| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | White Wedding (Pt. 1) (from The Wedding Singer)- assistierende(r) Techniker(in):
- Steve Bates
- Techniker(in):
- Brian Reeves
- Produzent(in):
- Keith Forsey
- Bassgitarre:
- Phil Feit
- Gitarre:
- Billy Idol und Steve Stevens
- Schlagzeug:
- Steve Missal
- Sologesang:
- Billy Idol
- arranger:
- Billy Idol und Steve Stevens
- phonographisches Urheberrecht (℗) von:
- Capitol Records (in 1982), Capitol Records, Inc. (in 1982), Capitol Records, LLC (in 1982) und Chrysalis Records, Inc. (in 1982, in 2002)
- aufgenommen bei und mixed at:
- Westlake Audio in Los Angeles, California , Vereinigte Staaten
- Musikvideos:
- White Wedding, Pt. 1 von Billy Idol
- recording of:
- White Wedding
- Texter und Komponist(in):
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music , Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Copyright Control und Rare Blue Music Inc
| Billy Idol | 4.15 | 4:13 |
| 2 | Call Me (from American Gigolo)- Techniker(in):
- Harold Faltermeyer
- Produzent(in):
- Giorgio Moroder
- Bassgitarre [bass]:
- Nigel Harrison (in 1980-01)
- Gitarre:
- Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
- Hybrid-Piano:
- Jimmy Destri (in 1980-01)
- Schlagzeug [drums]:
- Clem Burke (in 1980-01)
- zusätzlich Synthesizer:
- Giorgio Moroder (in 1980-01)
- Sologesang:
- Debbie Harry (in 1980-01)
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) und Capitol Records, LLC (in 2002)
- aufgenommen bei:
- Westlake Audio in Los Angeles, California , Vereinigte Staaten (in 1979) und The Power Station in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California , Vereinigte Staaten
- Teil von:
- Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (Nummer: 78) und Billboard: The 500 Best Pop Songs (Nummer: 157)
- recording of:
- Call Me (in 1980-01)
- Texter:
- Deborah Harry
- Komponist(in):
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
| Blondie | 4.2 | 3:30 |
| 3 | You Can Leave Your Hat On (from 9½ Weeks)- Techniker(in):
- Brian Reeves
- Produzent(in):
- Richie Zito
- Mix:
- Rik Pekkonen
- Bass und Synthesizer:
- Arthur Barrow
- Gitarre:
- Richie Zito
- Horn:
- Dick Hyde, Steve Madaio und Joel Peskin
- membranophone:
- Michael Baird
- Hintergrundgesang:
- Maxine Sharp, Julia Waters und Maxine Waters
- Sologesang:
- Joe Cocker
- aufgenommen bei:
- Ocean Way Recording in Hollywood, Los Angeles, California , Vereinigte Staaten
- cover recording of:
- You Can Leave Your Hat On
- Texter und Komponist(in):
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- Texter und Komponist(in):
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:15 |
| 4 | The Grease Megamix (from Grease) | John Travolta & Olivia Newton‐John | 3.55 | 4:49 |
| 5 | I Do, I Do, I Do, I Do, I Do (from Muriel’s Wedding) | ABBA | | 3:17 |
| 6 | Endless Love (from Endless Love) | Diana Ross & Lionel Richie | | 4:28 |
| 7 | Up Where We Belong (from An Officer and a Gentleman) | Joe Cocker & Jennifer Warnes | 3.5 | 3:54 |
| 8 | I’ve Never Been to Me (from The Adventures of Priscilla, Queen of the Desert) | Charlene | | 3:47 |
| 9 | I Can Dream About You (from Streets of Fire) | Dan Hartman | 4.2 | 4:11 |
| 10 | The Ballad of Lucy Jordan (from Thelma and Louise) | Marianne Faithfull | | 4:07 |
| 11 | Sweet Home Alabama (from Forrest Gump) | Lynyrd Skynyrd | | 4:45 |
| 12 | Tiny Dancer (from Almost Famous)- Techniker(in):
- Robin Geoffrey Cable
- Produzent(in):
- Gus Dudgeon
- Akustikgitarre:
- Davey Johnstone (am 1971-08-09)
- Bassgitarre:
- David Glover (am 1971-08-09)
- E-Gitarre:
- Caleb Quaye (am 1971-08-09)
- Klavier und Sologesang:
- Elton John (am 1971-08-09)
- Schlagzeug:
- Roger Pope (am 1971-08-09)
- Steel-Gitarre:
- BJ Cole (am 1971-08-09)
- Hintergrundgesang:
- Tony Burrows (am 1971-08-09), Roger Cook (am 1971-08-09), Lesley Duncan (am 1971-08-09), Dee Murray (am 1971-08-09), Nigel Olsson (am 1971-08-09), Barry St. John (am 1971-08-09), Terry Steele (am 1971-08-09), Liza Strike (am 1971-08-09) und Sue Glover & Sunny Leslie (am 1971-08-09)
- phonographisches Urheberrecht (℗) von:
- This Record Co. Ltd.
- aufgenommen bei:
- Trident Studios in Soho, Westminster, London , England, Vereinigtes Königreich (am 1971-08-09)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 47) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 387)
- recording of:
- Tiny Dancer (am 1971-08-09)
- Texter:
- Bernie Taupin
- Komponist(in):
- Elton John
- publisher:
- Universal–Songs of PolyGram International, Inc.
| Elton John | 3.25 | 6:16 |
| 13 | Stuck in the Middle With You (from Reservoir Dogs) | Stealers Wheel | 4.1 | 3:25 |
| 14 | American Pie (Pt. 1) (from Born on the Fourth of July)- Techniker(in):
- Tom Flye
- Akustikgitarre und Banjo:
- Don McLean (am 1971-05-26)
- Bass:
- Bob Rothstein (am 1971-05-26)
- E-Gitarre:
- David Spinozza (am 1971-05-26)
- Hybrid-Piano:
- Ray Colcord (am 1971-05-26)
- Klavier:
- Paul Griffin (am 1971-05-26)
- Marimba und Vibraphon:
- Mike Mainieri (am 1971-05-26)
- Perkussion und Schlagzeug:
- Roy Markowitz (am 1971-05-26)
- Chorgesang:
- West 44th Street Rhythm and Noise Choir (am 1971-05-26)
- vocals:
- Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
- phonographisches Urheberrecht (℗) von:
- Capitol Records, LLC (in 1971), EMI (in 1971) und United Artists Records (in 1971)
- teilweise recording of:
- American Pie (am 1971-05-26)
- Texter und Komponist(in):
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 5 | 4:08 |
| 15 | Hooked on a Feeling (from Guardians of the Galaxy) | Blue Swede | | 2:52 |
| 16 | San Francisco (Be Sure to Wear Flowers in Your Hair) (from Forrest Gump) | Scott McKenzie | 3.75 | 2:59 |
| 17 | I Heard It Through the Grapevine (from the Big Chill) | Marvin Gaye | | 3:15 |
| 18 | You Never Can Tell (from Pulp Fiction) | Chuck Berry | | 2:43 |
| 19 | I Got You (I Feel Good) (from Good Morning Vietnam) | James Brown | | 2:48 |
| 20 | Unchained Melody (from Ghost) | The Righteous Brothers | | 3:36 |
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