The Very Best of Shirley Bassey

~ Veröffentlichung von Shirley Bassey (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
4.252:49
A2In Other Words (Fly Me to the Moon)
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
3:34
A3Let There Be Love
recording of:
Let There Be Love
Texter:
Ian Grant (lyricist)
Komponist(in):
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
3:15
A4What Now My Love
Produzent(in):
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Nelson Riddle and His Orchestra
conductor:
Nelson Riddle
remixer:
Bugz in the Attic
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
cover recording of:
What Now My Love
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. und Warner Chappell Music, Inc.
übersetzte Version von:
Et maintenant
2:55
A5I've Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:38
A6No Regrets
cover recording of:
No Regrets
Texter und Komponist(in):
Tom Rush
publisher:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International, Tubbs Hill Music und Westminster Music Ltd.
4:29
A7You'll Never Walk Alone
cover recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
2:21
A8What Kind of Fool Am I
Produzent(in):
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Frank Barber
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
What Kind of Fool Am I?
Texter und Komponist(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music und Ludlow Music
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1963 winner)
Teil von:
Stop the World – I Want to Get Off
3:19
A9I Wish You Love
cover recording of:
I Wish You Love
Texter:
Charles Trenet
Verfasser(in) und Übersetzer:
Albert Beach
Komponist(in):
Léo Chauliac und Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. und Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Que reste-t-il de nos amours ?
3:23
A10Who Can I Turn To
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (am 1965-09-12)
Orchester:
Alyn Ainsworth and His Orchestra (am 1965-09-12)
conductor:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
aufgenommen bei:
The Pigalle (London) in London (Greater London), England, Vereinigtes Königreich (am 1965-09-12)
recording of:
Who Can I Turn To (When Nobody Needs Me)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. und TRO Muscal Comedy Productions, Inc.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
2:13
B1The Party's Over
Produzent(in):
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
cover recording of:
The Party’s Over (Bells Are Ringing)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Bells Are Ringing (stage musical)
3:32
B2Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:03
B3I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
2:50
B4I (Who Have Nothing) (Uno dei tanti)
Produzent(in):
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Tony Osborne
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I (Who Have Nothing)
Texter:
Jerry Leiber und Mike Stoller
Verfasser(in):
Mogol (Italian lyricist)
Komponist(in):
Carlo Donida
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (publisher) (in 1979) und Yellow Dog Music (in 1979)
übersetzte Version von:
Uno dei tanti
2:41
B5Love Is a Many Splendored Thing
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Love Is a Many‐Splendored Thing
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1955 winner)
2:56
B6The Days of Wine and Roses
recording of:
Days of Wine and Roses
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Teil von:
The 35th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1964 winner) und Academy Award for Best Original Song (Nummer: 1962 winner)
3:03
B7Easy to Love
recording of:
Easy to Love (in 1959)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
3:07
B8If You Love Me
cover recording of:
If You Love Me (Really Love Me)
Texter:
Édith Piaf
Komponist(in):
Marguerite Monnot
Übersetzer:
Geoffrey Parsons (lyricist)
publisher:
Editions Edimarton, Pompidou Music und Raoul Breton Editions
übersetzte Version von:
Hymne à l’amour
3:05
B9The Liquidator
Produzent(in):
Jesse Kaye (MGM label executive and producer)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Lalo Schifrin (pianist & composer)
recording of:
The Liquidator
Verfasser(in):
Peter Callander und Lalo Schifrin (pianist & composer)
2:20
B10As Long as He Needs Me
Produzent(in):
Norman Newell
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love and His Orchestra
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
As Long as He Needs Me (Oliver!)
Texter und Komponist(in):
Lionel Bart
publisher:
Lakeview Music Publishing Company Ltd. und TRO-Hollis, Inc.
Teil von:
Oliver! (Lionel Bart musical)
2:59

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/599878 [Info]