Funk & Soul Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded (Spotify)

(As of 2023-05-08).

  • Northern America: 🇨🇦 Canada (ca)
Anmerkung zuletzt geändert am 2023-05-08 18:20 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Fate (WSM Compilation edit)Chaka Khan43:14
2I Want Your Love (edit version)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
I Want Your Love
Texter und Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
CHIC3:31
3I Get LiftedGeorge McCrae3.52:47
4Just Kissed My Baby
The Meters54:44
5Slippin’ Into Darkness
recording of:
Slippin’ Into Darkness
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War33:47
6The Mexican (edit)
recording of:
The Mexican
Texter und Komponist(in):
Alan Shacklock
zusätzliche(r) Komponist(in):
Ennio Morricone (Italian classical and score composer)
Babe Ruth3:27
7Move on Up
Bearbeitung von:
Move On Up von Curtis Mayfield
recording of:
Move On Up
Texter und Komponist(in):
Curtis Mayfield
publisher:
Camad Music Company (beendet), Curtom Publishing Co Inc (beendet), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
8The Ghetto, Pt. 1 (mono)
Donny Hathaway2:44
9Street Life (edit)Randy Crawford4:49
10All This Love That I’m Givin’
recording of:
All This Love That I’m Giving
Verfasser(in):
Jeremiah Burden, "Eternity" (Songwriting alias), Lynn Williams und Betty Wright (American soul and R&B singer)
publisher:
Sherlyn Publ. Co. Ltd.
Gwen McCrae33:53
11Disco to Go
recording of:
Disco to Go
Verfasser(in):
George Clinton (US funk musician) und Bootsy Collins (US funk musician & songwriter)
Brides of Funkenstein5:07
12Hard Times
Baby Huey & The Baby Sitters3:23
13Clean Up Woman
Techniker(in):
Willie Clarke
Produzent(in):
Willie Clarke und Clarence Reid
Horn arranger und Saiteninstrumente arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
Verfasser(in):
Willie Clarke und Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:47
14Claim Jumpin’
recording of:
Claim Jumpin’
Verfasser(in):
Bill Brandon (disco and soul singer) und Sam Dees
Sam Dees2:53
15Let’s Stay Together
cover recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Margie Joseph3:27
16Try Love Again
The Natural Four4:25
17Classy LadyLeroy Hutson5:30
18Jump to the BeatStacy Lattisaw3:22
19Back Together Again
Produzent(in):
Roberta Flack (singer and pianist) und Eric Mercury
vocals und Interpret(in):
Donny Hathaway
recording of:
Back Together Again (Roberta Flack and Donny Hathaway)
Verfasser(in):
Reggie Lucas und James Mtume (jazz/funk musician)
publisher:
Famous-Chappell Ltd. (UK-based music publishing company.), Sony/ATV Melody und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Roberta Flack & Donny Hathaway4:51
20Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:12
21Supernatural Thing, Pt. 1
Ben E. King44:12
22Rock Steady
recording engineer:
Ron Albert (am 1971-02-16)
Techniker(in):
Howard Albert, Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Klavier und Sologesang:
Aretha Franklin (am 1971-02-16)
Orgel:
Donny Hathaway (am 1971-02-16)
Perkussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (am 1971-02-16) und Robert Popwell (am 1971-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1971-02-16)
Tenorsaxophon:
Andrew Love (am 1971-02-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-02-16)
Hintergrundgesang:
Margaret Branch (am 1971-02-16), Ann S. Clark (am 1971-02-16), Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und Pat Smith (soul vocalist) (am 1971-02-16)
Horn arranger:
Tom Dowd
Saiteninstrumente und Holzblasinstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
recording of:
Rock Steady (am 1971-02-16)
Texter und Komponist(in):
Aretha Franklin (von 1970 bis 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc und Springtime Music, Inc.
Aretha Franklin3.753:14
23Why Can’t We Live Together
recording of:
Why Can’t We Live Together (in 1972-08)
Texter und Komponist(in):
Timmy Thomas
publisher:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas44:38
24Express Yourself
Produzent(in):
Charles Wright
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 57)
recording of:
Express Yourself
Texter und Komponist(in):
Charles Wright (in 1970)
Charles Wright & the Watts 103rd Street Rhythm Band4.53:53
25Do What You Wanna Do
T‐Connection3:33
26Give Me the Night (single version)
recording engineer und Mix:
Bruce Swedien
assistierende(r) Techniker(in):
Sheridan Eldridge, Ralph Osborne (engineer) und Mark Sackett
Produzent(in):
Quincy Jones
Bass-Synthesizer:
Richard Tee
Bassgitarre:
Abraham Laboriel
flute und Saxophon:
Kim Hutchcroft und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
George Benson (jazz guitarist/singer) und Lee Ritenour
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Michael Boddicker
Hintergrundgesang:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray und Jocelyn Allen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Give Me the Night
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson3.654:58
27Riding High
recording of:
Riding High
Verfasser(in):
Ralph Aikens, Tyrone Crum, Keith Harrison (US funk keyboardist/vocalist for Heatwave/Dazz Band), Robert Neal, Jr. (American percussionist and vocalist) und Roger Parker (US R&B drummer)
publisher:
Rick S. Music (publishing company associated with Casablanca) und Segundo Sueños LLC
Faze‐O5:18
28Tonight
Produzent(in):
Eumir Deodato
Kleeer25:11
29I Can’t Wait
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:39
30More Bounce to the Ounce
Produzent(in):
Bootsy Collins (US funk musician & songwriter) und Roger Troutman (funk musician in Zapp)
recording of:
More Bounce to the Ounce
Texter und Komponist(in):
Roger Troutman (funk musician in Zapp)
Zapp35:11
31Try It Out (Edited version)
Gino Soccio6:11
32Baby I’m Scared of YouWomack & Womack5:38
33Watching You
Slave33:29
34Warm Weather
recording of:
Warm Weather
Verfasser(in):
Cynthia Biggs und Dexter Wansel
publisher:
Cynthia Demari Biggs El und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pieces Of A Dream4:05
35Why I Came to California
Koproduzent(in):
Marty Paich
Produzent(in):
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
recording of:
Why I Came to California
Verfasser(in):
Janis Siegel und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Morton St. Publishing, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leon Ware4:09
36Love Has Come Around
recorded in:
Atlanta, Georgia, Vereinigte Staaten (in 1981)
Trompete:
Donald Byrd (American jazz trumpeter) (in 1981)
recording of:
Love Has Come Around
Texter und Komponist(in):
William Duckett
Donald Byrd7:53
37Bertha Butt Boogie
The Jimmy Castor Bunch3:16
38Four Play - D.J. Promo 45 Mix
recording of:
Four Play
Komponist(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Glen Goins
Fred Wesley & The Horny Horns & Mike E. Clark3:31
39Jungle Love (single version)
assistierende(r) Techniker(in):
Peggy Mac (am 1983-03-26, am 1984-01-15)
Techniker(in):
Prince (“The Artist Formerly Known as…”) (am 1984-01-15)
Produzent(in):
Prince (“The Artist Formerly Known as…”) (von 1983-03-26 bis 1984-01-15)
Bassgitarre und Keyboard:
Prince (“The Artist Formerly Known as…”) (von 1983-03-26 bis 1984-01-15)
Gitarre:
Jesse Johnson (original guitarist for The Time) (von 1983-03-26 bis 1984-01-15)
Hintergrundgesang:
Jill Jones (American singer, songwriter, and actress) (von 1983-03-26 bis 1984-01-15)
Sologesang:
Morris Day (von 1983-03-26 bis 1984-01-15)
recording of:
Jungle Love (von 1983-03-26 bis 1984-01-15)
Verfasser(in):
Morris Day, Jesse Johnson (original guitarist for The Time) und Prince (“The Artist Formerly Known as…”)
The Time3:28
40The Glamorous Life, Pt. 1
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recording of:
The Glamorous Life
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Girlsongs (publisher)
Sheila E.53:44
41Center City
Fat Larry’s Band3:37
42Going Back to My Roots
Richie Havens5:04
43Then Came You
Gast vocals:
Dionne Warwick
Interpret(in):
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
Verfasser(in):
Sherman Marshall und Philip Pugh
publisher:
Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick & The Spinners4.53:59
44Heaven Is in the Back Seat of My Cadillac
recording of:
Heaven Is in the Back Seat of My Cadillac
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate5:10
45Moment of Truth
Produzent(in):
Joe Wissert
recording of:
Moment of Truth
Verfasser(in):
Wade Flemons, Maurice White (Earth, Wind & Fire) und Don Whitehead
Earth, Wind & Fire3:13
46Engine Number 9 (single version)
recording of:
Engine Number Nine (Engine Number 9)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wilson Pickett2:51
47Right Place Wrong Time
recording engineer:
Karl Richardson
Produzent(in):
Allen Toussaint
Mix:
Jimmy Douglass (engineer) und Arif Mardin
Akustikgitarre, Conga, Hybrid-Piano, Klavier und Tamburin:
Allen Toussaint
Bassgitarre:
George Porter, Jr.
Gitarre:
Leo Nocentelli
Orgel:
Art Neville
Saxophon:
Gary Brown (US saxophonist from Louisiana)
Schlagzeug:
Joseph Modeliste
Solo-Gitarre:
David Spinozza
Hintergrundgesang:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery und Allen Toussaint
Sologesang:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
Interpret(in):
The Bonaroo horn section und The Meters
arranger und vocals arranger:
Allen Toussaint
recording of:
Right Place Wrong Time
Texter und Komponist(in):
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
publisher:
Mystical Light Music und Walden Music, Inc.
Dr. John3.652:55
48It’s All Right Now
Eddie Harris3:57
49I’d Rather Be With You
recording engineer:
Jim Vitti
Produzent(in):
George Clinton (US funk musician) und William Collins (US funk musician & songwriter)
Horn arranger:
Bootsy Collins (US funk musician & songwriter) und Fred Wesley
arranger:
Bootsy (US funk musician & songwriter)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recording of:
I’d Rather Be With You
Verfasser(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Gary “Mudbone” Cooper
Bootsy Collins4.24:57

Nennungen

Veröffentlichung

kostenlos streamen:https://open.spotify.com/album/62Tl0SJzJpupgo85f3eTxB [Info]
https://www.deezer.com/album/286765552 [Info]
Streaming-Seite:https://music.apple.com/us/album/1604528823 [Info] (beendet)
https://tidal.com/album/212046519 [Info] (beendet)