100 hits RTL des 50 dernières années

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Les années 60
#TitleArtistRatingLength
1Mrs. Robinson
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:53
2Il est cinq heures, Paris s’éveilleJacques Dutronc2:54
3California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:38
4Tous les garçons et les filles
vocals:
Françoise Hardy (on 1962-04-25)
orchestra:
Roger Samyn et son orchestre (on 1962-04-25)
conductor:
Roger Gustave Samyn (on 1962-04-25)
recording of:
Tous les garçons et les filles (All the Boys and Girls) (on 1962-04-25)
lyricist:
Françoise Hardy
composer:
Françoise Hardy and Roger Gustave Samyn
publisher:
Alpha Éditions Musicales
Françoise Hardy3.053:07
5Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:53
6Retiens la nuitJohnny Hallyday3.52:53
7Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
adaptations:
Setä pelimanni
The Byrds4.152:29
8J’entends siffler le train
background vocals:
Les Angels (1950s French vocal group)
vocals:
Richard Anthony (French‐Egyptian pop singer)
conductor:
Christian Chevallier
recording of:
J’entends siffler le train (500 miles) (in 1962)
lyricist and composer:
Hedy West
translator:
Jacques Plante
translated version of:
500 Miles
Richard Anthony3:21
9Good Vibrations
recording engineer:
Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:35
10Mellow Yellow
recorded in:
London (Greater London), England, United Kingdom (in 1966)
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1966)
drums (drum set):
Bobby Orr (in 1966)
horn [horns]:
Danny Moss (in 1966) and Ronnie Ross (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
Epic (US label founded by CBS in 1953, now owned by Sony) (in 1966)
recording of:
Mellow Yellow (in 1966)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan43:39
11Le Jazz et la Java
piano:
Michel Legrand (in 1962)
vocals:
Claude Nougaro (in 1962)
orchestra:
Michel Legrand et son ensemble (in 1962)
recording of:
Le Jazz et la Java (in 1962)
lyricist:
Claude Nougaro
composer:
Jacques Datin
publisher:
Éditions du chiffre neuf
Claude Nougaro52:24
12What’d I say
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 80)
recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles3.356:27
13Les Copains d’abord
acoustic guitar:
Georges Brassens (on 1964-10-24) and Barthélémy Rosso (on 1964-10-24)
additional acoustic guitar:
Barthélémy Rosso
double bass:
Pierre Nicolas (on 1964-10-24)
vocals:
Georges Brassens (on 1964-10-24)
recording of:
Les Copains d’abord (in 1964)
lyricist and composer:
Georges Brassens
publisher:
Éditions Musicales 57
Georges Brassens54:01
14I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 331) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:10
15Vesoul
vocals:
Jacques Brel
conductor:
François Rauber
recording of:
Vesoul (in 1968)
lyricist and composer:
Jacques Brel
Jacques Brel53:07
16Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:36
17Chez Laurette
vocals:
Michel Delpech (in 1965)
conductor:
Roland Vincent (in 1965)
phonographic copyright (℗) by:
Warner Chappell Music France
recording of:
Chez Laurette (in 1965)
lyricist:
Michel Delpech
composer:
Roland Vincent
Michel Delpech43:29
18Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.44:25
19Non je ne regrette rien
vocals:
Édith Piaf (on 1960-11-10)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1960-11-10)
recording of:
Non, je ne regrette rien (on 1960-11-10)
lyricist:
Michel Vaucaire
composer:
Charles Dumont (French singer and composer)
publisher:
Éditions Semi (SEMI Société)
Édith Piaf52:21
20In the Midnight HourWilson Pickett2:26
21It’s a Man’s Man’s Man’s World
recorded in:
New York, New York, United States (on 1966-02-16)
engineer:
Ron Lenhoff
producer:
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1966-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1966-02-16)
guitar:
Billy Butler (jazz guitarist) (on 1966-02-16)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1966-02-16), Waymon Reed (on 1966-02-16) and Lammar Wright (on 1966-02-16)
lead vocals:
James Brown (The Godfather of Soul) (on 1966-02-16)
recorded at:
Talent Masters Studios in New York, New York, United States (on 1966-02-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 123)
recording of:
It’s a Man’s Man’s Man’s World (on 1966-02-16)
writer:
James Brown (The Godfather of Soul) and Betty Jean Newsome
James Brown4.42:45
2CD: Les années 70
#TitleArtistRatingLength
1Gabrielle
recording of:
Gabrielle (in 1976)
writer:
Tony Cole and Bernard Miler Branko
translator:
Patrick Larue (lyricist) and Chris Long
translated version of:
The King Is Dead
Johnny Hallyday2:51
2Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:26
3Ce n’est rien
vocals:
Julien Clerc (in 1971)
conductor:
Jean‐Claude Petit (in 1971)
recording of:
Ce n’est rien (in 1971)
lyricist:
Étienne Roda-Gil
composer:
Julien Clerc
Julien Clerc3:25
4Long Train Runnin’
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:26
5Magnolias for Ever
recording of:
Magnolias for Ever
lyricist:
Étienne Roda-Gil (in 1977)
composer:
Jean-Pierre Bourtayre (in 1977) and Claude François (in 1977)
Claude François4:17
6Porque te vas
lead vocals:
Jeanette (Spanish singer) (in 1974)
conductor:
Juan Márquez (Spanish composer and singer) (in 1974)
arranger:
Juan Márquez (Spanish composer and singer)
recording of:
Porque te vas (in 1974)
lyricist and composer:
José Luis Perales
Jeanette53:21
7Salut les amoureux
vocals:
Joe Dassin (in 1972)
conductor:
Johnny Arthey (in 1972)
recording of:
Salut les amoureux (in 1972)
lyricist:
Richelle Dassin and Claude Lemesle
composer:
Steve Goodman (folk musician)
is based on:
City of New Orleans
Joe Dassin24:03
8You’re the First, the Last, My Everything
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) and Barry White
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
writer:
Peter Sterling Radcliffe, Tony Sepe and Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
Barry White3.753:22
9Je suis venu te dire que je m’en vais
recording engineer:
Jean-Claude Charvier (engineer) and Peter Olliff
producer:
Alain Hortu (Producer)
mixer:
Patrick Gandolfi (Patrick «Tato» Gandolfi) (in 1969)
vocals:
Serge Gainsbourg (in 1973)
recording of:
Je suis venu te dire que je m’en vais (in 1973)
lyricist and composer:
Serge Gainsbourg
publisher:
Melody Nelson Publishing
Serge Gainsbourg53:18
10Me and Mrs. Jones
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:45
11Lettre à France
vocals:
Michel Polnareff
recording of:
Lettre à France (in 1977)
lyricist:
Jean‐Loup Dabadie
composer:
Michel Polnareff
Michel Polnareff4:47
12Message personnel
producer:
Michel Berger
vocals:
Françoise Hardy
recording of:
Message personnel (in 1973)
lyricist:
Michel Berger and Françoise Hardy
composer:
Michel Berger
publisher:
Apache (SARL)
Françoise Hardy34:13
13Spacer
recording of:
Spacer
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
Sheila & B. Devotion3:36
14Et mon père
vocals:
Nicolas Peyrac (in 1976)
conductor:
Jean Musy (in 1976)
arranger:
Jean Musy (in 1976)
phonographic copyright (℗) by:
Eco Music sarl (in 1976)
recording of:
Et mon père (in 1975)
lyricist and composer:
Nicolas Peyrac
recording of:
Et mon père (in 1976)
lyricist and composer:
Nicolas Peyrac
Nicolas Peyrac2:55
15We Are Family
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:25
16Sur la route de Memphis
recording of:
Sur la route de Memphis (in 1975)
lyricist and composer:
Tom T. Hall
translator:
Claude Moine
publisher:
Unichappell Music, Inc.
translated version of:
That’s How I Got to Memphis
Eddy Mitchell32:52
17San Francisco
vocals:
Maxime Le Forestier (in 1972-07)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1972)
recorded at:
Studio des Dames in Paris, Île-de-France, France (in 1972-07)
recording of:
San Francisco (C'est une maison bleue) (in 1972-07)
lyricist and composer:
Maxime Le Forestier
publisher:
Coïncidences
Maxime Le Forestier52:45
18Les Vacances au bord de la merMichel Jonasz42:52
19Europa
assistant engineer:
Susan Foot (recording engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson and David Rubinson & Friends, Inc.
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1975-12-16)
congas:
Armando Peraza (percussionist) (on 1975-12-16)
drums (drum set):
Leon Ndugu Chancler (on 1975-12-16) and Michael Shrieve (drummer) (on 1975-12-16)
guitar:
Carlos Santana (on 1975-12-16)
keyboard:
Tom Coster (on 1975-12-16)
percussion:
Jose Chepito Áreas (on 1975-12-16) and Armando Peraza (percussionist) (on 1975-12-16)
piano:
Leon Patillo (on 1975-12-16)
saxophone:
Jules Broussard (on 1975-12-16)
vocals:
Leon Patillo (on 1975-12-16) and Carlos Santana (on 1975-12-16)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1975-12-16)
recording of:
Europa (Earth’s Cry, Heaven’s Smile) (on 1975-12-16)
composer:
Tom Coster and Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. and Wixen Music Publishing, Inc.
Santana4.25:03
20Le Sud
sound engineer:
Patrick Orieux
producer:
Nino Ferrer
acoustic guitar:
Nino Ferrer
drums (drum set):
Danny Donath
electric bass guitar:
Lafayette Hudson
electric guitar:
Larry Jones
keyboard:
Frank Abel
percussion:
Keno Speller
trumpet:
Ronnie James (US funk/disco artist, member of Salsoul Orchestra) and Arthur Young (trumpeter)
vocals:
Nino Ferrer and Radiah Frye
phonographic copyright (℗) by:
Nino Ferrer (in 1974)
recording of:
Le Sud (in 1974)
lyricist and composer:
Nino Ferrer
publisher:
Beuscher
part of:
Prix Rolf Marbot de la chanson de l’année (number: 1975)
translated version of:
South
Nino Ferrer4:36
3CD: Les années 80
#TitleArtistRatingLength
1Il suffira d’un signe
recording of:
Il suffira d’un signe (in 1981)
lyricist and composer:
Jean‐Jacques Goldman
publisher:
Universal Music Publishing MGB France
Jean‐Jacques Goldman5:50
2The Logical Song
sound engineer:
Russel Pope
assistant engineer:
Lenise Bent and Jeff Harris (recording engineer)
engineer:
Peter Henderson (English sound engineer)
producer:
Peter Henderson (English sound engineer) and Supertramp
bass guitar:
Dougie Thomson
drums (drum set):
Bob Siebenberg
guitar and keyboard:
Roger Hodgson
keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
woodwind:
John Helliwell
vocals:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
phonographic copyright (℗) by:
A&M Records (in 2010)
recorded at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Crystal Sound in Hollywood, Los Angeles, California, United States
recording of:
The Logical Song
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Delicate Music and Rondor Music
Supertramp4.14:06
3Un autre mondeTéléphone44:30
4You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:14
5Mon fils ma bataille
vocals:
Daniel Balavoine
recording of:
Mon fils, ma bataille (in 1980)
lyricist and composer:
Daniel Balavoine
Daniel Balavoine4:05
6Ride Like the Wind
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross23:53
7Femme libérée
recording of:
Femme libérée
lyricist:
Joëlle Kopf
composer:
Christian Dingler
publisher:
EMHA and New Publishing Savour
Cookie Dingler3:38
8Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:28
9La Ballade de JimAlain Souchon54:30
10Bette Davies Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
recording of:
Bette Davis Eyes
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:43
11Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
saxophone:
David Tofani
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:38
12Can’t Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Boys Town Gang3:41
13Mélissa
vocals:
Julien Clerc (in 1984)
arranger and orchestrator:
Michel Bernholc
recording of:
Mélissa (in 1984)
lyricist:
David McNeil
composer:
Julien Clerc
publisher:
EMI Blackwood Music Inc.
Julien Clerc2:55
14Let’s Dance
engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
solo guitar:
Stevie Ray Vaughan
lead vocals:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1983)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1982-12 until 1983-01)
recording of:
Let’s Dance (from 1982-12 until 1983-01)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd and Watanabe Music Publishing CM division
David Bowie44:07
15Le Freak
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:31
16Nougayork
recorded in:
New York, New York, United States (in 1987)
programming:
Philippe Saisse
alto saxophone:
Lou Marini (in 1987)
guitar [guitars]:
Nick Moroch (US guitarist) (in 1987)
keyboard:
Philippe Saisse (in 1987)
trombone:
Birch Johnson (in 1987)
trumpet:
Alan Rubin (in 1987)
vocals:
Claude Nougaro (in 1987)
arranger:
Philippe Saisse
phonographic copyright (℗) by:
WEA Music (not for release label use! this was the FR distributor fka WEA Filipacchi Music) (in 1987)
recording of:
Nougayork (in 1987)
lyricist:
Claude Nougaro
composer:
Philippe Saisse
publisher:
Éditions du chiffre neuf and Sen‐Saisse‐tional Music
Claude Nougaro3.53:29
17Don’t Worry Be Happy
engineer:
Chris Tergesen
producer:
Linda Goldstein
body percussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographic copyright (℗) by:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin4.44:51
18Cherish
producer:
Ronald Bell, Jim Bonnefond and Kool and The Gang
phonographic copyright (℗) by:
De-Lite Recorded Sound Corp. (not for release) (in 1984)
edit of:
Cherish by Kool & the Gang
music videos:
Cherish by Kool & the Gang
recording of:
Cherish
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) and Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windswept Pacific Music Ltd.
Kool & the Gang3.353:54
19Mistral gagnant
recording of:
Mistral gagnant (in 1985)
lyricist and composer:
Renaud Séchan (French singer Renaud Séchan)
Renaud52:47
20Just a Friend of Mine
assistant producer:
Marc François
producer:
Dani Klein (Belgian singer (Vaya Con Dios)) and Dirk Schoufs
arranger:
Marc François
recording of:
Just a Friend of Mine
lyricist:
Dani Klein (Belgian singer (Vaya Con Dios))
composer:
Willy Lambregt (Belgian musician, aka Willy Willy) and Dirk Schoufs
Vaya Con Dios3:23
4CD: Les années 90
#TitleArtistRatingLength
1Foule sentimentaleAlain Souchon55:20
2Osez JoséphineAlain Bashung2:56
3Stop
vocals:
Sam Brown (UK singer/songwriter)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1988)
recording of:
Stop
writer:
Bruce Brody, Sam Brown (UK singer/songwriter) and Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) and WayBlue Ltd. (publisher)
Sam Brown4.54:52
4Cœur de loupPhilippe Lafontaine3:42
5La vie ne m’apprend rien
cover recording of:
La vie ne m’apprend rien
lyricist and composer:
Daniel Balavoine
Liane Foly3:50
6Piensa en mi
cover recording of:
Piensa en mí
writer:
Agustín Lara (in 1935) and María Teresa Lara (in 1935)
Luz Casal4:27
7Pour que tu m’aimes encoreCéline Dion4.54:10
8You
programming:
Niels Hermes
engineer:
Michiel Hoogeboezem
producer:
Niels Hermes and Michiel Hoogeboezem
instruments:
Niels Hermes
vocals:
Marcel Kapteijn
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1991)
recorded at:
Spitsbergen in Zuidbroek, Groningen, Netherlands, Kingdom of the Netherlands and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
You (Ten Sharp song)
lyricist:
Ton Groen
composer:
Niels Hermes
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Ten Sharp44:28
9Un homme heureux
recording of:
Un homme heureux
lyricist and composer:
William Sheller (in 1991)
part of:
Victoire de la chanson originale de l’année (number: 1992)
William Sheller3:45
10Sodade
sound engineer:
Stéphane Caisson
producer:
Paulino Vieira
lead vocals:
Cesária Évora (from 1992-05 until 1992-06)
mixed at:
Studio Bastille (Studio de la Bastille) in Paris, Île-de-France, France (from 1992-07 until 1992-08)
cover recording of:
Sodade (from 1992-05 until 1992-06)
lyricist and composer:
Armando Zeferino Soares
publisher:
Lusafrica
Cesária Évora4:51
11Juste après
recording of:
Juste après (in 1993)
lyricist and composer:
Jean‐Jacques Goldman
arranger:
Erick Benzi
Fredericks Goldman Jones4:37
12Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
triple j’s Hottest 100 of Australian Songs (number: 32), Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:04
13Zen
recording of:
Zen
lyricist:
Zazie
composer:
Pascal Obispo
Zazie2.53:53
14Sleeping Satellite
engineer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
producer:
Julian Mendelsohn (Australian record producer and engineer) and Paul Wickens
mixer:
Julian Mendelsohn (Australian record producer and engineer)
music videos:
Sleeping Satellite by Tasmin Archer (British singer-songwriter)
recording of:
Sleeping Satellite
writer:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:36
15SensualitéAxelle Red3:48
16Mon manège à moi
producer:
Étienne Daho and Arnold Turboust
mixer:
Tyrrell (Joel LeBlanc)
cover recording of:
Mon manège à moi (Tu me fais tourner la tête)
lyricist:
Jean Constantin
composer:
Norbert Glanzberg
publisher:
Meridian (publisher)
Étienne Daho3:51
17Do It to Me
producer:
Stewart Levine (record producer and saxophonist) and Lionel Richie
arranger:
Stewart Levine (record producer and saxophonist) and Lionel Richie
vocals arranger:
Lionel Richie
produced for:
Oliverea Productions Limited
recording of:
Do It to Me
lyricist and composer:
Brenda Harvey–Richie and Lionel Richie
Lionel Richie4:29
18Savoir aimer
recording of:
Savoir aimer
lyricist:
Lionel Florence
composer:
Pascal Obispo
part of:
Prix Vincent Scotto (number: 1998)
Florent Pagny4:38
19Sur la route
recording of:
Sur la route
lyricist and composer:
De Palmas
De Palmas3:41
5CD: Les années 2000
#TitleArtistRatingLength
1Manhattan Kaboul
vocals:
Axelle Red and Renaud (French singer Renaud Séchan)
recording of:
Manhattan‐Kaboul
lyricist:
Renaud Séchan (French singer Renaud Séchan)
composer:
Jean-Pierre Bucolo
part of:
Victoire de la chanson originale de l’année (number: 2003)
Renaud & Axelle Red43:52
2Relax (Take It Easy)
recording engineer:
Joe Chiccarelli
programming:
Fabian Waltman and Greg Wells
producer:
MIKA (Lebanese-born English pop singer) and Greg Wells
mixer:
Greg Wells
guitar:
Tim Pierce (US session guitarist)
piano:
MIKA (Lebanese-born English pop singer)
phonographic copyright (℗) by:
Universal Music Strategic Marketing (subsidiary of Universal Music GmbH) (from 2007 to present)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States
mixed at:
Rocket Carousel Studio in Los Angeles, California, United States
samples:
(I Just) Died in Your Arms by Cutting Crew
music videos:
Relax, Take It Easy by MIKA (Lebanese-born English pop singer)
recording of:
Relax, Take It Easy
writer:
Nick Van Eede and MIKA (Lebanese-born English pop singer)
publisher:
MIKA Punch
MIKA2.53:42
3Double jeChristophe Willem3:46
4Donne‐moi une vie
recording of:
Donne-moi une vie
lyricist and composer:
Gildas Arzel
Yannick Noah3:16
5Si seulement je pouvais lui manquerCalogero3:17
6J’ai tout oublié
background vocals:
Claire Keim (French actress & singer)
guest vocals:
Cristina Marocco
vocals:
Marc Lavoine and Cristina Marocco
phonographic copyright (℗) by:
Mercury France (“un label PolyGram” ; “un label Universal Music”) (in 2001)
recording of:
J’ai tout oublié
publisher:
Marc Lavoine
lyricist:
Marc Lavoine
composer:
Georges Lunghini
publisher:
GM Musipro
Marc Lavoine & Cristina Marocco4:00
7Love’s Divine
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
assistant engineer:
Tim Lambert and Phil Tyreman
engineer and mixer:
Robert Orton and Tim Weidner (engineer)
co-producer:
Mark Batson (American producer, songwriter, composer, arranger, and musician)
executive producer:
Seal (English‐born singer and songwriter) and Jill Sinclair (British record company director, co-founded Sarm Studios and ZTT Records)
producer:
Trevor Horn
bass guitar [bass] and piano:
Mark Batson (American producer, songwriter, composer, arranger, and musician)
drums (drum set) [drums]:
Ian Thomas (drummer)
guitar:
Chris Bruce, Tim Cansfield and Gus Isidore
keyboard [keyboards]:
Jamie Muhoberac and Seal (English‐born singer and songwriter)
percussion:
Luís Jardim
piano:
Pete Murray (pianist and keyboardist)
lead vocals:
Seal (English‐born singer and songwriter)
conductor:
Gavin Wright (UK violinist, conductor)
strings arranger and choir vocals [choir] arranger:
Nick Ingman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2003), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003, in 2009) and Warner Music Argentina S.A. (in 2009)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom, Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom and Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom and Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Love’s Divine
writer:
Mark Batson (American producer, songwriter, composer, arranger, and musician) and Seal (English‐born singer and songwriter)
publisher:
Bat Future Music (BMI) and Perfect Songs (UK publisher, affiliated with BMI)
Seal4.54:31
8J’en rêve encoreDe Palmas3:57
9Tournent les violons
recording of:
Tournent les violons
lyricist and composer:
Jean‐Jacques Goldman
arranger:
Erick Benzi
Jean‐Jacques Goldman3:48
10Sitting Down Here
vocals:
Lene Marlin
arranger:
Jørn Dahl
phonographic copyright (℗) by:
Virgin Records Norway (in 1999)
recorded at:
Disclab Oslo in Oslo, Norway
recording of:
Sitting Down Here
lyricist and composer:
Lene Marlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lene Marlin33:55
11C’est quand le bonheur
music videos:
C’est quand le bonheur ? (music video) by Cali (French singer)
recording of:
C'est quand le bonheur ?
lyricist and composer:
Bruno Caliciuri (French singer)
part of:
Prix Vincent Scotto (number: 2004)
Cali54:31
12Comme un manouche sans guitare
mixer:
Stéphane Briat
double bass:
Cédric Caillaud (Musician - Double Bass Player)
Dubreq Stylophone and background vocals:
Frédéric Jaillard (Musician)
guitar:
Mathieu Châtelain (Musician - Guitar Player) and Jérôme Ciosi (Musician - Composer)
membranophone and percussion:
Stéphane Chandelier (Musician - Drummer)
solo guitar:
Thomas Dutronc
violin:
Pierre Blanchard (French jazz violinist)
other vocals:
Bertrand Papy (musician, composer)
vocals:
Thomas Dutronc
recording of:
Comme un manouche sans guitare
lyricist and composer:
Thomas Dutronc
arranger:
Xavier Bussy (musician) and Frédéric Jaillard (Musician)
part of:
Victoire de la chanson originale de l’année (number: 2009)
Thomas Dutronc2:40
13Sympathique
mixer:
Dave Friedlander
recorded at:
Stiles Recording Studio in Portland, Oregon, United States (from 1996-12 until 1997-04)
recording of:
Sympathique (Je ne veux pas travailler)
writer:
China Forbes and Thomas M. Lauderdale
publisher:
Thomas M. Lauderdale Music and Wow & Dazzle Music
sub-publisher:
Kobalt Music Publishing France
Pink Martini3.652:46
14Jardin d’hiver
vocals:
Henri Salvador (in 2000)
recording of:
Jardin d’hiver (in 2000)
writer:
Benjamin Biolay and Keren Ann Zeidel (singer-songwriter)
publisher:
Bambi Rose and Bring Back Music
Henri Salvador2:50
15Tout le mondeCarla Bruni3:14
16Seul
recording of:
Seul
lyricist:
Luc Plamondon
composer:
Romano Musumarra
Garou4:41
17La Belle de mai
recording of:
La Belle de mai
lyricist:
Patrice Guirao
composer:
Louis Stanislas Renoult (French pop singer)
Stanislas3:41
18Toi + Moi
recording of:
Toi + Moi
lyricist and composer:
Grégoire Boissenot (French singer)
Grégoire3:00
19Alter ego
recording of:
Alter ego
lyricist and composer:
Jean‐Louis Aubert
Jean-Louis Aubert3:43
20La Lettre
acoustic guitar:
Ludovic Bruni and Renan Luce (French singer-songwriter)
bass and double bass:
Marcello Giuliani
drums (drum set) and percussion:
Vincent Taeger
electric guitar:
Ludovic Bruni
keyboard:
Jean-Louis Piérot
vocals:
Renan Luce (French singer-songwriter)
recording of:
La Lettre (Renan Luce song)
lyricist and composer:
Renan Luce (French singer-songwriter)
Renan Luce53:18

Credits

Release

ASIN:FR: B002NVLXZA [info]