. Ronde des princesses (Khorovode) (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky5:30
4L'Oiseau de feu: Danse infernale du roi Kachtcheï
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:56
5L'Oiseau de feu: Berceuse
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: III. Berceuse (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:26
6L'Oiseau de feu: Final
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:27
7Le Chant du rossignol: Introduction. Presto – Andantino – Tempo I
producer:
Wolfgang Lohse
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
Le Chant du rossignol : I. Introduction (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky2:29
8Le Chant du rossignol: Marche chinoise
producer:
Wolfgang Lohse
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
Le Chant du rossignol : II. Marche chinoise (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky3:41
9Le Chant du rossignol: Chant du rossignol
producer:
Wolfgang Lohse
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
Le Chant du rossignol : III. Chant du rossignol (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky3:37
10Le Chant du rossignol: Jeu du rossignol mécanique
producer:
Wolfgang Lohse
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
Le Chant du rossignol : IV. Jeu du rossignol mécanique (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky12:50
4▼CD: Beethoven: Symphony No.5 In C Minor, Op.67; Overture "The Consecration Of The House", Op.124
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1Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1958-05-13 until 1958-06-20)
conductor:
Lorin Maazel (conductor) (from 1958-05-13 until 1958-06-20)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-05-13 until 1958-06-20)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-05-13 until 1958-06-20)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1958-05-13 until 1958-06-20)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:58
2Symphony no. 5 in C minor, op. 67: 2. Andante con moto
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1958-05-13 until 1958-06-20)
conductor:
Lorin Maazel (conductor) (from 1958-05-13 until 1958-06-20)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-05-13 until 1958-06-20)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-05-13 until 1958-06-20)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (from 1958-05-13 until 1958-06-20)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:45
3Symphony no. 5 in C minor, op. 67: 3. Allegro
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1958-05-13 until 1958-06-20)
conductor:
Lorin Maazel (conductor) (from 1958-05-13 until 1958-06-20)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-05-13 until 1958-06-20)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-05-13 until 1958-06-20)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (from 1958-05-13 until 1958-06-20)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven4:52
4Symphony no. 5 in C minor, op. 67: 4. Allegro
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1958-05-13 until 1958-06-20)
conductor:
Lorin Maazel (conductor) (from 1958-05-13 until 1958-06-20)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-05-13 until 1958-06-20)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-05-13 until 1958-06-20)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (from 1958-05-13 until 1958-06-20)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:42
5Overture "The Consecration of the House", op. 124
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1958-05-12 until 1958-05-13)
conductor:
Lorin Maazel (conductor) (from 1958-05-12 until 1958-05-13)
balance engineer:
Werner Wolf (engineer/producer) (from 1958-05-12 until 1958-05-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1958-05-12 until 1958-05-13)
recording of:
Die Weihe des Hauses, op. 124: Overture (The Consecration of the House, op. 124: Overture) (from 1958-05-12 until 1958-05-13)
composer:
Ludwig van Beethoven (German composer) (in 1822-09)
dedicated to:
Николай Голицын (Russian aristocrat, an amateur musician, known for his commissioning three string quartets from Beethoven)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 124)
part of:
Die Ruinen von Athen, op. 114 (second version of op. 113, 1822)
part of:
Die Weihe des Hauses, op. 124
Ludwig van Beethoven12:13
5▼CD: Brahms: Symphony No.3 In F, Op.90; Tragic Overture, Op.81
#TitleArtistRatingLength
1Symphony no. 3 in F major, op. 90: 1. Allegro con brio
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-01-09 until 1959-01-11)
conductor:
Lorin Maazel (conductor) (from 1959-01-09 until 1959-01-11)
balance engineer:
Walter Alfred Wettler (from 1959-01-09 until 1959-01-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-01-09 until 1959-01-11)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: I. Allegro con brio (from 1959-01-09 until 1959-01-11)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms9:53
2Symphony no. 3 in F major, op. 90: 2. Andante
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-01-09 until 1959-01-11)
conductor:
Lorin Maazel (conductor) (from 1959-01-09 until 1959-01-11)
balance engineer:
Walter Alfred Wettler (from 1959-01-09 until 1959-01-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-01-09 until 1959-01-11)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: II. Andante (from 1959-01-09 until 1959-01-11)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms9:13
3Symphony no. 3 in F major, op. 90: 3. Poco allegretto
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-01-09 until 1959-01-11)
conductor:
Lorin Maazel (conductor) (from 1959-01-09 until 1959-01-11)
balance engineer:
Walter Alfred Wettler (from 1959-01-09 until 1959-01-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-01-09 until 1959-01-11)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 1959-01-09 until 1959-01-11)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:33
4Symphony no. 3 in F major, op. 90: 4. Allegro
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-01-09 until 1959-01-11)
conductor:
Lorin Maazel (conductor) (from 1959-01-09 until 1959-01-11)
balance engineer:
Walter Alfred Wettler (from 1959-01-09 until 1959-01-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-01-09 until 1959-01-11)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: IV. Allegro (from 1959-01-09 until 1959-01-11)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms8:40
5Tragic Overture, op. 81
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-01-09 until 1959-01-11)
conductor:
Lorin Maazel (conductor) (from 1959-01-09 until 1959-01-11)
balance engineer:
Walter Alfred Wettler (from 1959-01-09 until 1959-01-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-01-09 until 1959-01-11)
recording of:
Tragische Ouvertüre, op. 81 (Tragic Overture, op. 81) (from 1959-01-09 until 1959-01-11)
composer:
Johannes Brahms (German composer) (in 1880)
premiered by:
Hans Richter (conductor, 1843-1916) (on 1880-12-26) and Wiener Philharmoniker (Vienna Philharmonic) (on 1880-12-26)
premiered at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1880-12-26)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 81)
Johannes Brahms11:31
6▼CD: Respighi: Pines Of Rome, [P. 141] / Mussorgsky: A Night On The Bare Mountain / Rimsky-Korsakov: Capriccio Espagnol, Op.34
#TitleArtistRatingLength
1Pini di Roma: 1. I pini di Villa Borghese
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Pini di Roma, P 141: I. I pini di Villa Borghese (in 1958-12)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi2:35
2Pini di Roma: 2. Pini presso una catacomba
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Pini di Roma, P 141: II. Pini presso una catacomba (in 1958-12)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi6:24
3Pini di Roma: 3. I pini del Gianicolo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Pini di Roma, P 141: III. I pini del Gianicolo (in 1958-12)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi6:39
4Pini di Roma: 4. I pini della Via Appia
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Pini di Roma, P 141: IV. I pini della Via Appia (in 1958-12)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi4:52
5Night on Bald Mountain
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1959-02)
conductor:
Lorin Maazel (conductor) (in 1959-02)
balance engineer:
Walter Alfred Wettler (in 1959-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-02)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov) (in 1959-02)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Modest Mussorgsky9:50
6Capriccio espagnol, op. 34: 1. Alborada. Vivo e strepitoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio espagnol, op. 34: I. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov1:12
7Capriccio espagnol, op. 34: 2. Variazioni. Andante con moto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: II. Variazioni (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov4:47
8Capriccio espagnol, op. 34: 3. Alborada. Vivo e strepitoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: III. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov1:11
9Capriccio espagnol, op. 34: 4. Scena e canto gitano. Allegretto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: IV. Scena e canto gitano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov4:27
10Capriccio espagnol, op. 34: 5. Fandango asturiano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: V. Fandango asturiano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov3:05
7▼CD: Schubert: Symphony No.4 In C Minor, D.417 - "Tragic"; Symphony No.8 In B Minor, D.759 - "Unfinished"
#TitleArtistRatingLength
1Symphony no. 4 in C minor, D. 417 "Tragic": 1. Adagio molto – Allegro vivace
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-17 until 1959-11-23)
conductor:
Lorin Maazel (conductor) (from 1959-11-17 until 1959-11-23)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-17 until 1959-11-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-17 until 1959-11-23)
recording of:
Symphony no. 4 in C minor, D. 417 "Tragic": I. Adagio molto - Allegro vivace (from 1959-11-17 until 1959-11-23)
composer:
Franz Schubert (composer) (in 1816-04)
part of:
Symphony no. 4 in C minor, D. 417 "Tragic"
Franz Schubert7:54
2Symphony no. 4 in C minor, D. 417 "Tragic": 2. Andante
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-17 until 1959-11-23)
conductor:
Lorin Maazel (conductor) (from 1959-11-17 until 1959-11-23)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-17 until 1959-11-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-17 until 1959-11-23)
recording of:
Symphony no. 4 in C minor, D. 417 "Tragic": II. Andante (from 1959-11-17 until 1959-11-23)
composer:
Franz Schubert (composer) (in 1816-04)
part of:
Symphony no. 4 in C minor, D. 417 "Tragic"
Franz Schubert9:14
3Symphony no. 4 in C minor, D. 417 "Tragic": 3. Menuetto. Allegro vivace – Trio
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-17 until 1959-11-23)
conductor:
Lorin Maazel (conductor) (from 1959-11-17 until 1959-11-23)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-04 until 1959-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-17 until 1959-11-23)
recording of:
Symphony no. 4 in C minor, D. 417 "Tragic": III. Menuetto. Allegro vivace (from 1959-11-17 until 1959-11-23)
composer:
Franz Schubert (composer) (in 1816-04)
part of:
Symphony no. 4 in C minor, D. 417 "Tragic"
Franz Schubert3:39
4Symphony no. 4 in C minor, D. 417 "Tragic": 4. Allegro
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-17 until 1959-11-23)
conductor:
Lorin Maazel (conductor) (from 1959-11-17 until 1959-11-23)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-17 until 1959-11-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-17 until 1959-11-23)
recording of:
Symphony no. 4 in C minor, D. 417 "Tragic": IV. Allegro (from 1959-11-17 until 1959-11-23)
composer:
Franz Schubert (composer) (in 1816-04)
part of:
Symphony no. 4 in C minor, D. 417 "Tragic"
Franz Schubert6:54
5Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro moderato
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1959-11)
conductor:
Lorin Maazel (conductor) (in 1959-11)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1959-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-11)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato (in 1959-11)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert10:54
6Symphony no. 8 in B minor, D. 759 “Unfinished”: 2. Andante con moto
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1959-11)
conductor:
Lorin Maazel (conductor) (in 1959-11)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1959-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-11)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (in 1959-11)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert11:36
8▼CD: Mozart: Symphony No.1 In E Flat, K.16; Symphony No.28 In C, K.200; Symphony No.41 In C, K.551 - "Jupiter"
#TitleArtistRatingLength
1Symphony no. 1 in E-flat major, K. 16: 1. Allegro molto
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 1 in E-flat major, K. 16: I. Allegro molto (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1764)
part of:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart3:01
2Symphony no. 1 in E-flat major, K. 16: 2. Andante
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 1 in E-flat major, K. 16: II. Andante (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1764)
part of:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart2:04
3Symphony no. 1 in E-flat major, K. 16: 3. Presto
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 1 in E-flat major, K. 16: III. Presto (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1764)
part of:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart2:18
4Symphony no. 28 in C major, K. 200 (189k): 1. Allegro spiritoso
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 28 in C major, K. 189k/200: I. Allegro spiritoso (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-11-17)
part of:
Symphony no. 28 in C major, K. 189k/200
Wolfgang Amadeus Mozart5:21
5Symphony no. 28 in C major, K. 200 (189k): 2. Andante
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 28 in C major, K. 189k/200: II. Andante (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-11-17)
part of:
Symphony no. 28 in C major, K. 189k/200
Wolfgang Amadeus Mozart4:49
6Symphony no. 28 in C major, K. 200 (189k): 3. Menuetto. Allegretto – Trio
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 28 in C major, K. 189k/200: III. Minuetto. Allegretto & Trio (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-11-17)
part of:
Symphony no. 28 in C major, K. 189k/200
Wolfgang Amadeus Mozart4:04
7Symphony no. 28 in C major, K. 200 (189k): 4. Presto
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 28 in C major, K. 189k/200: IV. Presto (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-11-17)
part of:
Symphony no. 28 in C major, K. 189k/200
Wolfgang Amadeus Mozart3:28
8Symphony no. 41 in C major. K. 551 “Jupiter”: 1. Allegro vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:23
9Symphony no. 41 in C major. K. 551 “Jupiter”: 2. Andante cantabile
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:02
10Symphony no. 41 in C major. K. 551 “Jupiter”: 3. Menuetto. Allegretto – Trio
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart5:32
11Symphony no. 41 in C major. K. 551 “Jupiter”: 4. Finale. Molto allegro
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-01)
conductor:
Lorin Maazel (conductor) (in 1960-01)
balance engineer:
Walter Alfred Wettler (in 1960-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-01)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (in 1960-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart6:22
9▼CD: Beethoven: Symphony No.6 In F, Op.68 -"Pastoral"; 12 Contredanses, WoO 14
#TitleArtistRatingLength
1Symphony No. 6 in F major, op. 68 “Pastoral”: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-27 until 1960-03-29)
conductor:
Lorin Maazel (conductor) (from 1959-11-27 until 1960-03-29)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-27 until 1963-03-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-27 until 1960-03-29)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (from 1959-11-27 until 1960-03-29)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:31
2Symphony No. 6 in F major, op. 68 “Pastoral”: 2. Szene am Bach
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-27 until 1960-03-29)
conductor:
Lorin Maazel (conductor) (from 1959-11-27 until 1960-03-29)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-27 until 1963-03-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-27 until 1960-03-29)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") (from 1959-11-27 until 1960-03-29)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven11:46
3Symphony No. 6 in F major, op. 68 “Pastoral”: 3. Lustiges Zusammensein der Landleute
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-27 until 1960-03-29)
conductor:
Lorin Maazel (conductor) (from 1959-11-27 until 1960-03-29)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-27 until 1963-03-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-27 until 1960-03-29)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (from 1959-11-27 until 1960-03-29)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven5:25
4Symphony No. 6 in F major, op. 68 “Pastoral”: 4. Gewitter – Sturm
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-27 until 1960-03-29)
conductor:
Lorin Maazel (conductor) (from 1959-11-27 until 1960-03-29)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-27 until 1963-03-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-27 until 1960-03-29)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (from 1959-11-27 until 1960-03-29)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:40
5Symphony No. 6 in F major, op. 68 “Pastoral”: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-27 until 1960-03-29)
conductor:
Lorin Maazel (conductor) (from 1959-11-27 until 1960-03-29)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-27 until 1963-03-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-27 until 1960-03-29)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (from 1959-11-27 until 1960-03-29)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:25
612 Contredanses for Orchestra, WoO 14: No. 1 in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 1 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven10:30
712 Contredanses for Orchestra, WoO 14: No. 2 in A major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 2 in A major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven10:34
812 Contredanses for Orchestra, WoO 14: No. 3 in D major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 3 in D major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven11:02
912 Contredanses for Orchestra, WoO 14: No. 4 in B-flat major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven10:33
1012 Contredanses for Orchestra, WoO 14: No. 5 in E-flat major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 5 in E-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (from 1791 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven11:01
1112 Contredanses for Orchestra, WoO 14: No. 6 in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 6 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven11:16
1212 Contredanses for Orchestra, WoO 14: No. 7 in E-flat major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven10:43
1312 Contredanses for Orchestra, WoO 14: No. 8 in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 8 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1791)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:24
1412 Contredanses for Orchestra, WoO 14: No. 9 in A major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 9 in A major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:25
1512 Contredanses for Orchestra, WoO 14: No. 10 in C major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 10 in C major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven11:06
1612 Contredanses for Orchestra, WoO 14: No. 11 in G major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 11 in G major (from 1959-11-24 until 1960-04-09)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven0:28
1712 Contredanses for Orchestra, WoO 14: No. 12 in E-flat major
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1959-11-24 until 1960-04-06)
conductor:
Lorin Maazel (conductor) (from 1959-11-24 until 1960-04-06)
balance engineer:
Gerhard Henjes (sound engineer and producer) (from 1959-11-24 until 1960-04-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-11-24 until 1960-04-06)
recording of:
12 Contredances for Orchestra, WoO 14: No. 12 in E-flat major (from 1959-11-24 until 1960-04-06)
composer:
Ludwig van Beethoven (German composer) (in 1791)
part of:
12 Contredances for Orchestra, WoO 14
Ludwig van Beethoven11:48
10▼CD: Ravel: L'Enfant et les sortilèges, M. 71
#TitleArtistRatingLength
1L’Enfant et les sortilèges: "J’ai pas envie de faire ma page" (L’Enfant)
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « J'ai pas envie de faire ma page ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel2:04
2L’Enfant et les sortilèges: "Bébé a été sage?" (Maman)
producer:
Hans Ritter
vocals:
Jeannine Collard (mezzo-soprano / contralto) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Bébé a été sage ? » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:12
3L’Enfant et les sortilèges: "Ça m’est égal!" (L’Enfant)
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Ça m'est égal ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:08
4L’Enfant et les sortilèges: "Votre serviteur humble, Bergère" (Le Fauteuil, La Bergère, Les Meubles)
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Heinz Rehfuss (baritone) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Votre serviteur humble, Bergère » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:46
5L’Enfant et les sortilèges: "Ding, ding, ding, ding" (L’Horloge comtoise, L’Enfant)
producer:
Hans Ritter
vocals:
Camille Maurane (baritone) (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Ding, ding, ding, ding » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:19
6L’Enfant et les sortilèges: "How’s your mug?" (La Théière, La Tasse)
producer:
Hans Ritter
vocals:
Jeannine Collard (mezzo-soprano / contralto) (in 1960-11) and Michel Sénéchal (tenor) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « How's your mug? » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel0:54
7L’Enfant et les sortilèges: "Keng-ça-fou, Mah-jong" (La Tasse, La Théière)
producer:
Hans Ritter
vocals:
Jeannine Collard (mezzo-soprano / contralto) (in 1960-11) and Michel Sénéchal (tenor) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Keng-ça-fou, mah-jong » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:30
8L’Enfant et les sortilèges: "Oh ! Ma belle tasse chinoise!" (L’Enfant)
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Oh ! Ma belle tasse chinoise ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel0:42
9L’Enfant et les sortilèges: "Arrière ! Je réchauffe les bons" (Le Feu, L’Enfant)
producer:
Hans Ritter
vocals:
Sylvaine Gilma (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Arrière ! Je réchauffe les bons » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel2:22
10L’Enfant et les sortilèges: "Adieu, pastourelles!" (Les Pâtres, Les Pastoures, Un Pâtre, Une Pastourelle)
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Colette Herzog (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Adieu, pastourelles ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel3:09
11L’Enfant et les sortilèges: "Ah! C’est Elle! C’est Elle!" (L’Enfant, La Princesse)
producer:
Hans Ritter
vocals:
Sylvaine Gilma (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Ah ! C'est elle ! C'est elle ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel4:57
12L’Enfant et les sortilèges: "Toi, le cœur de la rose" (L’Enfant)
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Toi, le cœur de la rose » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:44
13L’Enfant et les sortilèges: "Deux robinets coulent dans un réservoir!" (Le Petit Vieillard, L’Enfant, Les Chiffres)
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Françoise Ogéas (soprano) (in 1960-11) and Michel Sénéchal (tenor) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Deux robinets coulent dans un réservoir ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:47
14L’Enfant et les sortilèges: "Oh! Ma tête!" (L’Enfant)
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Oh ! Ma tête ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:16
15L’Enfant et les sortilèges: Duo miaulé (Le Chat, La Chatte)
producer:
Hans Ritter
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Camille Maurane (baritone) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Duo miaulé » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:34
16L’Enfant et les sortilèges: Musique d’insectes, de rainettes, etc.
producer:
Hans Ritter
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Musique d'insectes, de rainettes, etc. » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:06
17L’Enfant et les sortilèges: "Ah ! Quelle joie de te retrouver, Jardin!" (L’Enfant, L’Arbre, Les Autres Arbres)
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Françoise Ogéas (soprano) (in 1960-11) and Heinz Rehfuss (baritone) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Ah ! Quelle joie de te retrouver, Jardin ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:41
18L’Enfant et les sortilèges: "Où es-tu ? Je te cherche…" (La Libellule, Le Rossignol, L’Enfant)
producer:
Hans Ritter
vocals:
Jeannine Collard (mezzo-soprano / contralto) (in 1960-11), Sylvaine Gilma (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Où es-tu ? Je te cherche... » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:51
19L’Enfant et les sortilèges: Ronde des Chauves-Souris: "Rends-la-moi…tsk, tsk… " (La Chauve-Souris, L’Enfant)
producer:
Hans Ritter
vocals:
Colette Herzog (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. Ronde des chauves-souris : « Rends-la moi... Tsk, Tsk... » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel0:34
20L’Enfant et les sortilèges: Danse des rainettes
producer:
Hans Ritter
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Danse des rainettes » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:54
21L’Enfant et les sortilèges: "Sauve-toi, sotte! Et la cage? La cage?" (L’Écureuil, La Rainette)
producer:
Hans Ritter
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Michel Sénéchal (tenor) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Sauve-toi, sotte ! Et la cage ? La cage ? » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel0:56
22L’Enfant et les sortilèges: "La cage, c’était pour mieux voir ta prestesse" (L’Enfant, L’Écureuil)
producer:
Hans Ritter
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « La cage, c'était pour mieux voir ta prestesse » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:45
23L’Enfant et les sortilèges: "Ah! C’est l’Enfant au couteau!" (Les Bêtes, Les Arbres)
producer:
Hans Ritter
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Ah ! C'est l'enfant au couteau ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel0:36
24L’Enfant et les sortilèges: "Il a pansé la plaie ... " (Les Bêtes)
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Il a pansé la plaie... » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel2:21
25L’Enfant et les sortilèges: "Il est bon, l’Enfant, il est sage" (Les Bêtes, L’Enfant)
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Il est bon, l'enfant, il est sage » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel2:44
11▶CD: Mendelssohn: Symphony No.4 In A, Op.90 - "Italian", MWV N 16 & Symphony No.5 In D Minor, Op.107 - "Reformation", MWV N 15
12▶CD: Schubert: Symphony No.5 In B Flat, D.485 & Symphony No.6 In C, D.589 - "The Little"
13▶CD: Franck: Symphony In D Minor
14▶CD: Britten: The Young Person's Guide To The Orchestra, Op.34 / Prokofiev: Peter And The Wolf, Op.67
15▶CD: Tchaikovsky: Symphony No.4 In F Minor, Op.36
16▶CD: Schubert: Symphony No.2 In B Flat, D.125 & Symphony No.3 In D, D.200
17▶CD: Ravel: L'heure espagnole, Comédie en un acte
18▶CD: Falla: El Amor Brujo; El Sombrero De Tres Picos / Part 1 & 2