The Secret Sessions

~ Release by Bill Evans (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleRatingLength
1Very Early
recording engineer:
Mike Harris (engineer) (in 1966-03)
bass:
Teddy Kotick (in 1966-03)
drums (drum set):
Arnie Wise (in 1966-03)
piano:
Bill Evans (pianist) (in 1966-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1966-03)
live recording of:
Very Early (in 1966-03)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
5:21
2'Round Midnight
recording engineer:
Mike Harris (engineer) (in 1966-03)
bass:
Teddy Kotick (in 1966-03)
drums (drum set):
Arnie Wise (in 1966-03)
piano:
Bill Evans (pianist) (in 1966-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1966-03)
live cover recording of:
’Round Midnight (in 1966-03)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
7:59
3One for Helen
recording engineer:
Mike Harris (engineer) (in 1966-03)
bass:
Teddy Kotick (in 1966-03)
drums (drum set):
Arnie Wise (in 1966-03)
piano:
Bill Evans (pianist) (in 1966-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1966-03)
live recording of:
One for Helen (in 1966-03)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music and Ludlow Music, Inc.
6:20
4Blue in Green
recording engineer:
Mike Harris (engineer) (in 1966-03)
bass:
Teddy Kotick (in 1966-03)
drums (drum set):
Arnie Wise (in 1966-03)
piano:
Bill Evans (pianist) (in 1966-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1966-03)
live recording of:
Blue in Green (in 1966-03)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:41
5Turn Out the Stars
recording engineer:
Mike Harris (engineer) (in 1966-03)
bass:
Teddy Kotick (in 1966-03)
drums (drum set):
Arnie Wise (in 1966-03)
piano:
Bill Evans (pianist) (in 1966-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1966-03)
live recording of:
Turn Out the Stars (in 1966-03)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
7:49
6Waltz for Debby
recording engineer:
Mike Harris (engineer) (in 1966-03)
bass:
Teddy Kotick (in 1966-03)
drums (drum set):
Arnie Wise (in 1966-03)
piano:
Bill Evans (pianist) (in 1966-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1966-03)
live recording of:
Waltz for Debby (instrumental) (in 1966-03)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
4:24
7Time Remembered
recording engineer:
Mike Harris (engineer) (in 1966-03)
bass:
Teddy Kotick (in 1966-03)
drums (drum set):
Arnie Wise (in 1966-03)
piano:
Bill Evans (pianist) (in 1966-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1966-03)
live recording of:
Time Remembered (in 1966-03)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
5:41
8Autumn Leaves
recording engineer:
Mike Harris (engineer) (in 1966-03)
bass:
Teddy Kotick (in 1966-03)
drums (drum set):
Arnie Wise (in 1966-03)
piano:
Bill Evans (pianist) (in 1966-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1966-03)
live instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (in 1966-03)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
4:53
9I Should Care
recording engineer:
Mike Harris (engineer) (on 1966-07-03)
bass:
Eddie Gomez (jazz double bassist) (on 1966-07-03)
drums (drum set):
Arnie Wise (on 1966-07-03)
instruments:
Bill Evans (pianist) (on 1966-07-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-07-03)
live cover recording of:
I Should Care (on 1966-07-03)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
4:02
10Elsa
recording engineer:
Mike Harris (engineer) (on 1966-07-03)
bass:
Eddie Gomez (jazz double bassist) (on 1966-07-03)
drums (drum set):
Arnie Wise (on 1966-07-03)
instruments:
Bill Evans (pianist) (on 1966-07-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-07-03)
live cover recording of:
Elsa (on 1966-07-03)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
5:29
11Who Can I Turn To (When Nobody Needs Me)
recording engineer:
Mike Harris (engineer) (on 1966-07-03)
bass:
Eddie Gomez (jazz double bassist) (on 1966-07-03)
drums (drum set):
Arnie Wise (on 1966-07-03)
instruments:
Bill Evans (pianist) (on 1966-07-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-07-03)
live cover recording of:
Who Can I Turn To (When Nobody Needs Me) (on 1966-07-03)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4:55
12My Foolish Heart
recording engineer:
Mike Harris (engineer) (on 1966-07-03)
bass:
Eddie Gomez (jazz double bassist) (on 1966-07-03)
drums (drum set):
Arnie Wise (on 1966-07-03)
instruments:
Bill Evans (pianist) (on 1966-07-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-07-03)
live instrumental cover recording of:
My Foolish Heart (on 1966-07-03)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
4:15
13In Your Own Sweet Way / Five (theme)
recording engineer:
Mike Harris (engineer) (on 1966-07-03)
bass:
Eddie Gomez (jazz double bassist) (on 1966-07-03)
drums (drum set):
Arnie Wise (on 1966-07-03)
instruments:
Bill Evans (pianist) (on 1966-07-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-07-03)
live medley including a recording of:
Five (on 1966-07-03)
composer:
Bill Evans (pianist)
publisher:
Folkways Music Publishers Inc., TRO-Acorn Music and TRO-Folkways Music Publishers, Inc.
live medley including a instrumental cover recording of:
In Your Own Sweet Way (original instrumental composition) (on 1966-07-03)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
6:15
2CD
#TitleRatingLength
1Gloria's Step
recording engineer:
Mike Harris (engineer) (on 1966-10-21)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-21)
drums (drum set):
Arnie Wise (on 1966-10-21)
piano:
Bill Evans (pianist) (on 1966-10-21)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-10-21)
live cover recording of:
Gloria’s Step (on 1966-10-21)
composer:
Scott LaFaro
publisher:
Orpheum Music
3:46
2Nardis
recording engineer:
Mike Harris (engineer) (on 1966-10-21)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-21)
drums (drum set):
Arnie Wise (on 1966-10-21)
piano:
Bill Evans (pianist) (on 1966-10-21)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-10-21)
live cover recording of:
Nardis (on 1966-10-21)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:12
3Someday My Prince Will Come
recording engineer:
Mike Harris (engineer) (on 1966-10-21)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-21)
drums (drum set):
Arnie Wise (on 1966-10-21)
piano:
Bill Evans (pianist) (on 1966-10-21)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-10-21)
live instrumental cover recording of:
Someday My Prince Will Come (on 1966-10-21)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
6:07
4Who Can I Turn To (When Nobody Needs Me)
recording engineer:
Mike Harris (engineer) (on 1966-11-10)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-10)
drums (drum set):
Arnie Wise (on 1966-11-10)
piano:
Bill Evans (pianist) (on 1966-11-10)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-10)
live cover recording of:
Who Can I Turn To (When Nobody Needs Me) (on 1966-11-10)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
6:21
5Come Rain or Shine
recording engineer:
Mike Harris (engineer) (on 1966-11-10)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-10)
drums (drum set):
Arnie Wise (on 1966-11-10)
piano:
Bill Evans (pianist) (on 1966-11-10)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-10)
live instrumental cover recording of:
Come Rain or Come Shine (on 1966-11-10)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
5:29
6If You Could See Me Now
recording engineer:
Mike Harris (engineer) (on 1966-11-10)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-10)
drums (drum set):
Arnie Wise (on 1966-11-10)
piano:
Bill Evans (pianist) (on 1966-11-10)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-10)
live instrumental cover recording of:
If You Could See Me Now (jazz standard) (on 1966-11-10)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:10
7Spring Is Here
recording engineer:
Mike Harris (engineer) (on 1966-11-10)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-10)
drums (drum set):
Arnie Wise (on 1966-11-10)
piano:
Bill Evans (pianist) (on 1966-11-10)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-10)
live instrumental cover recording of:
Spring Is Here (on 1966-11-10)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
4:01
8Re: Person I Knew
recording engineer:
Mike Harris (engineer) (on 1966-11-10)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-10)
drums (drum set):
Arnie Wise (on 1966-11-10)
piano:
Bill Evans (pianist) (on 1966-11-10)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-10)
live recording of:
Re: Person I Knew (on 1966-11-10)
composer:
Bill Evans (pianist)
publisher:
Folkways Music, Kensington Music Ltd. and TRO-Acorn Music
5:42
9A Sleepin' Bee
recording engineer:
Mike Harris (engineer) (on 1966-11-10)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-10)
drums (drum set):
Arnie Wise (on 1966-11-10)
piano:
Bill Evans (pianist) (on 1966-11-10)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-10)
live instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (on 1966-11-10)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
3:39
10Emily
recording engineer:
Mike Harris (engineer) (on 1966-11-12)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-12)
drums (drum set):
Arnie Wise (on 1966-11-12)
piano:
Bill Evans (pianist) (on 1966-11-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-12)
live instrumental cover recording of:
Emily (Emily Theme from The Americanization of Emily) (on 1966-11-12)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
4:32
11Alfie
recording engineer:
Mike Harris (engineer) (on 1966-11-12)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-12)
drums (drum set):
Arnie Wise (on 1966-11-12)
piano:
Bill Evans (pianist) (on 1966-11-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-12)
live instrumental cover recording of:
Alfie (on 1966-11-12)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
5:33
12Walkin' Up
recording engineer:
Mike Harris (engineer) (on 1966-11-12)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-12)
drums (drum set):
Arnie Wise (on 1966-11-12)
piano:
Bill Evans (pianist) (on 1966-11-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-12)
live recording of:
Walkin' Up (on 1966-11-12)
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. and TRO-Acorn Music
5:02
13You're Gonna Hear From Me
recording engineer:
Mike Harris (engineer) (on 1966-11-12)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-12)
drums (drum set):
Arnie Wise (on 1966-11-12)
piano:
Bill Evans (pianist) (on 1966-11-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-12)
live instrumental recording of:
You’re Gonna Hear From Me (on 1966-11-12)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
publisher:
Remick Music Corp., Warner Brothers Music Inc. and Warner Bros., Inc. (not for release label use!) (in 1965)
4:43
14Some Other Time
recording engineer:
Mike Harris (engineer) (on 1966-11-12)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-12)
drums (drum set):
Arnie Wise (on 1966-11-12)
piano:
Bill Evans (pianist) (on 1966-11-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-12)
live instrumental cover recording of:
On the Town: Some Other Time (on 1966-11-12)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
5:06
3CD
#TitleRatingLength
1I'll Remember April
recording engineer:
Mike Harris (engineer) (on 1966-11-12)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-12)
drums (drum set):
Arnie Wise (on 1966-11-12)
piano:
Bill Evans (pianist) (on 1966-11-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-12)
live instrumental cover recording of:
I’ll Remember April (on 1966-11-12)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
6:00
2Alice in Wonderland
recording engineer:
Mike Harris (engineer) (on 1966-11-12)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-12)
drums (drum set):
Arnie Wise (on 1966-11-12)
piano:
Bill Evans (pianist) (on 1966-11-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-12)
live instrumental cover recording of:
Alice in Wonderland (main theme of Alice in Wonderland, 1951 film) (on 1966-11-12)
lyricist:
Bob Hilliard
composer:
Sammy Fain
part of:
Alice in Wonderland (1951 Disney animated film)
5:17
3I Love You
recording engineer:
Mike Harris (engineer) (on 1966-11-12)
bass:
Eddie Gomez (jazz double bassist) (on 1966-11-12)
drums (drum set):
Arnie Wise (on 1966-11-12)
piano:
Bill Evans (pianist) (on 1966-11-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1966-11-12)
live instrumental cover recording of:
I Love You (Mexican Hayride musical) (on 1966-11-12)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
7:13
4Very Early
recording engineer:
Mike Harris (engineer) (on 1967-01-08)
bass:
Eddie Gomez (jazz double bassist) (on 1967-01-08)
drums (drum set):
Joe Hunt (drums) (on 1967-01-08)
piano:
Bill Evans (pianist) (on 1967-01-08)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-01-08)
live recording of:
Very Early (on 1967-01-08)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
4:49
5Time Remembered
recording engineer:
Mike Harris (engineer) (on 1967-01-08)
bass:
Eddie Gomez (jazz double bassist) (on 1967-01-08)
drums (drum set):
Joe Hunt (drums) (on 1967-01-08)
piano:
Bill Evans (pianist) (on 1967-01-08)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-01-08)
live recording of:
Time Remembered (on 1967-01-08)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
5:07
6'Round Midnight
recording engineer:
Mike Harris (engineer) (on 1967-01-08)
bass:
Eddie Gomez (jazz double bassist) (on 1967-01-08)
drums (drum set):
Joe Hunt (drums) (on 1967-01-08)
piano:
Bill Evans (pianist) (on 1967-01-08)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-01-08)
live cover recording of:
’Round Midnight (on 1967-01-08)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
7:28
7Stella by Starlight
recording engineer:
Mike Harris (engineer) (on 1967-01-08)
bass:
Eddie Gomez (jazz double bassist) (on 1967-01-08)
drums (drum set):
Joe Hunt (drums) (on 1967-01-08)
piano:
Bill Evans (pianist) (on 1967-01-08)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-01-08)
live instrumental cover recording of:
Stella by Starlight (on 1967-01-08)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
5:11
8Turn Out the Stars
recording engineer:
Mike Harris (engineer) (on 1967-01-08)
bass:
Eddie Gomez (jazz double bassist) (on 1967-01-08)
drums (drum set):
Joe Hunt (drums) (on 1967-01-08)
piano:
Bill Evans (pianist) (on 1967-01-08)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-01-08)
live recording of:
Turn Out the Stars (on 1967-01-08)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
5:34
9My Man's Gone Now
recording engineer:
Mike Harris (engineer) (on 1967-02-26)
bass:
Eddie Gomez (jazz double bassist) (on 1967-02-26)
drums (drum set):
Joe Hunt (drums) (on 1967-02-26)
piano:
Bill Evans (pianist) (on 1967-02-26)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-02-26)
live instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (on 1967-02-26)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:29
10In a Sentimental Mood
recording engineer:
Mike Harris (engineer) (on 1967-02-26)
bass:
Eddie Gomez (jazz double bassist) (on 1967-02-26)
drums (drum set):
Joe Hunt (drums) (on 1967-02-26)
piano:
Bill Evans (pianist) (on 1967-02-26)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-02-26)
live instrumental cover recording of:
In a Sentimental Mood (on 1967-02-26)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:57
11When I Fall in Love
recording engineer:
Mike Harris (engineer) (on 1967-02-26)
bass:
Eddie Gomez (jazz double bassist) (on 1967-02-26)
drums (drum set):
Joe Hunt (drums) (on 1967-02-26)
piano:
Bill Evans (pianist) (on 1967-02-26)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-02-26)
live instrumental cover recording of:
When I Fall in Love (on 1967-02-26)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:35
12Nardis
recording engineer:
Mike Harris (engineer) (on 1967-02-26)
bass:
Eddie Gomez (jazz double bassist) (on 1967-02-26)
drums (drum set):
Joe Hunt (drums) (on 1967-02-26)
piano:
Bill Evans (pianist) (on 1967-02-26)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-02-26)
live cover recording of:
Nardis (on 1967-02-26)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:59
4CD
#TitleRatingLength
1Come Rain or Come Shine
recording engineer:
Mike Harris (engineer) (on 1967-03-05)
bass:
Eddie Gomez (jazz double bassist) (on 1967-03-05)
drums (drum set):
Joe Hunt (drums) (on 1967-03-05)
piano:
Bill Evans (pianist) (on 1967-03-05)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-03-05)
live instrumental cover recording of:
Come Rain or Come Shine (on 1967-03-05)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
4:53
2Gloria's Step
recording engineer:
Mike Harris (engineer) (on 1967-03-05)
bass:
Eddie Gomez (jazz double bassist) (on 1967-03-05)
drums (drum set):
Joe Hunt (drums) (on 1967-03-05)
piano:
Bill Evans (pianist) (on 1967-03-05)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-03-05)
live cover recording of:
Gloria’s Step (on 1967-03-05)
composer:
Scott LaFaro
publisher:
Orpheum Music
3:37
3'Round Midnight
recording engineer:
Mike Harris (engineer) (on 1967-03-05)
bass:
Eddie Gomez (jazz double bassist) (on 1967-03-05)
drums (drum set):
Joe Hunt (drums) (on 1967-03-05)
piano:
Bill Evans (pianist) (on 1967-03-05)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-03-05)
live instrumental cover recording of:
’Round Midnight (on 1967-03-05)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
7:08
4Blue in Green
recording engineer:
Mike Harris (engineer) (on 1967-05-19)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-19)
piano:
Bill Evans (pianist) (on 1967-05-19)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-19)
live recording of:
Blue in Green (on 1967-05-19)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:55
5Waltz for Debby
recording engineer:
Mike Harris (engineer) (on 1967-05-19)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-19)
piano:
Bill Evans (pianist) (on 1967-05-19)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-19)
live recording of:
Waltz for Debby (instrumental) (on 1967-05-19)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
5:44
6Detour Ahead
recording engineer:
Mike Harris (engineer) (on 1967-05-19)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-19)
piano:
Bill Evans (pianist) (on 1967-05-19)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-19)
live recording of:
Detour Ahead (on 1967-05-19)
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
5:08
7On Green Dolphin Street
recording engineer:
Mike Harris (engineer) (on 1967-05-19)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-19)
piano:
Bill Evans (pianist) (on 1967-05-19)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-19)
live instrumental cover recording of:
On Green Dolphin Street (on 1967-05-19)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
5:19
8My Foolish Heart
recording engineer:
Mike Harris (engineer) (on 1967-05-21)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-21)
piano:
Bill Evans (pianist) (on 1967-05-21)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-21)
live instrumental cover recording of:
My Foolish Heart (on 1967-05-21)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
4:03
9If You Could See Me Now
recording engineer:
Mike Harris (engineer) (on 1967-05-21)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-21)
piano:
Bill Evans (pianist) (on 1967-05-21)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-21)
live instrumental cover recording of:
If You Could See Me Now (jazz standard) (on 1967-05-21)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:49
10Elsa
recording engineer:
Mike Harris (engineer) (on 1967-05-21)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-21)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-21)
piano:
Bill Evans (pianist) (on 1967-05-21)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-21)
live cover recording of:
Elsa (on 1967-05-21)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
6:02
11How Deep Is the Ocean
recording engineer:
Mike Harris (engineer) (on 1967-05-26)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-26)
piano:
Bill Evans (pianist) (on 1967-05-26)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-26)
live instrumental cover recording of:
How Deep Is the Ocean? (on 1967-05-26)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
6:08
12Polka Dots and Moonbeams
recording engineer:
Mike Harris (engineer) (on 1967-05-26)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-26)
piano:
Bill Evans (pianist) (on 1967-05-26)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-26)
live instrumental cover recording of:
Polka Dots and Moonbeams (on 1967-05-26)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
4:49
13I'm Getting Sentimental Over You
recording engineer:
Mike Harris (engineer) (on 1967-05-26)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-26)
piano:
Bill Evans (pianist) (on 1967-05-26)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-26)
live instrumental cover recording of:
I’m Getting Sentimental Over You (on 1967-05-26)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
6:16
14I Should Care
recording engineer:
Mike Harris (engineer) (on 1967-05-26)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-26)
piano:
Bill Evans (pianist) (on 1967-05-26)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-26)
live instrumental cover recording of:
I Should Care (on 1967-05-26)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:47
5CD
#TitleRatingLength
1Star Eyes
recording engineer:
Mike Harris (engineer) (on 1967-05-28)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-28)
piano:
Bill Evans (pianist) (on 1967-05-28)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-29)
live cover recording of:
Star Eyes (on 1967-05-28)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
5:44
2Peri's Scope
recording engineer:
Mike Harris (engineer) (on 1967-05-28)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-28)
piano:
Bill Evans (pianist) (on 1967-05-28)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-29)
live recording of:
Peri's Scope (on 1967-05-28)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp. and TRO-Folkways Music Publishers, Inc.
part of:
The Real Book (compilation of jazz standards, volume I)
6:08
3Haunted Heart
recording engineer:
Mike Harris (engineer) (on 1967-05-28)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-28)
piano:
Bill Evans (pianist) (on 1967-05-28)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-29)
live instrumental cover recording of:
Haunted Heart (on 1967-05-28)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
4:11
4Airegin
recording engineer:
Mike Harris (engineer) (on 1967-05-28)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-28)
piano:
Bill Evans (pianist) (on 1967-05-28)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-29)
live cover recording of:
Airegin (instrumental) (on 1967-05-28)
composer:
Sonny Rollins (American saxophonist) (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music (US drum & bass)
4:17
5Little Lulu
recording engineer:
Mike Harris (engineer) (on 1967-05-28)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-28)
piano:
Bill Evans (pianist) (on 1967-05-28)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-29)
live cover recording of:
Little Lulu (on 1967-05-28)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:21
6Five (theme)
recording engineer:
Mike Harris (engineer) (on 1967-05-28)
bass:
Eddie Gomez (jazz double bassist) (on 1967-05-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-05-28)
piano:
Bill Evans (pianist) (on 1967-05-28)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-05-29)
live recording of:
Five (on 1967-05-28)
composer:
Bill Evans (pianist)
publisher:
Folkways Music Publishers Inc., TRO-Acorn Music and TRO-Folkways Music Publishers, Inc.
2:14
7Turn Out the Stars
recording engineer:
Mike Harris (engineer) (on 1967-06-01)
bass:
Eddie Gomez (jazz double bassist) (on 1967-06-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-06-01)
piano:
Bill Evans (pianist) (on 1967-06-01)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-06-01)
live recording of:
Turn Out the Stars (on 1967-06-01)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
6:19
8Nardis
recording engineer:
Mike Harris (engineer) (on 1967-06-01)
bass:
Eddie Gomez (jazz double bassist) (on 1967-06-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-06-01)
piano:
Bill Evans (pianist) (on 1967-06-01)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-06-01)
live cover recording of:
Nardis (on 1967-06-01)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
6:16
9California Here I Come
recording engineer:
Mike Harris (engineer) (on 1967-06-01)
bass:
Eddie Gomez (jazz double bassist) (on 1967-06-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-06-01)
piano:
Bill Evans (pianist) (on 1967-06-01)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-06-01)
live cover recording of:
California Here I Come (on 1967-06-01)
lyricist:
Buddy DeSylva and Al Jolson
composer:
Joseph Meyer (US songwriter)
publisher:
M. Witmark & Sons (on 1924-01-07)
4:32
10Very Early
recording engineer:
Mike Harris (engineer) (on 1967-06-01)
bass:
Eddie Gomez (jazz double bassist) (on 1967-06-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-06-01)
piano:
Bill Evans (pianist) (on 1967-06-01)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-06-01)
live recording of:
Very Early (on 1967-06-01)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
4:59
11Easy Living
recording engineer:
Mike Harris (engineer) (on 1967-06-01)
bass:
Eddie Gomez (jazz double bassist) (on 1967-06-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-06-01)
piano:
Bill Evans (pianist) (on 1967-06-01)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-06-01)
live instrumental cover recording of:
Easy Living (on 1967-06-01)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
3:47
12Wonder Why
recording engineer:
Mike Harris (engineer) (on 1967-06-01)
bass:
Eddie Gomez (jazz double bassist) (on 1967-06-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-06-01)
piano:
Bill Evans (pianist) (on 1967-06-01)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-06-01)
live instrumental cover recording of:
Wonder Why (Rich, Young and Pretty) (on 1967-06-01)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
4:54
13Time Remembered
recording engineer:
Mike Harris (engineer) (on 1967-09-03)
bass:
Eddie Gomez (jazz double bassist) (on 1967-09-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-09-03)
piano:
Bill Evans (pianist) (on 1967-09-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-09-03)
live recording of:
Time Remembered (on 1967-09-03)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
4:45
14You and the Night and the Music
recording engineer:
Mike Harris (engineer) (on 1967-09-03)
bass:
Eddie Gomez (jazz double bassist) (on 1967-09-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-09-03)
piano:
Bill Evans (pianist) (on 1967-09-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-09-03)
live instrumental cover recording of:
You and the Night and the Music (on 1967-09-03)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
5:11
6CD
#TitleRatingLength
1Beautiful Love
recording engineer:
Mike Harris (engineer) (on 1968-02-04)
bass:
Eddie Gomez (jazz double bassist) (on 1968-02-04)
drums (drum set):
Arnie Wise (on 1968-02-04)
piano:
Bill Evans (pianist) (on 1968-02-04)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-02-04)
live instrumental cover recording of:
Beautiful Love (Jazz Standard) (on 1968-02-04)
lyricist:
Haven Gillespie
composer:
Egbert Van Alstyne, Wayne King and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Movie Tone Music and Sam Fox Publishing Co. (London) Ltd.
6:24
2Waltz for Debby
recording engineer:
Mike Harris (engineer) (on 1968-02-04)
bass:
Eddie Gomez (jazz double bassist) (on 1968-02-04)
drums (drum set):
Arnie Wise (on 1968-02-04)
piano:
Bill Evans (pianist) (on 1968-02-04)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-02-04)
live recording of:
Waltz for Debby (instrumental) (on 1968-02-04)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
5:23
3I Fall in Love Too Easily
recording engineer:
Mike Harris (engineer) (on 1968-02-04)
bass:
Eddie Gomez (jazz double bassist) (on 1968-02-04)
drums (drum set):
Arnie Wise (on 1968-02-04)
piano:
Bill Evans (pianist) (on 1968-02-04)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-02-04)
live instrumental cover recording of:
I Fall in Love Too Easily (on 1968-02-04)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
3:45
4My Man's Gone Now
recording engineer:
Mike Harris (engineer) (on 1968-08-23)
bass:
Eddie Gomez (jazz double bassist) (on 1968-08-23)
drums (drum set):
Jack DeJohnette (on 1968-08-23)
piano:
Bill Evans (pianist) (on 1968-08-23)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-08-23)
live instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (on 1968-08-23)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
5:57
5Who Can I Turn To (When Nobody Needs Me)
recording engineer:
Mike Harris (engineer) (on 1968-08-23)
bass:
Eddie Gomez (jazz double bassist) (on 1968-08-23)
drums (drum set):
Jack DeJohnette (on 1968-08-23)
piano:
Bill Evans (pianist) (on 1968-08-23)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-08-23)
live cover recording of:
Who Can I Turn To (When Nobody Needs Me) (on 1968-08-23)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
5:12
6Polka Dots and Moonbeams
recording engineer:
Mike Harris (engineer) (on 1968-08-23)
bass:
Eddie Gomez (jazz double bassist) (on 1968-08-23)
drums (drum set):
Jack DeJohnette (on 1968-08-23)
piano:
Bill Evans (pianist) (on 1968-08-23)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-08-23)
live instrumental cover recording of:
Polka Dots and Moonbeams (on 1968-08-23)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:55
7Emily
recording engineer:
Mike Harris (engineer) (on 1968-08-23)
bass:
Eddie Gomez (jazz double bassist) (on 1968-08-23)
drums (drum set):
Jack DeJohnette (on 1968-08-23)
piano:
Bill Evans (pianist) (on 1968-08-23)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-08-23)
live instrumental cover recording of:
Emily (Emily Theme from The Americanization of Emily) (on 1968-08-23)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
3:57
8Ev'rything I Love
recording engineer:
Mike Harris (engineer) (on 1968-09-15)
bass:
Eddie Gomez (jazz double bassist) (on 1968-09-15)
drums (drum set):
John Dentz (on 1968-09-15)
piano:
Bill Evans (pianist) (on 1968-09-15)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-09-15)
live cover recording of:
Everything I Love (Let’s Face It! musical) (on 1968-09-15)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
4:35
9Someday My Prince Will Come
recording engineer:
Mike Harris (engineer) (on 1968-09-15)
bass:
Eddie Gomez (jazz double bassist) (on 1968-09-15)
drums (drum set):
John Dentz (on 1968-09-15)
piano:
Bill Evans (pianist) (on 1968-09-15)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-09-15)
live instrumental cover recording of:
Someday My Prince Will Come (on 1968-09-15)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
5:58
10The Shadow of Your Smile
recording engineer:
Mike Harris (engineer) (on 1968-09-15)
bass:
Eddie Gomez (jazz double bassist) (on 1968-09-15)
drums (drum set):
John Dentz (on 1968-09-15)
piano:
Bill Evans (pianist) (on 1968-09-15)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-09-15)
live instrumental cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1968-09-15)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
6:04
11A Sleepin' Bee
recording engineer:
Mike Harris (engineer) (on 1968-12-13)
bass:
Eddie Gomez (jazz double bassist) (on 1968-12-13)
drums (drum set):
Marty Morell (drums) (on 1968-12-13)
piano:
Bill Evans (pianist) (on 1968-12-13)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-12-13)
live instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (on 1968-12-13)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
4:52
12Blue in Green
recording engineer:
Mike Harris (engineer) (on 1968-12-13)
bass:
Eddie Gomez (jazz double bassist) (on 1968-12-13)
drums (drum set):
Marty Morell (drums) (on 1968-12-13)
piano:
Bill Evans (pianist) (on 1968-12-13)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-12-13)
live recording of:
Blue in Green (on 1968-12-13)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:03
13For Heaven's Sake
recording engineer:
Mike Harris (engineer) (on 1968-12-22)
bass:
Eddie Gomez (jazz double bassist) (on 1968-12-22)
drums (drum set):
Marty Morell (drums) (on 1968-12-22)
piano:
Bill Evans (pianist) (on 1968-12-22)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-12-22)
live cover recording of:
For Heaven’s Sake (on 1968-12-22)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:34
14Love Is Here to Stay
recording engineer:
Mike Harris (engineer) (on 1968-12-22)
bass:
Eddie Gomez (jazz double bassist) (on 1968-12-22)
drums (drum set):
Marty Morell (drums) (on 1968-12-22)
piano:
Bill Evans (pianist) (on 1968-12-22)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1968-12-22)
live instrumental cover recording of:
Love Is Here to Stay (on 1968-12-22)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
4:17
7CD
#TitleRatingLength
1In a Sentimental Mood
recording engineer:
Mike Harris (engineer) (on 1969-02-02)
bass:
Eddie Gomez (jazz double bassist) (on 1969-02-02)
drums (drum set):
Marty Morell (drums) (on 1969-02-02)
piano:
Bill Evans (pianist) (on 1969-02-02)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1969-02-02)
live instrumental cover recording of:
In a Sentimental Mood (on 1969-02-02)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:20
2How My Heart Sings
recording engineer:
Mike Harris (engineer) (on 1969-02-02)
bass:
Eddie Gomez (jazz double bassist) (on 1969-02-02)
drums (drum set):
Marty Morell (drums) (on 1969-02-02)
piano:
Bill Evans (pianist) (on 1969-02-02)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1969-02-02)
live cover recording of:
How My Heart Sings (on 1969-02-02)
composer:
Earl Zindars (in 1962)
publisher:
Zindars Publishing
4:00
3On Green Dolphin Street
recording engineer:
Mike Harris (engineer) (on 1969-02-02)
bass:
Eddie Gomez (jazz double bassist) (on 1969-02-02)
drums (drum set):
Marty Morell (drums) (on 1969-02-02)
piano:
Bill Evans (pianist) (on 1969-02-02)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1969-02-02)
live instrumental cover recording of:
On Green Dolphin Street (on 1969-02-02)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
5:48
4My Foolish Heart
recording engineer:
Mike Harris (engineer) (on 1970-02-15)
bass:
Eddie Gomez (jazz double bassist) (on 1970-02-15)
drums (drum set):
Marty Morell (drums) (on 1970-02-15)
piano:
Bill Evans (pianist) (on 1970-02-15)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1970-02-15)
live instrumental cover recording of:
My Foolish Heart (on 1970-02-15)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
4:25
5Stella by Starlight
recording engineer:
Mike Harris (engineer) (on 1970-02-15)
bass:
Eddie Gomez (jazz double bassist) (on 1970-02-15)
drums (drum set):
Marty Morell (drums) (on 1970-02-15)
piano:
Bill Evans (pianist) (on 1970-02-15)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1970-02-15)
live cover recording of:
Stella by Starlight (on 1970-02-15)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
7:17
6Midnight Mood
recording engineer:
Mike Harris (engineer) (on 1970-04-18)
bass:
Eddie Gomez (jazz double bassist) (on 1970-04-18)
drums (drum set):
Marty Morell (drums) (on 1970-04-18)
piano:
Bill Evans (pianist) (on 1970-04-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1970-04-18)
live cover recording of:
Midnight Mood (on 1970-04-18)
composer:
Ben Raleigh and Joe Zawinul (jazz and fusion keyboard player)
publisher:
Helios Music and Helios Music Corp.
8:10
7What Are You Doing the Rest of Your Life?
recording engineer:
Mike Harris (engineer) (on 1970-04-18)
bass:
Eddie Gomez (jazz double bassist) (on 1970-04-18)
drums (drum set):
Marty Morell (drums) (on 1970-04-18)
piano:
Bill Evans (pianist) (on 1970-04-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1970-04-18)
live instrumental cover recording of:
What Are You Doing the Rest of Your Life? (on 1970-04-18)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI April Music Inc. (ended), EMI U Catalog Inc. (publisher; do NOT use as release label) (ended) and Anthem Grand Film
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
part of:
The 42nd Academy Award for Best Original Song (number: 2)
5:47
8I Should Care
recording engineer:
Mike Harris (engineer) (on 1970-04-18)
bass:
Eddie Gomez (jazz double bassist) (on 1970-04-18)
drums (drum set):
Marty Morell (drums) (on 1970-04-18)
piano:
Bill Evans (pianist) (on 1970-04-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1970-04-18)
live cover recording of:
I Should Care (on 1970-04-18)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
6:59
9Autumn Leaves
recording engineer:
Mike Harris (engineer) (on 1970-04-18)
bass:
Eddie Gomez (jazz double bassist) (on 1970-04-18)
drums (drum set):
Marty Morell (drums) (on 1970-04-18)
piano:
Bill Evans (pianist) (on 1970-04-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1970-04-18)
live instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1970-04-18)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
5:23
10Re: Person I Knew
recording engineer:
Mike Harris (engineer) (in 1971-12)
bass:
Eddie Gomez (jazz double bassist) (in 1971-12)
drums (drum set):
Marty Morell (drums) (in 1971-12)
piano:
Bill Evans (pianist) (in 1971-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1971-12)
live recording of:
Re: Person I Knew (in 1971-12)
composer:
Bill Evans (pianist)
publisher:
Folkways Music, Kensington Music Ltd. and TRO-Acorn Music
8:26
11Alfie
recording engineer:
Mike Harris (engineer) (in 1971-12)
bass:
Eddie Gomez (jazz double bassist) (in 1971-12)
drums (drum set):
Marty Morell (drums) (in 1971-12)
piano:
Bill Evans (pianist) (in 1971-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1971-12)
live instrumental cover recording of:
Alfie (in 1971-12)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
5:19
12Very Early
recording engineer:
Mike Harris (engineer) (in 1971-12)
bass:
Eddie Gomez (jazz double bassist) (in 1971-12)
drums (drum set):
Marty Morell (drums) (in 1971-12)
piano:
Bill Evans (pianist) (in 1971-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (in 1971-12)
live recording of:
Very Early (in 1971-12)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
5:33
8CD

Credits

Release

manufactured in:Germany
printed in:Louisville, Kentucky, United States
United States
art direction and design:Jamie Putnam (art direction and design)
photography:Anthony Lipsky
Phil Bray
Tom Copi (photographer)
Burt Goldblatt
Tony Lane (painter, photographer, designer)
Jean-Pierre Niogre (photographer)
Bob Parent (photographer)
Jan Persson (photography)
Steve Schapiro (photographer)
Chuck Stewart (photographer, best known for his portraits of jazz singers and musicians)
Lee Tanner (photographer)
liner notes:Orrin Keepnews
Doug Ramsey (jazz author, journalist)
producer:Orrin Keepnews
editor:Joe Tarantino (audio engineer, mastering)
copyrighted (©) by and phonographic copyright (℗) by:Fantasy, Inc. (not for release label use!) (in 1996)
ASIN:US: B000000XRN [info]