Lost, Season 4: Original Television Soundtrack

~ Release by Michael Giacchino (see all versions of this release, 2 available)

Tracklist

1CD
#TitleRatingLength
1Giving Up the Ghost
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Giving Up the Ghost
composer:
Michael Giacchino (American score composer)
2:40
2Locke’ing Horns
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Locke'ing Horns
composer:
Michael Giacchino (American score composer)
1:52
3Lost Away - Or Is It?
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Lost Away - Or Is It?
composer:
Michael Giacchino (American score composer)
1:41
4Backgammon Gambit
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Backgammon Gambit
composer:
Michael Giacchino (American score composer)
1:19
5Time and Time Again
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Time and Time Again
composer:
Michael Giacchino (American score composer)
2:42
6The Constant
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
The Constant
composer:
Michael Giacchino (American score composer)
3:52
7Maternity Hell
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Maternity Hell
composer:
Michael Giacchino (American score composer)
2:31
8Karma Jin-Itiative
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Karma Jin-itiative
composer:
Michael Giacchino (American score composer)
1:24
9Ji Yeon
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ji Yeon
composer:
Michael Giacchino (American score composer)
3:09
10Michael’s Right to Remain Wrong
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Michael's Right to Remain Wrong
composer:
Michael Giacchino (American score composer)
1:54
11Bodies and Bungalows
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Bodies and Bungalows
composer:
Michael Giacchino (American score composer)
1:23
12Benundrum
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Benundrum
composer:
Michael Giacchino (American score composer)
3:24
13Hostile Negotiations
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Hostile Negotiations
composer:
Michael Giacchino (American score composer)
2:21
14Locke-About
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Locke-about
composer:
Michael Giacchino (American score composer)
6:05
15There’s No Place Like Home
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
There's No Place Like Home
composer:
Michael Giacchino (American score composer)
2:35
16Nadia on Your Life
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Nadia on Your Life
composer:
Michael Giacchino (American score composer)
1:42
17C4-Titude
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
C4-titude
composer:
Michael Giacchino (American score composer)
2:00
18Of Mice and Ben
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Of Mice and Ben
composer:
Michael Giacchino (American score composer)
2:19
19Keamy Away From Him
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Keamy Away From Him
composer:
Michael Giacchino (American score composer)
4:58
20Timecrunch
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Timecrunch
composer:
Michael Giacchino (American score composer)
2:06
21Can’t Kill Keamy
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Can't Kill Keamy
composer:
Michael Giacchino (American score composer)
1:48
22Bobbing for Freighters
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Bobbing for Freighters
composer:
Michael Giacchino (American score composer)
5:20
23Locke of the Island
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Locke of the Island
composer:
Michael Giacchino (American score composer)
7:07
24Lying for the Island
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Lying for the Island
composer:
Michael Giacchino (American score composer)
4:53
25Landing Party
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Landing Party
composer:
Michael Giacchino (American score composer)
3:23
26Hoffs-Drawlar
recording engineer:
Dan Wallin
executive producer:
Robert Townson (soundtrack producer)
producer:
Michael Giacchino (American score composer)
assistant editor:
Paul Apelgren
editor:
Stephen M. Davis and Alex Levy (editor)
cello:
Matthew Cooker, Larry Corbett, Stefanie Fife, Suzie Katayama, Victor Lawrence (cellist), Richard Naill (cellist), Steve Richards (cellist) and Daniel Smith (cellist)
double bass:
Norman Ludwin (Bassist), Chuck Nenneker (double bassist), David Stone (acoustic bass) and Karl Vincent (bassist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Emil Richards
piano:
Mark Gasbarro
trombone:
Steve Holtman (trombonist), Alex Iles, Alan Kaplan, Kenneth Kugler, Charles Loper (American trombonist), Bruce Otto and William Reichenbach (trombone)
viola:
Caroline Buckman (violist), Darrin McCann, Jorge Moraga, Karie Prescott, Richard Rintoul (viola player), Harry Shirinian, David Stenske and Marda Todd
violin:
Becky Bunnell, Charlie Everett (violinist), Armen Garabedian, Terry Glenny, Harris Goldman, Norman Hughes, Peter Kent (violinist), Ezra Kliger, Razdan Kuyumjian, Mark Robertson (US violinist), Jean Sudbury, Shalini Vijayan, John Wittenburg (violin), Ken Yerke and Shari Zippert (Violinist)
orchestra:
Hollywood Studio Symphony
conductor:
Tim Simonec
additional orchestrator:
Chad Seiter
orchestrator:
Michael Giacchino (American score composer)
concertmaster:
Jim Sitterly (violinist)
phonographic copyright (℗) by:
ABC Studios (subsidiary of American Broadcasting Companies, Inc.) (in 2009)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States, Eastwood Scoring Stage in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Hoffs-Drawlar
composer:
Michael Giacchino (American score composer)
3:50

Credits