Come On in This House

~ Release by Junior Wells (see all versions of this release, 4 available)

Tracklist

1CD
#TitleRatingLength
1What My Momma Told Me / That’s All Right
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
drums (drum set):
Herman V. Ernest III
electric bass guitar:
Bob Sunda
guest solo slide guitar [electric slide guitar]:
Derek Trucks
piano:
Jon Cleary (US funk/R&B musician)
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
That’s All Right
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
recording of:
What My Momma Told Me
lyricist and composer:
Junior Wells
4:34
2Why Are People Like That?
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
drums (drum set):
Herman V. Ernest III
electric bass guitar:
Bob Sunda
guest solo slide guitar [electric slide guitar - 1st solo]:
Sonny Landreth
guest solo slide guitar [electric slide guitar - 2nd solo]:
Derek Trucks
piano:
Jon Cleary (US funk/R&B musician)
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
Why Are People Like That?
lyricist and composer:
Bobby Charles
3:56
3Trust My Baby
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
drums (drum set):
Herman V. Ernest III
guest solo steel guitar [national steel guitar]:
Corey Harris
piano:
Jon Cleary (US funk/R&B musician)
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
Trust My Baby
lyricist and composer:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
5:02
4Million Year Blues
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
drums (drum set):
Herman V. Ernest III
guest solo resonator guitar [12 string dobro with pick-up]:
Alvin Youngblood Hart
solo harmonica [electric harmonica] and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
Million Year Blues
lyricist and composer:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
5:13
5Give Me One Reason
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
drums (drum set):
Herman V. Ernest III
guest slide guitar [electric slide guitar] and guest solo steel guitar [national steel guitar]:
Sonny Landreth
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
Give Me One Reason
lyricist and composer:
Tracy Chapman (American singer‐songwriter)
publisher:
EMI April Music (in 1995) and Purple Rabbit Music (in 1995)
5:04
6Ships on the Ocean
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
guest solo steel guitar [national steel guitar]:
Corey Harris
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
recording of:
Ships on the Ocean
lyricist and composer:
Junior Wells
5:31
7She Wants to Sell My Monkey
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
guest solo steel guitar [national steel guitar - 1st solo] and guest vocals:
Alvin Youngblood Hart
solo acoustic guitar [2nd solo]:
Tab Benoit
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
She Want to Sell My Monkey
lyricist and composer:
Hudson Whittaker
4:34
8So Glad You’re Mine
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
drums (drum set):
Herman V. Ernest III
guest solo slide guitar [electric slide guitar]:
John Mooney
solo harmonica and lead vocals:
Junior Wells
solo piano:
Jon Cleary (US funk/R&B musician)
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
So Glad You’re Mine
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
5:51
9Mystery Train
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
drums (drum set):
Herman V. Ernest III
guest solo acoustic guitar [2nd solo]:
Bob Margolin
guest solo steel guitar [national steel guitar - 1st solo]:
Corey Harris
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
Mystery Train
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
7:02
10I’m Gonna Move to Kansas City
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
drums (drum set):
Herman V. Ernest III
guest solo slide guitar [electric slide guitar]:
Derek Trucks
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
I’m Gonna Move to Kansas City
lyricist and composer:
Robert Nighthawk
3:42
11King Fish Blues
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
guest solo slide guitar [electric slide guitar]:
John Mooney
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
King Fish Blues
lyricist and composer:
Tampa Red
5:19
12You Better Watch Yourself
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
drums (drum set):
Herman V. Ernest III
guest solo slide guitar [acoustic slide guitar]:
Derek Trucks
piano:
Jon Cleary (US funk/R&B musician)
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
You Better Watch Yourself
lyricist and composer:
Walter Jacobs (blues performer and songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
3:48
13Come On in This House
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
drums (drum set):
Herman V. Ernest III
guest solo electric guitar:
Bob Margolin
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
recording of:
Come On in This House
lyricist and composer:
Junior Wells
5:57
14The Goat
additional assistant engineer:
Dominick Barbara (engineer)
additional engineer:
Tony Daigle and Jay Newland (producer, engineer and mixer)
assistant engineer:
Jay Burton and Tony Daigle
engineer:
Michael Bishop (Telarc engineer/producer)
executive producer:
Robert Woods (classical music producer, founder of TELARC)
producer:
John Snyder (US producer)
acoustic bass guitar:
Bob Sunda
drums (drum set):
Herman V. Ernest III
guest solo steel guitar [national steel guitar]:
Corey Harris
piano:
Jon Cleary (US funk/R&B musician)
solo harmonica and lead vocals:
Junior Wells
additionally recorded at:
Dockside Studio in Maurice, Louisiana, United States (on 1996-05-29) and Soundtrack Studios in New York, New York, United States (on 1996-05-31)
recorded at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-04-16 until 1996-04-22)
mixed at:
Dockside Studio in Maurice, Louisiana, United States (from 1996-06-11 until 1996-06-13)
cover recording of:
The Goat
lyricist and composer:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
3:47