The Boys Are Back in Town

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Life Is a Highway
Techniker(in) und Mix:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
Produzent(in):
Tom Cochrane (of Red Rider) (Aufgabe: pre-production), Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) und John Webster (Canadian keyboardist) (Aufgabe: pre-production)
Bassgitarre [bass]:
Spider Sinneave
E-Gitarre und Mundharmonika:
Tom Cochrane (of Red Rider)
Orgel und Perkussion:
John Webster (Canadian keyboardist)
Schlagzeug [drums]:
Mickey Curry
Hintergrundgesang:
Tom Cochrane (of Red Rider), John Cody (Canadian-born singer/songwriter/producer) und Molly Johnson (Canadian jazz chanteuse)
vocals:
Tom Cochrane (of Red Rider)
Schlagzeug [drums] arranger:
John Webster (Canadian keyboardist)
arranger:
Tom Cochrane (of Red Rider)
recording of:
Life Is a Highway
Texter und Komponist(in):
Tom Cochrane (of Red Rider)
publisher:
PW Arrangements und Universal Music Publishing Canada
Tom Cochrane54:25
2Roll With It
recording engineer:
Owen Morris
Produzent(in):
Noel Gallagher und Owen Morris
Bassgitarre:
Paul McGuigan (Oasis)
E-Gitarre [lead guitar] und Hintergrundgesang:
Noel Gallagher
E-Gitarre [rhythm guitar]:
Paul Arthurs ("Bonehead", Oasis)
Perkussion und Schlagzeug:
Alan White (Oasis drummer)
Sologesang:
Liam Gallagher (English musician, lead singer of Oasis)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
Musikvideos:
Roll With It von Oasis (Noel & Liam Gallagher)
recording of:
Roll With It
Texter und Komponist(in):
Noel Gallagher
Oasis3.454:01
3Lover, Lover
Jimmy Barnes3:28
4Let’s Stick Together
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist) und Jon Walls
Techniker(in):
Steve Nye (producer, engineer and pianist) und John Punter
Produzent(in):
Bryan Ferry und Chris Thomas (UK record producer / remixer)
Bass:
John Wetton (von 1973 bis 1976)
Geige / Violine und Synthesizer:
Eddie Jobson (von 1973 bis 1976)
Gitarre:
Chris Spedding (von 1973 bis 1976)
Keyboard und Mundharmonika:
Bryan Ferry (von 1973 bis 1976)
Perkussion:
Morris Pert (von 1973 bis 1976)
Schlagzeug:
Paul Thompson (Roxy Music drummer) (von 1973 bis 1976)
Sopransaxophon:
Mel Collins (von 1973 bis 1976)
Tenorsaxophon:
Chris Mercer (British saxophonist) (von 1973 bis 1976)
Trompete:
Martin Drover (von 1973 bis 1976)
Chorgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1973 bis 1976), Doreen Chanter (von 1973 bis 1976), Helen Chappelle (von 1973 bis 1976), Jackie Sullivan (vocals & songwriter) (von 1973 bis 1976), Martha Walker (Vocalist) (von 1973 bis 1976) und Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (von 1973 bis 1976)
vocals:
Bryan Ferry (von 1973 bis 1976)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1976)
cover recording of:
Let’s Stick Together (von 1973 bis 1976)
Texter und Komponist(in):
Wilbert Harrison
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. und SBK/U Catalog (in 1969)
Bryan Ferry3.353:00
5California Girls
Techniker(in):
Jeff Hendrickson (sound engineer)
Produzent(in):
Ted Templeman
Bassgitarre:
Willie Weeks (US bass player)
Gitarre:
Eddie Martinez (guitar) und Sid McGinnis (American musician and guitarist)
Keyboard und Saxophon:
Edgar Winter
Perkussion:
Sammy Figueroa
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Brian Mann (keyboardist, accordionist, composer)
Hintergrundgesang:
Christopher Cross (US singer‐songwriter), Carl Wilson (Beach Boys) und Edgar Winter
Sologesang:
David Lee Roth
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1985)
cover recording of:
California Girls
Texter und Komponist(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
David Lee Roth4.652:48
6You’re So Vain
cover recording of:
You’re So Vain
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Chocolate Starfish4:10
7Make Me Smile
Nick Barker & the Reptiles3:52
8Pretty Vacant
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Bill Price (UK producer/engineer) und Chris Thomas (UK record producer / remixer)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (in 1977-03)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 34)
live recording of:
Pretty Vacant
Verfasser(in):
Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols), Glen Matlock (bass guitarist of the Sex Pistols) und Paul Thomas Cook (drummer for the Sex Pistols)
publisher:
A Thousand Miles Long, Inc., Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
Sex Pistols3.93:16
9Real Wild Child
drum machine [Linn drum]-Programmierung:
David Richards (Swiss-based producer and engineer) (von 1986-04 bis 1986-05)
Techniker(in):
David Richards (Swiss-based producer and engineer)
Produzent(in) und Mix:
David Bowie (English singer‐songwriter) und David Richards (Swiss-based producer and engineer)
Bass, Schlagzeug, Orgel, Sampler [Akai S900], Synthesizer [Yamaha DX7] und Geige / Violine:
Erdal Kızılçay (von 1986-04 bis 1986-05)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05) und Steve Jones (Sex Pistols member) (von 1986-04 bis 1986-05)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05), David Bowie (English singer‐songwriter) (von 1986-04 bis 1986-05) und Erdal Kızılçay (von 1986-04 bis 1986-05)
Sologesang:
Iggy Pop (von 1986-04 bis 1986-05)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1986)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1986-04 bis 1986-05)
cover recording of:
Wild One (Real Wild Child) (von 1986-04 bis 1986-05)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3.853:34
10Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:08
11Cat’s in the Cradle
Techniker(in) und Mix:
Mark Dodson (UK producer) und Randy Long
Produzent(in):
Mark Dodson (UK producer)
Bassgitarre:
Cordell Crockett (in 1992)
Gitarre:
Klaus Eichstadt (in 1992) und Dave Fortman (in 1992)
Schlagzeug:
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
Hintergrundgesang:
Jennifer Barry (in 1992)
Sologesang:
Whitfield Crane (in 1992)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.84:03
12MMM, MMM, MMM, MMM
Crash Test Dummies3:38
13White Wedding
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.84:09
14Walk on the Wild Side
Produzent(in):
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
E-Bass und Kontrabass:
Herbie Flowers (in 1972-08)
Schlagzeug:
John Halsey (in 1972-08)
Hintergrundgesang:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
Sologesang:
Lou Reed (in 1972-08)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Samples von:
Lexicon Valley #150, “Why Language Can’t Be Tamed” von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 221)
recording of:
Walk on the Wild Side (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Six Continents Music Publishing Inc.
Lou Reed4.254:10
15Love Is the Drug
recording of:
Love Is the Drug
Texter:
Bryan Ferry
Komponist(in):
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs und E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4:04
16Party
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1985)
recording of:
Party
Verfasser(in):
Brian Mannix (Australian singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Uncanny X‐Men3:01
17Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:09
18Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:33
2CD
Nr.TitelKünstlerBewertungLänge
1April Sun in Cuba
E-Bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
Gitarre:
Robert Taylor (singer-songwriter and guitarist)
Keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
Sologesang:
Marc Hunter
vocals:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) und Robert Taylor (singer-songwriter and guitarist)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1977), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1977) und Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1977)
recording of:
April Sun in Cuba
Komponist(in):
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. und Essex Music of Australia Pty. Ltd.
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 10)
Dragon3:26
2Lazy Sunday
recording of:
Lazy Sunday
Verfasser(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
publisher:
United Partnership Music Ltd. (beendet) und EMI United Partnership Ltd.
Small Faces3:02
3I’m the Leader of the Gang (I Am)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1973), Snapper Music (in 1973) und Snapper Music plc (parent company of Snapper Music) (in 1973)
recording of:
I’m the Leader of the Gang (I Am!) (in 1973)
Komponist(in):
Gary Glitter und Mike Leander
publisher:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:29
4Once Bitten Twice Shy
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Ian Hunter (Mott the Hoople) und Mick Ronson (British guitarist)
Bass:
Geoff Appleby (in 1975-01)
Bassgitarre:
Geoff Appleby
E-Gitarre [lead guitar]:
Mick Ronson (British guitarist) (in 1975-01)
elektronische Orgel, Gitarre, mellotron und Mundorgel:
Mick Ronson (British guitarist)
Gitarre [rythm guitar] und Sologesang:
Ian Hunter (Mott the Hoople) (in 1975-01)
Klavier:
Ian Hunter (Mott the Hoople) (in 1975-01) und Pete Arnesen (in 1975-01)
Perkussion:
Ian Hunter (Mott the Hoople) und Dennis Elliott (in 1975-01)
Schlagzeug:
Dennis Elliott (in 1975-01)
Hintergrundgesang:
Geoff Appleby (in 1975-01), Ian Hunter (Mott the Hoople) (in 1975-01) und Mick Ronson (British guitarist) (in 1975-01)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (von 1975-01 bis 1975-03)
recording of:
Once Bitten Twice Shy (in 1975-01)
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. und Ian Hunter Music Inc.
Ian Hunter3.254:44
5You Took the Words Right Out of My Mouth
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978)
Bearbeitung von:
You Took the Words Right Out of My Mouth (Hot Summer Night) von Meat Loaf
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und J. Albert & Son Pty. Ltd.
Meat Loaf44:15
6The Whole of the Moon
Produzent(in):
Mike Scott (The Waterboys)
Mix:
Mick Glossop (producer & engineer)
Bass-Synthesizer und Synthesizer:
Karl Wallinger (in 1985-05)
Gitarre und Klavier:
Mike Scott (The Waterboys) (in 1985-05)
Perkussion:
Martin Ditcham (in 1985-05)
Saxophon:
Anthony Thistlethwaite (in 1985-05)
Schlagzeug:
Chris Whitten (in 1985-05)
Trompete:
Roddy Lorimer (in 1985-05)
Hintergrundgesang:
Max Edie (in 1985-05) und Karl Wallinger (in 1985-05)
vocals:
Mike Scott (The Waterboys) (in 1985-05)
phonographisches Urheberrecht (℗) von:
Ensign Records Ltd. (company; do NOT use as release label) (in 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1985) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 2020)
recording of:
The Whole of the Moon (in 1985-05)
Texter und Komponist(in):
Mike Scott (The Waterboys)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:01
7Take Me Back
Bass:
Steve Balbi
Gitarre:
Stuart Fraser
Keyboard:
Justin Stanley
Schlagzeug:
Kevin Nicol
vocals:
Jon Stevens (Australian/NZ rock singer)
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) und Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1987)
aufgenommen bei:
Rhinoceros Studios in Sydney, New South Wales, Australien (vom 1987-04-13 bis ????)
recording of:
Take Me Back
Verfasser(in):
Jon Stevens (Australian/NZ rock singer) und Brent Thomas (New Zealand guitarist and songwriter)
publisher:
Greenstone Music, peermusic (“Peermusic—the global independent”) und Warner Chappell
Noiseworks53:28
8If You Leave Me Can I Come Too
recording of:
If You Leave Me Can I Come Too
Texter und Komponist(in):
Martin Plaza (Australian musician)
Mental as Anything3:13
9She’s Not There
Produzent(in):
Tom Coster und Carlos Santana
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), RCA/Jive Label Group (holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana44:02
10More Than a Feeling
Produzent(in):
John Boylan und Tom Scholz
Akustikgitarre, Bass und E-Gitarre:
Tom Scholz (von 1975-10 bis 1976-04)
Schlagzeug:
Sib Hashian (von 1975-10 bis 1976-04)
vocals:
Brad Delp (von 1975-10 bis 1976-04)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
recording of:
More Than a Feeling (von 1975-10 bis 1976-04)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston4.83:22
11Here I Go Again
recording of:
Here I Go Again
Verfasser(in):
David Coverdale und Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (beendet), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake3:54
12On the Beach
recording of:
On the Beach (Chris Rea)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea5:03
13Sweet Home Alabama
recording of:
Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd3:25
14Ride Like the Wind
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Solo-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Klavier:
Michael Omartian
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Synthesizer:
Rob Meurer
Hintergrundgesang:
Christopher Cross (US singer‐songwriter) und Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 1979) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross4.14:29
15Errol
Techniker(in):
Dave Marett (engineer)
Produzent(in):
Peter Dawkins
Akustikgitarre, E-Gitarre und Slide-Gitarre:
Simon Binks (von 1981-03 bis 1981-04)
Bass:
Paul Williams (bassist in 'Australian Crawl') (von 1981-03 bis 1981-04)
Gitarre:
Guy McDonough (von 1981-03 bis 1981-04) und Brad Robinson (von 1981-03 bis 1981-04)
Klavier und Sologesang:
James Reyne (von 1981-03 bis 1981-04)
Perkussion und Schlagzeug:
Bill McDonough (von 1981-03 bis 1981-04)
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1981) und Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1981)
aufgenommen bei und mixed at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australien (von 1981-03 bis 1981-04)
recording of:
Errol (von 1981-03 bis 1981-04)
Verfasser(in):
Guy McDonough und James Reyne
publisher:
Warner/Chappell Pty. Ltd.
Australian Crawl33:31
16Khe Sanh
Techniker(in):
Alan Wright (engineer)
Akustikgitarre:
Peter Walker (Australian producer & engineer)
Bass:
Phil Small
Gitarre:
Ian Moss
Klavier und Orgel:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Mundharmonika:
Dave Blight
Schlagzeug:
Steve Prestwich
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (in 1991, in 2001) und Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1991)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 8)
recording of:
Khe Sanh
Texter und Komponist(in):
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Rondor Music, Rondor Music (Australia) Pty Ltd und Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:08
17Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:28