Handful of Keys

~ Veröffentlichung von Fats Waller (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: Numb Fumblin’
Nr.TitelBewertungLänge
1Muscle Shoals Blues
Klavier:
Fats Waller (am 1922-10-21)
3:12
2Birmingham Blues
Klavier:
Fats Waller (am 1922-10-21)
2:57
3Henderson Stomp
recorded in:
New York, New York, Vereinigte Staaten (am 1926-11-03)
alto saxophone, Klarinette und Oboe:
Don Redman (am 1926-11-03)
Banjo:
Charlie Dixon (Jazz banjoist) (am 1926-11-03)
Klavier:
Fats Waller (am 1926-11-03)
Posaune:
Benny Morton (am 1926-11-03)
Rohrblattinstrumente:
Buster Bailey (clarinetist) (am 1926-11-03), Coleman Hawkins (am 1926-11-03) und Don Redman (am 1926-11-03)
Schlagzeug:
Kaiser Marshall (am 1926-11-03)
Tenorsaxophon:
Coleman Hawkins (am 1926-11-03)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1926-11-03), Joe Smith (American jazz trumpeter/cornetist) (am 1926-11-03) und Russell Smith (US jazz trumpeter) (am 1926-11-03)
Tuba und Tuba [brass bass]:
June Cole (am 1926-11-03)
arranger:
Don Redman
recording of:
Henderson Stomp (am 1926-11-03)
Komponist(in):
Fletcher Henderson
2:55
4Rusty Pail
Pfeifenorgel:
Fats Waller (am 1927-01-14)
3:03
5Blue Black Bottom
Klavier:
Fats Waller (am 1927-02-16)
2:54
6Fats Waller Stomp
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (am 1927-05-20)
Pfeifenorgel:
Fats Waller (am 1927-05-20)
Posaune:
Charlie Irvis (am 1927-05-20)
3:22
7Savannah Blues
Klavier und Pfeifenorgel:
Fats Waller (am 1927-05-20)
Kornett:
Thomas Morris (jazz cornetist, 1897–1945) (am 1927-05-20)
Posaune:
Charlie Irvis (am 1927-05-20)
2:56
8Geechee
3:12
9Thou Swell
Klavier:
James P. Johnson (am 1928-03-27)
Kornett:
Jabbo Smith (am 1928-03-27)
Pfeifenorgel:
Fats Waller (am 1928-03-27)
Rohrblattinstrumente:
Garvin Bushell (am 1928-03-27)
instrumental recording of:
Thou Swell (am 1928-03-27)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
3:03
10Handful of Keys
recorded in:
New York, New York, Vereinigte Staaten (am 1929-03-01)
Solo-Klavier:
Fats Waller (am 1929-03-01)
recording of:
Handful of Keys (am 1929-03-01)
Komponist(in):
Fats Waller
2:50
11The Minor Drag
alto saxophone und Klarinette:
Arville Harris (am 1929-03-01)
Banjo:
Eddie Condon (am 1929-03-01)
Klavier:
Fats Waller (am 1929-03-01)
Posaune:
Charlie Irvis (am 1929-03-01)
Trompete:
Charlie Gaines (US jazz trumpeter) (am 1929-03-01)
recording of:
Minor Drag (early jazz) (am 1929-03-01)
Komponist(in):
Fats Waller
2:42
12Harlem Fuss
Banjo:
Eddie Condon (am 1929-03-01)
Klavier:
Fats Waller (am 1929-03-01)
Posaune:
Charlie Irvis (am 1929-03-01)
Rohrblattinstrumente:
Arville Harris (am 1929-03-01)
Trompete:
Charlie Gaines (US jazz trumpeter) (am 1929-03-01)
Interpret(in):
Fats Waller and His Buddies (am 1929-03-01)
3:27
13Numb Fumblin'
Klavier:
Fats Waller (am 1929-03-01)
2:55
14Gladyse
Klavier:
Fats Waller (am 1929-08-02)
2:55
15Valentine Stomp
Klavier:
Fats Waller (am 1929-08-02)
3:26
16Smashing Thirds
recorded in:
New York, New York, Vereinigte Staaten (am 1929-09-24)
Klavier:
Fats Waller (am 1929-09-24)
3:08
17Lookin' Good but Feelin' Bad
alto saxophone:
Otto Hardwick (am 1929-09-30) und Albert Nicholas (am 1929-09-30)
Banjo:
Eddie Condon (am 1929-09-30)
Klavier:
Fats Waller (am 1929-09-30)
Kontrabass:
George "Pops" Foster (am 1929-09-30)
Posaune:
Jack Teagarden (am 1929-09-30)
Schlagzeug:
Gene Krupa (am 1929-09-30)
Tenorsaxophon:
Larry Binyon (am 1929-09-30)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-09-30)
Chorgesang:
Four Wanderers (am 1929-09-30)
recording of:
Lookin’ Good but Feelin’ Bad (am 1929-09-30)
Texter:
Lester Santly
Komponist(in):
Fats Waller
2:34
18Won't You Get Off It, Please?
Banjo:
Will Johnson (jazz musician) (am 1929-12-18)
Klarinette und Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-18) und Albert Nicholas (am 1929-12-18)
Klavier:
Fats Waller (am 1929-12-18)
Kontrabass:
George "Pops" Foster (am 1929-12-18)
Posaune:
J.C. Higginbotham (am 1929-12-18) und Jack Teagarden (am 1929-12-18)
Schlagzeug:
Kaiser Marshall (am 1929-12-18)
Tenorsaxophon:
Larry Binyon (am 1929-12-18)
Trompete:
Henry Allen (jazz musician) (am 1929-12-18) und Leonard Davis (American jazz trumpeter) (am 1929-12-18)
Interpret(in):
Fats Waller and His Buddies (am 1929-12-18)
3:02
19I'm Crazy 'Bout My Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1931-03-05)
alto saxophone und baritone saxophone:
Louis Martin (early jazz saxophonist) (am 1931-03-05)
Gitarre:
Tony Gerhardi (early jazz guitarist) (am 1931-03-05)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1931-03-05) und Ted Lewis (am 1931-03-05)
Klavier:
Fats Waller (am 1931-03-05)
Kontrabass und Tuba [brass bass]:
Harry Barth (early jazz bassist and tuba player) (am 1931-03-05)
Kornett:
Muggsy Spanier (am 1931-03-05)
Posaune:
Sam Blank (early jazz trombonist) (am 1931-03-05) und George Brunies (am 1931-03-05)
Schlagzeug:
John Lucas (early jazz drummer) (am 1931-03-05)
Tenorsaxophon:
Hymie Wolfson (early jazz saxophonist) (am 1931-03-05)
Trompete:
Dave Klein (cornet, trumpet) (am 1931-03-05) und Muggsy Spanier (am 1931-03-05)
vocals:
Fats Waller (am 1931-03-05)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (am 1931-03-05)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
3:09
20A Porter's Love Song to a Chambermaid
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klarinette:
Ben Whitted (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug und Vibraphon:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
A Porter's Love Song to a Chambermaid (am 1934-05-16)
Texter:
Andy Razaf
Komponist(in):
James P. Johnson
3:24
21I Wish I Were Twins
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klarinette:
Ben Whitted (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
I Wish I Were Twins (am 1934-05-16)
Texter:
Eddie DeLange
Komponist(in):
Frank Loesser und Joseph Meyer (US songwriter)
2:43
22Do Me a Favor
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klarinette:
Ben Whitted (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
Do Me a Favor (am 1934-05-16)
Verfasser(in):
Jack Lawrence (US songwriter) und Peter Tinturin
3:14
23Then I'll Be Tired of You
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-17)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-08-17)
Klavier:
Fats Waller (am 1934-08-17)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-08-17)
Schlagzeug:
Harry Dial (am 1934-08-17)
Tenorsaxophon:
Gene Sedric (am 1934-08-17)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-08-17)
vocals:
Fats Waller (am 1934-08-17)
recording of:
Then I’ll Be Tired of You (am 1934-08-17)
Texter:
Yip Harburg
Komponist(in):
Arthur Schwartz
3:16
24Don't Let It Bother You
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-17)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-08-17)
Klavier:
Fats Waller (am 1934-08-17)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-08-17)
Schlagzeug:
Harry Dial (am 1934-08-17)
Tenorsaxophon:
Gene Sedric (am 1934-08-17)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-08-17)
vocals:
Fats Waller (am 1934-08-17)
zusätzlich Sprecher:
Harry Dial (am 1934-08-17) und Fats Waller (am 1934-08-17)
recording of:
Don’t Let It Bother You (am 1934-08-17)
Verfasser(in):
Mack Gordon und Harry Revel (British-born American composer)
2:56
25Have a Little Dream on Me
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-17)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-08-17)
Klavier:
Fats Waller (am 1934-08-17)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-08-17)
Schlagzeug:
Harry Dial (am 1934-08-17)
Tenorsaxophon:
Gene Sedric (am 1934-08-17)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-08-17)
vocals:
Fats Waller (am 1934-08-17)
recording of:
Have a Little Dream on Me (am 1934-08-17)
Verfasser(in):
Phil Baxter (US songwriter, singer and band leader), Jack Murray (US songwriter) und Billy Rose (lyricist and Broadway producer)
2:50
2▼CD: Truckin’
Nr.TitelBewertungLänge
1Serenade for a Wealthy Widow
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier und Sprecher:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug und Vibraphon:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
instrumental recording of:
Serenade for a Wealthy Widow (am 1934-09-28)
Komponist(in):
Reginald Foresythe
2:44
2How Can You Face Me?
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
vocals:
Fats Waller (am 1934-09-28)
recording of:
How Can You Face Me? (am 1934-09-28)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
2:52
3Sweetie Pie
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
vocals:
Fats Waller (am 1934-09-28)
recording of:
Sweetie Pie (am 1934-09-28)
Texter und Komponist(in):
John Jacob Loeb
3:11
4Believe It, Beloved
recorded in:
New York, New York, Vereinigte Staaten (am 1934-11-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-11-07)
Klarinette:
Gene Sedric (am 1934-11-07)
Klavier:
Fats Waller (am 1934-11-07)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-11-07)
Schlagzeug:
Harry Dial (am 1934-11-07)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1934-11-07)
vocals:
Fats Waller (am 1934-11-07)
recording of:
Believe it, Beloved (am 1934-11-07)
Texter:
Nat Schwartz (Early 20th century composer?) und George A. Whiting (popular songwriter)
Komponist(in):
J.C. Johnson
2:43
5Dream Man
recorded in:
New York, New York, Vereinigte Staaten (am 1934-11-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-11-07)
Klarinette:
Gene Sedric (am 1934-11-07)
Klavier:
Fats Waller (am 1934-11-07)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-11-07)
Schlagzeug:
Harry Dial (am 1934-11-07)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1934-11-07)
vocals:
Fats Waller (am 1934-11-07)
recording of:
Dream Man (am 1934-11-03)
Texter:
Joe Young (US lyricist)
Komponist(in):
Milton Ager
3:01
6Breakin' the Ice
recorded in:
New York, New York, Vereinigte Staaten (am 1934-11-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-11-07)
Klavier:
Fats Waller (am 1934-11-07)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-11-07)
Schlagzeug:
Harry Dial (am 1934-11-07)
Tenorsaxophon:
Gene Sedric (am 1934-11-07)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1934-11-07)
vocals:
Fats Waller (am 1934-11-07)
recording of:
Looks Like I’m Breakin’ the Ice (am 1934-11-07)
Verfasser(in):
James Cavanaugh, Charles McCarthy (Composer and lyricist) und Frank Weldon
3:18
7African Ripples
Klavier:
Fats Waller (am 1934-11-16)
recording of:
African Ripples (am 1934-11-16)
Komponist(in):
Fats Waller
3:11
8Alligator Crawl
Klavier:
Fats Waller (am 1934-11-16)
recording of:
Alligator Crawl (am 1934-11-16)
Texter:
Joe Davis (US lyricist, producer, publisher & promoter) und Andy Razaf
Komponist(in):
Fats Waller
2:45
9Viper's Drag
recorded in:
New York, New York, Vereinigte Staaten (am 1934-11-16)
Solo-Klavier:
Fats Waller (am 1934-11-16)
recording of:
Viper's Drag (am 1934-11-16)
Komponist(in):
Fats Waller
3:01
10I'm a Hundred Per Cent for You
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-01-05)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-01-05)
Klavier:
Fats Waller (am 1935-01-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-01-05)
Rohrblattinstrumente und Tenorsaxophon:
Gene Sedric (am 1935-01-05)
Schlagzeug:
Harry Dial (am 1935-01-05)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1935-01-05)
vocals:
Fats Waller (am 1935-01-05)
recording of:
I’m a Hundred Percent for You (am 1935-01-05)
Verfasser(in):
Irving Mills, Ben Oakland und Mitchell Parish
3:05
11Night Wind
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-01-05)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-01-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-01-05)
Orgel:
Fats Waller (am 1935-01-05)
Schlagzeug:
Harry Dial (am 1935-01-05)
Tenorsaxophon:
Gene Sedric (am 1935-01-05)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1935-01-05)
vocals:
Fats Waller (am 1935-01-05)
recording of:
Night Wind (am 1935-01-05)
Verfasser(in):
Bob Rothberg (tin-pan alley songwriter)
Komponist(in):
Dave Pollock
3:17
12I Believe in Miracles
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-01-05)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-01-05)
Klarinette und Tenorsaxophon:
Gene Sedric (am 1935-01-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-01-05)
Orgel:
Fats Waller (am 1935-01-05)
Schlagzeug:
Harry Dial (am 1935-01-05)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1935-01-05)
vocals:
Fats Waller (am 1935-01-05)
recording of:
I Believe in Miracles (am 1935-01-05)
Verfasser(in):
Sam M. Lewis (1930s lyricist), George W. Meyer (Tin Pan Alley songwriter) und Pete Wendling (American composer)
2:53
13I Ain't Got Nobody
recorded in:
New York, New York, Vereinigte Staaten (am 1935-03-06)
alto saxophone, Klarinette und Rohrblattinstrumente:
Rudy Powell (am 1935-03-06)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-03-06)
Klavier:
Fats Waller (am 1935-03-06)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-03-06)
Schlagzeug:
Harry Dial (am 1935-03-06)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-03-06)
vocals:
Fats Waller (am 1935-03-06)
recording of:
I Ain’t Got Nobody (am 1935-03-06)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:50
14Clothes Line Ballet
Klavier:
Fats Waller (am 1935-03-11)
vocals:
Fats Waller (am 1935-03-11)
recording of:
Clothes Line Ballet (am 1935-03-11)
Verfasser(in):
Fats Waller
recording of:
Clothes Line Ballet (Clothesline Ballet)
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp.
2:32
15Lulu's Back in Town
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone und Klarinette:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
cover recording of:
Lulu’s Back in Town (am 1935-05-08)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
2:42
16I'm Going to Sit Right Down and Write Myself a Letter
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone, Klarinette und Rohrblattinstrumente:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
Interpret(in):
Fats Waller and His Rhythm (am 1935-05-08)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (am 1935-05-08)
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
3:36
17You're the Cutest One
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone und Klarinette:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
3:27
18Dinah
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
Dinah (am 1935-06-24)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:09
19My Very Good Friend the Milkman
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
My Very Good Friend the Milkman (am 1935-06-24)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Harold Spina (composer/conductor)
publisher:
Chappell & Co., Inc. (USA)
43:34
20Twelfth Street Rag
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
Interpret(in):
Fats Waller and His Rhythm (am 1935-06-24)
recording of:
12th Street Rag (am 1935-06-24)
publisher:
Euday L. Bowman (am 1914-01-30)
Texter:
James S. Sumner
Komponist(in):
Euday L. Bowman
Arrangement von:
Twelfth Street Rag
recording of:
Twelfth Street Rag (am 1935-06-24)
Texter:
Andy Razaf
Komponist(in):
Euday L. Bowman
2:51
21There'll Be Some Changes Made
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
There’ll Be Some Changes Made (am 1935-06-24)
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
3:10
22Sweet Sue
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
Sweet Sue, Just You (am 1935-06-24)
Texter:
Will J. Harris (early 1900s songwriter/lyricist)
Komponist(in):
Will J. Harris (early 1900s songwriter/lyricist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
2:56
23Truckin'
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-02)
alto saxophone und Klarinette:
Rudy Powell (am 1935-08-02)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-08-02)
Klavier:
Fats Waller (am 1935-08-02)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-08-02)
Schlagzeug:
Arnold Boling (am 1935-08-02)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-08-02)
vocals:
Fats Waller (am 1935-08-02)
recording of:
Truckin’ (am 1935-08-02)
Texter:
Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
3:21
24Sugar Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-02)
alto saxophone und Klarinette:
Rudy Powell (am 1935-08-02)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-08-02)
Klavier:
Fats Waller (am 1935-08-02)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-08-02)
Schlagzeug:
Arnold Boling (am 1935-08-02)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-08-02)
vocals:
Fats Waller (am 1935-08-02)
recording of:
Sugar Blues (am 1935-08-02)
Texter:
Lucy Fletcher (in 1919)
Komponist(in):
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919)
publisher:
Chappell Paris
2:52
25Rhythm and Romance
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-20)
alto saxophone und Klarinette:
Rudy Powell (am 1935-08-20)
Celesta und Klavier:
Fats Waller (am 1935-08-20)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-08-20)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-08-20)
Schlagzeug:
Arnold Boling (am 1935-08-20)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-08-20)
vocals:
Fats Waller (am 1935-08-20)
recording of:
Rhythm and Romance (am 1935-08-20)
Texter:
Nat Schwartz (Early 20th century composer?)
Verfasser(in):
George Whiting (American composer)
Komponist(in):
J.C. Johnson
3:16
3▼CD: The Joint Is Jumping
Nr.TitelBewertungLänge
1I’m on a See‐Saw
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-20)
alto saxophone und Klarinette:
Rudy Powell (am 1935-08-20)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-08-20)
Klavier:
Fats Waller (am 1935-08-20)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-08-20)
Schlagzeug:
Arnold Boling (am 1935-08-20)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-08-20)
vocals:
Fats Waller (am 1935-08-20)
recording of:
I’m on a See-Saw (am 1935-08-20)
Texter:
Desmond Carter
Komponist(in):
Vivian Ellis (composer)
3:06
2When Somebody Thinks You’re Wonderful
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-29)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-11-29)
Klarinette, Rohrblattinstrumente und Tenorsaxophon:
Gene Sedric (am 1935-11-29)
Klavier:
Fats Waller (am 1935-11-29)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-11-29)
Schlagzeug:
Yank Porter (jazz drummer) (am 1935-11-29)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-11-29)
vocals:
Fats Waller (am 1935-11-29)
Interpret(in):
Fats Waller and His Rhythm (am 1935-11-29)
recording of:
When Somebody Thinks You’re Wonderful (am 1935-11-29)
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Callicoon Music (in 1935, in 1991)
3:39
3I’ve Got My Fingers Crossed
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-29)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-11-29)
Klarinette, Rohrblattinstrumente und Tenorsaxophon:
Gene Sedric (am 1935-11-29)
Klavier:
Fats Waller (am 1935-11-29)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-11-29)
Schlagzeug:
Yank Porter (jazz drummer) (am 1935-11-29)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-11-29)
vocals:
Fats Waller (am 1935-11-29)
Interpret(in):
Fats Waller and His Rhythm (am 1935-11-29)
recording of:
I’ve Got My Fingers Crossed (am 1935-11-29)
Texter:
Ted Koehler
Komponist(in):
Jimmy McHugh (songwriter)
2:40
4A Little Bit Independent
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-29)
Celesta:
Fats Waller (am 1935-11-29)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-11-29)
Klarinette, Rohrblattinstrumente und Tenorsaxophon:
Gene Sedric (am 1935-11-29)
Klavier:
“Fats” Waller (Fats Waller) (am 1935-11-29)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-11-29)
Schlagzeug:
Yank Porter (jazz drummer) (am 1935-11-29)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-11-29)
vocals:
“Fats” Waller (Fats Waller) (am 1935-11-29)
cover recording of:
A Little Bit Independent (am 1935-11-29)
Texter:
Edgar Leslie
Komponist(in):
Joe Burke (American composer)
2:58
5Fat and Greasy
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-04)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-12-04)
Klavier:
Hank Duncan (am 1935-12-04) und Fats Waller (am 1935-12-04)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-12-04)
Posaune:
Benny Morton (am 1935-12-04) und Fred Robinson (American trombonist) (am 1935-12-04)
Rohrblattinstrumente:
George James (US jazz saxophonist) (am 1935-12-04), Emmett Matthews (US jazz saxophonist and singer) (am 1935-12-04), Rudy Powell (am 1935-12-04), Gene Sedric (am 1935-12-04) und Fred Skerritt (am 1935-12-04)
Schlagzeug:
Yank Porter (jazz drummer) (am 1935-12-04)
Sopransaxophon:
Emmett Matthews (US jazz saxophonist and singer) (am 1935-12-04)
Tenorsaxophon:
Bob Carroll (jazz sax) (am 1935-12-04) und Gene Sedric (am 1935-12-04)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-12-04) und Eddie Anderson (early jazz trumpeter) (am 1935-12-04)
Vibraphon:
Yank Porter (jazz drummer) (am 1935-12-04) und Fats Waller (am 1935-12-04)
vocals:
Fats Waller (am 1935-12-04)
recording of:
Fat and Greasy (am 1935-12-04)
Verfasser(in):
Porter Grainger und Charlie Johnson (jazz bandleader and pianist)
3:11
6I Got Rhythm
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-04)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-12-04)
Klavier:
Hank Duncan (am 1935-12-04) und Fats Waller (am 1935-12-04)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-12-04)
Posaune:
Benny Morton (am 1935-12-04) und Fred Robinson (American trombonist) (am 1935-12-04)
Rohrblattinstrumente:
George James (US jazz saxophonist) (am 1935-12-04), Emmett Matthews (US jazz saxophonist and singer) (am 1935-12-04), Rudy Powell (am 1935-12-04), Gene Sedric (am 1935-12-04) und Fred Skerritt (am 1935-12-04)
Schlagzeug:
Yank Porter (jazz drummer) (am 1935-12-04)
Sopransaxophon:
Emmett Matthews (US jazz saxophonist and singer) (am 1935-12-04)
Tenorsaxophon:
Bob Carroll (jazz sax) (am 1935-12-04) und Gene Sedric (am 1935-12-04)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-12-04) und Eddie Anderson (early jazz trumpeter) (am 1935-12-04)
vocals:
Fats Waller (am 1935-12-04)
recording of:
I Got Rhythm (am 1935-12-04)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:12
7All My Life
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-04-08)
Klavier:
Fats Waller (am 1936-04-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-04-08)
Rohrblattinstrumente:
Gene Sedric (am 1936-04-08)
Schlagzeug:
Arnold Boling (am 1936-04-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-04-08)
vocals:
Fats Waller (am 1936-04-08)
recording of:
All My Life (am 1936-04-08)
Texter:
Sidney Mitchell
Komponist(in):
Sam H. Stept
2:50
8Christopher Columbus
recorded in:
New York, New York, Vereinigte Staaten (am 1936-04-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-04-08)
Klavier:
Fats Waller (am 1936-04-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-04-08)
Rohrblattinstrumente:
Gene Sedric (am 1936-04-08)
Schlagzeug:
Arnold Boling (am 1936-04-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-04-08)
vocals:
Fats Waller (am 1936-04-08)
recording of:
Christopher Columbus (am 1936-04-08)
Texter:
Andy Razaf
Komponist(in):
Leon “Chu” Berry
2:55
9It’s a Sin to Tell a Lie
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-06-05)
Klavier:
Fats Waller (am 1936-06-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-06-05)
Rohrblattinstrumente:
Gene Sedric (am 1936-06-05)
Schlagzeug:
Arnold Boling (am 1936-06-05)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-06-05)
vocals:
Fats Waller (am 1936-06-05)
cover recording of:
It’s a Sin to Tell a Lie (am 1936-06-05)
Texter und Komponist(in):
Billy Mayhew (in 1936)
2:56
10Black Raspberry Jam
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-06-08)
Klavier:
Fats Waller (am 1936-06-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-06-08)
Rohrblattinstrumente:
Gene Sedric (am 1936-06-08)
Schlagzeug:
Yank Porter (jazz drummer) (am 1936-06-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-06-08)
2:39
11Fractious Fingering
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-06-08)
Klavier:
Fats Waller (am 1936-06-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-06-08)
Rohrblattinstrumente:
Gene Sedric (am 1936-06-08)
Schlagzeug:
Yank Porter (jazz drummer) (am 1936-06-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-06-08)
2:42
12Paswonky
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-06-08)
Klavier:
Fats Waller (am 1936-06-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-06-08)
Rohrblattinstrumente:
Gene Sedric (am 1936-06-08)
Schlagzeug:
Yank Porter (jazz drummer) (am 1936-06-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-06-08)
2:34
13Until the Real Thing Comes Along
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-08-01)
Klavier:
Fats Waller (am 1936-08-01)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-08-01)
Rohrblattinstrumente:
Gene Sedric (am 1936-08-01)
Schlagzeug:
Slick Jones (am 1936-08-01)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-08-01)
vocals:
Fats Waller (am 1936-08-01)
recording of:
Until the Real Thing Comes Along (am 1936-08-01)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
3:26
14The Curse of an Aching Heart
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-08-01)
Klavier:
Fats Waller (am 1936-08-01)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-08-01)
Rohrblattinstrumente:
Gene Sedric (am 1936-08-01)
Schlagzeug:
Slick Jones (am 1936-08-01)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-08-01)
vocals:
Fats Waller (am 1936-08-01)
recording of:
The Curse of an Aching Heart (am 1936-08-01)
Texter:
Henry Fink
Komponist(in):
Al Piantadosi
publisher:
EMI Feist Catalog Inc.
2:31
15S’posin’
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-09-09)
Klavier:
Fats Waller (am 1936-09-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-09-09)
Rohrblattinstrumente:
Gene Sedric (am 1936-09-09)
Schlagzeug:
Slick Jones (am 1936-09-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-09-09)
vocals:
Fats Waller (am 1936-09-09)
recording of:
S’posin’ (am 1936-09-09)
Texter:
Andy Razaf
Komponist(in):
Paul Denniker
publisher:
Mayfair Music Corp.
2:53
16I’m Sorry I Made You Cry
recorded in:
New York, New York, Vereinigte Staaten (am 1936-12-24)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-12-24)
Klavier:
Fats Waller (am 1936-12-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-12-24)
Rohrblattinstrumente:
Gene Sedric (am 1936-12-24)
Schlagzeug:
Slick Jones (am 1936-12-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-12-24)
vocals:
Fats Waller (am 1936-12-24)
recording of:
I'm Sorry I Made You Cry (am 1936-12-24)
Texter und Komponist(in):
N.J. Clesi
publisher:
Leo Feist, Inc. und EMI Feist Catalog Inc. (am 1916-01-01)
recording of:
I'm Sorry I Made You Cry (in 1937)
Texter und Komponist(in):
N.J. Clesi
publisher:
Leo Feist, Inc. und EMI Feist Catalog Inc. (am 1916-01-01)
2:49
17Nero
recorded in:
New York, New York, Vereinigte Staaten (am 1936-12-24)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-12-24)
Klavier:
Fats Waller (am 1936-12-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-12-24)
Rohrblattinstrumente:
Gene Sedric (am 1936-12-24)
Schlagzeug:
Slick Jones (am 1936-12-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-12-24)
vocals:
Fats Waller (am 1936-12-24)
2:43
18Spring Cleaning
recorded in:
New York, New York, Vereinigte Staaten (am 1937-03-18)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-03-18)
Klavier:
Fats Waller (am 1937-03-18)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-03-18)
Schlagzeug:
Slick Jones (am 1937-03-18)
Tenorsaxophon:
Gene Sedric (am 1937-03-18)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-03-18)
vocals:
Fats Waller (am 1937-03-18)
recording of:
Spring Cleaning (Getting Ready for Love) (am 1937-03-18)
Verfasser(in):
Teddy Powell, Walter G. Samuels und Leonard Whitcup
2:29
19Honeysuckle Rose
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug und Vibraphon:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
instrumental recording of:
Honeysuckle Rose (am 1937-04-09)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
4:36
20Smarty
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-06-11)
Klavier:
Fats Waller (am 1937-06-11)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-06-11)
Rohrblattinstrumente:
Gene Sedric (am 1937-06-11)
Schlagzeug:
Slick Jones (am 1937-06-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-06-11)
vocals:
Fats Waller (am 1937-06-11)
recording of:
Smarty (You Know It All) (am 1937-06-11)
Texter:
Ralph Freed
Komponist(in):
Burton Lane
2:41
21Blue Turning Grey Over You
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-06-11)
Klavier:
Fats Waller (am 1937-06-11)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-06-11)
Rohrblattinstrumente:
Gene Sedric (am 1937-06-11)
Schlagzeug:
Slick Jones (am 1937-06-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-06-11)
instrumental recording of:
Blue, Turning Grey Over You (am 1937-06-11)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
recording of:
Blue, Turning Grey Over You (am 1937-06-11)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
4:28
22Keepin’ Out of Mischief Now
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-11)
Solo-Klavier:
Fats Waller (am 1937-06-11)
recording of:
Keepin’ Out of Mischief Now (am 1937-06-11)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
3:10
23The Joint Is Jumping
recorded in:
New York, New York, Vereinigte Staaten (am 1937-10-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-10-07)
Klarinette, Rohrblattinstrumente und Saxophon:
Gene Sedric (am 1937-10-07)
Klavier:
Fats Waller (am 1937-10-07)
Kontrabass und Kontrabass [bass]:
Charles Turner (US jazz bassist, active 1930s) (am 1937-10-07)
Schlagzeug:
Slick Jones (am 1937-10-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-10-07)
vocals:
Fats Waller (am 1937-10-07)
recording of:
The Joint Is Jumpin’ (am 1937-10-07)
Texter:
J.C. Johnson und Andy Razaf
Verfasser(in):
James C. Johnson (Jim Johnson, James Calvin Johnson // American guitarist, singer and songwriter)
Komponist(in):
Fats Waller
2:49
24Every Day’s a Holiday
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-12-16)
Gitarre:
Ceele Burke (am 1937-12-16)
Klavier:
Fats Waller (am 1937-12-16)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1937-12-16)
Rohrblattinstrumente:
Caughey Roberts (am 1937-12-16)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1937-12-16)
Trompete:
Paul Campbell (trumpet) (am 1937-12-16)
vocals:
Fats Waller (am 1937-12-16)
recording of:
Every Day’s a Holiday (am 1937-12-16)
Verfasser(in):
Sam Coslow und Barry Trivers
3:20
25Two Sleepy People
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-10-13)
Klavier:
Fats Waller (am 1938-10-13)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-10-13)
Rohrblattinstrumente:
Gene Sedric (am 1938-10-13)
Schlagzeug:
Slick Jones (am 1938-10-13)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-10-13)
vocals:
Fats Waller (am 1938-10-13)
recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (am 1938-10-13)
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
3:07
4▼CD: Ain’t Misbehavin’
Nr.TitelBewertungLänge
1Yacht Club Swing
recorded in:
New York, New York, Vereinigte Staaten (am 1938-10-13)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-10-13)
Klavier:
Fats Waller (am 1938-10-13)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-10-13)
Rohrblattinstrumente:
Gene Sedric (am 1938-10-13)
Schlagzeug:
Slick Jones (am 1938-10-13)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-10-13)
recording of:
Yacht Club Swing (am 1938-10-13)
Komponist(in):
Herman Autrey (Jazz trumpet player), J.C. Johnson und Fats Waller
3:04
2The Spider and the Fly
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-12-07)
Klavier:
Fats Waller (am 1938-12-07)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-12-07)
Rohrblattinstrumente:
Gene Sedric (am 1938-12-07)
Schlagzeug:
Slick Jones (am 1938-12-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-12-07)
vocals:
Fats Waller (am 1938-12-07)
recording of:
Spider and the Fly (am 1938-12-07)
Verfasser(in):
J.C. Johnson, Andy Razaf und Fats Waller
3:08
3A Good Man Is Hard to Find
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-01-19)
Klavier:
Fats Waller (am 1939-01-19)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-01-19)
Rohrblattinstrumente:
Gene Sedric (am 1939-01-19)
Schlagzeug:
Slick Jones (am 1939-01-19)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1939-01-19)
vocals:
Fats Waller (am 1939-01-19)
recording of:
A Good Man Is Hard to Find (am 1939-01-19)
Komponist(in):
Eddie Green (1920's Jazz composer and actor) (in 1918)
publisher:
Mayfair Music Corp.
2:59
4Hold Tight
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-01-19)
Klavier:
Fats Waller (am 1939-01-19)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-01-19)
Rohrblattinstrumente:
Gene Sedric (am 1939-01-19)
Schlagzeug:
Slick Jones (am 1939-01-19)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1939-01-19)
vocals:
Fats Waller (am 1939-01-19)
recording of:
Hold Tight (am 1939-01-19)
Verfasser(in):
Jerry Brandow, Edward Robinson (songwriter), Lenny Kent, Willie Spotswood (US singer, composer, often credited as "Spotswood") und Leonard Ware (American jazz guitar player and composer)
32:18
5’Tain’t What You Do (It’s the Way That Cha Do It)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-03-09)
Klavier:
Fats Waller (am 1939-03-09)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-03-09)
Rohrblattinstrumente:
Gene Sedric (am 1939-03-09)
Schlagzeug:
Slick Jones (am 1939-03-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1939-03-09)
vocals:
Fats Waller (am 1939-03-09)
recording of:
It Ain’t What You Do (It’s the Way That You Do It) (am 1939-03-09)
Verfasser(in):
Sy Oliver und Trummy Young
2:52
6London Suite: Piccadilly,Chelsea,Soho,Bond Street,Limehouse,Whitechapel
Klavier:
Fats Waller (am 1939-06-13)
Kompilation von:
London Suite I: Piccadilly (1939-06-13: HMV matrix OEA-7878-1) von Fats Waller, London Suite II: Chelsea (1939-06-13: HMV matrix OEA-7879-1) von Fats Waller, London Suite III: Soho (1939-06-13: HMV matrix OEA-7880-1) von Fats Waller, London Suite IV: Bond Street (1939-06-13: HMV matrix OEA-7881-1) von Fats Waller, London Suite V: Limehouse (1939-06-13: HMV matrix OEA-7882-1) von Fats Waller und London Suite VI: Whitechapel (1939-06-13: HMV matrix OEA-7883-1) von Fats Waller
17:15
7Squeeze Me
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1939-08-10)
Klavier:
Fats Waller (am 1939-08-10)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-08-10)
Rohrblattinstrumente:
Gene Sedric (am 1939-08-10)
Schlagzeug:
Slick Jones (am 1939-08-10)
Trompete:
John Hamilton (jazz trumpet player) (am 1939-08-10)
vocals:
Fats Waller (am 1939-08-10)
recording of:
Squeeze Me (am 1939-08-10)
Texter:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
Komponist(in):
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
3:09
8Your Feet’s Too Big
recorded in:
New York, New York, Vereinigte Staaten (am 1939-11-03)
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1939-11-03)
Klavier:
Fats Waller (am 1939-11-03)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-11-03)
Rohrblattinstrumente:
Gene Sedric (am 1939-11-03)
Schlagzeug:
Slick Jones (am 1939-11-03)
Trompete:
John Hamilton (jazz trumpet player) (am 1939-11-03)
vocals:
Fats Waller (am 1939-11-03)
recording of:
Your Feet’s Too Big (am 1939-11-03)
Texter:
Ada Benson
Komponist(in):
Fred Fisher (in 1936)
3:08
9Darktown Strutters Ball
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1939-11-03)
Klavier:
Fats Waller (am 1939-11-03)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-11-03)
Rohrblattinstrumente:
Gene Sedric (am 1939-11-03)
Schlagzeug:
Slick Jones (am 1939-11-03)
Trompete:
John Hamilton (jazz trumpet player) (am 1939-11-03)
vocals:
Fats Waller (am 1939-11-03)
recording of:
Darktown Strutters’ Ball (am 1939-11-03)
Texter und Komponist(in):
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. und Leo Feist, Inc.
enthalten in:
Memories / Victory March / Memories II / The Darktown Strutter’s Ball (Stormy Weather, 1943)
Teil von:
For Me and My Gal (1942 movie)
2:47
10I Can’t Give You Anything but Love
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1939-11-03)
Klavier:
Fats Waller (am 1939-11-03)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-11-03)
Rohrblattinstrumente:
Eugene Sedric (am 1939-11-03)
Schlagzeug:
Slick Jones (am 1939-11-03)
Trompete:
John Hamilton (jazz trumpet player) (am 1939-11-03)
vocals:
Una Mae Carlisle (am 1939-11-03) und Fats Waller (am 1939-11-03)
recording of:
I Can’t Give You Anything but Love, Baby (am 1939-11-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:58
11Fats Waller’s Original E Flat Blues
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1940-07-16)
Klavier:
Fats Waller (am 1940-07-16)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1940-07-16)
Rohrblattinstrumente:
Eugene Sedric (am 1940-07-16)
Schlagzeug:
Slick Jones (am 1940-07-16)
Trompete:
John "Bugs" Hamilton (jazz trumpet player) (am 1940-07-16)
vocals:
Fats Waller (am 1940-07-16)
aufgenommen bei:
RCA Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1940-07-16)
3:16
12Pantin’ in the Panther Room
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1941-01-02)
Hammond-Orgel und Klavier:
Fats Waller (am 1941-01-02)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1941-01-02)
Rohrblattinstrumente:
Gene Sedric (am 1941-01-02)
Schlagzeug:
Slick Jones (am 1941-01-02)
Trompete:
John Hamilton (jazz trumpet player) (am 1941-01-02)
vocals:
Fats Waller (am 1941-01-02)
3:04
13Carolina Shout
recorded in:
New York, New York, Vereinigte Staaten (am 1941-05-13)
Klavier:
Fats Waller (am 1941-05-13)
recording of:
Carolina Shout (am 1941-05-13)
Komponist(in):
James P. Johnson
2:20
14Chant of the Groove
alto saxophone:
Dave McRae (US clarinetist & saxophonist) (am 1941-07-01) und Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1941-07-01)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1941-07-01)
Klavier:
Fats Waller (am 1941-07-01)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1941-07-01)
Posaune:
Raymond Hogan (am 1941-07-01) und George Wilson (jazz trombonist) (am 1941-07-01)
Schlagzeug:
Slick Jones (am 1941-07-01)
Tenorsaxophon:
Bob Carroll (jazz sax) (am 1941-07-01) und Gene Sedric (am 1941-07-01)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1941-07-01), John Hamilton (jazz trumpet player) (am 1941-07-01) und Bob Williams (horn player) (am 1941-07-01)
3:06
15Buck Jumpin’
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1941-10-01)
Klavier:
Fats Waller (am 1941-10-01)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1941-10-01)
Rohrblattinstrumente:
Eugene Sedric (am 1941-10-01)
Schlagzeug:
Slick Jones (am 1941-10-01)
Trompete:
John Hamilton (jazz trumpet player) (am 1941-10-01)
vocals:
Fats Waller (am 1941-10-01)
2:38
16Your Socks Don’t Match
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1941-12-26)
Klavier:
Fats Waller (am 1941-12-26)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1941-12-26)
Rohrblattinstrumente:
Gene Sedric (am 1941-12-26)
Schlagzeug:
Arthur Trappier (am 1941-12-26)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1941-12-26)
vocals:
Fats Waller (am 1941-12-26)
recording of:
Your Socks Don't Match (am 1941-12-26)
Texter:
Leo Corday
Komponist(in):
Leon Carr
3:07
17The Jitterbug Waltz
recorded in:
New York, New York, Vereinigte Staaten (am 1942-03-16)
alto saxophone:
Jackie Fields (am 1942-03-16), Lawrence Fields (saxophone) (am 1942-03-16) und George James (US jazz saxophonist) (am 1942-03-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1942-03-16)
Hammond-Orgel und Klavier:
Fats Waller (am 1942-03-16)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1942-03-16)
Posaune:
Herb Fleming (trombonist) (am 1942-03-16) und George Wilson (jazz trombonist) (am 1942-03-16)
Rohrblattinstrumente:
Gene Sedric (am 1942-03-16)
Schlagzeug:
Slick Jones (am 1942-03-16) und Arthur Trappier (am 1942-03-16)
Tenorsaxophon:
Bob Carroll (jazz sax) (am 1942-03-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1942-03-16), John Hamilton (jazz trumpet player) (am 1942-03-16), Joe Thomas (jazz trumpeter) (am 1942-03-16) und Nathaniel Williams (jazz trumpeter) (am 1942-03-16)
recording of:
Jitterbug Waltz (am 1942-03-16)
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp.
3:23
18Swing Out to Victory
recorded in:
New York, New York, Vereinigte Staaten (am 1942-07-13)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1942-07-13)
Klarinette und Tenorsaxophon:
Eugene Sedric (am 1942-07-13)
Klavier:
Fats Waller (am 1942-07-13, am 1942-07-30)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1942-07-13)
Rohrblattinstrumente:
Gene Sedric (am 1942-07-13)
Schlagzeug:
Arthur Trappier (am 1942-07-13)
Trompete:
John "Bugs" Hamilton (jazz trumpet player) (am 1942-07-13)
vocals:
Thomas "Fats" Waller (Fats Waller) (am 1942-07-13)
2:35
19Ain’t Misbehavin’
Gitarre:
Irving Ashby (am 1943-01-23)
Klavier:
Fats Waller (in 1943, am 1943-01-23)
Kontrabass:
Slam Stewart (am 1943-01-23)
Posaune:
Alton Moore (am 1943-01-23) und Slim Moore (trombonist linked to Fats Waller) (am 1943-01-23)
Rohrblattinstrumente:
Gene Porter (40s west coast jazz cat) (am 1943-01-23)
Schlagzeug:
Zutty Singleton (am 1943-01-23)
Trompete:
Benny Carter (am 1943-01-23)
vocals:
Fats Waller (am 1943-01-23)
Bearbeitung von:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) von “Fats” Waller (Fats Waller)
recording of:
Ain’t Misbehavin’ (am 1943-01-23)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
3:59
20Waller Jive / Hallelujah
2:45

Nennungen