War Requiem / Spring Symphony / Five Flower Songs / Hymn to St. Cecilia

~ Release by Britten; John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

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1Spring Symphony, op. 44, Part I: Introduction: "Shine out, fair sun" (Chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 1. Introduction: Shine Out (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten8:38
2Spring Symphony, op. 44, Part I: The Merry Cuckoo (Tenor)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 2. The Merry Cuckoo (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Edmund Spenser (English poet)
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten1:55
3Spring Symphony, op. 44, Part I: Spring, the Sweet Spring (Soprano, Contralto, Tenor, Chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Catherine Robbin (Canadian mezzo-soprano) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Alison Hagley (soprano) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 3. Spring, the Sweet Spring (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Thomas Nashe
is based on:
Spring, the Sweet Spring
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten1:41
4Spring Symphony, op. 44, Part I: The Driving Boy (Children's Chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
The Boy Choristers of Salisbury Cathedral (in 1995-06) and The Girl Choristers of Salisbury Cathedral (in 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-06)
chorus master:
Richard Seal (conductor) (in 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 4. The Driving Boy (in 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
John Clare (shepherd poet) and George Peele
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten1:50
5Spring Symphony, op. 44, Part I: The Morning Star (Chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 5. The Morning Star (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
John Milton (English poet; composer of Paradise Lost)
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten2:59
6Spring Symphony, op. 44, Part II: Welcome Maids of Honour (Contralto)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Catherine Robbin (Canadian mezzo-soprano) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 2: 6. Welcome, Maids of Honour (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Robert Herrick (English poet)
part of:
Spring Symphony, op. 44: Part 2
Benjamin Britten2:35
7Spring Symphony, op. 44, Part II: Waters Above! (Tenor)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 2: 7. Waters Above! (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Henry Vaughan
part of:
Spring Symphony, op. 44: Part 2
Benjamin Britten2:28
8Spring Symphony, op. 44, Part II: Out on the Lawn I Lie in Bed (Alto, Chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Catherine Robbin (Canadian mezzo-soprano) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 2: 8. Out on the lawn I Lie in bed (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
W. H. Auden
part of:
Spring Symphony, op. 44: Part 2
Benjamin Britten5:50
9Spring Symphony, op. 44, Part III: When Will My May Come (Tenor)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 3: 9. When will my May Come? (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Richard Barnfield
part of:
Spring Symphony, op. 44: Part 3
Benjamin Britten2:26
10Spring Symphony, op. 44, Part III: Fair and Fair (Soprano, Tenor)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Alison Hagley (soprano) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 3: 10. Fair and Fair (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
George Peele
part of:
Spring Symphony, op. 44: Part 3
Benjamin Britten2:16
11Spring Symphony, op. 44, Part III: Sound the Flute! (Chorus, Children's Chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06), The Boy Choristers of Salisbury Cathedral (from 1995-05 until 1995-06) and The Girl Choristers of Salisbury Cathedral (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
chorus master:
Richard Seal (conductor) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 3: 11. Sound the Flute! (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
William Blake (English poet, painter, and printmaker)
part of:
Spring Symphony, op. 44: Part 3
Benjamin Britten1:22
12Spring Symphony, op. 44, Part IV: Finale: "London, to Thee I Do Present" (Tenor, Contralto, Soprano, Chorus, Children's Chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Catherine Robbin (Canadian mezzo-soprano) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06), The Boy Choristers of Salisbury Cathedral (from 1995-05 until 1995-06) and The Girl Choristers of Salisbury Cathedral (from 1995-05 until 1995-06)
soprano vocals:
Alison Hagley (soprano) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
chorus master:
Richard Seal (conductor) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 4: 12. Finale: London, to Thee I do Present (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
part of:
Spring Symphony, op. 44: Part 4
Benjamin Britten7:41
13Hymn to St. Cecilia, op. 27: I. In a garden shady
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Hymn to St. Cecilia, op. 27: I. In a Garden Shady (from 1995-05 until 1995-06)
lyricist:
W. H. Auden (from 1940 until 1942)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942)
part of:
Hymn to St. Cecilia, op. 27
Benjamin Britten2:31
14Hymn to St. Cecilia, op. 27: II. I cannot grow
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Hymn to St. Cecilia, op. 27: II. I Cannot Grow (from 1995-05 until 1995-06)
lyricist:
W. H. Auden (from 1940 until 1942)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942)
part of:
Hymn to St. Cecilia, op. 27
Benjamin Britten1:55
15Hymn to St. Cecilia, op. 27: II. O ear whose creatures
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Hymn to St. Cecilia, op. 27: III. O Ear Whose Creatures Cannot Wish to Fall (from 1995-05 until 1995-06)
lyricist:
W. H. Auden (from 1940 until 1942)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942)
part of:
Hymn to St. Cecilia, op. 27
Benjamin Britten5:25
16Five Flower Songs op. 47: 1. To Daffodils
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 1. To Daffodils (from 1995-05 until 1995-06)
lyricist:
Robert Herrick (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten1:55
17Five Flower Songs op. 47: 2. The Succession of the Four Sweet Months
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 2. The Succession of the Four Sweet Months (from 1995-05 until 1995-06)
lyricist:
Robert Herrick (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten1:49
18Five Flower Songs op. 47: 3. Marsh Flowers
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 3. Marsh Flowers (from 1995-05 until 1995-06)
lyricist:
George Crabbe
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten2:15
19Five Flower Songs op. 47: 4. The Evening Primrose
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 4. The Evening Primrose (from 1995-05 until 1995-06)
lyricist:
John Clare (shepherd poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten2:42
20Five Flower Songs op. 47: 5. Ballad of Green Broom
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 5. Ballad of Green Broom (from 1995-05 until 1995-06)
lyricist:
[anonymous] (special purpose artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten2:01
21War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam (Chorus)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08), NDR Vokalensemble (in 1992-08) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: I. Requiem aeternam (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (from 1917-09 until 1917-10)
part of:
War Requiem, op. 66
Benjamin Britten5:28
22War Requiem, op. 66: I. Requiem aeternam: "What passing bells for these who die as cattle?" (Tenor)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: I. Requiem aeternam (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (from 1917-09 until 1917-10)
part of:
War Requiem, op. 66
Benjamin Britten3:53
2▼CD
#TitleArtistRatingLength
1War Requiem, op. 66: II. Dies Irae: Dies irae, dies illa (Chorus)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten3:58
2War Requiem, op. 66: II. Dies Irae: "Bugles sang, saddening the evening air" (Baritone)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
baritone vocals:
Boje Skovhus (baritone) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten2:40
3War Requiem, op. 66: II. Dies Irae: Liber scriptus proferetur (Soprano, Chorus)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten2:52
4War Requiem, op. 66: II. Dies Irae: "Out there, we've walked quite friendly up to Death" (Tenor, Baritone)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
baritone vocals:
Boje Skovhus (baritone) (in 1992-08)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten1:45
5War Requiem, op. 66: II. Dies Irae: Recordare Jesu pie (Chorus)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten4:35
6War Requiem, op. 66: II. Dies Irae: "Be slowly lifted up, thou long black arm" (Baritone)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
baritone vocals:
Boje Skovhus (baritone) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten1:46
7War Requiem, op. 66: II. Dies Irae: Dies irae, dies illa (Chorus)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten1:23
8War Requiem, op. 66: II. Dies Irae: Lacrimosa dies illa (Soprano, Chorus)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten2:06
9War Requiem, op. 66: II. Dies Irae: "Move him into the sun" / Lacrimosa (Tenor/Soprano, Chorus)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-08)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: II. Dies irae (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
Thomas of Celano and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten5:51
10War Requiem, op. 66: III. Offertorium: Domine Jesu Christe (Boys' Choir)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08), NDR Vokalensemble (in 1992-08) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: III. Offertorium (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten3:52
11War Requiem, op. 66: III. Offertorium: "So Abram rose, and clave the wood" / Hostias (Baritone, Tenor/Boys' Choir)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
baritone vocals:
Boje Skovhus (baritone) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08), NDR Vokalensemble (in 1992-08) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1992-08)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: III. Offertorium (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten6:02
12War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth (Soprano, Chorus)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: IV. Sanctus (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten6:34
13War Requiem, op. 66: IV. Sanctus: "After the blast of lightning from the East" (Baritone)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
baritone vocals:
Boje Skovhus (baritone) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: IV. Sanctus (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten4:11
14War Requiem, op. 66: V. Agnus Dei: "One ever hangs where shelled roads part" / Agnus Dei (Tenor / Chorus)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live recording of:
War Requiem, op. 66: V. Agnus Dei (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen
part of:
War Requiem, op. 66
Benjamin Britten3:42
15War Requiem, op. 66: VI. Libera me: Libera me, Domine (Chorus, Soprano)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08) and NDR Vokalensemble (in 1992-08)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: VI. Libera me (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (in 1918)
part of:
War Requiem, op. 66
Benjamin Britten7:19
16War Requiem, op. 66: VI. Libera me: "It seemed that out of battle I escaped" (Tenor, Baritone)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
baritone vocals:
Boje Skovhus (baritone) (in 1992-08)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
live partial recording of:
War Requiem, op. 66: VI. Libera me (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (in 1918)
part of:
War Requiem, op. 66
Benjamin Britten9:23
17War Requiem, op. 66: VI. Libera me: "Let us sleep now" / In paradisum (Baritone, Tenor/Boys' Choir, Chorus, Soprano)
recording engineer:
Jürgen Bulgrin (sound engineer), Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Rainer Höpfner (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
organ:
Jürgen Lamke (pianist) (in 1992-08)
baritone vocals:
Boje Skovhus (baritone) (in 1992-08)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-08), NDR Vokalensemble (in 1992-08) and Tölzer Knabenchor (Tölz Boys’ Choir) (in 1992-08)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-08)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-08)
orchestra:
NDR-Sinfonieorchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1992-08)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-08)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (in 1992-08)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Schleswig-Holstein Music Festival 1992 (1992 –)
recorded at:
Marienkirche in Lübeck, Schleswig-Holstein, Germany (in 1992-08)
recording of:
War Requiem, op. 66: VI. Libera me (in 1992-08)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1961 until 1961-12-20)
librettist:
[traditional] (special purpose artist) and Wilfred Owen (in 1918)
part of:
War Requiem, op. 66
Benjamin Britten5:59

Credits

Release

part of:DG 2 CD (Deutsche Grammophon) (order: 44)
ASIN:UK: B00005V8YU [info]