The Definitive Ray Charles

~ Release by Ray Charles (see all versions of this release, 3 available)

Annotation

Jewel Case in a slipcase.

Annotation last modified on 2025-09-20 13:07 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Mess Around
producer:
Herb Abramson and Ahmet Ertegun (US American Songwriter, producer)
baritone saxophone [baritone sax]:
Dave McRae (US clarinetist & saxophonist) (on 1953-05-17)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1953-05-17)
drums (drum set):
Connie Kay (on 1953-05-17)
guitar:
MacHouston "Mickey" Baker (on 1953-05-17)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1953-05-17)
tenor saxophone [tenor sax]:
Sam "The Man" Taylor (US jazz/blues saxophonist 1916-1990) (on 1953-05-17)
trumpet:
Jesse Drakes (on 1953-05-17)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1953-05-17) and Renald Richard (on 1953-05-17)
arranger:
Jesse Stone
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1953-05-17)
recording of:
Mess Around (on 1953-05-17)
writer:
Ahmet Ertegun (US American Songwriter, producer)
publisher:
Progressive Music (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:42
2It Should’ve Been Me
recording of:
It Should Have Been Me
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
2:41
3I’ve Got a Woman
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1954-11-18)
bass:
Jimmy Bell (jazz bassist) (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (US R&B guitarist) (on 1954-11-18)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
solo tenor saxophone:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
WGST Studio in Atlanta, Georgia, United States (on 1954-11-18)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (number: 2019) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 235)
recording of:
I Got a Woman (on 1954-11-18)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4.52:56
4This Little Girl of Mine
recorded in:
Miami, Florida, United States (on 1955-04-23)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone and baritone saxophone:
David Newman (American jazz saxophonist) (on 1955-04-23)
double bass [bass]:
Roosevelt Sheffield (on 1955-04-23)
drums (drum set) [drums]:
William Peeples (on 1955-04-23)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1955-04-23)
tenor saxophone:
Don Wilkerson (US jazz/R&B saxophonist) (on 1955-04-23)
trumpet:
Joe Bridgewater (on 1955-04-23) and Riley Webb (on 1955-04-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1955-04-23)
recording of:
This Little Girl of Mine (on 1955-04-23)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
32:34
5A Fool for You
recorded in:
Miami, Florida, United States (on 1955-04-23)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone [alto sax] and baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1955-04-23)
bass:
Roosevelt "Whiskey" Sheffield (on 1955-04-23)
drums (drum set):
William Peeples (on 1955-04-23)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1955-04-23)
tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1955-04-23)
trumpet:
Joe Bridgewater (on 1955-04-23) and Riley Webb (on 1955-04-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1955-04-23)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
A Fool for You (on 1955-04-23)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
23:02
6Drown in My Own Tears
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (on 1955-11-30)
double bass [bass]:
Paul West (bass) (on 1955-11-30)
drums (drum set):
David "Panama" Francis (US swing jazz drummer) (on 1955-11-30)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1955-11-30)
trumpet:
Joe Bridgewater (on 1955-11-30) and Joshua "Jack" Willis (trumpet) (on 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-11-30)
cover recording of:
Drown in My Own Tears (on 1955-11-30)
lyricist and composer:
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music and Trio Music Co., Inc.
3.353:21
7Leave My Woman Alone
recorded in:
New York, New York, United States (on 1956-05-16)
baritone saxophone:
Emmett Dennis (on 1956-05-16)
bass:
Roosevelt Sheffield (on 1956-05-16)
drums (drum set):
William Peeples (on 1956-05-16)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
saxophone:
David Newman (American jazz saxophonist) (on 1956-05-16)
trumpet:
Joe Bridgewater (on 1956-05-16) and John Hunt (trumpeter) (on 1956-05-16)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
performer:
The Cookies (50s girl group) (on 1956-05-16)
recording of:
Leave My Woman Alone (on 1956-05-16)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
2:40
8Hallelujah I Love Her So
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (on 1955-11-30)
double bass [bass]:
Paul West (bass) (on 1955-11-30)
drums (drum set):
David "Panama" Francis (US swing jazz drummer) (on 1955-11-30)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
solo tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1955-11-30)
trumpet:
Joe Bridgewater (on 1955-11-30) and Joshua "Jack" Willis (trumpet) (on 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-11-30)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Hallelujah, I Love Her So (on 1955-11-30)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
32:38
9Lonely Avenue
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Emmott Dennis (on 1956-05-16)
bass:
Roosevelt "Whiskey" Sheffield (on 1956-05-16)
drums (drum set):
William Peeples (on 1956-05-16)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
solo tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1956-05-16)
trumpet:
Joe Bridgewater (on 1956-05-16) and John Hunt (trumpeter) (on 1956-05-16)
background vocals:
The Cookies (50s girl group) (on 1956-05-16)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-05-16)
recording of:
Lonely Avenue (on 1956-05-16)
lyricist and composer:
Doc Pomus
publisher:
Carlin Music Corporation, Great Moments in Music LLC, Pomus Songs Inc., Progressive Music (publisher), Spirit One Music, Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:36
10(Night Time Is) The Right Time
producer:
Ahmet Ertegun (US American Songwriter, producer), Leiber and Stoller (songwriting team) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1958-10-28)
bass:
Edgar Willis (bass) (on 1958-10-28)
drums (drum set):
Milt Turner (on 1958-10-28)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1958-10-28)
solo alto saxophone [alto sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1958-10-28)
trumpet:
Marcus Belgrave (on 1958-10-28) and Lee "Ricky" Harper" (Lee Harper, trumpet player (Ray Charles)) (on 1958-10-28)
background vocals:
The Raelettes (on 1958-10-28)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1958-10-28) and Margie Hendrix (on 1958-10-28)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1958-10-28)
cover recording of:
Night Time Is the Right Time (on 1958-10-28)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
3.53:28
11What’d I Say (Parts 1 and 2)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 80)
recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.356:28
12I Believe to My Soul
recorded in:
New York, New York, United States (on 1959-06-26)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass:
Edgar Willis (bass) (on 1959-06-26)
drums (drum set):
Teagle Fleming (on 1959-06-26)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-06-26)
saxophone [alto, baritone sax]:
Bennie Crawford (on 1959-06-26)
tenor saxophone:
David Newman (American jazz saxophonist) (on 1959-06-26)
trumpet:
Marcus Belgrave (on 1959-06-26) and John Hunt (trumpeter) (on 1959-06-26)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-06-26)
recording of:
I Believe to My Soul (on 1959-06-26)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher) and Unichappell Music, Inc.
33:02
13I’m Movin On
cover recording of:
I’m Moving On
lyricist and composer:
Hank Snow
publisher:
Hill and Range Songs, Inc. (publisher) and Unichappell Music, Inc.
12:22
14Come Rain or Come Shine
producer:
Nesuhi Ertegun and Jerry Wexler
bass:
Wendell Marshall (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (soul musician, singer and songwriter) (from 1959-05-06 until 1959-06-23)
valve trombone:
Bob Brookmeyer (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (from 1959-05-06 until 1959-06-23)
arranger:
Ralph Burns
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
Come Rain or Come Shine (from 1959-05-06 until 1959-06-23)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
33:42
15Don’t Let the Sun Catch You Crying
cover recording of:
Don’t Let the Sun Catch You Cryin’
lyricist and composer:
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
publisher:
Northern Music (song publisher) and Universal Music Corp. (USA, affiliated with ASCAP)
3:45
16Sticks and Stones
producer:
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (on 1960-04-27)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (on 1960-04-27)
bass:
Edgar Willis (bass) (on 1960-04-27)
drums (drum set):
Milton Turner (on 1960-04-27)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1960-04-27)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1960-04-27)
trumpet:
Martin Banks (on 1960-04-27) and John Hunt (trumpeter) (on 1960-04-27)
background vocals:
The Raelettes (on 1960-04-27)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1960-04-27)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-04-27)
recording of:
Sticks and Stones (on 1960-04-27)
lyricist and composer:
Titus Turner
publisher:
Piccadilly Music Corporation, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:15
17Georgia on My Mind
producer:
Sid Feller
bass guitar:
Edgar Willis (bass) (on 1960-03-25)
drums (drum set):
Milton Turner (on 1960-03-25)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1960-03-25)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1960-03-25)
arranger:
Ralph Burns
phonographic copyright (℗) by:
Ray Charles Ent. (in 1960)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 16), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 44) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 283)
cover recording of:
Georgia on My Mind (on 1960-03-25)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
43:40
18Ruby
producer:
Sid Feller
bass guitar:
Edgar Willis (bass) (on 1960-08-23)
drums (drum set):
Irving Cottler (on 1960-08-23)
guitar:
Bill Pittman (on 1960-08-23)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1960-08-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1960-08-23)
arranger:
Marty Paich
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-08-23)
cover recording of:
Ruby (on 1960-08-23)
orchestrator:
Marty Paich
lyricist:
Mitchell Parish
composer:
Heinz Roemheld
publisher:
Miller Music (publisher) (in 1960)
3:53
19One Mint Julep
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1960-12-27) and Earle Warren (on 1960-12-27)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1960-12-27)
double bass:
Joe Benjamin (US jazz bassist) (on 1960-12-27)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-12-27)
guitar:
Sam Herman (guitar, jazz) (on 1960-12-27)
organ:
Ray Charles (soul musician, singer and songwriter) (on 1960-12-27)
tenor saxophone:
Budd Johnson (on 1960-12-27) and Seldon Powell (on 1960-12-27)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1960-12-27), Urbie Green (on 1960-12-27), Keg Johnson (jazz trombonist) (on 1960-12-27) and George Matthews (trombone) (on 1960-12-27)
trumpet:
John Frosk (on 1960-12-27), Jimmy Nottingham (on 1960-12-27) and Joe Wilder (on 1960-12-27)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1960-12-27)
arranger:
Quincy Jones
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-27)
cover recording of:
One Mint Julep (on 1960-12-27)
lyricist and composer:
Rudolph Toombs
publisher:
Regent Music (BMI) and Unichappell Music
13:06
20I’m Gonna Move to the Outskirts of Town
cover recording of:
I’m Gonna Move to the Outskirts of Town
writer:
Roy Jordan and William Weldon (blues slide guitar player)
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:45
21Hit the Road Jack
producer:
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (on 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (on 1961-07-05)
bass:
Edgar Willis (bass) (on 1961-07-05)
drums (drum set):
Edward "Bruno" Carr (on 1961-07-05)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1961-07-05)
trumpet:
Phillip Guilbeau (on 1961-07-05) and John Hunt (trumpeter) (on 1961-07-05)
background vocals:
The Raelettes (on 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05) and Margie Hendrix (on 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-07-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 248)
recording of:
Hit the Road Jack (on 1961-07-05)
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4.351:58
22Unchain My Heart
producer:
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (on 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (on 1961-07-05)
bass:
Edgar Willis (bass) (on 1961-07-05)
drums (drum set):
Edward "Bruno" Carr (on 1961-07-05)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05)
solo tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1961-07-05)
trumpet:
Phillip Guilbeau (on 1961-07-05) and John Hunt (trumpeter) (on 1961-07-05)
background vocals:
The Raelettes (on 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-07-05)
cover recording of:
Unchain My Heart (on 1961-07-05)
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, volume I)
32:52
23Baby It’s Cold Outside
engineer:
Steve Hoffman (mastering engineer)
producer:
Sid Feller
flugelhorn and trumpet:
Freddie Hubbard
guitar:
Jeff Pevar and Kevin Turner
tenor saxophone:
Rudy Johnson (1970s jazz saxophone player)
background vocals:
The Raeletts
vocals:
Betty Carter and Ray Charles (soul musician, singer and songwriter)
conductor:
Marty Paich
performer:
Betty Carter
arranger:
Marty Paich
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
4:11
24At the Club
producer:
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (on 1962-02-12)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (on 1962-02-12)
bass:
Edgar Willis (bass) (on 1962-02-12)
drums (drum set):
Edward "Bruno" Carr (on 1962-02-12)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1962-02-12)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1962-02-12)
trumpet:
Phillip Guilbeau (on 1962-02-12) and John Hunt (trumpeter) (on 1962-02-12)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1962-02-12)
arranger:
Ray Charles (soul musician, singer and songwriter)
engineered at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-02-12)
recording of:
At the Club
writer:
Percy Mayfield
3:00
2▼CD
#TitleArtistRatingLength
1I Can’t Stop Loving You
cover recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
Ray Charles4:21
2Born to Lose
engineer:
Bill Putnam
piano:
Ray Charles (soul musician, singer and songwriter)
vocals:
Ray Charles (soul musician, singer and songwriter)
arranger:
Marty Paich
cover recording of:
Born to Lose
lyricist and composer:
Frankie Brown
publisher:
Peer International Corporation (BMI) (on 1943-05-29)
Ray Charles3:20
3You Don’t Know Me
engineer:
Bill Putnam
producer:
Marty Paich
piano:
Ray Charles (soul musician, singer and songwriter) (on 1962-02-15)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1962-02-15)
arranger:
Marty Paich
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-02-15)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 6)
cover recording of:
You Don’t Know Me (on 1962-02-15)
writer:
Eddy Arnold and Cindy Walker (US songwriter, singer and dancer)
publisher:
J. Albert & Son, Unichappell Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Unichappell Music, Inc. (in 1955), Hill and Range Songs, Inc. (publisher) (on 1955-08-19) and Mijac Music (in 2006)
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2006)
Ray Charles23:17
4You Are My Sunshine
producer:
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (on 1962-09-05) and Rudy Powell (on 1962-09-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (on 1962-09-05)
bass:
Edgar Willis (bass) (on 1962-09-05)
drums (drum set):
Edward "Bruno" Carr (on 1962-09-05)
guitar:
Elbert "Sonny" Forriest (on 1962-09-05)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1962-09-05)
tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1962-09-05) and David “Fathead” Newman (American jazz saxophonist) (on 1962-09-05)
trombone:
Henderson Chambers (on 1962-09-05), Frederic "Keg" Johnson (jazz trombonist) (on 1962-09-05), James Harbert (on 1962-09-05) and Leon Comegee (on 1962-09-05)
trumpet:
Marcus Belgrave (on 1962-09-05), Wallace Davenport (on 1962-09-05), Phillip Guilbeau (on 1962-09-05) and John Hunt (trumpeter) (on 1962-09-05)
background vocals:
The Raelettes (on 1962-09-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1962-09-05) and Margie Hendrix (on 1962-09-05)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1962-09-05)
cover recording of:
You Are My Sunshine (on 1962-09-05)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter and steel guitarist)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
Ray Charles3:00
5Your Cheatin’ Heart
engineer:
Al Schmitt
vocals:
The Jack Halloran Singers
conductor:
Marty Paich
arranger:
Marty Paich
cover recording of:
Your Cheatin’ Heart (on 1962-09-08)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff Rose Music Ltd. (UK), Fred Rose Music (BMI-affiliated), Sony/ATV Music Publishing (UK) Ltd., Acuff-Rose Publications, Inc. (BMI) (on 1952-10-31), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (from 2002 until 2021-01-06) and Sony Music Publishing (worldwide except Japan, ended 1995) (from 2021-01-06 to present)
Ray Charles13:36
6Take These Chains From My Heart
engineer:
Al Schmitt
piano:
Ray Charles (soul musician, singer and songwriter) (on 1962-09-07)
background vocals:
The Jack Halloran Singers (on 1962-09-07)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1962-09-07)
conductor:
Marty Paich (on 1962-09-07)
arranger:
Marty Paich
cover recording of:
Take These Chains From My Heart (on 1962-09-07)
writer:
Hy Heath and Fred Rose (songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1952-10-31)
Ray Charles42:58
7Busted
engineer:
Bob Arnold (engineer) and Bill Putnam
producer:
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (on 1963-07-24) and Buddy Pearson (sax player) (on 1963-07-24)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (on 1963-07-24)
bass guitar:
Edgar Willis (bass) (on 1963-07-24)
drums (drum set):
Wilbert Hogan (jazz drummer) (on 1963-07-24)
guitar:
Elbert "Sonny" Forriest (on 1963-07-24)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1963-07-24)
tenor saxophone [tenor sax]:
James Clay (on 1963-07-24) and David “Fathead” Newman (American jazz saxophonist) (on 1963-07-24)
trombone:
Henderson Chambers (on 1963-07-24), Frederic "Keg" Johnson (jazz trombonist) (on 1963-07-24), James Harbert (on 1963-07-24) and Julian Priester (on 1963-07-24)
trumpet:
Oliver Beener (trumpeter) (on 1963-07-24), Wallace Davenport (on 1963-07-24) and Phillip Guilbeau (on 1963-07-24)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1963-07-24)
performer:
The Ray Charles Big Band
arranger:
Benny Carter
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1963-07-24)
cover recording of:
Busted (on 1963-07-24)
lyricist and composer:
Harlan Howard
Ray Charles2:12
8That Lucky Old Sun
engineer:
Bob Arnold (engineer) and Bill Putnam
producer:
Sid Feller
background vocals:
The Jack Halloran Singers
arranger:
Marty Paich
cover recording of:
That Lucky Old Sun
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. and Robbins Music Corp.
Ray Charles4:26
9Crying Time
piano:
Ray Charles (soul musician, singer and songwriter) (in 1965-06)
background vocals:
The Jack Halloran Singers (in 1965-06)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1965-06)
arranger:
Sid Feller
cover recording of:
Crying Time (in 1965-06)
lyricist and composer:
Buck Owens (in 1964)
publisher:
Beachaven Music Corporation and Sony/ATV Tree Publishing
Ray Charles42:59
10Cincinnati Kid
recording of:
Cincinnati Kid
writer:
Dorcas Cochran and Lalo Schifrin (pianist & composer)
Ray Charles2:25
11Let’s Go Get Stoned
organ:
Billy Preston (in 1965)
piano:
Ray Charles (soul musician, singer and songwriter) (in 1965)
background vocals:
The Raelettes (in 1965)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1965)
recorded at:
RPM International Studios in Los Angeles, California, United States (in 1965)
cover recording of:
Let’s Go Get Stoned (in 1965)
lyricist and composer:
Jo Armstead, Nickolas Ashford and Valerie Simpson
Ray Charles3:03
12I Don’t Need No Doctor
recording of:
I Don’t Need No Doctor
writer:
Jo Armstead, Nickolas Ashford and Valerie Simpson
publisher:
Baby Monico Music, Inc. and Renleigh Music, Inc.
Ray Charles12:37
13In the Heat of the Night
cover recording of:
In the Heat of the Night
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Quincy Jones
publisher:
United Artists
Ray Charles52:38
14Yesterday
bass:
Edgar Willis (bass) (in 1967-01)
organ and piano:
Ray Charles (soul musician, singer and songwriter) (in 1967-01)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1967-01)
arranger:
Sid Feller
engineered at:
RPM International Studios in Los Angeles, California, United States (in 1967-01)
cover recording of:
Yesterday (original by The Beatles) (in 1967-01)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (from 1965 to present)
Ray Charles2:48
15Eleanor Rigby
cover recording of:
Eleanor Rigby
written in:
London (Greater London), England, United Kingdom (in 1965) and Weybridge, Surrey, England, United Kingdom (from 1965 until 1966)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1966)
Ray Charles3:00
16I Can Make It Thru’ the Days
recording of:
I Can Make It Thru’ the Days
writer:
Ray Charles (soul musician, singer and songwriter), Dee Ervin and Ruth Robinson (aranger, writer)
Ray Charles3:56
17Rainy Night in Georgia
cover recording of:
Rainy Night in Georgia
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Songs Limited
Ray Charles6:16
18The Jealous Kind
cover recording of:
The Jealous Kind
lyricist:
Bobby Charles
composer:
Robert Guidry
publisher:
Music Patch (BMI-affiliated)
Ray Charles34:42
19Shake Your Tailfeather
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Willie "Too Big" Hall
guitar:
Steve Cropper and Matt Murphy (US blues guitarist)
keyboard:
Murphy Dunne
saxophone:
Tom “Bones” Malone (US trombonist) and Lou Marini
trumpet:
Al Rubin
background vocals:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) and Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
lead vocals:
Ray Charles (soul musician, singer and songwriter)
performer:
Blues Brothers (blues/soul revivalist band with Dan Aykroyd)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Shake a Tail Feather
writer:
Andre Williams (US RnB vocalist/musician/producer/songwriter), Otha Hayes and Verlie Rice
publisher:
Edward Kassner Music Co. Ltd., Spirit One Music and Vapac Music Publishing Inc.
Ray Charles feat. the Blues Bros.3.952:51
20Seven Spanish Angels
producer:
Billy Sherrill (US songwriter/producer/arranger)
acoustic guitar:
Dale Sellers (Nashville session guitarist) (in 1984)
bass:
Robert Wray (in 1984)
classical guitar [gut string guitar]:
Pete Bordonali (in 1984) and Billy Sanford (guitar) (in 1984)
drums (drum set):
Kenneth Malone (session drummer/percussion) (in 1984)
harmonica:
Terry McMillan (in 1984)
keyboard:
Hargus "Pig" Robbins (in 1984)
steel guitar:
Pete Drake (steel guitar player) (in 1984)
strings:
The “A” Strings (in 1984)
trumpet:
Bill McElhiney (in 1984) and Jose McElhiney (in 1984)
background vocals:
Louis Nunley (in 1984), Lisa Silver (in 1984), Diane Tidwell (in 1984) and Hurshel Wiginton (in 1984)
lead vocals:
Ray Charles (soul musician, singer and songwriter) (in 1984) and Willie Nelson (in 1984)
conductor:
Bill McElhiney (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
Eleven Eleven Studio in Nashville, Tennessee, United States (in 1984) and Pedernales Recording Studio in Spicewood, Texas, United States (in 1984)
part of:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (number: 24)
recording of:
Seven Spanish Angels (in 1984)
writer:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist) and Eddie Setser (In Groups: James Brown And The Dapps, Jellyroll, The Dapps)
publisher:
WB Music Group
Ray Charles feat. Willie Nelson3.253:52
21I’ll Be Good to You
synthesizer programming:
Michael Boddicker (in 1989), Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (in 1989), Steve Porcaro (in 1989) and Ian Underwood (in 1989)
producer:
Quincy Jones
bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1989)
drums (drum set):
Harvey Mason (jazz drummer) (in 1989) and Bruce Swedien (in 1989)
guitar:
George Johnson (member of Brothers Johnson, guitar) (in 1989)
keyboard:
David Paich (in 1989), Greg Phillinganes (in 1989) and Ian Prince (US arranger/producer/composer) (in 1989)
background vocals:
Siedah Garrett (in 1989), James Ingram (R&B singer) (in 1989), James Gilstrap (in 1989), George Johnson (member of Brothers Johnson, guitar) (in 1989), Louis Johnson (bass, member of Brothers Johnson) (in 1989), Phil Perry (US R&B/jazz singer, songwriter & musician) (in 1989) and Syretta Wright (US singer‐songwriter active 1970s–80s) (in 1989)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1989) and Chaka Khan (in 1989)
arranger:
Quincy Jones
cover recording of:
I’ll Be Good to You (in 1989)
writer:
George Johnson (member of Brothers Johnson, guitar) and Louis Johnson (bass, member of Brothers Johnson)
Ray Charles4:57
22Imagine
cover recording of:
Imagine
lyricist:
John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
composer:
John Lennon (The Beatles)
publisher:
Downtown DMP Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!) and Lenono Music
sub-publisher:
フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Ray Charles4:29