Legendary Singers of the Century

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1I Can’t Begin to Tell You
engineered in:
Hollywood, Los Angeles, California, United States (on 1945-08-07)
piano:
Carmen Cavallaro (American pianist) (on 1945-08-07)
lead vocals:
Bing Crosby (on 1945-08-07)
vocals:
Bing Crosby (in 1945)
orchestra:
Carmen Cavallaro's Orchestra
conductor:
Carmen Cavallaro (American pianist) (in 1945)
performer:
Carmen Cavallaro and His Orchestra
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
I Can’t Begin to Tell You (on 1945-08-07)
lyricist:
Mack Gordon
composer:
James V. Monaco
publisher:
WC Music Corp.
part of:
The 19th Academy Award for Best Original Song (number: 2)
Bing Crosby32:55
2When the Moon Comes Over the Mountain
recording of:
When the Moon Comes Over the Mountain
lyricist:
Howard Johnson (songwriter / lyricist) and Kathy Smith
composer:
Harry Woods (American 1920/30s songwriter)
part of:
Going Hollywood (1933 film)
Kate Smith3:15
3Wanted
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1953-12-29)
orchestra:
Hugo Winterhalter’s Chorus and Orchestra (on 1953-12-29)
recording of:
Wanted
writer:
Jack Fulton (US jazz trombonist, composer & vocalist) and Lois Steele
Perry Como3:06
4It’s a Good Day
cover recording of:
It’s a Good Day
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. and Michael H. Goldsen Inc.
Peggy Lee1:44
5Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Nat King Cole2:57
6I’ve Got a Crush on You
cover recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Ella Fitzgerald3:29
7Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (on 1955-10-28)
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin52:18
8You Belong to Me
cover recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price (country music songwriter) and Redd Stewart
publisher:
Hill & Range Inc. (publisher) and Ridgeway Music Co, Inc.
Jo Stafford43:05
9Again
Vic Damone3:25
10A Tree in the Meadow
cover recording of:
A Tree in the Meadow (1948 song)
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
Margaret Whiting2:56
11That’s My Desire
recording of:
That’s My Desire
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
Frankie Laine2:32
12La Vie en rose
vocals:
Édith Piaf
orchestra:
Guy Luypaert and His Orchestra
conductor:
Guy Luypaerts
recording of:
La Vie en rose (French original)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi) and Édith Piaf
publisher:
Éditions Beuscher Arpège and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Édith Piaf2:57
13Tonight We Love
recording of:
Tonight We Love (Freddy Martin 1941 hit)
lyricist:
Bobby Worth (American songwriter)
composer:
Peter I. Tschaikowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arranger:
Ray Austin (songwriter) and Freddy Martin
is based on:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Tony Martin2:47
14Tenderly
cover recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Sarah Vaughan2:31
15I Wanna Be Around
engineer:
Ted Brosnan and Frank Laico
producer:
Ernest Altschuler
piano:
Ralph Sharon (on 1962-10-19)
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-10-19)
conductor:
Marty Manning (on 1962-10-19)
arranger:
Ralph Burns and Marty Manning
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1962-10-19)
cover recording of:
I Wanna Be Around (on 1962-10-19)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
Tony Bennett2:13
16You Make Me Feel So Young
recording of:
You Make Me Feel So Young
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
E bi eit barn med deg
Rosemary Clooney2:54
17Oh My Pa
Eddie Fisher3:07
18I Can’t Get Started
Patti Page1:56
19More Than You Know
cover recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Lena Horne3:06
20Chances Are
executive producer:
Michael Berniker and Jerry Shulman
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1957)
orchestra:
Ray Conniff and His Orchestra
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
part of:
Grammy Hall of Fame (number: 1998)
recording of:
Chances Are (in 1957)
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (ended), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:01
2CD
#TitleArtistRatingLength
1Some Enchanted Evening
Ezio Pinza3:03
2Almost Like Being in Love
Mary Martin2:56
3Surrey With the Fringe on Top
recording of:
The Surrey With the Fringe on Top
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
Alfred Drake3:09
4They Say It’s Wonderful
recording of:
They Say It’s Wonderful (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Co. and Irving Berlin Music Corp.
part of:
Annie Get Your Gun
Ethel Merman & Ray Middleton3:06
5What’s the Use of Wond’rin’
Shirley Jones3:30
6You Keep Coming Back Like a Song
Gordon MacRae3:00
7In the Still of the Night
James Melton3:07
8Hello Young Lovers
vocals:
Gertrude Lawrence
conductor:
Frederick Dvonch
orchestrator:
Robert Russell Bennett (American composer and arranger)
recording of:
Hello, Young Lovers (The King and I) (in 1951)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Ltd.
part of:
The King and I (Rodgers & Hammerstein musical)
Gertrude Lawrence3:10
9Indian Love Call
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
Jeanette MacDonald & Nelson Eddy3:38
10Be My Love
choir vocals:
The Jeff Alexander Chorus (in 1950)
tenor vocals:
Mario Lanza (tenor) (in 1950)
vocals:
Mario Lanza (tenor) (in 1950)
orchestra:
RCA Victor Orchestra and Ray Sinatra’s Orchestra (in 1950)
conductor:
Ray Sinatra (in 1950)
recording of:
Be My Love (in 1950)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 23rd Academy Award for Best Original Song (number: 2)
Mario Lanza3:32
11I BelieveJane Froman3:19
12Old Man River
Howard Keel3:27
13O Sole Mio
Luciano Pavarotti3:23
14If I Could Tell You (The Firestone Theme)
Eileen Farrell2:50
15The White Cliffs of Dover
Robert Merrill4:04
16Ave Maria
Marian Anderson7:22
3CD
#TitleArtistRatingLength
1That Man That Got Away
recording of:
The Man That Got Away (A Star Is Born)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 2)
Judy Garland3:37
2April Love
conductor:
Billy Vaughn
phonographic copyright (℗) by:
Geffen Records. (in 1957)
recording of:
April Love (on 1957-09-15)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Leo Feist, Inc.
part of:
The 30th Academy Award for Best Original Song (number: 2)
Pat Boone2:44
3Que será, será (Whatever Will Be, Will Be)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
Doris Day2:06
4Godfather Love Theme (Speak Softly Love)
Al Martino3:07
5Blue Moon
vocals:
Mel Tormé (“The Velvet Fog”)
orchestra:
Pete Rugolo and His Orchestra
recording of:
Blue Moon (in 1949)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:13
6Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:58
7I’m Old Fashioned
recorded in:
Los Angeles, California, United States (on 1942-07-27)
vocals:
Fred Astaire (on 1942-07-27)
orchestra:
John Scott Trotter and His Orchestra (on 1942-07-27)
recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1942-07-27)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Fred Astaire2:27
8There’s a Small Hotel
Connee Boswell3:09
9Island in the SunHarry Belafonte3:09
10Where the Boys AreConnie Francis2:41
11Mack the Knife
producer:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (number: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:10
12Walking After Midnight
cover recording of:
Walkin’ After Midnight
lyricist:
Don Hecht
composer:
Alan Block and Don Hecht
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Patsy Cline2:36
13Yesterday
cover recording of:
Yesterday (original by The Beatles)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (from 1965 to present)
Shirley Bassey3:23
14Anywhere I Wander
Ed Ames3:17
15Downtown
recording of:
Downtown
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark3:26
16The More I See You
Engelbert Humperdinck4:04
17Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:16
18Lady
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1980) and Liberty Records, Inc. (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 67)
recording of:
Lady (in 1980)
lyricist and composer:
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers33:52
19What’s New?
recording engineer, engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Ray Brown (jazz bassist) (from 1982-06-30 until 1983-03-04)
guitar:
Tommy Tedesco (guitar) (from 1982-06-30 until 1983-03-04)
membranophone:
John Guerin (from 1982-06-30 until 1983-03-04)
piano:
Don Grolnick (from 1982-06-30 until 1983-03-04)
solo trumpet:
Anthony Terran (from 1982-06-30 until 1983-03-04)
vocals:
Linda Ronstadt (from 1982-06-30 until 1983-03-04)
conductor:
Nelson Riddle (from 1982-06-30 until 1983-03-04)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1983)
recorded at:
The Complex in Los Angeles, California, United States (from 1982-06-30 until 1983-03-04)
cover recording of:
What’s New? (from 1982-06-30 until 1983-03-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Linda Ronstadt3:51
4CD
#TitleArtistRatingLength
1All or Nothing at All
recording of:
All or Nothing at All
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra3:07
2Green Eyes
Helen O’Connell2:01
3When You Wish Upon a Star
Dick Haymes2:50
4Lover Man (Oh, Where Can You Be)
recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday3:24
5I’m Beginning to See the Light
recording of:
I’m Beginning to See the Light
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Kitty Kallen3:15
6Our Love is Here to Stay
Eddy Howard2:13
7I’m Yours
recording of:
I’m Yours
lyricist and composer:
Robert Mellin
Don Cornell2:55
8On the Sunny Side of the Street
June Christy3:53
9I’ve Heard That Song Before
recording of:
I’ve Heard That Song Before
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
Helen Forrest3:03
10The Sheik of Araby
recording of:
The Sheik of Araby
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
Louis Armstrong & His Orchestra3:30
11As Time Goes By
Rudy Vallée3:34
12Love Me or Leave Me
recording of:
Love Me or Leave Me (on 1928-12-17)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Ruth Etting33:23
13Valentine
vocals:
Maurice Chevalier
conductor:
Paul Mauriat
recording of:
Valentine (Maurice Chevalier song)
lyricist:
Albert Willemetz
composer:
Henri Christiné
Maurice Chevalier3:31
14All of Me
vocals:
Mildred Bailey (in 1947)
Mildred Bailey3:07
15Makin’ Whoppee
Eddie Cantor3:12
16Anniversary Song
Al Jolson3:07
17Mon Homme (My Man)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1921-11-08)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
Fanny Brice3:36
18It’s a Long, Long Way to Tipperary
recording of:
It’s a Long Way to Tipperary
writer:
Henry James “Harry” Williams (co-credited for the British music hall song, “It’s a Long Way to Tipperary”)
composer:
Jack Judge
John McCormac3:13
19Over There
Enrico Caruso2:49