Die schönsten Arien

~ Veröffentlichung von Maria Callas (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Rigoletto: “Gualtier Maldé! Caro nome”
recorded in:
Milano (Milan), Milano, Lombardia, Italien (von 1955-09-03 bis 1955-09-16)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Marullo]:
William Dickie (british bass-baritone) (von 1955-09-03 bis 1955-09-16)
Bass-Gesang [Il conte di Ceprano]:
Carlo Forti (operatic bass) (von 1955-09-03 bis 1955-09-16)
Chorgesang:
Coro del Teatro alla Scala di Milano (in 1955, von 1955-09-03 bis 1955-09-16)
Soprangesang [Gilda]:
Maria Callas (soprano) (von 1955-09-03 bis 1955-09-16)
Tenor-Gesang [Borsa]:
Renato Ercolani (tenor) (von 1955-09-03 bis 1955-09-16)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-09-03 bis 1955-09-16)
conductor:
Tullio Serafin (conductor) (von 1955-09-03 bis 1955-09-16)
chorus master:
Norberto Mola (chorus master) (von 1955-09-03 bis 1955-09-16)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-09-03 bis 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (von 1955-09-03 bis 1955-09-16)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi7:30
2Madama Butterfly: “Un bel dì vedremo”
Soprangesang:
Maria Callas (soprano) (in 1953)
Orchester:
Orchester der Mailänder Scala (Orchestra of La Scala, Milan) (in 1953)
conductor:
Herbert von Karajan (conductor) (in 1953)
live recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1953)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:29
3Il barbiere di Siviglia: “Una voce poco fa”
Soprangesang:
Maria Callas (soprano) (in 1955)
Orchester:
Sinfonie‐Orchester der RAI Rom (RAI Symphony Orchestra of Rome, founded 1936) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
live recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1955)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:48
4La traviata: “Addio del passato”
Soprangesang [Violetta Valéry]:
Maria Callas (soprano) (in 1953-09)
Orchester:
Orchestra Sinfonica di Torino della RAI (in 1953-09)
conductor:
Gabriele Santini (conductor) (in 1953-09)
aufgenommen bei:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italien (in 1953-09)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) (in 1953-09)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:27
5La bohème: “Sì, mi chiamano Mimì”
Soprangesang:
Maria Callas (soprano) (in 1953)
Orchester:
Sinfonie‐Orchester der RAI Rom (RAI Symphony Orchestra of Rome, founded 1936) (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
live recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1953)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:46
6Lucia di Lammermoor: “Spargi d’amaro pianto”
Soprangesang:
Maria Callas (soprano) (in 1960)
Orchester:
Sinfonie‐Orchester der RAI Rom (RAI Symphony Orchestra of Rome, founded 1936) (in 1960)
conductor:
Tullio Serafin (conductor) (in 1960)
live recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (in 1960)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:07
7Norma: “Casta Diva”
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Editing:
Jennifer Howells
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1960-09-05 bis 1960-09-12)
Soprangesang [Norma]:
Maria Callas (soprano) (von 1960-09-05 bis 1960-09-12)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1960-09-05 bis 1960-09-12)
conductor:
Tullio Serafin (conductor) (von 1960-09-05 bis 1960-09-12)
chorus master:
Norberto Mola (chorus master) (von 1960-09-05 bis 1960-09-12)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1960-09-05 bis 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (von 1960-09-05 bis 1960-09-12)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
live recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1961)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini5:33
8Tosca: “Vissi d’arte”
Produzent(in):
Walter Legge (British classical producer)
Soprangesang [Floria Tosca]:
Maria Callas (soprano) (von 1953-08-10 bis 1953-08-21)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1953-08-10 bis 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (von 1953-08-10 bis 1953-08-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
IDOL (Independent Distribution On Line) (in 2013)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1953-08-10 bis 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (von 1953-08-10 bis 1953-08-21)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:14
9La Gioconda: “Suicidio!”
Soprangesang [La Gioconda]:
Maria Callas (soprano) (von 1952-09-06 bis 1952-09-10)
Orchester:
Sinfonie‐Orchester der RAI Turin (von 1952-09-06 bis 1952-09-10)
conductor:
Antonino Votto (conductor) (von 1952-09-06 bis 1952-09-10)
phonographisches Urheberrecht (℗) von:
Nuova Fonit Cetra S.p.A. (company credits only; do NOT use as release label) (in 1953)
aufgenommen bei:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italien (von 1952-09-06 bis 1952-09-10)
recording of:
La Gioconda: Atto IV. Aria “Suicidio!” (Gioconda) (von 1952-09-06 bis 1952-09-10)
Komponist(in):
Amilcare Ponchielli (composer)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli4:34
10Medea: “Giason! Dei tuoi figli la madre”
Soprangesang:
Maria Callas (soprano) (in 1953)
Orchester:
Orchester der Mailänder Scala (Orchestra of La Scala, Milan) (in 1953)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1953)
live recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (in 1953)
Komponist(in):
Luigi Cherubini (composer)
Librettist:
François Benoît Hoffmann
Übersetzer:
Carlo Zangarini (in 1909)
Teil von:
Medea: Atto I
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea)
Komponist(in):
Luigi Cherubini (composer)
Librettist:
François Benoît Hoffmann
Übersetzer:
Carlo Zangarini (in 1909)
Teil von:
Medea: Atto I
Luigi Cherubini7:27
2▼CD
Nr.TitelKünstlerBewertungLänge
1Turandot: “Signore, ascolta”
Soprangesang:
Maria Callas (soprano) (in 1955)
Orchester:
Sinfonie‐Orchester der RAI Rom (RAI Symphony Orchestra of Rome, founded 1936) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
live recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (in 1955)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:27
2La Sonnambula: “Come per me sereno”
Soprangesang:
Maria Callas (soprano) (in 1957)
vocals:
Maria Callas (soprano)
Orchester:
Orchester der Mailänder Scala (Orchestra of La Scala, Milan) (in 1957)
conductor:
Antonino Votto (conductor) (in 1957)
live recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti) (in 1957)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
La sonnambula: Atto I
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
La sonnambula: Atto I
Vincenzo Bellini2:29
3I vespri siciliani: Siciliana
Soprangesang:
Maria Callas (soprano) (in 1955)
Orchester:
Sinfonie‐Orchester der RAI Rom (RAI Symphony Orchestra of Rome, founded 1936) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
live teilweise recording of:
I vespri siciliani (in 1955)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Charles Duveyrier und Eugène Scribe
übersetzte Version von:
Les Vêpres siciliennes
Giuseppe Verdi3:57
4Adriana Lecouvreur: “Poveri fiori”
Soprangesang:
Maria Callas (soprano) (in 1954)
Orchester:
Sinfonie‐Orchester der RAI Rom (RAI Symphony Orchestra of Rome, founded 1936) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
live recording of:
Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) (in 1954)
Komponist(in):
Francesco Cilea (composer)
Librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Adriana Lecouvreur: Atto IV
Francesco Cilea3:10
5Andrea Chénier: “La mamma morta”
Soprangesang:
Maria Callas (soprano) (in 1954)
Orchester:
Sinfonie‐Orchester der RAI Rom (RAI Symphony Orchestra of Rome, founded 1936) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
live recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (in 1954)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
Umberto Giordano4:50
6Il perdono di Ploermel: “Ombra leggiera”
Soprangesang:
Maria Callas (soprano) (in 1955)
Orchester:
Sinfonie‐Orchester der RAI Rom (RAI Symphony Orchestra of Rome, founded 1936) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
live recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah) (in 1955)
Komponist(in):
Giacomo Meyerbeer (composer)
Librettist:
Barbier, Carré (librettist) und De Lauzières
übersetzte Version von:
Dinorah : Acte II. "Ombre légère (Shadow Song)" (Dinorah)
Giacomo Meyerbeer5:38
7Gianni Schicchi: “O mio babbino caro”
Soprangesang:
Maria Callas (soprano) (in 1955)
Orchester:
Sinfonie‐Orchester der RAI Rom (RAI Symphony Orchestra of Rome, founded 1936) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
live recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1955)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:31
8Pagliacci: “Qual fiamma avea nel guardo”
Soprangesang:
Maria Callas (soprano) (in 1954)
Orchester:
Orchester der Mailänder Scala (Orchestra of La Scala, Milan) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
live recording of:
Pagliacci: Atto I. “Qual fiamma avea nel guardo!” (Nedda) (in 1954)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:39
9La forza del destino: “Pace, pace mio Dio”
Soprangesang:
Maria Callas (soprano) (in 1955)
Orchester:
Orchester der Mailänder Scala (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
live recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) (in 1955)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La forza del destino: Atto IV
Giuseppe Verdi6:22
10La Wally: “Ebben? ne andrò lontana”
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Soprangesang [Wally]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954, von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (in 1954, von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (von 1954-09-17 bis 1954-09-18)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (for cello and orchestra, arr. Cosma)
Komponist(in):
Alfredo Catalani (composer)
arranger:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
Arrangement von:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Alfredo Catalani4:47
11Amleto: “Ai vostri giochi”
Soprangesang:
Maria Callas (soprano) (in 1956)
Orchester:
Orchester der RAI Mailand (—1994; merged into RAI National SO) (in 1956)
conductor:
Alfredo Simonetto (Italian conductor) (in 1956)
live recording of:
Hamlet: Atto IV. "A vostri giochi … ed ora a voi” (Ofelia) (in 1956)
Komponist(in):
Ambroise Thomas (opera composer)
übersetzte Version von:
Hamlet : Acte IV. Scène et air d’Ophélie « À vos jeux mes amis » (Ophélie)
Teil von:
Hamlet (italian lyrics)
Ambroise Thomas10:01

Nennungen

Veröffentlichung

Editing:Wolfgang Mittermaier (engineer)
mastering:Friedrich Thein
urheberrechtlich geschützt (©) von:Cantus Classics (German) (in 1996)
phonographisches Urheberrecht (℗) von:AfHO (for copyrights use only; associated with Line Music GmbH and Cantus Classics) (in 1996)
Line Music GmbH (record company, do NOT use as label!) (in 1996)
mastered at:Thein Studio Bremen in Bremen, Bremen (Freie Hansestadt Bremen), Deutschland
ASIN:DE: B000024SRD [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/859483 [Info]