Decca Sound: The Analogue Years

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Saint-Saëns: Tone Poems; Piano Concerto No.1
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1Phaéton, op. 39
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1980-06)
conductor:
Charles Dutoit (conductor) (in 1980-06)
balance engineer:
John Dunkerley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-06)
recording of:
Phaéton, op. 39 (in 1980-06)
composer:
Camille Saint‐Saëns (composer) (in 1873)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 39)
Camille Saint‐Saëns9:03
2Le Rouet d’Omphale, op. 31
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1980-06)
conductor:
Charles Dutoit (conductor) (in 1980-06)
balance engineer:
John Dunkerley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-06)
recording of:
Le Rouet d'Omphale, op. 31 (Omphale's Spinning Wheel, Op. 31) (in 1980-06)
composer:
Camille Saint‐Saëns (composer) (in 1871)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 31)
Camille Saint‐Saëns7:47
3Danse macabre, op. 40
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1980-06)
conductor:
Charles Dutoit (conductor) (in 1980-06)
balance engineer:
John Dunkerley (engineer) (in 1980-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-06)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra) (in 1980-06)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Camille Saint‐Saëns7:00
4La Jeunesse d’Hercule, op. 50
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1980-06)
conductor:
Charles Dutoit (conductor) (in 1980-06)
balance engineer:
John Dunkerley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-06)
recording of:
La jeunesse d'Hercule, op. 50 (in 1980-06)
composer:
Camille Saint‐Saëns (composer) (in 1877)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 50)
Camille Saint‐Saëns17:00
5Marche héroïque in E-flat major, op. 34,
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1980-06)
conductor:
Charles Dutoit (conductor) (in 1980-06)
balance engineer:
John Dunkerley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-06)
recording of:
Marche héroïque in E-flat, op. 34 (in 1980-06)
composer:
Camille Saint‐Saëns (composer)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 34)
Camille Saint‐Saëns7:07
6Piano Concerto no. 1 in D major, op. 17: I. Andante
engineer:
Colin Moorfoot (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Pascal Rogé (pianist)
solo piano:
Pascal Rogé (pianist) (in 1979-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979-07)
conductor:
Charles Dutoit (conductor) (in 1979-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-07)
recording of:
Piano Concerto no. 1 in D major, op. 17: I. Andante – Allegro assai (in 1979-07)
composer:
Camille Saint‐Saëns (composer) (in 1858)
part of:
Piano Concerto no. 1 in D major, op. 17
Camille Saint‐Saëns12:29
7Piano Concerto no. 1 in D major, op. 17: II. Andante sostenuto quasi adagio
engineer:
Colin Moorfoot (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Pascal Rogé (pianist)
solo piano:
Pascal Rogé (pianist) (in 1979-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979-07)
conductor:
Charles Dutoit (conductor) (in 1979-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-07)
recording of:
Piano Concerto no. 1 in D major, op. 17: II. Andante sostenuto quasi adagio (in 1979-07)
composer:
Camille Saint‐Saëns (composer) (in 1858)
part of:
Piano Concerto no. 1 in D major, op. 17
Camille Saint‐Saëns10:29
8Piano Concerto no. 1 in D major, op. 17: III. Allegro con fuoco
engineer:
Colin Moorfoot (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Pascal Rogé (pianist)
solo piano:
Pascal Rogé (pianist) (in 1979-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979-07)
conductor:
Charles Dutoit (conductor) (in 1979-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-07)
recording of:
Piano Concerto no. 1 in D major, op. 17: III. Allegro con fuoco (in 1979-07)
composer:
Camille Saint‐Saëns (composer) (in 1858)
part of:
Piano Concerto no. 1 in D major, op. 17
Camille Saint‐Saëns6:38
2▼CD: Bruckner: Symphony No.6
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1Symphony no. 6 in A major: I. Maestoso
producer:
Ray Minshull (record producer)
orchestra:
Chicago Symphony Orchestra (from 1979-01 until 1979-06, in 1979-05)
conductor:
Sir Georg Solti (conductor) (from 1979-01 until 1979-06, in 1979-05)
balance engineer:
Michael Mailes (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1979-01 until 1979-06, in 1979-05)
recording of:
Symphony no. 6 in A-major, WAB 106: I. Majestoso (ed. L. Nowak 1952) (from 1979-01 until 1979-06)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
recording of:
Symphony no. 6 in A-major, WAB 106: I. Majestoso (ed. L. Nowak 1952) (in 1979-05)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
Anton Bruckner17:41
2Symphony no. 6 in A major: II. Adagio. Sehr feierlich
producer:
Ray Minshull (record producer)
orchestra:
Chicago Symphony Orchestra (from 1979-01 until 1979-06, in 1979-05)
conductor:
Sir Georg Solti (conductor) (from 1979-01 until 1979-06, in 1979-05)
balance engineer:
Michael Mailes (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1979-01 until 1979-06, in 1979-05)
recording of:
Symphony no. 6 in A-major, WAB 106: II. Adagio. Sehr feierlich (ed. L. Nowak 1952) (from 1979-01 until 1979-06)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
recording of:
Symphony no. 6 in A-major, WAB 106: II. Adagio. Sehr feierlich (ed. L. Nowak 1952) (in 1979-05)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
Anton Bruckner19:22
3Symphony no. 6 in A major: III. Scherzo. Nicht schnell - Trio. Langsam
producer:
Ray Minshull (record producer)
orchestra:
Chicago Symphony Orchestra (from 1979-01 until 1979-06, in 1979-05)
conductor:
Sir Georg Solti (conductor) (from 1979-01 until 1979-06, in 1979-05)
balance engineer:
Michael Mailes (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1979-01 until 1979-06, in 1979-05)
recording of:
Symphony no. 6 in A-major, WAB 106: III. Scherzo. Nicht schnell – Trio. Langsam (ed. L. Nowak 1952) (from 1979-01 until 1979-06)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
recording of:
Symphony no. 6 in A-major, WAB 106: III. Scherzo. Nicht schnell – Trio. Langsam (ed. L. Nowak 1952) (in 1979-05)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
Anton Bruckner8:52
4Symphony no. 6 in A major: IV. Finale. Bewegt, doch nicht zu schnell
producer:
Ray Minshull (record producer)
orchestra:
Chicago Symphony Orchestra (from 1979-01 until 1979-06, in 1979-05)
conductor:
Sir Georg Solti (conductor) (from 1979-01 until 1979-06, in 1979-05)
balance engineer:
Michael Mailes (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1979-01 until 1979-06, in 1979-05)
recording of:
Symphony no. 6 in A-major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell (ed. L. Nowak 1952) (from 1979-01 until 1979-06)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
recording of:
Symphony no. 6 in A-major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell (ed. L. Nowak 1952) (in 1979-05)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
Anton Bruckner15:14
3▼CD: Shostakovich: Symphony No.4
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1Symphony no. 4 in C minor, op. 43: Ia. Allegro poco moderato -
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-01)
conductor:
Bernard Haitink (conductor) (in 1979-01)
balance engineer:
John Dunkerley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-01)
partial recording of:
Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto (in 1979-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1935-09 until 1936-05)
part of:
Symphony no. 4 in C minor, op. 43
Dmitri Shostakovich16:20
2Symphony no. 4 in C minor, op. 43: Ib. Presto
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-01)
conductor:
Bernard Haitink (conductor) (in 1979-01)
balance engineer:
John Dunkerley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-01)
partial recording of:
Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto (in 1979-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1935-09 until 1936-05)
part of:
Symphony no. 4 in C minor, op. 43
Dmitri Shostakovich12:32
3Symphony no. 4 in C minor, op. 43: II. Moderato con moto
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-01)
conductor:
Bernard Haitink (conductor) (in 1979-01)
balance engineer:
John Dunkerley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-01)
recording of:
Symphony no. 4 in C minor, op. 43: II. Moderato con moto (in 1979-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1935-09 until 1936-05)
part of:
Symphony no. 4 in C minor, op. 43
Dmitri Shostakovich9:06
4Symphony no. 4 in C minor, op. 43: IIIa. Largo -
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-01)
conductor:
Bernard Haitink (conductor) (in 1979-01)
balance engineer:
John Dunkerley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-01)
partial recording of:
Symphony no. 4 in C minor, op. 43: III. Largo - Allegro (in 1979-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1935-09 until 1936-05)
part of:
Symphony no. 4 in C minor, op. 43
Dmitri Shostakovich7:03
5Symphony no. 4 in C minor, op. 43: IIIb. Allegro
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1979-01)
conductor:
Bernard Haitink (conductor) (in 1979-01)
balance engineer:
John Dunkerley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-01)
partial recording of:
Symphony no. 4 in C minor, op. 43: III. Largo - Allegro (in 1979-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1935-09 until 1936-05)
part of:
Symphony no. 4 in C minor, op. 43
Dmitri Shostakovich22:35
4▼CD: Debussy: Piano Works
#TitleArtistRatingLength
1Préludes - Book 1, L. 117: I. Danseuses de Delphes
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: I. Danseuses de Delphes. Lent et grave (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:00
2Préludes - Book 1, L. 117: II. Voiles
recording engineer:
Colin Moorfoot (engineer) (in 1978-11)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: II. Voiles. Modéré (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy5:13
3Préludes - Book 1, L. 117: III. Le vent dans la plaine
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: III. Le Vent dans la plaine. Animé (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-16)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:05
4Préludes - Book 1, L. 117: IV. Les sons et les parfums tournent dans l’air du soir
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: IV. «Les sons et les parfums tournent dans l'air du soir». Modéré (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-16)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy4:39
5Préludes - Book 1, L. 117: V. Les collines d’Anacapri
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: V. Les collines d'Anacapri. Très modéré (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-14)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:00
6Préludes - Book 1, L. 117: VI. Des pas sur la neige
recording engineer:
Colin Moorfoot (engineer) (in 1978-11)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:59
7Préludes - Book 1, L. 117: VII. Ce qu’a vu le vent d’ouest
recording engineer:
Colin Moorfoot (engineer) (in 1978-11)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-07-26)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:58
8Préludes - Book 1, L. 117: VIII. La fille aux cheveux de lin
recording engineer:
Colin Moorfoot (engineer) (in 1978-11)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:24
9Préludes - Book 1, L. 117: IX. La sérénade interrompue
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: IX. La sérénade interrompue. Modérément animé (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-14)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:42
10Préludes - Book 1, L. 117: X. La cathédrale engloutie
recording engineer:
Colin Moorfoot (engineer) (in 1978-11)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy6:30
11Préludes - Book 1, L. 117: XI. La danse de Puck
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: XI. La danse de Puck. Capricieux et léger (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:32
12Préludes - Book 1, L. 117: XII. Minstrels
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1978-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Préludes, Livre I, L. 117, CD 125: XII. Minstrels. Modéré (in 1978-11)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-02-10)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:12
13Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:16
14Children’s Corner, L. 113: II. Jimbo’s Lullaby
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy4:06
15Children’s Corner, L. 113: III. Serenade for the Doll
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:39
16Children’s Corner, L. 113: IV. The Snow is dancing
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:49
17Children’s Corner, L. 113: V. The little Shepherd
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:11
18Children’s Corner, L. 113: VI. Golliwogg’s Cakewalk
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:54
19Rêverie, L. 68
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Rêverie, L. 68, CD 76 (for piano) (in 1977-05)
composer:
Claude Debussy (French composer) (in 1890)
premiered at:
[concert] (1899-02-27)
publisher:
Choudens (in 1891) and Eugène Fromont (in 1905)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76)
Claude Debussy4:54
20L’Isle Joyeuse, L. 106
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1979-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St. George the Martyr (Queen Square, Holborn) in Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979-09)
recording of:
L’Isle joyeuse, L. 106, CD 109 (for piano) (in 1979-09)
composer:
Claude Debussy (French composer) (from 1903 until 1904-08)
premiered at:
[concert] (1905-02-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 106) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 109)
Claude Debussy5:41
5▼CD: Sibelius: Pelléas Et Mélisande; The Tempest
#TitleArtistRatingLength
1Pelléas et Mélisande, op. 46: I. At the Castle-gate
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Pelléas et Mélisande, op. 46: I. At the Castle Gate (for orchestra) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius2:57
2Pelléas et Mélisande, op. 46: II. Mélisande
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Pelléas et Mélisande, op. 46: II. Mélisande (for orchestra) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius4:08
3Pelléas et Mélisande, op. 46: III. At the Seashore -
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Pelléas et Mélisande, op. 46: III. By the Sea (for orchestra) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius2:01
4Pelléas et Mélisande, op. 46: IV. A Spring in the Park
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Pelléas et Mélisande, op. 46: IV. By a Spring in the Park (for orchestra) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius2:02
5Pelléas et Mélisande, op. 46: V. The Three Blind Sisters
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Pelléas et Mélisande, op. 46: V. The Three Blind Sisters (for orchestra) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius2:36
6Pelléas et Mélisande, op. 46: VI. Pastorale
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Pelléas et Mélisande, op. 46: VI. Pastorale (for orchestra) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius2:09
7Pelléas et Mélisande, op. 46: VII. Mélisande at the Spinning Wheel
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Pelléas et Mélisande, op. 46: VII. Mélisande at the Spinning Wheel (for orchestra) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius2:07
8Pelléas et Mélisande, op. 46: VIII. Entr’acte
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Pelléas et Mélisande, op. 46: VIII. Entr'acte (for orchestra) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius2:38
9Pelléas et Mélisande, op. 46: IX. The Death of Mélisande
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Pelléas et Mélisande, op. 46: IX. Mélisande's Death (for orchestra) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1905)
part of:
Pelléas et Mélisande, op. 46 (for orchestra)
Jean Sibelius6:54
10The Tempest, Overture, op. 109 no. 1
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen, Overture, op. 109 no. 1 (The Tempest, Overture) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
is based on:
Stormen, JS 182
Jean Sibelius5:08
11The Tempest, First Suite, op. 109 no. 2: I. The Oak Tree
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen Suite no. 1, op. 109 no. 2: I. Der Eichbaum (The Tempest, Suite No. 1: I. The Oak) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
part of:
Stormen Suite no. 1, op. 109 no. 2 (The Tempest, Suite No. 1, Op. 109, No. 2, The Tempest, Suite No. 1)
Jean Sibelius2:51
12The Tempest, First Suite, op. 109 no. 2: II. Humoreske
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen Suite no. 1, op. 109 no. 2: II. Humoreske (The Tempest, Suite No. 1: II. Humoreske) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
part of:
Stormen Suite no. 1, op. 109 no. 2 (The Tempest, Suite No. 1, Op. 109, No. 2, The Tempest, Suite No. 1)
Jean Sibelius1:03
13The Tempest, First Suite, op. 109 no. 2: III. Caliban’s Song
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen Suite no. 1, op. 109 no. 2: III. Caliban's Lied (The Tempest, Suite No. 1: III. Caliban’s Song) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
part of:
Stormen Suite no. 1, op. 109 no. 2 (The Tempest, Suite No. 1, Op. 109, No. 2, The Tempest, Suite No. 1)
Jean Sibelius1:18
14The Tempest, First Suite, op. 109 no. 2: IV. The Harvesters
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen Suite no. 1, op. 109 no. 2: IV. Die Herbstmänner (The Tempest, Suite No. 1: IV. The Harvesters) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
part of:
Stormen Suite no. 1, op. 109 no. 2 (The Tempest, Suite No. 1, Op. 109, No. 2, The Tempest, Suite No. 1)
Jean Sibelius2:13
15The Tempest, First Suite, op. 109 no. 2: V. Canon
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen Suite no. 1, op. 109 no. 2: V. Canon (The Tempest, Suite No. 1: V. Canon) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
part of:
Stormen Suite no. 1, op. 109 no. 2 (The Tempest, Suite No. 1, Op. 109, No. 2, The Tempest, Suite No. 1)
revision of:
Stormen, Suite no. 1, op. 109, no. 2: V. Canon (1927 preliminary version)
Jean Sibelius1:27
16The Tempest, First Suite, op. 109 no. 2: VI. Scene
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen Suite no. 1, op. 109 no. 2: VI. Scéne (The Tempest, Suite No. 1: VI. Scene) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
part of:
Stormen Suite no. 1, op. 109 no. 2 (The Tempest, Suite No. 1, Op. 109, No. 2, The Tempest, Suite No. 1)
Jean Sibelius1:39
17The Tempest, First Suite, op. 109 no. 2: VII. Intrada - Berceuse
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen Suite no. 1, op. 109 no. 2: VII. Intrada - Berceuse (The Tempest, Suite No. 1: VII. Intrada - Berceuse) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
part of:
Stormen Suite no. 1, op. 109 no. 2 (The Tempest, Suite No. 1, Op. 109, No. 2, The Tempest, Suite No. 1)
Jean Sibelius2:20
18The Tempest, First Suite, op. 109 no. 2: VIII. Entr’acte - Ariel’s Song
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen Suite no. 1, op. 109 no. 2: VIII. Zwischenspiel - Ariels Lied (The Tempest, Suite No. 1: VIII. Interlude - Ariel’s Song) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
part of:
Stormen Suite no. 1, op. 109 no. 2 (The Tempest, Suite No. 1, Op. 109, No. 2, The Tempest, Suite No. 1)
Jean Sibelius3:51
19The Tempest, First Suite, op. 109 no. 2: IX. The Storm
producer:
Richard Beswick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-07)
conductor:
Horst Stein (conductor) (in 1978-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-07)
recording of:
Stormen Suite no. 1, op. 109 no. 2: IX. Der Sturm (The Tempest, Suite No. 1: IX. The Tempest) (in 1978-07)
composer:
Jean Sibelius (Finnish composer) (in 1927)
part of:
Stormen Suite no. 1, op. 109 no. 2 (The Tempest, Suite No. 1, Op. 109, No. 2, The Tempest, Suite No. 1)
Jean Sibelius3:18
20En Saga, op. 9
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1971-06)
conductor:
Horst Stein (conductor) (in 1971-06)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1971-06)
recording of:
En saga, op. 9 (in 1971-06)
composer:
Jean Sibelius (Finnish composer) (in 1892)
revised by:
Jean Sibelius (Finnish composer) (in 1902)
was commissioned by:
Robert Kajanus (Finnish composer and conductor)
premiered at:
Filharmonisen seuran 2. sinfonia-konsertti (1902-11-03)
premiered at:
Helsingin yliopiston päärakennus: juhlasali (Helsinki University: Great Hall) in Helsinki, Uusimaa, Finland (on 1902-11-03)
part of:
Works of Jean Sibelius by opus number (number: op. 9)
revision of:
En Saga, op. 9 (original 1892 version)
Jean Sibelius16:16
21Pohjola’s Daughter, op. 49
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1971-06)
conductor:
Horst Stein (conductor) (in 1971-06)
balance engineer:
James Lock (James Locke, engineer) (in 1971-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1971-06)
recording of:
Pohjolan tytär, op. 49 (Pohjola's Daughter, Op. 49) (in 1971-06)
composer:
Jean Sibelius (Finnish composer) (in 1906)
dedicated to:
Robert Kajanus (Finnish composer and conductor)
premiered at:
[concert] (1906-12-29)
publisher:
Schlesinger (in 1906)
part of:
Works of Jean Sibelius by opus number (number: op. 49)
Jean Sibelius13:11
6▼CD: Prokofiev: Symphony No.2; The Love for Three Oranges; Scythian Suite
#TitleArtistRatingLength
1Symphony no. 2 in D minor, op. 40: I. Allegro ben articolato
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-05)
conductor:
Walter Weller (violinist and conductor) (in 1978-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Symphony no. 2 in D minor, op. 40: I. Allegro ben articolato (in 1978-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1924 until 1925)
part of:
Symphony no. 2 in D minor, op. 40
Sergei Prokofiev11:01
2Symphony no. 2 in D minor, op. 40: II. Theme and Variations
producer:
Andrew Cornall (engineer / producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-05)
conductor:
Walter Weller (violinist and conductor) (in 1978-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Symphony no. 2 in D minor, op. 40: II. Theme and variations (in 1978-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1924 until 1925)
part of:
Symphony no. 2 in D minor, op. 40
Sergei Prokofiev25:18
3The Love for Three Oranges - Symphonic Suite, op. 33 bis: I. The Ridiculous People
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-05)
conductor:
Walter Weller (violinist and conductor) (in 1978-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Suite from "Love for Three Oranges", op. 33A: I. Les ridicules (in 1978-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev3:04
4The Love for Three Oranges - Symphonic Suite, op. 33 bis: II. Infernal Scene
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-05)
conductor:
Walter Weller (violinist and conductor) (in 1978-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Suite from "Love for Three Oranges", op. 33A: II. Scène infernale (in 1978-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev3:32
5The Love for Three Oranges - Symphonic Suite, op. 33 bis: III. March
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-05)
conductor:
Walter Weller (violinist and conductor) (in 1978-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra) (in 1978-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev1:40
6The Love for Three Oranges - Symphonic Suite, op. 33 bis: IV. Scherzo
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-05)
conductor:
Walter Weller (violinist and conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Suite from "Love for Three Oranges", op. 33A: IV. Scherzo (in 1978-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev1:23
7The Love for Three Oranges - Symphonic Suite, op. 33 bis: V. The Prince and the Princess
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-05)
conductor:
Walter Weller (violinist and conductor) (in 1978-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Suite from "Love for Three Oranges", op. 33A: V. Le prince et la princesse (in 1978-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev4:19
8The Love for Three Oranges - Symphonic Suite, op. 33 bis: VI. The Escape
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-05)
conductor:
Walter Weller (violinist and conductor) (in 1978-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Suite from "Love for Three Oranges", op. 33A: VI. La fuite (in 1978-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev2:13
9Scythian Suite, op. 20 “Ala and Lolly”: I. Invocation to Veles and Ala
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1977-03)
conductor:
Walter Weller (violinist and conductor) (in 1977-03)
balance engineer:
Kenneth Wilkinson (engineer) (in 1977-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-03)
recording of:
Скифская сюита, соч. 20: I. Поклонение Велесу и Але (Scythian Suite, op. 20: I. The Adoration of Veles and Ala) (in 1977-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev6:31
10Scythian Suite, op. 20 “Ala and Lolly”: II. The Evil God and Dance of the Pagan Monsters
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1977-03)
conductor:
Walter Weller (violinist and conductor) (in 1977-03)
balance engineer:
Kenneth Wilkinson (engineer) (in 1977-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-03)
recording of:
Скифская сюита, соч. 20: II. Чужбог и пляска нечисти (Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness) (in 1977-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev2:41
11Scythian Suite, op. 20 “Ala and Lolly”: III. Night
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1977-03)
conductor:
Walter Weller (violinist and conductor) (in 1977-03)
balance engineer:
Kenneth Wilkinson (engineer) (in 1977-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-03)
recording of:
Скифская сюита, соч. 20: III. Ночь (Scythian Suite, op. 20: III. Night) (in 1977-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev7:45
12Scythian Suite, op. 20 “Ala and Lolly”: IV. Lolly’s Pursuit of the Evil God, and Sunrise
producer:
Richard Beswick
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1977-03)
conductor:
Walter Weller (violinist and conductor) (in 1977-03)
balance engineer:
Kenneth Wilkinson (engineer) (in 1977-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-03)
recording of:
Скифская сюита, соч. 20: IV. Поход Лоллия и шествие Солнца (Scythian Suite, op. 20: IV. The Glorious Departure of Lolly and Procession of the Sun) (in 1977-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev6:03
7▼CD: Bartók: Suite No. 1; Two Pictures; Enescu: Roumanian Rhapsody
#TitleArtistRatingLength
1Suite no. 1, BB 39, Sz. 31: I. Allegro vivace
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 1. Allegro vivace (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
Béla Bartók7:18
2Suite no. 1, BB 39, Sz. 31: II. Poco adagio
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 2. Poco adagio (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
Béla Bartók8:24
3Suite no. 1, BB 39, Sz. 31: III. Presto
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 3. Presto (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
Béla Bartók7:53
4Suite no. 1, BB 39, Sz. 31: IV. Moderato
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 4. Moderato (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
Béla Bartók6:22
5Suite no. 1, BB 39, Sz. 31: V. Molto vivace
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Suite no. 1, op. 3, Sz. 31: 5. Molto vivace (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer)
part of:
Suite no. 1, op. 3, Sz. 31
Béla Bartók7:10
62 Pictures, BB 59, Sz. 46: I. In Full Flower
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
2 Pictures, op. 10, Sz. 46: 1. In voller Blüte (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer) (in 1910-08)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
2 Pictures, op. 10, Sz. 46
Béla Bartók7:31
72 Pictures, BB 59, Sz. 46: II. Village Dance
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
2 Pictures, op. 10, Sz. 46: 2. Dorftanz (from 1978-04-07 until 1978-04-10)
composer:
Bartók Béla (Béla Bartók, composer) (in 1910-08)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
2 Pictures, op. 10, Sz. 46
Béla Bartók9:12
8Romanian Rhapsody in A major, op. 11, no. 1
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (in 1978-04, from 1978-04-07 until 1978-04-10)
conductor:
Antal Doráti (conductor) (in 1978-04, from 1978-04-07 until 1978-04-10)
balance engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1979)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1978-04-07 until 1978-04-10)
recording of:
Rapsodia nr. 1 în La major, op. 11/1 „Rapsodia română” (Romanian Rhapsody no. 1 in A major, op. 11 no. 1) (from 1978-04-07 until 1978-04-10)
composer:
George Enescu (Romanian composer, violinist, conductor and teacher) (in 1901)
part of:
Rapsodiile române, op. 11 (Romanian Rhapsodies, op. 11)
George Enescu12:36
8▼CD: Prokofiev: Symphony No. 5; Rimsky-Korsakov: Russian Easter Festival Overture; Capriccio Espagnol
#TitleArtistRatingLength
1Symphony no. 5 in B-flat major, op. 100: I. Andante
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1977-10)
conductor:
Lorin Maazel (conductor) (in 1977-10)
balance engineer:
Colin Moorfoot (engineer) (in 1977-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1977-10)
recording of:
Symphony no. 5 in B-flat major, op. 100: I. Andante (in 1977-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Sergei Prokofiev14:56
2Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1977-10)
conductor:
Lorin Maazel (conductor) (in 1977-10)
balance engineer:
Colin Moorfoot (engineer) (in 1977-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1977-10)
recording of:
Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato (in 1977-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Sergei Prokofiev8:36
3Symphony no. 5 in B-flat major, op. 100: III. Adagio
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1977-10)
conductor:
Lorin Maazel (conductor) (in 1977-10)
balance engineer:
Colin Moorfoot (engineer) (in 1977-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1977-10)
recording of:
Symphony no. 5 in B-flat major, op. 100: III. Adagio (in 1977-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Sergei Prokofiev12:48
4Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1977-10)
conductor:
Lorin Maazel (conductor) (in 1977-10)
balance engineer:
Colin Moorfoot (engineer) (in 1977-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1977-10)
recording of:
Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso (in 1977-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Sergei Prokofiev9:35
5Russian Easter Festival Overture, op. 36
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1979-10)
conductor:
Lorin Maazel (conductor) (in 1979-10)
balance engineer:
Colin Moorfoot (engineer) (in 1979-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1979-10)
recording of:
Russian Easter Festival Overture, op. 36 (in 1979-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (from 1887-08 until 1888-04)
publisher:
Musikverlag M. P. Belaieff (in 1890)
part of:
Works of Nikolai Rimsky-Korsakov by opus number (number: op. 36)
Nikolai Rimsky-Korsakov15:21
6Capriccio espagnol, op. 34: I. Alborada
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1979-10)
conductor:
Lorin Maazel (conductor) (in 1979-10)
balance engineer:
Colin Moorfoot (engineer) (in 1979-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1979-10)
recording of:
Capriccio espagnol, op. 34: I. Alborada (in 1979-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov1:12
7Capriccio espagnol, op. 34: II. Variazioni
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1979-10)
conductor:
Lorin Maazel (conductor) (in 1979-10)
balance engineer:
Colin Moorfoot (engineer) (in 1979-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1979-10)
recording of:
Capriccio Espagnol, op. 34: II. Variazioni (in 1979-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov5:04
8Capriccio espagnol, op. 34: III. Alborada
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1979-10)
conductor:
Lorin Maazel (conductor) (in 1979-10)
balance engineer:
Colin Moorfoot (engineer) (in 1979-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1979-10)
recording of:
Capriccio Espagnol, op. 34: III. Alborada (in 1979-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov1:17
9Capriccio espagnol, op. 34: IV. Scena e canto gitano
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1979-10)
conductor:
Lorin Maazel (conductor) (in 1979-10)
balance engineer:
Colin Moorfoot (engineer) (in 1979-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1979-10)
recording of:
Capriccio Espagnol, op. 34: IV. Scena e canto gitano (in 1979-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov4:40
10Capriccio espagnol, op. 34: V. Fandango asturiano
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1979-10)
conductor:
Lorin Maazel (conductor) (in 1979-10)
balance engineer:
Colin Moorfoot (engineer) (in 1979-10)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1979-10)
recording of:
Capriccio Espagnol, op. 34: V. Fandango asturiano (in 1979-10)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov3:20
9▼CD: Debussy & Franck Violin Sonatas
#TitleArtistRatingLength
1Sonata for Violin and Piano in A major: I. Allegretto ben moderato
producer:
Christopher Raeburn (producer)
piano:
Radu Lupu (Romanian concert pianist) (in 1977-05)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05) and John Pellowe (audio engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: I. Allegretto ben moderato (in 1977-05)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck5:56
2Sonata for Violin and Piano in A major: II. Allegro - Quasi lento - Tempo 1 (Allegro)
producer:
Christopher Raeburn (producer)
piano:
Radu Lupu (Romanian concert pianist) (in 1977-05)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05) and John Pellowe (audio engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: II. Allegro (in 1977-05)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck8:08
3Sonata for Violin and Piano in A major: III. Recitativo - Fantasia (Ben moderato - Largamente molto vivace)
producer:
Christopher Raeburn (producer)
piano:
Radu Lupu (Romanian concert pianist) (in 1977-05)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05) and John Pellowe (audio engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Sonata for Cello and Piano in A major: III. Recitativo – Fantasia (arranged by Delsart) (in 1977-05)
composer:
César Franck (Belgian‐born French composer) (in 1886)
cello arranger:
Jules Delsart (cellist, 19th century) (in 1888)
arrangement of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: III. Recitativo – Fantasia. Ben moderato
part of:
Sonate pour violon et piano en la majeur (for cello and piano, Jules Delsart)
recording of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: III. Recitativo – Fantasia. Ben moderato (in 1977-05)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck7:04
4Sonata for Violin and Piano in A major: IV. Allegretto poco mosso
producer:
Christopher Raeburn (producer)
piano:
Radu Lupu (Romanian concert pianist) (in 1977-05)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05) and John Pellowe (audio engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: IV. Allegretto poco mosso (in 1977-05)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck6:25
5Sonata in G minor for Violin and Piano, L. 140: I. Allegro vivo
producer:
Christopher Raeburn (producer)
piano:
Radu Lupu (Romanian concert pianist) (in 1977-05)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05) and John Pellowe (audio engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : I. Allegro vivo (in 1977-05)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:47
6Sonata in G minor for Violin and Piano, L. 140: II. Intermède. Fantasque et léger
producer:
Christopher Raeburn (producer)
piano:
Radu Lupu (Romanian concert pianist) (in 1977-05)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05) and John Pellowe (audio engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : II. Intermède: fantasque et léger (in 1977-05)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:08
7Sonata in G minor for Violin and Piano, L. 140: III. Finale. Très animé
producer:
Christopher Raeburn (producer)
piano:
Radu Lupu (Romanian concert pianist) (in 1977-05)
violin:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05) and John Pellowe (audio engineer) (in 1977-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : III. Finale: très animé (in 1977-05)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:27
8Introduction and Allegro, M. 46
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
cello:
Terence Weil (cellist) (in 1961-10)
clarinet:
Gervase de Peyer (clarinetist) (in 1961-10)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
violin:
Emanuel Hurwitz (violinist) (in 1961-10) and Ivor McMahon (violinist) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Introduction et allegro pour harpe, flûte, clarinette et quatuor (Introduction and Allegro for Harp, Flute, Clarinet and String Quartet) (in 1961-10)
composer:
Maurice Ravel (French composer) (in 1905)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 46)
Maurice Ravel10:32
9Sonata for Flute, Viola and Harp, L. 137: I. Pastorale
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : I. Pastorale (Sonata for flute, viola and harp, L. 137: I. Pastorale) (in 1961-10)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy6:01
10Sonata for Flute, Viola and Harp, L. 137: II. Interlude
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : II. Interlude (Sonata for flute, viola and harp, L. 137: II. Interlude) (in 1961-10)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy5:06
11Sonata for Flute, Viola and Harp, L. 137: III. Finale
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : III. Finale (Sonata for flute, viola and harp, L. 137: III. Finale) (in 1961-10)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy4:25
10▶CD: Tchaikovsky: Manfred Symphony; Valse-Scherzo
11▶CD: Gershwin: An American in Paris; Copland: Appalachian Spring
12▶CD: Wolf-Ferrari: Il Segreto di Susanna
13▶CD: Surinach & Montsalvatge Piano Concertos
14▶CD: Shostakovich: String Quartets Nos. 15, 8 & 9
15▶CD: Schubert: Rosamunde
16▶CD: Stravinsky: Le Sacre Du Printemps
17▶CD: Schumann: Piano Concertos; Grieg: Piano Concertos
18▶CD: Haydn: Symphonies Nos.94, 100 & 104
19▶CD: Schumann: Szenen Aus Goethes Faust
20▶CD: Schumann: Szenen Aus Goethes Faust; Mozart: Symphony No.40 in G Minor, K.550
21▶CD: Walton & Stravinsky Violin Concertos
22▶CD: Chopin: Etudes
23▶CD: Offenbach: Le Papillon; Massenet: Le Cid
24▶CD: Holst: The Planets; Saint-Saæns: Symphony No.3
25▶CD: Scriabin: Piano Concerto; Prometheus; Le Poeme de L'Extase
26▶CD: Dvorak: Tone Poems & Overtures
27▶CD: Bloch: Schelomo; A Voice In the Wilderness; Rimsky-Korsakov: Capriccio Espagnol
28▶CD: Mendelssohn: Sextet; Borodin: Quintet
29▶CD: Mendelssohn: Symphonies Nos. 3 & 4
30▶CD: Verdi: Requiem
31▶CD: Mahler: Symphony No.2 - "Resurrection"
32▶CD: Beethoven: Symphony No.9 - "Choral"
33▶CD: Britten: Cello Symphony; Haydn: Cello Concerto
34▶CD: Kodaly: Hary Janos; Dances of Galanta; The Peacock Variations
35▶CD: Sibelius: Symphonies Nos.1 & 4; Karelia Suite
36▶CD: Mozart: Wind Serenades
37▶CD: Bruch: Scottish Fantasia; Hindemith Violin Concerto
38▶CD: Brahms: Piano Concerto No.1; Mozart: Piano Concerto No.27, K.595
39▶CD: Hérold: La Fille mal Gardée; Gounod: Ballet Music From "Faust"
40▶CD: Martin: Etudes; Concerto for Timpani & Winds; Honegger: Symphony No.2
41▶CD: Verdi: Otello Act 1,2
42▶CD: Verdi: Otello Act 3,4
43▶CD: Strauss: Thousand And One Nights
44▶CD: Tchaikovsky: Swan Lake - Scenes
45▶CD: Rossini: Overtures; Mendelssohn: Violin Concerto
46▶CD: Puccini: La Bohème Act 1, 2
47▶CD: Puccini: La Bohème Act 3, 4
48▶CD: Sibelius: Symphony No.2; Dvorak: Symphony No.7
49▶CD: Schubert: Symphonies Nos.8 & 9
50▶CD: Tchaikovsky: 1812; Capriccio Italien; Rachmaninov: Piano Concerto No.2
51▶CD: Grieg: Peer Gynt; Piano Concerto
52▶CD: Ravel: L'Enfant et les sortilèges
53▶CD: Rimsky-Korsakov: Antar; Glazunov: Stenka Razin
54▶CD: Rimsky-Korsakov: Antar; Glazunov: Stenka Razin (Orig. Mono)

Credits

Release group

includes:La bohème (1958 studio cast) by Giacomo Puccini (Italian composer); Renata Tebaldi (soprano), Carlo Bergonzi (tenor), Ettore Bastianini (baritone), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Tullio Serafin (conductor)
Allmusic:https://www.allmusic.com/album/mw0002564751 [info]