…Very ’eavy …Very ’umble (re‐mastered)

~ Release by Uriah Heep (see all versions of this release, 21 available)

Tracklist

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1▼CD: The Original LP Re‐Mastered
#TitleRatingLength
1Gypsy
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Gypsy (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4.156:38
2Walking in Your Shadow
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Walking in Your Shadow (from 1969 until 1970)
writer:
David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2.54:30
3Come Away Melinda
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
cover recording of:
Come Away Melinda (from 1969 until 1970)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Harmony Music Ltd.
recording of:
Come Away Melinda
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Harmony Music Ltd.
33:49
4Lucy Blues
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set) and percussion:
Ollie Olsson (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Lucy Blues (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
35:10
5Dreammare
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set) and percussion:
Ollie Olsson (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Dreammare (from 1969 until 1970)
lyricist and composer:
Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3.54:40
6Real Turned On
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Real Turned On (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
43:39
7I’ll Keep on Trying
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
I’ll Keep On Trying (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
35:27
8Wake Up (Set Your Sights)
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Wake Up (Set Your Sights) (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
36:20
2▼CD: An Alternative …Very ’eavy …Very ’umble (previously unreleased)
#TitleRatingLength
1Gypsy (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Gypsy (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
6:57
2Real Turned On (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Real Turned On (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3:47
3Dreammare (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Dreammare (from 1969 until 1970)
lyricist and composer:
Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
5:10
4Come Away Melinda (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
cover recording of:
Come Away Melinda (from 1969 until 1970)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Harmony Music Ltd.
recording of:
Come Away Melinda
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Harmony Music Ltd.
4:01
5Born in a Trunk (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1969)
recording of:
Born in a Trunk (in 1969)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:53
6Wake Up (Set Your Sights) (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Wake Up (Set Your Sights) (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
6:56
7I’ll Keep on Trying (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
I’ll Keep On Trying (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
5:33
8Walking in Your Shadow (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Walking in Your Shadow (from 1969 until 1970)
writer:
David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
5:11
9Lucy Blues (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Lucy Blues (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
5:20
10Born in a Trunk (instrumental alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1969)
instrumental recording of:
Born in a Trunk (in 1969)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
recording of:
Born in a Trunk
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:47
11Magic Lantern (alternative version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1969)
recording of:
Magic Lantern (in 1969)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
7:57
12Bird of Prey (US alternative version)
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Legacy Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Bird of Prey (from 1969 until 1970)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
recording of:
Bird of Prey (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:05

Credits

Release

manufactured in:Europe
photography:Peter Smith (UK Photographer)
liner notes:Joel McIver (British Book Author) (in 2016)
Robert M. Corich (remastering engineer and record producer,) (in 2016-04)
remastering:Andy Pearce (Mastering engineer) (in 2016)
Matt Wortham (Mastering engineer) (in 2016)
slide guitar:Ken Hensley (from 1969 until 1970)
compiler:Mick Box
Robert Corich (remastering engineer and record producer,)
vocals:Mick Box (from 1969 until 1970)
Ken Hensley (from 1969 until 1970)
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
design:Hugh Gilmour
copyrighted (©) by:Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
mixed at:Cretin Studios in North Miami, Florida, United States (from 1989 until 1995)
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1989 until 1995)
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1989 until 1995)
Discogs:https://www.discogs.com/release/9274262 [info]
ASIN:US: B01IMUYOQU [info]