The Essential Collection

~ Veröffentlichung von Joe Cocker (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Unchain My Heart
Produzent(in):
Charlie Midnight
zusätzliche(r) Produzent(in):
Chris Lord‐Alge
Bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
Gitarre:
Phil Grande
Horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist) und Paul Litteral
Keyboard:
Jeff Levine
membranophone:
David Beal
Tenorsaxophon:
Clarence Clemons
Hintergrundgesang:
Tawatha Agee, Benny Diggs und Vaneese Thomas
Sologesang:
Joe Cocker
remixer:
Chris Lord‐Alge
Horn arranger:
Uptown Horns (US horn section, formed in 1980)
cover recording of:
Unchain My Heart
Texter und Komponist(in):
Bobby Sharp
Verfasser(in):
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
Teil von:
The Real Book (compilation of jazz standards, volume I)
recording of:
Unchain My Heart
Texter und Komponist(in):
Bobby Sharp
Verfasser(in):
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:08
2You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
3.854:14
3Delta Lady
Bassgitarre:
Alan Spenner
Sologesang:
Joe Cocker
recording of:
Delta Lady (in 1969)
Texter und Komponist(in):
Leon Russell
publisher:
Embassy Music Corporation, Reservoir 416 und Skyhill Pub. Co., Inc.
adaptations:
Fille de la nuit
12:54
4She Came in Through the Bathroom Window
assistierende(r) Techniker(in):
David Gallo (engineer) und David Roberts (engineer)
Techniker(in):
Guy Charbonneau
Produzent(in):
Michael Lang (Producer)
Mix:
Chris Lord‐Alge
Sologesang:
Joe Cocker
cover recording of:
She Came In Through the Bathroom Window
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
32:40
5The Letter
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 80)
cover recording of:
The Letter
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
4:10
6Feeling Alright
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bass:
Carol Kaye
Gitarre:
David Cohen (British guitarist)
Klavier:
Artie Butler
Maracas / Rumba-Rasseln und tumbi:
Laudir de Oliveira
membranophone:
Paul Humphries (drums)
Hintergrundgesang:
Merry Clayton, Brenda Holloway und Patrice Holloway
cover recording of:
Feelin’ Alright
Texter und Komponist(in):
Dave Mason (co‐founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
34:11
7What Are You Doing With a Fool Like Me?
recording of:
What Are You Doing With a Fool Like Me
Texter und Komponist(in):
Diane Warren (US songwriter)
4:51
8When the Night Comes
Produzent(in):
Charlie Midnight
Bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
Gitarre:
Phil Grande
Gitarre [rhythm guitar]:
Bryan Adams (Canadian singer/songwriter)
Klavier:
Jeff Levine
membranophone und Perkussion:
David Beal
Orgel:
Chris Stainton (keyboard player, session musician and songwriter)
Hintergrundgesang [backing vocals]:
Tawatha Agee, Curtis King (American singer and songwriter) und Vaneese Thomas
cover recording of:
When the Night Comes
geschrieben in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1987-04) und Vancouver, British Columbia, Kanada (in 1987-04)
Verfasser(in):
Diane Warren (US songwriter), Bryan Adams (Canadian singer/songwriter) (in 1987-04) und Jim Vallance (in 1987-04)
3.54:49
9Just Like a Woman
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bass:
Chris Stainton (keyboard player, session musician and songwriter)
Gitarre:
Jimmy Page
Klavier:
Tommy Eyre
Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
Schlagzeug:
Barrie James Wilson
phonographisches Urheberrecht (℗) von:
A&M Records
cover recording of:
Just Like a Woman
Texter und Komponist(in):
Bob Dylan (am 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons und Dwarf Music (vom 1966 bis heute)
5:19
10With a Little Help From My Friends
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bassgitarre:
Chris Stainton (keyboard player, session musician and songwriter)
Gitarre:
Jimmy Page
Orgel:
Tommy Eyre
Schlagzeug:
Barrie James Wilson
Hintergrundgesang:
Madeline Bell, Rosetta Hightower und Sunny Weetman
phonographisches Urheberrecht (℗) von:
Straight Ahead Productions Ltd. (in 1968)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 86)
cover recording of:
With a Little Help From My Friends
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP) (vom 1967 bis heute)
3.85:10
11Sweet Little Woman4:05
12High Time We Went
recording of:
High Time We Went
Verfasser(in):
Joe Cocker und Chris Stainton (keyboard player, session musician and songwriter)
publisher:
Writers Workshop Ltd.
2:43
13I Stand in Wonder
recording of:
I Stand in Wonder
Verfasser(in):
Eddie Schwartz und David Tyson (Canadian producer/songwriter)
4:24
14A Woman Loves a Man
Bassgitarre:
T.M. Stevens (US bass player Thomas Michael Stevens)
Gitarre:
Phil Grande
Schlagzeug:
David Beal
Hintergrundgesang:
Tawatha Agee, Benny Diggs, Dan Hartman und Vaneese Thomas
recording of:
A Woman Loves a Man
Verfasser(in):
Dan Hartman und Charlie Midnight
4:18
15Don’t You Love Me Any More
Techniker(in):
Guy Roche
Produzent(in):
Albert Hammond und Diane Warren (US songwriter)
Mix:
Bob Ezrin und Paul Lani
Bass:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarre:
Neal Schon
Keyboard:
Jeff Lorber
Hintergrundgesang:
Albert Hammond, Leslie Smith (funk/soul singer), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) und Diane Warren (US songwriter)
arranger:
Bob Ezrin
recording of:
Don’t You Love Me Anymore
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
5:25
16Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
3.53:55
17Hitchcock Railway
phonographisches Urheberrecht (℗) von:
Cube Records Ltd. (in 1970)
cover recording of:
Hitchcock Railway
Texter und Komponist(in):
Don Dunn und Tony McCashen
publisher:
Screen Gems-EMI
34:41
18You Are So Beautiful
assistierende(r) Techniker(in):
David Gallo (engineer) und David Roberts (engineer)
Techniker(in):
Guy Charbonneau
Produzent(in):
Michael Lang (Producer)
Mix:
Chris Lord‐Alge
Bass:
Dave McDaniel (bass)
Klavier:
Nicky Hopkins (pianist and organist)
Sologesang:
Joe Cocker
Interpret(in):
Joe Cocker
arranger:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1973)
aufgenommen bei:
Memorial Auditorium in Lowell, Massachusetts, Vereinigte Staaten (am 1989-10-05)
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
3.952:40

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