California Here I Come

~ Release by Bill Evans (see all versions of this release, 4 available)

Tracklist

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1▼12" Vinyl
#TitleRatingLength
A1California Here I Come
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17)
piano:
Bill Evans (pianist) (on 1967-08-17)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17)
live instrumental recording of:
California Here I Come (on 1967-08-17)
lyricist:
Buddy DeSylva and Al Jolson
composer:
Joseph Meyer (US songwriter)
publisher:
M. Witmark & Sons (on 1924-01-07)
5:32
A2Polka Dots and Moonbeams
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1967-08-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17)
piano:
Bill Evans (pianist) (on 1967-08-17)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17)
live instrumental recording of:
Polka Dots and Moonbeams (on 1967-08-17)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:23
A3Turn Out the Stars
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (from 1967-08-17 until 1967-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1967-08-17 until 1967-08-18)
piano:
Bill Evans (pianist) (from 1967-08-17 until 1967-08-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1967-08-17 until 1967-08-18)
recording of:
Turn Out the Stars (on 1967-08-17)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
5:53
A4Stella by Starlight
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17)
piano:
Bill Evans (pianist) (on 1967-08-17)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17)
instrumental recording of:
Stella by Starlight (on 1967-08-17)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
4:06
B1You’re Gonna Hear From Me
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (from 1967-08-17 until 1967-08-18, on 1967-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1967-08-17 until 1967-08-18, on 1967-08-18)
piano:
Bill Evans (pianist) (from 1967-08-17 until 1967-08-18, on 1967-08-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1967-08-17 until 1967-08-18, on 1967-08-18)
live instrumental cover recording of:
You’re Gonna Hear From Me (on 1967-08-18)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
publisher:
Remick Music Corp., Warner Brothers Music Inc. and Warner Bros., Inc. (not for release label use!) (in 1965)
4:57
B2In a Sentimental Mood
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (from 1967-08-17 until 1967-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1967-08-17 until 1967-08-18)
piano:
Bill Evans (pianist) (from 1967-08-17 until 1967-08-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1967-08-17 until 1967-08-18)
instrumental recording of:
In a Sentimental Mood (on 1967-08-18)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:53
B3G Waltz
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17)
piano:
Bill Evans (pianist) (on 1967-08-17)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17)
live recording of:
G Waltz (on 1967-08-17)
composer:
Bill Evans (pianist)
4:36
B4Green Dolphin Street
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17, from 1967-08-17 until 1967-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17, from 1967-08-17 until 1967-08-18)
piano:
Bill Evans (pianist) (on 1967-08-17, from 1967-08-17 until 1967-08-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17, from 1967-08-17 until 1967-08-18)
live instrumental cover recording of:
On Green Dolphin Street (on 1967-08-17)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
instrumental recording of:
On Green Dolphin Street (on 1967-08-18)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
4:53
2▼12" Vinyl
#TitleRatingLength
A1Gone With the Wind
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (from 1967-08-17 until 1967-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1967-08-17 until 1967-08-18)
piano:
Bill Evans (pianist) (from 1967-08-17 until 1967-08-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1967-08-17 until 1967-08-18)
instrumental recording of:
Gone With the Wind (on 1967-08-18)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
5:54
A2If You Could See Me Now
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17)
piano:
Bill Evans (pianist) (on 1967-08-17)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17)
live instrumental cover recording of:
If You Could See Me Now (jazz standard) (on 1967-08-17)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:40
A3Alfie
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-18)
piano:
Bill Evans (pianist) (on 1967-08-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-18)
live instrumental cover recording of:
Alfie (on 1967-08-18)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
5:13
A4Very Early
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17)
piano:
Bill Evans (pianist) (on 1967-08-17)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17)
live recording of:
Very Early (on 1967-08-17)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
4:44
B1’Round Midnight
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17)
piano:
Bill Evans (pianist) (on 1967-08-17)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17)
live instrumental cover recording of:
’Round Midnight (on 1967-08-17)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:08
B2Emily
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-18)
piano:
Bill Evans (pianist) (on 1967-08-18)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-18)
live instrumental cover recording of:
Emily (Emily Theme from The Americanization of Emily) (on 1967-08-18)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
5:18
B3Wrap Your Troubles in Dreams
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17)
piano:
Bill Evans (pianist) (on 1967-08-17)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17)
instrumental recording of:
Wrap Your Troubles in Dreams (on 1967-08-17)
lyricist:
Ted Koehler (in 1931) and Billy Moll (songwriter) (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
6:49