The Unique Ella Fitzgerald

~ Release by Ella Fitzgerald (see all versions of this release, 1 available)

Annotation

Issues

Apparently 1987 France, The Entertainers cat # 0226.
If you have any details about this, please contribute!
Apparently AMZ lists it among others.
The release has no barcode. (C) & (R) 1987 by JOKER TONVERLAG AG. Manufactured in France by LOR-DISC.

Annotation last modified on 2013-07-23 13:24 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Too Darn Hot
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Too Darn Hot (from Kiss Me, Kate) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
3.653:49
2With a Song in My Heart
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
With a Song in My Heart (on 1956-08-30)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
52:45
3I Get a Kick Out of You
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I Get a Kick Out of You (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
3.654:02
4Lover
cover recording of:
Lover
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:18
5I Didn’t Know What Time It Was
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (Oboe player) (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-29)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1956-08-29)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:48
6It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:10
7Love for Sale
cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:56
8Where or When
recorded in:
Los Angeles, California, United States (on 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (US jazz saxophonist) (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (Oboe player) (on 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-31)
trumpet:
Ray Linn (on 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Where or When (from “Babes in Arms”) (on 1956-08-31)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
2:48
9Let’s Do It (Let’s Fall in Love)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-02-09)
drums (drum set) [drums]:
Alvin Stoller (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
3.653:35
10I’ve Got You Under My Skin
engineer:
Val Valentin (on 1956-02-09)
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
2.252:44
11I Can’t Get Started
cover recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:06
12Blue You
2:47
13Easy to Love
cover recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:26
14You Took Advantage of Me
cover recording of:
You Took Advantage of Me
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:28
15You Do Something for Me
engineer:
Val Valentin (on 1956-02-08)
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-08)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-08) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (american trombone player) (on 1956-02-08) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (violinist) (on 1956-02-08)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1956-02-08)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
22:23
16How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:18
17So in Love
cover recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
3:53
18That Old Black Magic
cover recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:30
19I Love Paris
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956, on 1956-02-07)
conductor:
Buddy Bregman (in 1956, on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
15:01
20What Is This Thing Called Love
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:05
21Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:32