Clifford Brown and Max Roach at Basin Street

~ Release by Clifford Brown & Max Roach (see all versions of this release, 10 available)

Tracklist

1▼CD
#TitleRatingLength
1What Is This Thing Called Love?
recorded in:
New York, New York, United States (on 1956-02-16)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-16)
trumpet:
Clifford Brown (trumpet) (on 1956-02-16)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-16)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
7:37
2Love Is a Many Splendored Thing
recorded in:
New York, New York, United States (on 1956-02-16)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-16)
trumpet:
Clifford Brown (trumpet) (on 1956-02-16)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-16)
instrumental recording of:
Love Is a Many‐Splendored Thing (on 1956-02-16)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
4:18
3I'll Remember April
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
piano:
Richie Powell (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
instrumental recording of:
I’ll Remember April (on 1956-02-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
9:17
4Powell's Prances
recorded in:
New York, New York, United States (on 1956-01-04)
producer:
Bob Shad
double bass:
George Morrow (on 1956-01-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-01-04)
piano:
Richie Powell (on 1956-01-04)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-01-04)
trumpet:
Clifford Brown (trumpet) (on 1956-01-04)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-01-04)
recording of:
Powell's Prances (on 1956-01-04)
writer:
Richie Powell
3:32
5Time
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
celesta and piano:
Richie Powell (on 1956-02-17)
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
Time (on 1956-02-17)
writer:
Richie Powell
5:07
6The Scene Is Clean
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
piano:
Richie Powell (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
The Scene Is Clean (on 1956-02-17)
composer:
Tadd Dameron
arranger:
Joe Lovano (American jazz artist)
publisher:
Bregman, Vocco & Conn, Inc.
6:09
7Gertrude's Bounce
producer:
Bob Shad
double bass:
George Morrow (on 1956-01-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-01-04)
piano:
Richie Powell (on 1956-01-04)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-01-04)
trumpet:
Clifford Brown (trumpet) (on 1956-01-04)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-01-04)
recording of:
Gertrude’s Bounce (on 1956-01-04)
composer:
Richie Powell
4:14
8Step Lightly (Junior's Arrival)
producer:
Bob Shad
double bass:
George Morrow (on 1956-01-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-01-04)
piano:
Richie Powell (on 1956-01-04)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-01-04)
trumpet:
Clifford Brown (trumpet) (on 1956-01-04)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-01-04)
recording of:
Step Lightly (Junior's Arrival) (on 1956-01-04)
writer:
Benny Golson (American jazz saxophonist and composer)
3:37
9Flossie Lou
producer:
Bob Shad
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
Flossie Lou
composer:
Tadd Dameron
3:59
10What Is This Thing Called Love? (alternative take)
producer:
Bob Shad
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-16)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
8:23
11Love Is a Many Splendored Thing (breakdown)
producer:
Bob Shad
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-16)
recording of:
Love Is a Many‐Splendored Thing
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
0:45
12Love Is a Many Splendored Thing (alternative take)
producer:
Bob Shad
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-16)
recording of:
Love Is a Many‐Splendored Thing
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
3:57
13I'll Remember April (breakdown)
producer:
Bob Shad
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
I’ll Remember April
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
1:25
14I'll Remember April (alternative take)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-17)
piano:
Richie Powell (on 1956-02-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-17)
trumpet:
Clifford Brown (trumpet) (on 1956-02-17)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
I’ll Remember April (on 1956-02-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
9:46
15Flossie Lou (alternative take)
producer:
Bob Shad
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1956-02-17)
recording of:
Flossie Lou
composer:
Tadd Dameron
4:01