The Tallis Scholars Sing William Byrd (2CD version)

~ Release by William Byrd (see all versions of this release, 3 available)

Tracklist

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1▼CD
#TitleRatingLength
1Mass for Five Voices: Kyrie
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 5 Voices: I. Kyrie eleison (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
partial recording of:
Mass for 5 Voices
composer:
William Byrd (English composer)
1:35
2Mass for Five Voices: Gloria
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 02. Gloria in excelsis by The Tallis Scholars, Mass for Five Voices: 03. Domine Deus, Agnus Dei by The Tallis Scholars and Mass for Five Voices: 04. Quoniam tu solus Sanctus by The Tallis Scholars
recording of:
Mass for 5 Voices: II. Gloria in excelsis Deo (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
4:56
3Mass for Five Voices: Credo
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 05. Credo in unum Deum by The Tallis Scholars, Mass for Five Voices: 06. Qui propter nos homines by The Tallis Scholars, Mass for Five Voices: 07. Crucifixus by The Tallis Scholars, Mass for Five Voices: 08. Et resurrexit by The Tallis Scholars, Mass for Five Voices: 09. Et in Spiritum Sanctum by The Tallis Scholars and Mass for Five Voices: 10. Et unam sanctam by The Tallis Scholars
recording of:
Mass for 5 Voices: III. Credo in unum Deum (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
8:42
4Mass for Five Voices: Sanctus & Benedictus
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 11. Sanctus by The Tallis Scholars, Mass for Five Voices: 12. Pleni sunt caeli by The Tallis Scholars and Mass for Five Voices: 13. Benedictus by The Tallis Scholars
recording of:
Mass for 5 Voices: IV. Sanctus (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
recording of:
Mass for 5 Voices: V. Benedictus (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
3:47
5Mass for Five Voices: Agnus Dei
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 14. Agnus Dei 1 & 2 by The Tallis Scholars and Mass for Five Voices: 15. Agnus Dei 3 by The Tallis Scholars
recording of:
Mass for 5 Voices: VI. Agnus Dei (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
3:31
6Mass for Four Voices: Kyrie
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 4 Voices, T 1: I. Kyrie (in 1984)
composer:
William Byrd (English composer) (from 1592 until 1593)
part of:
Mass for 4 Voices, T 1
1:59
7Mass for Four Voices: Gloria
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 4 Voices, T 1: II. Gloria (in 1984)
composer:
William Byrd (English composer) (from 1592 until 1593)
part of:
Mass for 4 Voices, T 1
5:30
8Mass for Four Voices: Credo
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 4 Voices, T 1: III. Credo (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 4 Voices, T 1
7:31
9Mass for Four Voices: Sanctus & Benedictus
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 4 Voices, T 1: IV. Sanctus (in 1984)
composer:
William Byrd (English composer) (from 1592 until 1593)
part of:
Mass for 4 Voices, T 1
recording of:
Mass for 4 Voices, T 1: V. Benedictus (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 4 Voices, T 1
3:43
10Mass for Four Voices: Agnus Dei
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 4 Voices, T 1: VI. Agnus Dei (in 1984)
composer:
William Byrd (English composer) (from 1592 until 1593)
part of:
Mass for 4 Voices, T 1
3:20
11Mass for Three Voices: Kyrie
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
Mass for 3 Voices: I. Kyrie
composer:
William Byrd (English composer)
part of:
Mass for 3 Voices
0:35
12Mass for Three Voices: Gloria
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
Mass for 3 Voices: II. Gloria
composer:
William Byrd (English composer)
part of:
Mass for 3 Voices
4:33
13Mass for Three Voices: Credo
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 3 Voices: III. Credo (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 3 Voices
6:39
14Mass for Three Voices: Sanctus & Benedictus
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 3 Voices: IV. Sanctus (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 3 Voices
recording of:
Mass for 3 Voices: V. Benedictus (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 3 Voices
2:48
15Mass for Three Voices: Agnus Dei
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
Mass for 3 Voices: VI. Agnus Dei
composer:
William Byrd (English composer)
part of:
Mass for 3 Voices
3:14
16Ave verum corpus
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Ave verum corpus, T 92 (à 4, Gradualia I (1605)) (in 1984)
composer:
William Byrd (English composer)
publisher:
Oxford University Press
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 92)
part of:
Gradualia ac cantiones sacrae, Liber 1 (1605)
4:10
17Infelix ego
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
Infelix ego
lyricist:
Girolamo Savonarola
composer:
William Byrd (English composer)
12:20
2▼CD
#TitleRatingLength
1Vigilate
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Tewkesbury Abbey in Tewkesbury, Gloucestershire, England, United Kingdom (in 2006)
recording of:
Vigilate, T 27 (à 5, Cantiones sacrae I (1589)) (in 2006)
lyricist:
[anonymous] (special purpose artist)
composer:
William Byrd (English composer)
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 27)
part of:
Cantiones sacrae, Liber 1 (1589)
4:50
2Tristitia et anxietas
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Tewkesbury Abbey in Tewkesbury, Gloucestershire, England, United Kingdom (in 2006)
recording of:
Tristitia et anxietas (à 5, Cantiones sacrae I (1589)) (in 2006)
composer:
William Byrd (English composer)
10:06
3Ne irascaris, Domine
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Tewkesbury Abbey in Tewkesbury, Gloucestershire, England, United Kingdom (in 2006)
recording of:
Ne irascaris, Domine (à 5, Cantiones sacrae I (1589)) (in 2006)
lyricist:
[anonymous] (special purpose artist)
composer:
William Byrd (English composer)
part of:
Dow Partbooks (1580) (number: 9), Hamond Partbooks (British Library Add. MS 30480-30484, c. 1560-1590) (number: 53), Peterhouse Partbooks (manuscript c. 1625-1640) and Baldwin Partbooks (c. 1575-81, GB-Och Mus. 979) (number: 59)
8:06
4Prevent Us, O Lord
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Tewkesbury Abbey in Tewkesbury, Gloucestershire, England, United Kingdom (in 2006)
recording of:
Prevent Us, O Lord (in 2006)
composer:
William Byrd (English composer)
2:48
5The Great Service: Venite
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987)
producer:
Peter Phillips (British conductor) (in 1987) and Steve C Smith (engineer/producer) (in 1987)
alto vocals:
Robert Harre-Jones (countertenor) (in 1987), Nigel Short (British counter-tenor and conductor) (in 1987), Caroline Trevor (contralto) (in 1987) and Timothy Wilson (countertenor) (in 1987)
bass vocals:
Francis Steele (operatic bass) (in 1987) and Julian Walker (bass vocalist) (in 1987)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1987) and Rachel Platt (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Rufus Müller (tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John at Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
The Great Service: Venite (in 1987)
composer:
William Byrd (English composer)
part of:
The Great Service
35:16
6The Great Service: Te Deum
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987)
producer:
Peter Phillips (British conductor) (in 1987) and Steve C Smith (engineer/producer) (in 1987)
alto vocals:
Robert Harre-Jones (countertenor) (in 1987), Nigel Short (British counter-tenor and conductor) (in 1987), Caroline Trevor (contralto) (in 1987) and Timothy Wilson (countertenor) (in 1987)
bass vocals:
Francis Steele (operatic bass) (in 1987) and Julian Walker (bass vocalist) (in 1987)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1987) and Rachel Platt (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Rufus Müller (tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John at Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
The Great Service: Te Deum (in 1987)
composer:
William Byrd (English composer)
part of:
The Great Service
39:32
7The Great Service: Benedictus
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987)
producer:
Peter Phillips (British conductor) (in 1987) and Steve C Smith (engineer/producer) (in 1987)
alto vocals:
Robert Harre-Jones (countertenor) (in 1987), Nigel Short (British counter-tenor and conductor) (in 1987), Caroline Trevor (contralto) (in 1987) and Timothy Wilson (countertenor) (in 1987)
bass vocals:
Francis Steele (operatic bass) (in 1987) and Julian Walker (bass vocalist) (in 1987)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1987) and Rachel Platt (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Rufus Müller (tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John at Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
The Great Service: Benedictus (in 1987)
composer:
William Byrd (English composer)
part of:
The Great Service
39:23
8The Great Service: Creed
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987)
producer:
Peter Phillips (British conductor) (in 1987) and Steve C Smith (engineer/producer) (in 1987)
alto vocals:
Robert Harre-Jones (countertenor) (in 1987), Nigel Short (British counter-tenor and conductor) (in 1987), Caroline Trevor (contralto) (in 1987) and Timothy Wilson (countertenor) (in 1987)
bass vocals:
Francis Steele (operatic bass) (in 1987) and Julian Walker (bass vocalist) (in 1987)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1987) and Rachel Platt (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Rufus Müller (tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John at Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
The Great Service: Creed (in 1987)
composer:
William Byrd (English composer)
part of:
The Great Service
35:28
9The Great Service: Magnificat
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987)
producer:
Peter Phillips (British conductor) (in 1987) and Steve C Smith (engineer/producer) (in 1987)
alto vocals:
Robert Harre-Jones (countertenor) (in 1987), Nigel Short (British counter-tenor and conductor) (in 1987), Caroline Trevor (contralto) (in 1987) and Timothy Wilson (countertenor) (in 1987)
bass vocals:
Francis Steele (operatic bass) (in 1987) and Julian Walker (bass vocalist) (in 1987)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1987) and Rachel Platt (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Rufus Müller (tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John at Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
The Great Service: Magnificat (in 1987)
composer:
William Byrd (English composer)
part of:
The Great Service
39:12
10The Great Service: Nunc dimittis
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987)
producer:
Peter Phillips (British conductor) (in 1987) and Steve C Smith (engineer/producer) (in 1987)
alto vocals:
Robert Harre-Jones (countertenor) (in 1987), Nigel Short (British counter-tenor and conductor) (in 1987), Caroline Trevor (contralto) (in 1987) and Timothy Wilson (countertenor) (in 1987)
bass vocals:
Francis Steele (operatic bass) (in 1987) and Julian Walker (bass vocalist) (in 1987)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1987) and Rachel Platt (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Rufus Müller (tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John at Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
The Great Service: Nunc dimittis (in 1987)
composer:
William Byrd (English composer)
part of:
The Great Service
35:20
11O Lord, Make Thy Servant Elizabeth
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987)
producer:
Peter Phillips (British conductor) (in 1987) and Steve C Smith (engineer/producer) (in 1987)
alto vocals:
Robert Harre-Jones (countertenor) (in 1987), Nigel Short (British counter-tenor and conductor) (in 1987), Caroline Trevor (contralto) (in 1987) and Timothy Wilson (countertenor) (in 1987)
bass vocals:
Francis Steele (operatic bass) (in 1987) and Julian Walker (bass vocalist) (in 1987)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1987) and Rachel Platt (soprano) (in 1987)
tenor vocals:
Simon Davies (tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John at Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
O Lord, Make Thy Servant Elizabeth (in 1987)
composer:
William Byrd (English composer)
32:52
12O God, the Proud Are Risen Against Me
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987)
producer:
Peter Phillips (British conductor) (in 1987) and Steve C Smith (engineer/producer) (in 1987)
alto vocals:
Robert Harre-Jones (countertenor) (in 1987), Nigel Short (British counter-tenor and conductor) (in 1987), Caroline Trevor (contralto) (in 1987) and Timothy Wilson (countertenor) (in 1987)
bass vocals:
Francis Steele (operatic bass) (in 1987) and Julian Walker (bass vocalist) (in 1987)
choir vocals:
The Tallis Scholars
meane vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Rachel Platt (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Simon Berridge (tenor) (in 1987) and Rufus Müller (tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John at Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
O God, the Proud Are Risen Against Me (in 1987)
composer:
William Byrd (English composer)
33:01
13Sing Joyfully Unto God
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1987)
producer:
Peter Phillips (British conductor) (in 1987) and Steve C Smith (engineer/producer) (in 1987)
alto vocals:
Robert Harre-Jones (countertenor) (in 1987), Nigel Short (British counter-tenor and conductor) (in 1987), Caroline Trevor (contralto) (in 1987) and Timothy Wilson (countertenor) (in 1987)
bass vocals:
Francis Steele (operatic bass) (in 1987) and Julian Walker (bass vocalist) (in 1987)
choir vocals:
The Tallis Scholars
meane vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Rachel Platt (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Simon Berridge (tenor) (in 1987) and Rufus Müller (tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John at Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Sing Joyfully Unto God Our Strength (in 1987)
composer:
William Byrd (English composer)
32:59