The Father of Bluegrass: The Essential Recordings

~ Release by Bill Monroe (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Will the Circle Be Unbroken
producer:
Eli Oberstein
guitar and lead vocals:
Charlie Monroe (on 1936-10-12)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1936-10-12)
recorded at:
Southern Radio Building in Charlotte, North Carolina, United States (on 1936-10-12)
cover recording of:
Can the Circle Be Unbroken (By and By) (on 1936-10-12)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (on 1907-04-30)
additional lyricist and additional composer:
A.P. Carter
lyricist:
Ada Ruth Habershon (in 1907)
composer:
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1935-06-22)
version of:
Will the Circle Be Unbroken?
2:24
2What Would You Give in Exchange For Your Soul?
producer:
Eli Oberstein
guitar and lead vocals:
Charlie Monroe (on 1936-02-17)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1936-02-17)
arranger:
Bill Monroe (“The Father of Bluegrass”) and Charlie Monroe
recorded at:
Southern Radio Building in Charlotte, North Carolina, United States (on 1936-02-17)
recording of:
What Would You Give in Exchange? (on 1936-02-17)
lyricist:
F. J. Berry (in 1911)
composer:
James H. Carr (gospel songwriter) (in 1911)
publisher:
The Trio Music Company (Waco, Texas) (on 1912-06-14) and Stamps Baxter Music & Printing Co. (on 1940-06-14)
recording of:
Little Red Shoes (on 1937-02-17)
lyricist and composer:
Charlie Monroe
version of:
Who’s Gonna Shoe Your Pretty Little Feet?
recording of:
My Dear Old Southern Home (on 1937-02-17)
writer:
Ellsworth T. Cozzens (Jimmie Rodgers accompanist) and Jimmie Rodgers (country music pioneer, died in 1933)
recording of:
My Long Journey Home (on 1937-02-17)
writer:
[traditional] (special purpose artist)
recording of:
New River Train (on 1937-02-17)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4568)
recording of:
Nine Pound Hammer (on 1937-02-17)
writer:
[traditional] (special purpose artist)
publisher:
Elvis Presley Music and Hill and Range Songs, Inc. (publisher)
recording of:
What Is Home Without Love (on 1937-02-17)
lyricist and composer:
Charlie Monroe
recording of:
Drifting Too Far From the Shore
lyricist and composer:
Charles Ernest Moody (20th-century American gospel songwriter)
recording of:
Foggy Mountain Top
lyricist and composer:
A.P. Carter
recording of:
This World Is Not My Home
lyricist and composer:
J.R. Baxter
writer:
[traditional] (special purpose artist)
3:10
3Mule Skinner Blues
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
double bass [string bass]:
Bill Wesbrooks (bluegrass/country singer, bassist, and comedian) (on 1940-10-07)
fiddle:
Tommy Magness (on 1940-10-07)
guitar and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1940-10-07)
recording of:
Blue Yodel No. 8 (Mule Skinner Blues) (on 1940-10-07)
lyricist and composer:
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
Peer International Corporation (BMI)
part of:
Blue Yodels by Jimmie Rodgers
2:45
4Katy Hill
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
double bass [string bass]:
Bill Wesbrooks (bluegrass/country singer, bassist, and comedian) (on 1940-10-07)
fiddle:
Tommy Magness (on 1940-10-07)
guitar:
Clyde Moody (on 1940-10-07)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1940-10-07)
recording of:
Katy Hill (on 1940-10-07)
composer:
[traditional] (special purpose artist)
2:40
5Blue Yodel No.7
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
double bass [string bass]:
Bill Wesbrooks (bluegrass/country singer, bassist, and comedian) (on 1941-10-02)
fiddle:
Art Wooten (American fiddler) (on 1941-10-02)
guitar:
Pete Pyle (on 1941-10-02)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1941-10-02)
recording of:
Blue Yodel No. 7 (Anniversary Blue Yodel) (on 1941-10-02)
writer:
Elsie McWilliams (American songwriter) and Jimmie Rodgers (country music pioneer, died in 1933)
part of:
Blue Yodels by Jimmie Rodgers
2:54
6In the Pines
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
double bass:
Pete Pyle (on 1941-10-02)
fiddle:
Art Wooten (American fiddler) (on 1941-10-02)
guitar and lead vocals:
Bill Wesbrooks (bluegrass/country singer, bassist, and comedian) (on 1941-10-02)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1941-10-02)
recording of:
In the Pines (Black Girl) (on 1941-10-02)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3421)
3:24
7Orange Blossom Special
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
double bass [string bass]:
Bill Wesbrooks (bluegrass/country singer, bassist, and comedian) (on 1941-10-02)
fiddle and lead vocals:
Art Wooten (American fiddler) (on 1941-10-02)
guitar:
Pete Pyle (on 1941-10-02)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1941-10-02)
recording of:
Orange Blossom Special (on 1941-10-02)
lyricist and composer:
Ervin Rouse
publisher:
Glanco Music (BMI-affiliated) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
2:33
8Heavy Traffic Ahead
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar:
Lester Flatt (on 1946-09-16)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1946-09-16)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Heavy Traffic Ahead (on 1946-09-16)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Bill Monroe Music
2:52
9True Life Blues
producer:
Art Satherly
accordion:
Wilene "Sally Ann" Forrester (country singer and accordionist) (on 1945-02-13)
banjo:
Stringbean (US banjo player Dave Akeman) (on 1945-02-13)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar and lead vocals:
Tex Willis (country/bluegrass guitarist) (on 1945-02-13)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1945-02-13)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1945-02-13)
recording of:
True Life Blues (on 1945-02-13)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:50
10Rocky Road Blues
accordion:
Wilene "Sally Ann" Forrester (country singer and accordionist) (on 1945-02-13)
banjo:
Stringbean (US banjo player Dave Akeman) (on 1945-02-13)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar:
Tex Willis (country/bluegrass guitarist) (on 1945-02-13)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1945-02-13)
recording of:
Rocky Road Blues (on 1945-02-13)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:37
11Blue Grass Special
producer:
Art Satherly
accordion:
Wilene "Sally Ann" Forrester (country singer and accordionist) (on 1945-02-13)
banjo:
Stringbean (US banjo player Dave Akeman) (on 1945-02-13)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar:
Tex Willis (country/bluegrass guitarist) (on 1945-02-13)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1945-02-13)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1945-02-13)
recording of:
Blue Grass Special (on 1945-02-13)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:31
12Summertime Is Past and Gone
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass and baritone vocals:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar and lead vocals:
Lester Flatt (on 1946-09-16)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1946-09-16)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Summertime Is Past and Gone (on 1946-09-16)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:57
13Blue Moon of Kentucky
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar:
Lester Flatt (on 1946-09-16)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1946-09-16)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Blue Moon of Kentucky (on 1946-09-16)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:05
14Toy Heart
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar and lead vocals:
Lester Flatt (on 1946-09-16)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1946-09-16)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Toy Heart (on 1946-09-16)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:46
15Wicked Path of Sin
2:41
16Bluegrass Breakdown
producer:
Art Satherly
banjo:
Earl Scruggs (on 1947-10-27)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1947-10-27)
fiddle:
Chubby Wise (on 1947-10-27)
guitar:
Lester Flatt (on 1947-10-27)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1947-10-27)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1947-10-27)
recording of:
Blue Grass Breakdown (on 1947-10-27)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:18
17Blue Yodel No.4
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar:
Lester Flatt (on 1946-09-16)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1946-09-16)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Blue Yodel No. 3 (Evening Sun Yodel) (on 1946-09-16)
writer:
Jimmie Rodgers (country music pioneer, died in 1933)
part of:
Blue Yodels by Jimmie Rodgers
3:06
18My Rose of Old Kentucky
producer:
Art Satherly
banjo:
Earl Scruggs (on 1947-10-27)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1947-10-27)
fiddle:
Chubby Wise (on 1947-10-27)
guitar:
Lester Flatt (on 1947-10-27)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1947-10-27)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1947-10-27)
recording of:
My Rose of Old Kentucky (on 1947-10-27)
writer:
Joe Ahr (“The Father of Bluegrass”)
2:57
19Molly and Tenbrooks
producer:
Art Satherly
banjo:
Earl Scruggs (on 1947-10-28)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1947-10-28)
fiddle:
Chubby Wise (on 1947-10-28)
guitar:
Lester Flatt (on 1947-10-28)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1947-10-28)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1947-10-28)
recording of:
Molly and Tenbrooks (on 1947-10-28)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
is based on:
Molly and Tenbrooks
2:46
20Little Cabin Home on the Hill
3:01
2▼CD
#TitleRatingLength
1I'm Going Back to Old Kentucky
2:59
2It's Mighty Dark to Travel
producer:
Art Satherly
banjo:
Earl Scruggs (on 1947-10-27)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1947-10-27)
fiddle:
Chubby Wise (on 1947-10-27)
guitar and lead vocals:
Lester Flatt (on 1947-10-27)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1947-10-27)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1947-10-27)
recording of:
It's Mighty Dark to Travel (on 1947-10-27)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:54
3Sweetheart You Done Me Wrong
producer:
Art Satherly
banjo:
Earl Scruggs (on 1947-10-27)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1947-10-27)
fiddle:
Chubby Wise (on 1947-10-27)
guitar and lead vocals:
Lester Flatt (on 1947-10-27)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1947-10-27)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1947-10-27)
recording of:
Sweetheart You Done Me Wrong (on 1947-10-27)
writer:
Lester Flatt and Bill Monroe (“The Father of Bluegrass”)
2:49
4Girl in the Blue Velvet Band
producer:
Art Satherly
banjo:
Rudy Lyle (on 1949-10-22)
double bass:
Jack Thompson (US bluegrass bassist) (on 1949-10-22)
fiddle:
Chubby Wise (on 1949-10-22)
guitar:
Mac Wiseman (on 1949-10-22)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1949-10-22)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1949-10-22)
recording of:
The Girl in the Blue Velvet Band (on 1949-10-22)
writer:
Cliff Carlisle (country and blues) and Mel Foree
3:16
5Can't You Hear Me Callin'
producer:
Art Satherly
banjo:
Rudy Lyle (on 1949-10-22)
double bass:
Jack Thompson (US bluegrass bassist) (on 1949-10-22)
fiddle:
Chubby Wise (on 1949-10-22)
guitar and lead vocals:
Mac Wiseman (on 1949-10-22)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1949-10-22)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1949-10-22)
recording of:
Can't You Hear Me Callin' (on 1949-10-22)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
3:19
6My Little Georgia Rose
banjo:
Rudy Lyle (on 1950-02-03)
double bass:
Joel Price (on 1950-02-03)
fiddle:
Vassar Clements (on 1950-02-03)
guitar:
Jimmy Martin (US bluegrass musician) (on 1950-02-03)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1950-02-03)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1950-02-03)
recording of:
My Little Georgia Rose (on 1950-02-03)
composer:
Bill Monroe (“The Father of Bluegrass”)
3:08
7Uncle Penn
producer:
Paul Cohen (Nashville country producer)
banjo:
Rudy Lyle (on 1950-10-15)
double bass and baritone vocals:
Joel Price (on 1950-10-15)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1950-10-15)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1950-10-15)
mandolin and lead vocals and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1950-10-15)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1950-10-15)
recording of:
Uncle Pen (on 1950-10-15)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Carlin Music Corporation, Unichappell Music, Unichappell Music, Inc. and Hill and Range Songs, Inc. (publisher) (in 1975)
2:45
8New Mule Skinner Blues
banjo:
Rudy Lyle (on 1950-02-03)
double bass:
Joel Price (on 1950-02-03)
fiddle:
Vassar Clements (on 1950-02-03)
guitar:
Jimmy Martin (US bluegrass musician) (on 1950-02-03)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1950-02-03)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1950-02-03)
recording of:
New Mule Skinner Blues (revised lyrics, first recorded by Bill Monroe ca. 1950) (on 1950-02-03)
lyricist:
George Vaughn
composer:
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
version of:
Blue Yodel No. 8 (Mule Skinner Blues)
2:31
9I'm on My Way to the Old Home
banjo:
Rudy Lyle (on 1950-02-03)
double bass:
Joel Price (on 1950-02-03)
fiddle:
Vassar Clements (on 1950-02-03)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1950-02-03)
mandolin and lead vocals and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1950-02-03)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1950-02-03)
recording of:
I'm on My Way Back to the Old Home (on 1950-02-03)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:27
10Rawhide
banjo:
Rudy Lyle (on 1951-01-20)
double bass:
Joel Price (on 1951-01-20)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1951-01-20)
guitar:
Jimmy Martin (US bluegrass musician) (on 1951-01-20)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1951-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1951-01-20)
recording of:
Rawhide (mandolin instrumental) (on 1951-01-20)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:38
11Kentucky Waltz
producer:
Paul Cohen (Nashville country producer)
double bass:
Ernie Newton (contrabassist) (on 1951-03-17)
drums (drum set):
Ferris Coursey (on 1951-03-17)
electric guitar:
Grady Martin (country/rockabilly guitarist) (on 1951-03-17)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1951-03-17)
guitar:
Jimmy Selph (on 1951-03-17)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1951-03-17)
organ:
Owen Bradley (on 1951-03-17)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1951-03-17)
recording of:
Kentucky Waltz (on 1951-03-17)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1945)
3:18
12Memories of Mother and Dad
producer:
Paul Cohen (Nashville country producer)
banjo:
Sonny Osborne (on 1952-07-18)
double bass:
Ernie Newton (contrabassist) (on 1952-07-18)
fiddle:
Charlie Cline (on 1952-07-18)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1952-07-18)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1952-07-18)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-07-18)
recording of:
Memories of Mother and Dad (on 1952-07-18)
lyricist and composer:
Albert Price (“The Father of Bluegrass”)
2:58
13Footprints in the Snow
2:42
14Walking in Jerusalem
producer:
Paul Cohen (Nashville country producer)
double bass:
Ernie Newton (contrabassist) (on 1952-07-18)
guitar:
Jimmy Martin (US bluegrass musician) (on 1952-07-18)
baritone vocals:
Charlie Cline (on 1952-07-18)
bass vocals:
Boudleaux Bryant (on 1952-07-18)
lead vocals:
Jimmy Martin (US bluegrass musician) (on 1952-07-18) and Bill Monroe (“The Father of Bluegrass”) (on 1952-07-18)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1952-07-18)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-07-18)
recording of:
Walking in Jerusalem Just Like John (on 1952-07-18)
lyricist and composer:
[traditional] (special purpose artist)
previously attributed to:
Bill Monroe (“The Father of Bluegrass”)
2:01
15Get Up John
producer:
Paul Cohen (Nashville country producer)
banjo:
Rudy Lyle (on 1953-11-28)
double bass:
Ernie Newton (contrabassist) (on 1953-11-28)
fiddle:
Charlie Cline (on 1953-11-28)
guitar:
Jimmy Martin (US bluegrass musician) (on 1953-11-28)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1953-11-28)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1953-11-28)
recording of:
Get Up John (on 1953-11-28)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:12
16On and On
producer:
Paul Cohen (Nashville country producer)
banjo:
Rudy Lyle (on 1954-01-07)
double bass:
Ernie Newton (contrabassist) (on 1954-01-07)
fiddle and baritone vocals:
Charlie Cline (on 1954-01-07)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1954-01-07)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1954-01-07)
recording of:
On and On (on 1954-01-07)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:48
17Roanoke
producer:
Paul Cohen (Nashville country producer)
banjo:
Hubert Davis (US bluegrass banjoist) (on 1954-12-31)
double bass:
Ernie Newton (contrabassist) (on 1954-12-31)
fiddle:
Charlie Cline (on 1954-12-31) and Bobby Hicks (American bluegrass fiddler) (on 1954-12-31)
guitar:
Jackie Phelps (on 1954-12-31)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1954-12-31)
recording of:
Roanoke (on 1954-12-31)
writer:
Bill Monroe (“The Father of Bluegrass”)
2:40
18I'm Sittin' on Top of the World
producer:
Paul Cohen (Nashville country producer)
banjo:
Don Stover (on 1957-05-14)
double bass:
Bessie Lee Mauldin (on 1957-05-14)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1957-05-14), Dale Potter (on 1957-05-14) and Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1957-05-14)
guitar:
Joe Stuart (US bluegrass musician) (on 1957-05-14)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1957-05-14)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1957-05-14)
cover recording of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
writer:
Lonnie Carter and Walter Vinson (performance name for Walter Vinson)
publisher:
Chappell Music Ltd., E. H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Mayfair Music Corp.
2:19
19Wayfaring Stranger
3:08
20I Am a Pilgrim
producer:
Owen Bradley
double bass:
Bessie Lee Mauldin (on 1958-03-20)
guitar and tenor vocals:
Edd Mayfield (on 1958-03-20)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1958-03-20)
baritone vocals:
Kenny Baker (US fiddler) (on 1958-03-20)
bass vocals:
Culley Holt (on 1958-03-20)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-03-20)
recording of:
I Am a Pilgrim (on 1958-03-20)
lyricist and composer:
Merle Travis
2:35

Credits

Release

ASIN:UK: B00H5DN80E [info]