Eliette von Karajan: Mein Leben an seiner Seite

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphonie no. 6 F-Dur, op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1982-11)
conductor:
Herbert von Karajan (conductor) (in 1982-11)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") (in 1982-11)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:29
2Symphonie no. 3 F-Dur, op. 90: III. Poco Allegretto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-09-28 until 1964-09-30)
conductor:
Herbert von Karajan (conductor) (from 1964-09-28 until 1964-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-09-28 until 1964-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-09-28 until 1964-09-30)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 1964-09-28 until 1964-09-30)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:00
3Prélude à l'après-midi d'un faune
producer:
Otto Gerdes (conductor and producer)
flute:
Karlheinz Zöller (flutist) (on 1964-03-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-03-11)
conductor:
Herbert von Karajan (conductor) (on 1964-03-11)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-03-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-03-11)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1964-03-11)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:56
4Daphnis et Chloé: Suite no. 2
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-03-10 until 1964-03-11)
conductor:
Herbert von Karajan (conductor) (from 1964-03-10 until 1964-03-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-10 until 1964-03-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-10 until 1964-03-11)
recording of:
Daphnis et Chloé, Suite no. 2 (from 1964-03-10 until 1964-03-11)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 57b)
is based on:
Daphnis et Chloé
Maurice Ravel15:19
5Symphonie no. 3 "Liturgique": III. Dona nobis pacem. Andante
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-09-23)
conductor:
Herbert von Karajan (conductor) (on 1969-09-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1969-09-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1969-09-23)
recording of:
Symphony no. 3 "Liturgique": III. Dona nobis pacem. Andante (on 1969-09-23)
composer:
Arthur Honegger (composer) (from 1945 until 1946)
part of:
Symphony no. 3 "Liturgique"
Arthur Honegger11:52
6Symphonie no. 5: IV.Addagietto. Sehr longsam
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-02-13 until 1973-02-16)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-16)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1973-02-13 until 1973-02-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:00
7Delirien, op. 212 (Walzer)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1987-01-01)
conductor:
Herbert von Karajan (conductor) (on 1987-01-01)
balance engineer:
Günter Hermanns (producer/engineer) (on 1987-01-01)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1987-01-01)
live recording of:
Delirien-Walzer, op. 212 (on 1987-01-01)
composer:
Josef Strauss (Austrian composer) (in 1867)
part of:
Works of Josef Strauss by opus number (number: op. 212)
Josef Strauss9:24
2▼CD
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: 47. Arie. Erbarme dich, mein Gott
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1971-12-14 until 1972-11-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1971-12-14 until 1972-11-01)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:19
2Messe C-dur, KV 317 "Krönungsmesse": Agnus Dei
organ:
Rudolf Scholz (organist) (in 1985-06, on 1985-06-29)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1985-06)
bass vocals:
Ferruccio Furlanetto (bass-baritone) (in 1985-06, on 1985-06-29)
choir vocals:
Wiener Singverein (in 1985-06, on 1985-06-29)
contralto vocals:
Trudeliese Schmidt (mezzo-soprano) (on 1985-06-29)
soprano vocals:
Kathleen Battle (soprano) (in 1985-06, on 1985-06-29)
tenor vocals:
Gösta Winbergh (tenor) (in 1985-06, on 1985-06-29)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1985-06, on 1985-06-29)
conductor:
Herbert von Karajan (conductor) (in 1985-06, on 1985-06-29)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1985-06, on 1985-06-29)
live recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei) (on 1985-06-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart7:31
3Ein deutsches Requiem: IV. "Wie lieblich sind Deine Wohnungen"
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1964-05-16 until 1964-05-18)
choir vocals:
Wiener Singverein (from 1964-05-16 until 1964-05-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-05-16 until 1964-05-18)
conductor:
Herbert von Karajan (conductor) (from 1964-05-16 until 1964-05-18)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1964-05-16 until 1964-05-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-05-16 until 1964-05-18)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1964-05-16 until 1964-05-18)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1964-05-16 until 1964-05-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:46
4Messa da Requiem: Dies irae. Ingemisco
tenor vocals:
José Carreras (Spanish tenor) (in 1984-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1984-06)
conductor:
Herbert von Karajan (conductor) (in 1984-06)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:56
5Messa da Requiem: Dies irae. Confutatis
alto vocals:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (in 1984-06)
choir vocals:
Chor der Nationaloper Sofia (in 1984-06) and Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1984-06)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (in 1984-06)
tenor vocals:
José Carreras (Spanish tenor) (in 1984-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1984-06)
conductor:
Herbert von Karajan (conductor) (in 1984-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1984-06)
recording of:
Messa da requiem: IIi. Dies irae: Confutatis (basso, coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:56
6Messa da Requiem: Dies irae. Lacrymosa
alto vocals:
Agnes Baltsa (mezzo-soprano) (in 1984-06)
choir vocals:
Chor der Nationaloper Sofia (in 1984-06) and Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1984-06)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (in 1984-06)
tenor vocals:
José Carreras (Spanish tenor) (in 1984-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1984-06)
conductor:
Herbert von Karajan (conductor) (in 1984-06)
chorus master:
Walter Hagen-Groll (chorus master) (in 1984-06)
recording of:
Messa da requiem: IIj. Dies irae: Lacrymosa (quartetto solista, coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi6:08
7Die Walküre. Leb wohl, du kühnes, herrliches Kindi (Wotan)
bass-baritone vocals:
Thomas Stewart (bass-baritone) (in 1966-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
recording of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" (in 1966-12)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner4:51
8Die Walküre. Der Augen leuchtendes Paar (Wotan)
bass-baritone vocals:
Thomas Stewart (bass-baritone) (in 1966-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
recording of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" (in 1966-12)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner6:56
9Die Walküre. Loge, hör! Lausche hieher! (Watan)
bass-baritone vocals:
Thomas Stewart (bass-baritone) (in 1966-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
recording of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" (in 1966-12)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner1:21
10Die Walküre. Feurzauber
producer:
Hans Weber (producer/engineer)
bass-baritone vocals [Wotan]:
Thomas Stewart (bass-baritone) (in 1966-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30, in 1966-12)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30, in 1966-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene III, Wotans Abschied und Feuerzauber (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
part of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"
Richard Wagner3:55
11Vier letzte Lieder. Frühling
recording engineer:
Volker Martin (engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (from 1973-02-13 until 1973-02-14)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:05
12Vier letzte Lieder. September
recording engineer:
Volker Martin (engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (from 1973-02-13 until 1973-02-14)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:54
13Vier letzte Lieder. Beim Schlafengehn
recording engineer:
Volker Martin (engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (from 1973-02-13 until 1973-02-14)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss6:17
14Vier letzte Lieder. Im Abendrot
recording engineer:
Volker Martin (engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (from 1973-02-13 until 1973-02-14)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss7:04