The Smithsonian Collection of Classic Jazz

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼12" Vinyl
#TitleArtistRatingLength
A1Maple Leaf Rag
recording of:
Maple Leaf Rag (piano rag)
composer:
Scott Joplin (composer and pianist) (in 1899)
part of:
Classic 100: Piano (2025) (number: 74)
Scott Joplin3:16
A2Maple Leaf Rag
recording of:
Maple Leaf Rag (piano rag)
composer:
Scott Joplin (composer and pianist) (in 1899)
part of:
Classic 100: Piano (2025) (number: 74)
Jelly Roll Morton2:37
A3Hellhound on My Trail
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1983)
recording of:
Hellhound on My Trail (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Cadmean Dawn
Robert Johnson42:39
A4St. Louis Blues
cornet:
Louis Armstrong (on 1925-01-14)
organ:
Fred Longshaw (on 1925-01-14)
Bessie Smith3:12
A5Lost Your Head Blues
Bessie Smith2:57
A6Dippermouth Blues
banjo:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (on 1923-04-06) and Bud Scott (on 1923-04-06)
clarinet:
Johnny Dodds (on 1923-04-06)
cornet:
Louis Armstrong (on 1923-04-06) and King Oliver (jazz cornetist) (on 1923-04-06)
drums (drum set):
Warren “Baby” Dodds (on 1923-04-06)
piano:
Lil Hardin Armstrong (on 1923-04-06)
trombone:
Honoré Dutrey (on 1923-04-06)
vocals:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (on 1923-04-06)
recording of:
Dippermouth Blues (on 1923-04-06)
composer:
Louis Armstrong and King Oliver (jazz cornetist)
King Oliver’s Creole Jazz Band2:23
A7Grandpa’s Spells
banjo and guitar:
Johnny St. Cyr (on 1926-12-16)
clarinet:
Omer Simeon (on 1926-12-16)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1926-12-16)
drums (drum set):
Andrew Hilaire (on 1926-12-16)
piano:
Jelly Roll Morton (on 1926-12-16)
trombone:
Kid Ory (on 1926-12-16)
trumpet:
George Mitchell (US jazz trumpeter and cornet player) (on 1926-12-16)
recording of:
Grandpa’s Spells (on 1926-12-16)
composer:
Jelly Roll Morton
Jelly Roll Morton’s Red Hot Peppers2:55
A8Dead Man Blues
recording of:
Wild Man Blues
composer:
Louis Armstrong and Ferdinand Joseph LaMothe
Jelly Roll Morton’s Red Hot Peppers3:00
B1Black Bottom Stomp
recorded in:
Chicago, Illinois, United States (on 1926-09-15)
banjo and guitar:
Johnny St. Cyr (on 1926-09-15)
bass and double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1926-09-15)
clarinet:
Omer Simeon (on 1926-09-15)
cornet:
George Mitchell (US jazz trumpeter and cornet player) (on 1926-09-15)
drums (drum set) and membranophone:
Andrew Hilaire (on 1926-09-15)
piano:
Jelly Roll Morton (on 1926-09-15)
trombone:
Kid Ory (on 1926-09-15)
conductor:
Jelly Roll Morton (on 1926-09-15)
recording of:
Black Bottom Stomp (on 1926-09-15)
composer:
Ferdinand Morton
Jelly Roll Morton’s Red Hot Peppers53:14
B2Cake Walking Babies (From Home)
banjo:
Buddy Christian (in 1924-12)
cornet:
Louis Armstrong (in 1924-12)
piano:
Lil Hardin Armstrong (in 1924-12)
soprano saxophone:
Sidney Bechet (in 1924-12)
trombone:
Charlie Irvis (in 1924-12)
vocals:
Josephine Beatty (in 1924-12) and Clarence Todd (US jazz vocalist and kazoo player, 1920s) (in 1924-12)
recording of:
Cake Walking Babies from Home (in 1924-12)
writer:
Chris Smith (Ragtime composer), Henry Troy and Clarence Williams (US jazz pianist, composer, singer and bandleader)
The Red Onion Jazz Babies3:28
B3Blue Horizon
Sidney Bechet and His Blue Note Jazzmen4:26
B4Carolina Shout
piano:
James P. Johnson
James P. Johnson2:47
B5Struttin’ With Some Barbeque
recorded in and engineered in:
Chicago, Illinois, United States (on 1927-12-09)
banjo:
Johnny St. Cyr (on 1927-12-09)
clarinet:
Johnny Dodds (on 1927-12-29)
cornet:
Louis Armstrong (on 1927-12-09)
piano:
Lil Hardin Armstrong (on 1927-12-09)
trombone:
Kid Ory (on 1927-12-09)
recording of:
Struttin’ With Some Barbecue (on 1927-12-09)
composer:
Lil Hardin Armstrong
Louis Armstrong and His Hot Five3:04
B6S.O.L. Blues (excerpt)
Louis Armstrong and His Hot Seven1:05
B7Potato Head Blues (excerpt)
Louis Armstrong and His Hot Seven1:14
B8Hotter Than That
recorded in:
Chicago, Illinois, United States (on 1927-12-13)
banjo:
Johnny St. Cyr (on 1927-12-13)
clarinet:
Johnny Dodds (on 1927-12-13)
cornet:
Louis Armstrong (on 1927-12-13)
guitar:
Lonnie Johnson (American blues and jazz musician) (on 1927-12-13)
piano:
Lil Armstrong (on 1927-12-13)
trombone:
Kid Ory (on 1927-12-13)
vocals:
Louis Armstrong (on 1927-12-13)
recording of:
Hotter Than That (on 1927-12-13)
composer:
Lil Hardin Armstrong
Louis Armstrong and His Hot Five3:02
B9West End Blues
recorded in:
Chicago, Illinois, United States (on 1928-06-28)
banjo:
Mancy Cara (on 1928-06-28)
clarinet:
Jimmy Strong (on 1928-06-28)
cymbal:
Zutty Singleton (on 1928-06-28)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-28)
trombone:
Fred Robinson (American trombonist) (on 1928-06-28)
trumpet:
Louis Armstrong (on 1928-06-28)
vocals:
Louis Armstrong (on 1928-06-28)
recording of:
West End Blues (Armstrong recording) (on 1928-06-28)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
Louis Armstrong and His Hot Five33:17
2▼12" Vinyl
#TitleArtistRatingLength
C1Weather Bird
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
recording of:
Weather Bird (on 1928-12-05)
composer:
Louis Armstrong
Louis Armstrong and Earl Hines2:46
C2Sweethearts on Parade
recorded in:
Los Angeles, California, United States (on 1930-12-23)
alto saxophone:
Les Hite (on 1930-12-23) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-12-23)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-12-23)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-12-23)
drums (drum set):
Lionel Hampton (on 1930-12-23)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-12-23)
piano:
Henry Prince (on 1930-12-23)
trombone:
Luther Craven (on 1930-12-23)
trumpet:
Louis Armstrong (on 1930-12-23), McClure Morris (on 1930-12-23) and Harold Scott (on 1930-12-23)
vocals:
Louis Armstrong (on 1930-12-23)
conductor:
Les Hite (on 1930-12-23)
recording of:
Sweethearts on Parade (on 1930-12-23)
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
Louis Armstrong and His Sebastian New Cotton Club Orchestra3:15
C3I Gotta Right to Sing the Blues
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass and double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
guitar:
Big Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
I Gotta Right to Sing the Blues (on 1933-01-26)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong and His Orchestra2:59
C4Riverboat Shuffle
recorded in:
New York, New York, United States (on 1927-05-09)
alto saxophone:
Red Ingle (on 1927-05-09) and Doc Ryker (on 1927-05-09)
banjo:
Howdy Quicksell (on 1927-05-09)
baritone saxophone, clarinet, reeds and tenor saxophone:
Don Murray (1920s jazz clarinetist) (on 1927-05-09)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1927-05-09)
drums (drum set):
Chauncey Morehouse (on 1927-05-09)
guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1927-05-09)
piano:
Irving "Itzy" Riskin (on 1927-05-09)
saxophone [C-melody saxophone]:
Frankie Trumbauer (on 1927-05-09)
trombone:
Bill Rank (on 1927-05-09)
arranger:
Bill Challis
recording of:
Boneyard Shuffle (on 1927-05-09)
writer:
Hoagy Carmichael and Irving Mills
recording of:
Riverboat Shuffle (on 1927-05-09)
composer:
Hoagy Carmichael, Irving Mills, Parish and Dick Voynow
Frankie Trumbauer and His Orchestra3:15
C5Singin’ the Blues
recording of:
Singin’ the Blues (on 1927-02-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Con Conrad (songwriter and producer) and J. Russel Robinson
Frankie Trumbauer and His Orchestra3:03
C6The Stampede
recorded in:
New York, New York, United States (on 1926-05-14)
alto saxophone and oboe:
Don Redman (on 1926-05-14)
alto saxophone and clarinet:
Buster Bailey (clarinetist) (on 1926-05-14) and Don Redman (on 1926-05-14)
banjo:
Charlie Dixon (Jazz banjoist) (on 1926-05-14)
clarinet:
Buster Bailey (clarinetist) (on 1926-05-14), Coleman Hawkins (on 1926-05-14) and Don Redman (on 1926-05-14)
clarinet and tenor saxophone and tenor saxophone:
Coleman Hawkins (on 1926-05-14)
cornet:
Rex Stewart (on 1926-05-14)
drums (drum set):
Kaiser Marshall (on 1926-05-14)
piano:
Fletcher Henderson (on 1926-05-14)
trombone:
Benny Morton (on 1926-05-14)
trumpet:
Joe Smith (American jazz trumpeter/cornetist) (on 1926-05-14) and Russell Smith (US jazz trumpeter) (on 1926-05-14)
tuba:
Ralph Escudero (on 1926-05-14)
arranger:
Don Redman (on 1926-05-14)
recording of:
The Stampede (on 1926-05-14)
composer:
Fletcher Henderson
Fletcher Henderson and His Orchestra3:18
C7Wrappin’ It Up
alto saxophone and clarinet:
Buster Bailey (clarinetist) (on 1934-09-12), Hilton Jefferson (on 1934-09-12) and Russell Procope (on 1934-09-12)
double bass:
Elmer James (on 1934-09-12)
drums (drum set):
Walter Johnson (drums) (on 1934-09-12)
guitar:
Lawrence Lucie (on 1934-09-12)
piano:
Horace Henderson (on 1934-09-12)
tenor saxophone:
Ben Webster (on 1934-12-09)
trombone:
Keg Johnson (jazz trombonist) (on 1934-09-12) and Claude Jones (on 1934-09-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1934-09-12), Irving Randolph (on 1934-09-12) and Russell Smith (US jazz trumpeter) (on 1934-09-12)
recording of:
Wrappin' It Up (on 1934-09-12)
composer:
Fletcher Henderson
Fletcher Henderson and His Orchestra2:48
C8Moten Swing
acoustic guitar and guitar:
Leroy "Buster" Berry (on 1932-12-13)
alto saxophone and baritone saxophone:
Jack Washington (on 1932-12-13)
alto saxophone and clarinet:
Eddie Barefield (on 1932-12-13)
double bass:
Walter Page (on 1932-12-13)
drums (drum set):
Willie McWashington (on 1932-12-13)
guitar and trombone:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1932-12-13)
piano:
Count Basie (pianist) (on 1932-12-13) and Ira E. "Buster" Moten (on 1932-12-13)
saxophone:
Eddie Barefield (on 1932-12-13), Harlan Leonard (on 1932-12-13), Buster Smith (saxophone) (on 1932-12-13) and Ben Webster (on 1932-12-13)
tenor saxophone:
Ben Webster (on 1932-12-13)
trombone:
Dan Minor (on 1932-12-13)
trumpet:
Joe Keyes (on 1932-12-13), Hot Lips Page (on 1932-12-13) and Prince "Dee" Stewart (on 1932-12-13)
conductor:
Bennie Moten (jazz pianist) (on 1932-12-13)
recording of:
Moten Swing (on 1932-12-13)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
Benny Moten’s Kansas City Orchestra3:26
D1I Ain’t Got Nobody
solo piano:
Fats Waller (on 1937-06-11)
recording of:
I Ain’t Got Nobody (on 1937-06-11)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
Fats Waller3:09
D2Honky Tonk Train
recorded in:
Chicago, Illinois, United States (on 1937-03-07)
solo piano:
Meade Lux Lewis (on 1937-03-07)
recording of:
Honky Tonk Train Blues (on 1937-03-07)
composer:
Meade Lux Lewis
sub-publisher:
Multitone AB (in 1982)
Meade “Lux” Lewis3:01
D3Body and Soul
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1935-07-13)
drums (drum set):
Gene Krupa (on 1935-07-13)
piano:
Teddy Wilson (on 1935-07-13)
instrumental recording of:
Body and Soul (on 1935-07-13)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman Trio3:30
D4Body and Soul
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
instrumental recording of:
Body and Soul (on 1939-10-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins and His Orchestra3:03
D5The Man I Love
double bass:
Oscar Pettiford (on 1943-12-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1943-12-23)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (on 1943-12-23)
tenor saxophone:
Coleman Hawkins (on 1943-12-23)
recording of:
The Man I Love (for piano solo, arr Gershwin)
composer:
George Gershwin (composer) (in 1924)
arranger:
George Gershwin (composer)
arrangement of:
The Man I Love
part of:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
Coleman Hawkins Quartet5:10
D6He’s Funny That Way
Billie Holiday and Her Orchestra2:41
D7All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday and Eddie Heywood and His Orchestra2:59
D8You’d Be So Nice to Come Home To
double bass:
Bill Yancey (on 1964-07-28)
drums (drum set):
Gus Johnson (drums) (on 1964-07-28)
piano:
Tommy Flanagan (on 1964-07-28)
trumpet:
Roy Eldridge (on 1964-07-28)
vocals:
Ella Fitzgerald (American jazz singer) (on 1964-07-28)
live recording of:
You’d Be So Nice to Come Home To (on 1964-07-28)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Ella Fitzgerald2:56
3▼12" Vinyl
#TitleArtistRatingLength
E1Willow Weep for Me
Art Tatum2:58
E2Too Marvelous for Words
Art Tatum2:25
E3Lunceford Special
recording of:
Lunceford Special
writer:
Jimmie Lunceford (US jazz saxophonist and bandleader)
Jimmie Lunceford and His Orchestra2:51
E4Rockin’ Chair
alto saxophone:
Sam Listengart (on 1941-07-02), Clint Neagley (on 1941-07-02) and Musky Ruffo (Mascagni Ruffo) (on 1941-07-02)
clarinet:
Sam Musiker (on 1941-07-02)
double bass:
Ed Mihelich (on 1941-07-02)
drums (drum set):
Gene Krupa (on 1941-07-02)
guitar:
Ray Biondi (on 1941-07-02)
piano:
Milt Raskin (Milton Raskin) (on 1941-07-02)
tenor saxophone:
Walter Bates (on 1941-07-02) and Sam Musiker (on 1941-07-02)
trombone:
John Grassi (on 1941-07-02), Jay Kelliher (on 1941-07-02) and Babe Wagner (on 1941-07-02)
trumpet:
Roy Eldridge (on 1941-07-02), Torg Halten (on 1941-07-02), Norman Murphy (on 1941-07-02) and Graham Young (trumpeter) (on 1941-07-02)
phonographic copyright (℗) by:
Proper Records Ltd. (company credits only; do NOT use as release label)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (on 1941-07-02)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
instrumental recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (on 1941-07-02)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Gene Krupa and His Orchestra3:02
E5I Can’t Believe That You’re in Love With Me (excerpt)
Roy Eldridge and Benny Carter3:03
E6When Lights Are Low
recording of:
When Lights Are Low
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
Lionel Hampton2:15
E7Doggin’ Around
alto saxophone:
Earle Warren (on 1938-06-06)
alto saxophone and baritone saxophone:
Jack Washington (on 1938-06-06)
clarinet and tenor saxophone and tenor saxophone:
Herschel Evans (on 1938-06-06) and Lester Young (saxophonist) (on 1938-06-06)
double bass:
Walter Page (on 1938-06-06)
drums (drum set):
Jo Jones (US jazz drummer) (on 1938-06-06)
guitar:
Freddie Green (on 1938-06-06)
guitar and trombone:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (on 1938-06-06)
piano:
Count Basie (pianist) (on 1938-06-06)
trombone:
Dan Minor (on 1938-06-06) and Benny Morton (on 1938-06-06)
trumpet:
Buck Clayton (on 1938-06-06), Harry “Sweets” Edison (on 1938-06-06) and Ed Lewis (jazz trumpeter) (on 1938-06-06)
part of:
Decca (by matrix number) (number: 63920-A)
recording of:
Doggin' Around (on 1938-06-06)
composer:
Herschel Evans (in 1938)
Count Basie and His Orchestra2:57
E8Taxi War Dance
recording of:
Taxi War Dance (on 1939-03-19)
writer:
Lester Young (saxophonist)
Count Basie2:55
F1Lester Leaps In
recorded in:
New York, New York, United States (on 1939-09-05)
producer:
John Hammond (producer)
clarinet, clarinet and tenor saxophone and tenor saxophone:
Lester Young (saxophonist) (on 1939-09-05)
double bass and double bass [string bass]:
Walter Page (on 1939-09-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1939-09-05)
guitar:
Freddie Green (on 1939-09-05)
piano and piano accordion:
Count Basie (pianist) (on 1939-09-05)
trombone:
Dicky Wells (on 1939-09-05)
trumpet:
Buck Clayton (on 1939-09-05)
orchestra:
Count Basie and His Orchestra (on 1939-09-05)
conductor:
Count Basie (pianist) (on 1939-09-05)
recording of:
Lester Leaps In (on 1939-09-05)
composer:
Lester Young (saxophonist) (in 1939)
Count Basie’s Kansas City Seven3:14
F2I Found a New Baby
recorded in:
New York, New York, United States (on 1941-01-15)
archtop guitar and electric guitar:
Charlie Christian (on 1941-01-15)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1941-01-15)
double bass:
Arthur Bernstein (on 1941-01-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1941-01-15)
piano:
Count Basie (pianist) (on 1941-01-15)
tenor saxophone:
Georgie Auld (on 1941-01-15)
trumpet:
Cootie Williams (on 1941-01-15)
instrumental cover recording of:
I’ve Found a New Baby (on 1941-01-15)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
Benny Goodman Sextet2:57
F3Blues Sequence (From Breakfast Feud)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1940-12-19, on 1941-01-15)
double bass:
Artie Bernstein (on 1940-12-19, on 1941-01-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1940-12-19) and Harry Jaeger (on 1941-01-15)
electric guitar:
Charlie Christian (on 1940-12-19, on 1941-01-15)
piano:
Count Basie (pianist) (on 1940-12-19) and Ken Kersey (on 1941-01-15)
tenor saxophone:
Georgie Auld (on 1940-12-19, on 1941-01-15)
trumpet:
Cootie Williams (on 1940-12-19, on 1941-01-15)
recording of:
Breakfast Feud (on 1940-12-19)
composer:
Benny Goodman (clarinetist and bandleader)
Benny Goodman Sextet : Charlie Christian2:24
F4East St. Louis Toodle‐Oo
recorded in:
New York, New York, United States (on 1927-12-19)
alto saxophone and baritone saxophone:
Harry Carney (on 1927-12-19) and Otto Hardwick (on 1927-12-19)
banjo:
Fred Guy (on 1927-12-19)
clarinet and tenor saxophone:
Rudy Jackson (clarinetist and saxophonist) (on 1927-12-19)
double bass [bass]:
Wellman Braud (on 1927-12-19)
drums (drum set) [drums]:
Sonny Greer (on 1927-12-19)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1927-12-19)
soprano saxophone:
Harry Carney (on 1927-12-19)
trombone:
Joe Nanton (on 1927-12-19)
trumpet:
Louis Metcalf (on 1927-12-19) and Bubber Miley (on 1927-12-19)
recording of:
East St. Louis Toodle‐oo (on 1927-12-19)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
publisher:
Mills Music, Inc.
Duke Ellington and His Orchestra3:38
F5New East St. Louis Toodle‐Oo
Duke Ellington and His Famous Orchestra3:04
F6Creole Rhapsody
Duke Ellington and His Famous Orchestra6:00
F7Harlem Air Shaft
recording of:
Harlem Air Shaft
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra3:00
F8Concerto for Cootie
recorded in:
Chicago, Illinois, United States (on 1940-03-15)
alto saxophone:
Otto Hardwick (on 1940-03-15)
alto saxophone and clarinet and saxophone:
Johnny Hodges (on 1940-03-15)
alto saxophone, baritone saxophone and clarinet:
Harry Carney (on 1940-03-15)
clarinet and tenor saxophone:
Barney Bigard (on 1940-03-15)
cornet:
Rex Stewart (on 1940-03-15)
double bass:
Jimmy Blanton (on 1940-03-15)
drums (drum set):
Sonny Greer (on 1940-03-15)
guitar:
Fred Guy (on 1940-03-15)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1940-03-15)
reeds:
Barney Bigard (on 1940-03-15), Harry Carney (on 1940-03-15) and Otto Hardwick (on 1940-03-15)
tenor saxophone:
Ben Webster (on 1940-03-15)
trombone:
Lawrence Brown (jazz trombonist) (on 1940-03-15) and Joe "Tricky Sam" Nanton (on 1940-03-15)
trumpet:
Wallace Jones (on 1940-03-15) and Cootie Williams (on 1940-03-15)
valve trombone:
Juan Tizol (on 1940-03-15)
recording of:
Concerto for Cootie (on 1940-03-15)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra3:22
4▼12" Vinyl
#TitleArtistRatingLength
G1In a Mellotone
recorded in:
Chicago, Illinois, United States (on 1940-09-05)
alto saxophone [as]:
Johnny Hodges (on 1940-09-05) and Otto Hardwicke (on 1940-09-05)
baritone saxophone [bars]:
Harry Carney (on 1940-09-05)
clarinet [cl]:
Barney Bigard (on 1940-09-05)
cornet [c]:
Rex Stewart (on 1940-09-05)
double bass [b]:
Jimmy Blanton (on 1940-09-05)
drums (drum set) [d]:
Sonny Greer (on 1940-09-05)
guitar [g]:
Fred Guy (on 1940-09-05)
piano [p]:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1940-09-05)
tenor saxophone [ts]:
Barney Bigard (on 1940-09-05) and Ben Webster (on 1940-09-05)
trombone [tb]:
Lawrence Brown (jazz trombonist) (on 1940-09-05) and Joe "Tricky Sam" Nanton (on 1940-09-05)
trumpet [t]:
Wallace Jones (on 1940-09-05) and Cootie Williams (on 1940-09-05)
valve trombone [vtb]:
Juan Tizol (on 1940-09-05)
recording of:
In a Mellow Tone (on 1940-09-05)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Duke Ellington and His Orchestra3:19
G2Ko‐Ko
recorded in:
Chicago, Illinois, United States (on 1940-03-06)
alto saxophone and clarinet:
Otto Hardwick (on 1940-03-06) and Johnny Hodges (on 1940-03-06)
alto saxophone, baritone saxophone and clarinet:
Harry Carney (on 1940-03-06)
clarinet and tenor saxophone:
Barney Bigard (on 1940-03-06)
cornet:
Rex Stewart (on 1940-03-06)
double bass:
Jimmy Blanton (on 1940-03-06)
drums (drum set):
Sonny Greer (on 1940-03-06)
guitar:
Fred Guy (on 1940-03-06)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1940-03-06)
reeds:
Harry Carney (on 1940-03-06) and Otto Hardwick (on 1940-03-06)
saxophone:
Johnny Hodges (on 1940-03-06)
tenor saxophone:
Ben Webster (on 1940-03-06)
trombone:
Lawrence Brown (jazz trombonist) (on 1940-03-06) and Tricky Sam Nanton (on 1940-03-06)
trumpet:
Wallace Jones (on 1940-03-06) and Cootie Williams (on 1940-03-06)
valve trombone:
Juan Tizol (on 1940-03-06)
recording of:
Ko-Ko (on 1940-03-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra12:42
G3Blue Serge
recorded in:
Hollywood, Los Angeles, California, United States (on 1941-02-15)
alto saxophone:
Otto Hardwick (on 1941-02-15) and Johnny Hodges (on 1941-02-15)
alto saxophone and clarinet:
Johnny Hodges
alto saxophone, baritone saxophone and clarinet:
Harry Carney
baritone saxophone and baritone saxophone [bars]:
Harry Carney (on 1941-02-15)
clarinet and tenor saxophone [ts]:
Barney Bigard (on 1941-02-15)
clarinet and tenor saxophone:
Barney Bigard
cornet [c]:
Rex Stewart (on 1941-02-15)
double bass [bass]:
Jimmy Blanton (on 1941-02-15)
drums (drum set):
Sonny Greer (on 1940-02-15, on 1941-02-15)
guitar:
Fred Guy (on 1941-02-15)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-02-15)
tenor saxophone:
Ben Webster (on 1941-02-15)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-02-15), Joe "Tricky Sam" Nanton (on 1941-02-15) and Juan Tizol (on 1941-02-15)
trumpet:
Wallace Jones (on 1941-02-15), Rex Stewart (on 1941-02-15) and Cootie Williams (on 1941-02-15)
trumpet [t]:
Ray Nance (on 1941-02-15)
valve trombone [vtb]:
Juan Tizol (on 1941-02-15)
recording of:
Blue Serge (Mercer Ellington) (on 1940-02-15)
composer:
Mercer Ellington
recording of:
Blue Serge (Mercer Ellington) (on 1941-02-15)
composer:
Mercer Ellington
Duke Ellington and His Orchestra3:22
G4I Got Rhythm
Don Byas5:07
G5I Can’t Get Started
double bass [b]:
Oscar Pettiford (on 1945-01-09)
drums (drum set) [d]:
Shelley Manne (US jazz drummer) (on 1945-01-09)
piano [p]:
Clyde Hart (on 1945-01-09)
tenor saxophone [ts]:
Don Byas (on 1945-01-09)
trombone [tb]:
Trummy Young (on 1945-01-09)
trumpet [t]:
Dizzy Gillespie (on 1945-01-09)
instrumental cover recording of:
I Can’t Get Started (on 1945-06-09)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dizzy Gillespie Sextet3:08
G6Shaw ’Nuff
alto saxophone and alto saxophone [as]:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-11)
double bass:
Curley Russell (on 1945-05-11)
double bass [b]:
Curly Russell (on 1945-05-11)
drums (drum set):
Sid Catlett (on 1945-05-11)
drums (drum set) [d]:
Max Roach (20th century US jazz drummer & composer) (on 1945-05-11)
piano and piano [p]:
Al Haig (on 1945-05-11)
trumpet and trumpet [t]:
Dizzy Gillespie (on 1945-05-11)
vocals:
Dizzy Gillespie and Sarah Vaughan (on 1945-05-11)
orchestra:
Dizzy Gillespie and His All Stars (on 1945-05-11)
recording of:
Shaw 'Nuff (on 1945-05-11)
composer:
Dizzy Gillespie and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Robbins Music Corp.
Dizzy Gillespie’s All Star Quintet2:57
G7Koko
alto saxophone [as]:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
double bass [b]:
Curly Russell
drums (drum set) [d]:
Max Roach (20th century US jazz drummer & composer)
piano [p] and trumpet [t]:
Dizzy Gillespie
recording of:
Ko Ko
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1945)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker’s Re‐Boppers2:57
G8Embraceable You
Charlie Parker2:14
G9Embraceable You (alternate version)
Charlie Parker2:01
H1Klacktoveedsedsteen
Charlie Parker Quintet3:02
H2Little Benny
recorded in:
Paris, Île-de-France, France (in 1963-02)
producer:
Duke Ellington (US composer, pianist & jazz bandleader)
double bass:
Gilbert Rovere (French bassist) (in 1963-02)
drums (drum set):
Carl Donnell "Kansas" Fields (in 1963-02)
piano:
Bud Powell (in 1963-02)
Charlie Parker Sextet3:30
H3Parker’s Mood
Charlie Parker’s All Stars3:01
H4Fantasy on “Frankie and Johnny”
recorded in:
Los Angeles, California, United States (on 1947-06-10)
piano and solo piano:
Erroll Garner (on 1947-06-10)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-06-10)
Erroll Garner2:55
H5Somebody Loves Me
recorded in:
New York, New York, United States (on 1947-01-10)
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Somebody Loves Me (on 1947-01-10)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
Bud Powell Trio2:48
H6Dancing in the Dark
vocals:
Sarah Vaughan
cover recording of:
Dancing in the Dark
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
Sarah Vaughan2:37
H7Ain’t No Use
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-13)
trumpet:
Harry “Sweets” Edison (on 1960-10-13)
vocals:
Sarah Vaughan (on 1960-10-13)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-13)
cover recording of:
Ain’t No Use (on 1960-10-13)
writer:
Leroy Kirkland and Sid Wyche
Sarah Vaughan3:55
H8Crosscurrent
piano:
Lennie Tristano (on 1949-03-04)
Lennie Tristano2:52
5▼12" Vinyl
#TitleArtistRatingLength
I1Boplicity
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1949-04-22)
baritone saxophone:
Gerry Mulligan (on 1949-04-22)
double bass:
Nelson Boyd (on 1949-04-22)
drums (drum set):
Kenny Clarke (on 1949-04-22)
French horn:
Sanford J. Siegelstein (on 1949-04-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-04-22)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1949-04-22)
tuba:
Bill Barber (Jazz tuba player) (on 1949-04-22)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
WOR Studios in New York, New York, United States (on 1949-04-22)
recording of:
Boplicity (on 1949-04-22)
composer:
Gil Evans (Canadian‐American jazz pianist and composer) and Cleo Henry
publisher:
Sophisticated Music
Miles Davis and His Orchestra43:03
I2Lady Bird
double bass [b]:
Curly Russell (on 1948-09-13)
drums (drum set) [d]:
Kenny Clarke (on 1948-09-13)
piano [p]:
Tadd Dameron (on 1948-09-13)
tenor saxophone [ts]:
Allen Eager (on 1948-09-13) and Wardell Gray (on 1948-09-13)
trumpet [t]:
Theodore "Fats" Navarro (on 1948-09-13)
recording of:
Lady Bird (on 1948-09-13)
composer:
Tadd Dameron
Tadd Dameron’s Sextet2:54
I3Bikini
recording of:
Bikini
composer:
Dexter Gordon (on 1948-03-29)
Dexter Gordon Quartet3:33
I4Misterioso
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02) and Milton Jackson (deep house producer & DJ based in Glasgow, UK) (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
Misterioso (on 1948-07-02)
composer:
Thelonious Monk
Thelonious Monk Quartet3:22
I5Criss Cross
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Criss‐Cross (on 1951-07-23)
composer:
Thelonious Monk
Thelonious Monk Quintet3:00
I6Evidence
recorded in:
New York, New York, United States (on 1948-07-02)
bass and double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set) and drums (drum set) [drums]:
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recording of:
Evidence (on 1948-07-02)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (publisher, affiliated to BMI)
Thelonious Monk2:35
I7Smoke Gets in Your Eyes
recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Thelonious Monk Quintet4:33
I8I Should Care
Thelonious Monk3:16
J1Blues Improvisation (excerpt)
Thelonious Monk2:54
J2Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer) (on 1958-08-18)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis with Gil Evans’ Orchestra53:22
J3Blue 7
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
Blue 7 (on 1956-06-22)
composer:
Sonny Rollins (American saxophonist)
Sonny Rollins Quartet411:23
J4Django
The Modern Jazz Quartet5:34
J5Hora Decubitus
recorded in:
New York, New York, United States (on 1963-09-20)
recording engineer:
Bob Simpson (US jazz engineer/producer) (from 1963-09-20 to present)
engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Eric Dolphy
alto saxophone and flute:
Eric Dolphy (on 1963-09-20)
baritone saxophone and soprano saxophone:
Jerome Richardson (on 1963-09-20)
clarinet and oboe:
Dick Hafer (on 1963-09-20)
double bass:
Charles Mingus (on 1963-09-20)
double bass [bass]:
Charles Mingus
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-09-20)
flute:
Eric Dolphy, Dick Hafer (on 1963-09-20) and Jerome Richardson (on 1963-09-20)
guitar:
Jay Berliner (on 1963-09-20)
piano:
Charles Mingus and Jaki Byard (on 1963-09-20)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1963-09-20) and Dick Hafer (on 1963-09-20)
trombone:
Britt Woodman (on 1963-09-20)
trumpet:
Eddie Preston (on 1963-09-20) and Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1963-09-20)
tuba:
Don Butterfield (on 1963-09-20)
recording of:
Hora Decubitus (on 1963-09-20)
composer:
Charles Mingus
Charles Mingus and His Orchestra4:44
6▼12" Vinyl
#TitleArtistRatingLength
K1Pent‐Up House (excerpt)
Sonny Rollins Plus Four7:32
K2Enter Evening
recording engineer:
Rudy van Gelder (on 1966-05-19)
producer:
Alfred Lion
alto saxophone:
Jimmy Lyons (saxophone player) (on 1966-05-19) and Ken McIntyre (on 1966-05-19)
bass clarinet and oboe:
Ken McIntyre (on 1966-05-19)
bell and piano:
Cecil Taylor (on 1966-05-19)
double bass:
Henry Grimes (US free jazz bassist) (on 1966-05-19) and Alan Silva (free jazz double bassist) (on 1966-05-19)
drums (drum set):
Andrew Cyrille (American jazz drummer) (on 1966-05-19)
trumpet:
Edward Gale Stevens, Jr. (on 1966-05-19)
phonographic copyright (℗) by:
Manhattan (EMI Music / Universal Music; 1984–1987, relaunched 2001) (in 1987)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-05-19)
recording of:
Enter, Evening (Soft Line Structure) (on 1966-05-19)
composer:
Cecil Taylor
publisher:
Tane Publ. Co.
Cecil Taylor11:05
K3So What
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-02-12)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-02-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-02-12)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1964-02-12)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1964-02-12)
recording of:
So What (on 1964-02-12)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, volume I)
Miles Davis Sextet9:11
L1Lonely Woman
recorded in:
Los Angeles, California, United States (on 1959-05-22)
producer:
Nesuhi Ertegun
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (on 1959-05-22)
cornet:
Don Cherry (jazz trumpeter) (on 1959-05-22)
double bass:
Charlie Haden (American jazz bassist) (on 1959-05-22)
drums (drum set) [drums]:
Billy Higgins (US jazz drummer) (on 1959-05-22)
recording of:
Lonely Woman (instrumental) (on 1959-05-22)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
MJQ Music
Ornette Coleman5:03
L2Congeniality
recorded in:
Los Angeles, California, United States (on 1959-05-22)
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (on 1959-05-22)
cornet:
Don Cherry (jazz trumpeter) (on 1959-05-22)
double bass:
Charlie Haden (American jazz bassist) (on 1959-05-22)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1959-05-22)
recording of:
Congeniality (on 1959-05-22)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
Ornette Coleman6:45
L3Free Jazz (excerpt)
Ornette Coleman10:14
L4Alabama
recording engineer:
Rudy van Gelder (on 1963-11-18)
producer:
Bob Thiele (producer & songwriter)
double bass:
Jimmy Garrison (on 1963-11-18)
drums (drum set):
Elvin Jones (jazz drummer) (on 1963-11-18)
piano:
McCoy Tyner (jazz pianist) (on 1963-11-18)
tenor saxophone:
John Coltrane (on 1963-11-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-11-18)
recording of:
Alabama (original instrumental composition) (on 1963-11-18)
composer:
John Coltrane
John Coltrane45:07