The Complete Atlantic Albums

~ Release by Laura Branigan (see all versions of this release, 1 available)

Tracklist

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1Digital Media: Branigan
#TitleRatingLength
1All Night With Me
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
cover recording of:
All Night With Me (from 1981 until 1982)
lyricist and composer:
Chris Montan
3:54
2Gloria
recording engineer:
Jürgen Koppers (engineer, producer) (from 1981 until 1982) and John Kovarek (from 1981 until 1982)
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 448)
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
54:53
3Lovin' You Baby
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
recording of:
Lovin’ You Baby (from 1981 until 1982)
writer:
Adrian John Loveridge and John Wonderling
recording of:
Lovin’ You Baby
writer:
Adrian John Loveridge and John Wonderling
4:32
4Living a Lie
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
recording of:
Living a Lie (from 1981 until 1982)
writer:
Sue Neal and Dick St. Nicklaus
recording of:
Living a Lie
writer:
Sue Neal and Dick St. Nicklaus
3:43
5If You Loved Me
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
recording of:
If You Loved Me (from 1981 until 1982)
writer:
Steven Angelica (US songwriter, aka The Doctor) and Diane Warren (US songwriter)
recording of:
If You Loved Me
writer:
Steven Angelica (US songwriter, aka The Doctor) and Diane Warren (US songwriter)
3:17
6Please Stay, Go Away
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
recording of:
Please Stay, Go Away (from 1981 until 1982)
writer:
Adrian John Loveridge and John Wonderling
recording of:
Please Stay, Go Away
writer:
Adrian John Loveridge and John Wonderling
3:36
7I Wish We Could Be Alone
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
recording of:
I Wish We Could Be Alone (from 1981 until 1982)
lyricist and composer:
Laura Branigan
3:20
8Down Like a Rock
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
recording of:
Down Like a Rock (from 1981 until 1982)
lyricist and composer:
Randy VanWarmer
recording of:
Down Like a Rock
lyricist and composer:
Randy VanWarmer
3:36
9Maybe I Love You
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
recording of:
Maybe I Love You (from 1981 until 1982)
writer:
Greg Mathieson, Alan Sorrenti and Trevor Veitch
recording of:
Maybe I Love You
writer:
Greg Mathieson, Alan Sorrenti and Trevor Veitch
3:30
2Digital Media: Branigan 2
#TitleRatingLength
10Solitaire
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
music videos:
Solitaire (music video) by Laura Branigan
recording of:
Solitaire (in 1982)
lyricist:
Diane Warren (US songwriter)
composer:
Martine Clémenceau
is based on:
Solitaire
4:08
11Deep in the Dark
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
additional guitar:
Marty Walsh (in 1982)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
additional background vocals:
Joe Esposito (in 1982) and Edward Hawkins (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
Deep in the Dark (in 1982)
lyricist:
Bill Bowersock
composer:
Robert Ponger
version of:
Der Kommissar
3:54
12Close Enough
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
Close Enough (in 1982)
lyricist:
John Lang (US songwriter for Mr. Mister & Pages)
composer:
Robbie Buchanan (Canadian producer)
3:46
13Lucky
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
additional background vocals:
Edward Hawkins (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
Lucky (in 1982)
lyricist and composer:
Steve Bi
4:00
14Squeeze Box
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
additional background vocals:
Gene Morford (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Squeeze Box (in 1982)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Spirit One Music, Spirit Services Holdings SARL, Towser Tunes, Inc. and Windswept Pacific
3:01
15How Am I Supposed to Live Without You
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
How Am I Supposed to Live Without You (in 1982)
writer:
Michael Bolton and Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. and Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
4:26
16I'm Not the Only One
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
I'm Not the Only One (in 1982)
writer:
The Doctor (Steven Angelica) and Diane Warren (US songwriter)
3:22
17Mama
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
Mama (in 1982)
lyricist:
Diane Warren (US songwriter)
composer:
Giancarlo Bigazzi and Umberto Tozzi
3:57
18Find Me
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
Find Me (in 1982)
lyricist:
Carol Connors
composer:
David Shire (American score composer)
3:24
19Don't Show Your Love
assistant engineer:
John Kovorek (Engineer) and John Van Nest
engineer and mixer:
Jürgen Koppers (engineer, producer)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
bass guitar:
Dennis Belfield (in 1982)
drums (drum set):
Doane Perry (in 1982) and Carlos Vega (in 1982)
guitar:
Michael Landau (in 1982)
percussion:
Lenny Castro (in 1982)
synthesizer:
Michael Boddicker (in 1982)
background vocals:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (in 1982), Jon Joyce (vocalist) (in 1982) and Joe Pizzulo (in 1982)
lead vocals:
Laura Branigan (in 1982)
recorded at:
Allen Zentz Mastering in San Clemente, California, United States (in 1982) and Rusk Sound Studios in Hollywood, Los Angeles, California, United States (in 1982)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States and Rusk Sound Studios in Hollywood, Los Angeles, California, United States
recording of:
Don't Show Your Love (in 1982)
lyricist:
Carol Connors
composer:
Lee Holdridge
3:31
3Digital Media: Self Control
#TitleRatingLength
20The Lucky One
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
music videos:
The Lucky One (music video) by Laura Branigan
recording of:
The Lucky One (in 1984)
lyricist and composer:
Bruce Roberts (American singer-songwriter)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
14:12
21Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
cover recording of:
Self Control (in 1984)
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
4.24:07
22Ti Amo
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
recording of:
Ti Amo (English version by Laura Branigan) (in 1984)
composer:
Giancarlo Bigazzi and Umberto Tozzi
translator:
Diane Warren (US songwriter)
translated version of:
Ti amo
44:16
23Heart
recording of:
Heart (in 1984)
lyricist:
Marie Cain
composer:
Warren Hartman
publisher:
Fat Lady Music and Raisin Music
14:05
24Will You Still Love Me Tomorrow
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
cover recording of:
Will You Love Me Tomorrow (Carole King song) (in 1984)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
13:22
25Satisfaction
recording of:
Satisfaction (in 1984)
lyricist:
Mark Spiro and Diane Warren (US songwriter)
composer:
Bernd Dietrich (German songwriter and producer), Gerd Grabowski (German Schlager singer, aka Gerd Grabowski) and Engelbert Simons
13:55
26Silent Partners
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recording of:
Silent Partners (in 1984)
writer:
Steven Angelica (US songwriter, aka The Doctor) and Diane Warren (US songwriter)
publisher:
Arista Music, Inc. (in 1984), Edition Sunset Publishing, Inc. (in 1984) and Tingle Music, Inc. (publisher) (in 1984)
14:06
27Breaking Out
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer)
recording of:
Breaking Out (in 1984)
lyricist and composer:
Steven Angelica (US songwriter, aka The Doctor) and Diane Warren (US songwriter)
13:46
28Take Me
recording of:
Take Me (in 1984)
writer:
Steve Kipner and John Lewis Parker
13:42
29With Every Beat of My Heart
recording of:
With Every Beat of My Heart (in 1984)
writer:
Jamie Kaleth and Bob Mitchell (UK production music composer & songwriter)
publisher:
Associated Music International Ltd., E & S Music Ltd. and Stephen Craig Aristei Music
14:34
4Digital Media: Hold Me
#TitleRatingLength
30Hold Me
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Hold Me
writer:
Beth Andersen (US pop vocalist) and Bill Bodine
4:47
31Maybe Tonight
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
music videos:
Maybe Tonight (music video) by Laura Branigan
recording of:
Maybe Tonight
writer:
Mark Spiro and Jack White (German producer Horst Nußbaum)
3:41
32Foolish Lullaby
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Foolish Lullaby
writer:
Mark Spiro and Jack White (German producer Horst Nußbaum)
4:20
33Spanish Eddie
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
music videos:
Spanish Eddie (music video) by Laura Branigan
recording of:
Spanish Eddie (in 1985)
writer:
Chuck Cochran (Nashville session pianist & composer), David Palmer (early Steely Dan vocalist) and David Palmer (lyricist, writer "Echo of a Serenade")
4:10
34Forever Young
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
cover recording of:
Forever Young
lyricist:
Marian Gold
composer:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold and Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. and Rolf Budde Musikverlag (aka Budde Music)
recording of:
Forever Young
lyricist:
Marian Gold
composer:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold and Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. and Rolf Budde Musikverlag (aka Budde Music)
3:58
35When I'm With You
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
When I'm With You
writer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
4:15
36I Found Someone
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
I Found Someone (in 1985)
writer:
Michael Bolton and Mark Mangold
publisher:
EMI Blackwood Music Inc. and Is Hot Music Ltd.
recording of:
I Found Someone
writer:
Michael Bolton and Mark Mangold
publisher:
EMI Blackwood Music Inc. and Is Hot Music Ltd.
4:02
37Sanctuary
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Sanctuary
writer:
Tom Kelly (songwriter) and Gary Usher
3:33
38Tenderness
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Tenderness
writer:
Laura Branigan, Mark Spiro and Jack White (German producer Horst Nußbaum)
3:47
39When the Heat Hits the Streets
assistant engineer:
Rick Butz (Engineer), Steve Krause (Steven A Krause), Peggy McAffee (Engineer) and Sam Taylor (US rock music producer, sound engineer & musician)
engineer:
Dave Concors, David DeVore, Jürgen Koppers (engineer, producer), John Kovorek (Engineer), Brian Malouf, Brian Reeves, Ed Thacker, John Van Nest and Tom Whitlock
producer:
Harold Faltermeyer, Mark Spiro and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
recorded at:
Bodifications in Los Angeles, California, United States, Can‐Am Recorders in Tarzana, Los Angeles, California, United States, Image Recording Studios in Los Angeles, California, United States, Preferred Sound in Woodland Hills, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
When the Heat Hits the Streets
writer:
Cappy Capossela and Linda Schreyer
3:43
5Digital Media: Touch
#TitleRatingLength
40Over Love
3:50
41Shadow of Love
producer:
David Kershenbaum
recording of:
Shadow of Love
5:05
42Angels Calling
3:48
43Meaning of the Word
5:42
44Power of Love
producer:
David Kershenbaum
cover recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
5:26
45Shattered Glass
producer:
Stock, Aitken, Waterman
music videos:
Shattered Glass (music video) by Laura Branigan
cover recording of:
Shattered Glass
writer:
Steve Coe and Bob Mitchell (UK production music composer & songwriter)
3:41
46Whatever I Do
cover recording of:
Whatever I Do (Wherever I Go)
writer:
Matt Aitken and Mike Stock (of Stock Aitken Waterman)
4:02
47Spirit of Love
recording of:
Spirit of Love
lyricist and composer:
Rick Nowels, Ellen Shipley and Billy Steinberg
publisher:
Billy Steinberg Music (in 1987), Colgems-EMI Music Inc. (in 1987) and Shipwreck Music (publisher) (in 1987)
4:11
48Name Game
4:50
49Touch
producer:
David Kershenbaum
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recording of:
Touch
lyricist and composer:
Bob Marlette and Sue Shifrin
publisher:
Black Lion Music (publisher; do NOT use as release label) (in 1987), Dial M for Music (publisher) (in 1987), Intersong Music (in 1987) and Palancar Music (in 1987)
4:07
50Cry Wolf
music videos:
Cry Wolf (music video) by Laura Branigan
recording of:
Cry Wolf
writer:
Jude Johnstone
4:50
51Statue in the Rain
recording of:
Statue in the Rain
4:17
6Digital Media: Laura Branigan
#TitleRatingLength
52Moonlight on Water
producer:
Richard Perry (producer)
music videos:
Moonlight on Water (music video) by Laura Branigan
recording of:
Moonlight on Water
writer:
Andy Goldmark and Steve Kipner
4:41
53Bad Attitude
recording of:
Bad Attitude (Laura Branigan song)
writer:
Paul Bliss and Steve Kipner
4:03
54Never in a Million Years
recording of:
Never in a Million Years
writer:
Bob Farrell, Dave Robbins (US keyboardist for Blackhawk) and Van Stephenson
4:11
55Smoke Screen
recording of:
Smoke Screen (Laura Branigan song)
writer:
Clif Magness and Stephen Kipner
4:08
56Let Me In
cover recording of:
Let Me In (Eddie Money song)
writer:
Paul Gordon (musical theatre composer (Jane Eyre)) and Dennis Matkosky
publisher:
Chappell & Co., French Surf Music, Geffen Music, Intersong Music Ltd., Matkosky Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
5:20
57Turn the Beat Around
cover recording of:
Turn the Beat Around
writer:
Gerald Jackson (American pianist and singer with group Touch of Class) and Pete Jackson (US disco producer)
4:23
58Unison
cover recording of:
Unison
writer:
Andy Goldmark and Bruce Roberts (American singer-songwriter)
publisher:
Sprocket Music Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:43
59No Promise, No Guarantee5:02
60Reverse Psychology3:36
61The Best Was Yet to Come
producer:
Laura Branigan and Steve Lindsey (US producer and songwriter)
cover recording of:
The Best Was Yet to Come (in 1990)
written in:
Vancouver, British Columbia, Canada (in 1982-07)
writer:
Bryan Adams (Canadian singer/songwriter) (in 1982-07) and Jim Vallance (in 1982-07)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music of Canada, Testatyme Music, Adams Communications Inc. (in 1983), Calypso Toonz (in 1983) and Irving Music, Inc. (in 1983)
3:23
7Digital Media: Over My Heart
#TitleRatingLength
62How Can I Help You to Say Goodbye4:30
63The Sweet Hello, the Sad Goodbye5:07
64Over My Heart
4:25
65It's Been Hard Enough Getting Over You
cover recording of:
Hard Enough Getting Over You
writer:
Michael Bolton and Doug James (Songwriter / Composer / Keyboards)
3:41
66Is There Anybody Here but Me
4:52
67Love Your Girl
4:34
68Didn't We Almost Win It All
drums (drum set):
Kevin Wells (drummer/songwriter)
guitar and background vocals:
Billy Branigan
keyboard:
Brian BecVar (American pianist, keyboardist, composer and arranger)
sampler:
Roy McDonald (American Producer)
arranger:
Billy Branigan and Laura Branigan
music videos:
Didn't We Almost Win It All (music video) by Laura Branigan
recording of:
Didn't We Almost Win It All
lyricist:
Brian BecVar (American pianist, keyboardist, composer and arranger) and Laura Branigan
composer:
Laura Branigan
5:09
69Only Time Will Tell
4:26
70I'll Wait for You
keyboard:
Eric Rehl
background vocals:
Jill Dell’Abate (producer, coordinator), Karen Kamon and Curtis King (American singer and songwriter)
arranger:
Eric Rehl
recording of:
I'll Wait for You
lyricist:
Laura Branigan
composer:
Laura Branigan and Kevin Wells (drummer/songwriter)
4:41
71Mujer Contra Mujer
cover recording of:
Mujer contra mujer
lyricist and composer:
J.M. Cano
arranger:
José María Cano
co-arranger:
Manel Santiesteban
publisher:
Ba‐Ba Blaxi Music
5:07
72Over You
bass guitar:
Billy Branigan
drums (drum set):
Kevin Wells (drummer/songwriter)
keyboard:
Brian BecVar (American pianist, keyboardist, composer and arranger)
sampler:
Roy McDonald (The Things, The Muffs)
arranger:
Billy Branigan and Laura Branigan
recording of:
Over You
lyricist and composer:
Billy Branigan and Laura Branigan
5:21
73Mangwane (The Wedding Song)
4:02