Die Klassiksammlung 1: Tschaikowsky: Die Meisterwerke

~ Veröffentlichung von Pyotr Ilyich Tschaikovski (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

Label: Point Classics - Cat#: KS C 001 - Distributor: Orbis Publishing Ltd.

Anmerkung zuletzt geändert am 2005-10-21 01:02 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Klavierkonzert Nr. 1 b-Moll, Op. 23: I. Allegro non troppo e molto maestoso. Allegro con spirito
Klavier:
Ida Černecká (pianist) und Peter Toperczer (Slavic pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
20:16
2Klavierkonzert Nr. 1 b-Moll, Op. 23: II. Andantino semplice. Prestissimo
Klavier:
Ida Černecká (pianist) und Peter Toperczer (Slavic pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
7:08
3Klavierkonzert Nr. 1 b-Moll, Op. 23: III. Allegro con fuoco
Klavier:
Ida Černecká (pianist) und Peter Toperczer (Slavic pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
6:59
4Nussknacker-Suite Op. 71a: I. Kleine Ouvertüre
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (bis 1892)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
3:17
5Nussknacker-Suite Op. 71a: II. Marsch
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (der Nussknacker, op. 71: Marsch, March)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Щелкунчик, op. 71: Действие I (Der Nussknacker, op. 71: Akt 1, The Nutcracker, op. 71: Act 1)
2:47
6Nussknacker-Suite Op. 71a: III. Tanz der Zuckermandelfee
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
2:09
7Nussknacker-Suite Op. 71a: IV. Russischer Tanz - Trepak
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:15
8Nussknacker-Suite Op. 71a: V. Arabischer Tanz
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
3:40
9Nussknacker-Suite Op. 71a: VI. Chinesischer Tanz
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
1:25
10Nussknacker-Suite Op. 71a: VII. Rohrflötentanz
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
2:40
11Nussknacker-Suite Op. 71a: VIII. Blumenwalzer
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
7:10
12Ballet-Suite "Schwanensee" Op. 20: Szene
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
3:14
13Ballet-Suite "Schwanensee" Op. 20: Walzer
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
7:43
14Ballet-Suite "Schwanensee" Op. 20: Schwanentanz
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
1:35

Nennungen

Veröffentlichung

Orchester:London Festival Orchestra (Alfred Scholz pseudonym)
Teil von:Die Klassiksammlung (Nummer: 1) (Reihenfolge: 2)
Discogs:https://www.discogs.com/release/1105042 [Info]
ASIN:DE: B001LJAA8G [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/140052 [Info]