Der Wildschütz

~ Release by Albert Lortzing; Litz, Rothenberger, Schädle, Ollendorff, Prey, Wunderlich, Chor & Orchester der Bayerischen Staatsoper München, Heger (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Der Wildschütz: Ouvertüre
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Ouvertüre (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz
Albert Lortzing6:47
2Der Wildschütz: Aufzug I. „Es lebe das Brautpaar!“ / „So munter und fröhlich“
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. Nr. 1 Introduktion – Tanz und Chor „Es lebe das Brautpaar… So munter und so fröhlich“ (Chor, Baculus, Gretchen) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing4:10
3Der Wildschütz: Aufzug I. „A, B, C, D, der Junggesellenstand tut weh“
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. „A, B, C, D, der Junggesellenstand tut weh“ (Baculus, Gretchen, Chor) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing3:00
4Der Wildschütz: Aufzug I. Nr. 1. „Ein Schreiben vom Herrn Grafen“
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. „Ein Schreiben vom Herrn Grafen“ (Baculus, Gretchen, Chor) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing2:30
5Der Wildschütz: Aufzug I. Dialog
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. Dialog „Grete! Grete!“ (Baculus, Gretchen) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing1:04
6Der Wildschütz: Aufzug I. Nr. 2. „Laß er doch hören!“
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. „Viel Dank bin ich ihm schuldig” (Gretchen, Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
recording of:
Der Wildschütz: Aufzug I. „Wie kannst du so mein Herz touchieren?” (Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
recording of:
Der Wildschütz: Aufzug I. Nr. 2 Duett „Laß er doch hören!“ (Baculus, Gretchen) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing8:20
7Der Wildschütz: Aufzug I. Nr. 3. „Auf des Lebens raschen Wogen“
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. Nr. 3 Arie „Auf des Lebens raschen Wogen“ (Baronin) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing3:57
8Der Wildschütz: Aufzug I. Dialog
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Nanette]:
Gertrud Vordemfelde (german mezzo-soprano) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. Dialog „Der Kutscher hat ausgespannt“ … „Laß er mich in Ruhe“ (Nanette, Baronin, Gretchen, Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing2:46
9Der Wildschütz: Aufzug I. Nr. 4. „Was meint Ihr, lieber Freund“
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Nanette]:
Gertrud Vordemfelde (german mezzo-soprano) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. Nr. 4 Quartett „Was meint Ihr, lieber Freund“ (Baronin, Gretchen, Baculus, Nanette) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing5:32
10Der Wildschütz: Aufzug I. Dialog
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Nanette]:
Gertrud Vordemfelde (german mezzo-soprano) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. Dialog „Sag mir, schönes Kind“ (Gretchen, Nanette, Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing2:22
11Der Wildschütz: Aufzug I. Nr. 5. „Seht dort den munteren Jäger“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. Nr. 5 Jagdlied „Seht dort den munteren Jäger“ (Graf, Baron, Jäger) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing2:10
12Der Wildschütz: Aufzug I. Dialog
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. Dialog „Eine kurze Rast, Leute” (Graf, Baron) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing1:11
13Der Wildschütz: Aufzug I. „Lasset uns nach Hause gehen“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. „Ist der Gnädige Herr noch da?” (Gretchen, Graf, Baron, Baculus, Chor) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
recording of:
Der Wildschütz: Aufzug I. „Seht, da bin ich” (Baronin, Graf, Gretchen, Baron, Baculus, Chor) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
recording of:
Der Wildschütz: Aufzug I. Nr. 6 Finale „Lasset uns nach Hause gehen“ (Chor, Graf, Baron, Gretchen, Baculus, Baronin) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing5:15
14Der Wildschütz: Aufzug I. Nr. 6. „Bin ein schlichtes Kind vom Lande“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug I. „Bin ein schlichtes Kind vom Lande“ (Baronin, Chor, Graf, Baron, Gretchen, Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
recording of:
Der Wildschütz: Aufzug I. „Es läßt der Himmel sich” (Baronin, Chor, Graf, Baron, Gretchen, Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug I
Albert Lortzing7:34
15Der Wildschütz: Aufzug II. Nr. 7. „Strahl der Sonne, schönstes Licht“
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
bass vocals [Pancratius]:
Walter Ehrengut (german bass vocalist) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Nr. 7. Introduktion „Strahl der Sonne, schönstes Licht“ (Chor, Pankratius, Baculus, Gräfin) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing4:49
16Der Wildschütz: Aufzug II. Dialog
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
bass vocals [Pancratius]:
Walter Ehrengut (german bass vocalist) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Dialog „Aber was hat denn das zu bedeuten, Herr Pancratius?“ (Baculus, Pankratius) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
recording of:
Der Wildschütz: Aufzug II. Dialog „Nein, nein Herr Stallmeister“ (Gräfin, Baron) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing3:45
17Der Wildschütz: Aufzug II. Nr. 8. „Bleiben soll ich und stets sie sehen“
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Nr. 8. Duett und Kavatine „Bleiben soll ich und stets sie sehen“ (Gräfin, Baron, Baronin) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing2:54
18Der Wildschütz: Aufzug II. Dialog
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
bass vocals [Pancratius]:
Walter Ehrengut (german bass vocalist) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Dialog „Der junge Mann macht mir Angst“ … „Frau Gräfin, ich habe untertänigst“ (Gräfin, Baron, Baronin, Baculus, Pankratius) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing3:04
2▼CD
#TitleArtistRatingLength
1Der Wildschütz: Aufzug II. Nr. 9. „Was seh’ ich? Mir aus den Augen!“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Nr. 9. Quintett „Was seh’ ich? Mir aus den Augen!“ (Graf, Gräfin, Baculus, Baron, Baronin) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing10:37
2Der Wildschütz: Aufzug II. Dialog
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
bass vocals [Pancratius]:
Walter Ehrengut (german bass vocalist) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Dialog "Die Herren möchten zur Abendtafel kommen" (Baculus, Baron, Baronin, Pankratius) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
recording of:
Der Wildschütz: Aufzug II. Dialog „Ich höre, daß hier oben” (Baculus, Baron, Baronin, Pankratius) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
recording of:
Der Wildschütz: Aufzug II. Dialog „Wen seh ich?” (Baculus, Baron, Baronin, Pankratius) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing1:29
3Der Wildschütz: Aufzug II. Nr. 10. „Ihr Weib?“ / „Mein teures Weib!“
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Nr. 10. Duett „Ihr Weib?… Mein teures Weib!“ (Baronin, Baron) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing6:36
4Der Wildschütz: Aufzug II. Dialog
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Dialog „Was soll das heißen?” (Baculus, Baron, Graf) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing2:16
5Der Wildschütz: Aufzug II. Nr. 11. „Ich habe Numro Eins“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
bass vocals [Pancratius]:
Walter Ehrengut (german bass vocalist) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Nr. 11. Quintett „Ich habe Numro Eins“ (Baron, Graf, Baronin, Baculus, Gräfin, Pankratius) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing11:04
6Der Wildschütz: Aufzug II. Dialog
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
bass vocals [Pancratius]:
Walter Ehrengut (german bass vocalist) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. „Welch unruhvolles Treiben!” (Baron, Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
recording of:
Der Wildschütz: Aufzug II. Dialog „He! Schulmeister!” (Baron, Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
recording of:
Der Wildschütz: Aufzug II. Dialog „Wie ein Schlag aus heitern Höhen” (Baron, Graf, Baronin, Baculus, Gräfin, Pankratius) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
Albert Lortzing0:56
7Der Wildschütz: Aufzug II. Nr. 12. „Fünftausend Taler!“
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug II. Nr. 12. Arie „Fünftausend Taler!“ (Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug II
part of:
Der Wildschütz: Aufzug II
Albert Lortzing5:41
8Der Wildschütz: Aufzug III. Nr. 13. „Wie freundlich strahlt die helle Morgensonne“ / „Heiterkeit und Fröhlichkeit“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. Nr. 13. Rezitativ und Arie „Wie freundlich strahlt die helle Morgensonne“… „Heiterkeit und Fröhlichkeit“ (Graf) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing5:01
9Der Wildschütz: Aufzug III. Dialog
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. Dialog „Sieh da, der Herr Graf…” (Baron, Graf) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing0:53
10Der Wildschütz: Aufzug III. Nr. 14. „Um die Laube zu schmücken“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. Nr. 14. Ensemble „Um die Laube zu schmücken“ (Graf, Baron, Chor) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing6:05
11Der Wildschütz: Aufzug III. Dialog
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. Dialog „Nicht übel, meine Herren” (Graf, Baron, Gräfin) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing2:46
12Der Wildschütz: Aufzug III. Nr. 15. „Komm, liebes Gretchen“
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. Nr. 15. Trio „Komm, liebes Gretchen“ (Baron, Gretchen, Baculus) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing4:42
13Der Wildschütz: Aufzug III. Dialog
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. Dialog „Seh ich recht?” – „Herr Stallmeister” (Baron, Baronin, Gräfin, Graf) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing2:17
14Der Wildschütz: Aufzug III. „Was seh’ ich?“ / „Alle Teufel!“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. Nr. 16. Finale „Was seh’ ich?… Alle Teufel!“ (Graf, Gräfin, Baron, Baronin) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing3:33
15Der Wildschütz: Aufzug III. „Kann es im Erdenleben“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. Quartett „Kann es im Erdenleben“ (Graf, Gräfin, Baron, Baronin) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing2:38
16Der Wildschütz: Aufzug III. „Unser Herr lebe hoch!“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
bass vocals [Pancratius]:
Walter Ehrengut (german bass vocalist) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. „Unser Herr lebe hoch!“ (Chor, Graf, Gräfin, Baron, Baronin, Baculus, Gretchen, Pankratius) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing2:39
17Der Wildschütz: Aufzug III. Nr. 16. „O du, der du die Tugend selber bist“
baritone vocals [Graf]:
Hermann Prey (baritone) (from 1964-05-26 until 1964-05-31)
bass vocals [Baculus]:
Fritz Ollendorff (operatic bass) (from 1964-05-26 until 1964-05-31)
bass vocals [Pancratius]:
Walter Ehrengut (german bass vocalist) (from 1964-05-26 until 1964-05-31)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1964-05-26 until 1964-05-31)
mezzo-soprano vocals [Gräfin]:
Gisela Litz (German contralto) (from 1964-05-26 until 1964-05-31)
soprano vocals [Baronin]:
Anneliese Rothenberger (soprano) (from 1964-05-26 until 1964-05-31)
soprano vocals [Gretchen]:
Lotte Schädle (German soprano) (from 1964-05-26 until 1964-05-31)
tenor vocals [Baron]:
Fritz Wunderlich (operatic tenor) (from 1964-05-26 until 1964-05-31)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1964-05-26 until 1964-05-31)
conductor:
Robert Heger (conductor) (from 1964-05-26 until 1964-05-31)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1964-05-26 until 1964-05-31)
recording of:
Der Wildschütz: Aufzug III. „O du, der du die Tugend selber bist“ (Chor, Graf, Gräfin, Baron, Baronin, Baculus, Gretchen, Pankratius) (from 1964-05-26 until 1964-05-31)
lyricist and composer:
Albert Lortzing (German composer)
part of:
Der Wildschütz: Aufzug III
Albert Lortzing3:13