Seventies Feelings

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Fire and Rain
engineer:
Bill Lazerus (in 1969-12)
producer:
Peter Asher (in 1969-12)
acoustic guitar and lead vocals:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
double bass:
Bobby ‘Wild, Wild’ West (in 1969-12)
drums (drum set):
Russ Kunkel (session drummer) (in 1969-12)
piano:
Carole King (in 1969-12)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1969-12)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 146) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 227)
recording of:
Fire and Rain (in 1969-12)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (ended), EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:24
2It's a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:31
3Dance With Me
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
Dance With Me
lyricist:
Johanna Hall
composer:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Orleans52:59
4Do That to Me One More Time
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
recording of:
Do That to Me One More Time
lyricist and composer:
Toni Tennille
publisher:
Fujipacific Music, Inc. and Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille4.653:55
5You and Me
producer:
Bob Ezrin
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Music International (trademark of Warner Music International the company) (in 1977)
remix of:
You and Me by Alice Cooper (the singer, active as a solo artist 1975‐present)
edit of:
You and Me by Alice Cooper (the singer, active as a solo artist 1975‐present)
recording of:
You and Me
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Dick Wagner
publisher:
Early Frost Music Corp., Ezra Music, Ezra Music Corp., Spirit One Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper53:27
6Get Closer
engineer:
Joe Bogan (Recording- and mixing engineer)
producer:
Louie Shelton
background vocals:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews and Carolyn Willis
solo soprano vocals:
Carolyn Willis
performer:
Seals & Crofts
strings arranger:
David Paich
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Get Closer (in 1976)
writer:
Dash Crofts and Jim Seals
publisher:
Dawnbreaker Music Co.
Seals & Crofts53:54
7Long Long Time
engineer:
Lee Hazin and Elliot Mazer
producer:
Elliot Mazer
bass and harpsichord:
Norbert Putnam
fiddle:
Buddy Spicher (American country and bluegrass fiddle player)
guitar:
Pete Wade
steel guitar:
Weldon Myrick
arranger:
Elliot Mazer and Norbert Putnam
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 171)
recording of:
Long Long Time
lyricist and composer:
Gary White (Texas musician and songwriter)
publisher:
RCA Music
Linda Ronstadt44:21
8Lonely People
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass, bass, guitar and keyboard, guitar and keyboard:
America (US folk/soft rock band)
drums (drum set) and percussion:
Willie Leacox
tape:
Pete Henderson (engineer)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Lonely People
writer:
Catherine Peek and Dan Peek
live recording of:
Lonely People
writer:
Catherine Peek and Dan Peek
America3.852:27
9Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:41
10How Much I Feel
producer:
Freddie Piro
bass:
Joe Puerta
drums (drum set), percussion and background vocals:
Burleigh Drummond
guitar, keyboard and lead vocals:
David Pack
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and Warner Music H.K. Ltd. (in 1997)
recording of:
How Much I Feel
lyricist and composer:
David Pack
publisher:
EMI Longitude Music and Longitude Music Co.
Ambrosia54:46
11That's the Way I've Always Heard It Should Be
producer:
Eddie Kramer (engineer)
mixer:
Eddie Kramer (engineer) and Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
acoustic guitar and piano:
Carly Simon
bass:
Gerry Jemmott, David Givens, Tony Levin (US rock bassist/Chapman stick player), Doug Rauch and Jim Wilkins
cello:
Harvey Shapiro (cellist)
drums (drum set):
John Siomos
guitar:
David Bromberg (American multi-instrumentalist, singer, and songwriter), Jimmy Johnson (Chicago blues guitarist James Earl Thompson) and Jimmy Ryan (American guitarist and singer/songwriter)
keyboard:
Paul Griffin (American pianist, session musician), Mark “Moogy” Klingman (American musician and songwriter) and Billy Mernit (American singer-songwriter, composer, lyricist, author and actor)
pedal steel guitar:
Jeff Baxter
strings:
Ed Freeman (producer, arranger, musician, and photographer)
vocals:
Carly Simon
strings [string arrangement] arranger and strings arranger:
Ed Freeman (producer, arranger, musician, and photographer)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
That’s the Way I’ve Always Heard It Should Be
lyricist:
Jacob Brackman
composer:
Carly Simon
publisher:
C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music and Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon3.654:15
12Don't Give Up on Us
vocals:
David Soul
phonographic copyright (℗) by:
David Soul (in 1976)
phonographic copyright (℗) by:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) and Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
lyricist and composer:
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. and Universal Music Publishing International Ltd.
David Soul33:37
13The Times of Your Life
recording of:
Times of Your Life
lyricist:
Bill Lane (lyricist)
composer:
Roger Nichols (musician/songwriter)
Paul Anka3:12
14I Honestly Love You
co-engineer:
Alan Rouse
engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Farrar
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
phonographic copyright (℗) by:
Festival Records International Ltd. (company; do NOT use as release label) (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
I Honestly Love You (in 1974)
lyricist:
Jeff Barry
composer:
Peter Allen (Australian singer‐songwriter)
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
publisher:
Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Woolnough Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John43:36
15Solitaire
recording of:
Solitaire
lyricist:
Phil Cody (of Neil Sedaka-fame)
composer:
Neil Sedaka
publisher:
EMI Jemaxal Music Inc., EMI Sosaha Music, Inc., Kirshner, Neil Sedaka Music (BMI-affiliated), R2M Publishing H. & R. Lastrada Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of SJL RSL Music Company, Sony/ATV Tunes LLC (ASCAP), Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Neil Sedaka5:00
16The Morning After
engineer:
Arnie Rosenberg
producer:
Carl Maduri
arranger:
Joe Hudson (US composer, string arranger and conductor)
phonographic copyright (℗) by:
20th Century-Fox Record Corporation (in 1972) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
The Morning After (from "The Poseidon Adventure")
writer:
Joel Hirschhorn (songwriter) and Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music and Twentieth Century Music Corp.
part of:
The 45th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1972 winner)
Maureen McGovern52:18
17Joanne
recording of:
Joanne
lyricist and composer:
Michael Nesmith (in 1970)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Nesmith3:10
18Lovin' You
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton4:01
19For the Love of Him
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 77)
recording of:
For the Love of Him
writer:
Henry Jerome and Bobbi Martin
Bobbi Martin2:35
20Dream Weaver
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 25)
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and WB Music Corp.
Gary Wright44:17
2▼CD
#TitleArtistRatingLength
1Time in a Bottle
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) and LeFrak-Moelis Records (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
Time in a Bottle (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:24
2Don't Cry Out Loud
engineer:
Milt Calise
producer and mixer:
Harry Maslin
bass guitar:
David Hungate
drums (drum set):
Jim Keltner
guitar:
Dennis Budimir and Lee Ritenour
piano:
Bill Payne
lead vocals:
Melissa Manchester
arranger:
Barry Fasman
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
produced for:
Melissa Manchester Productions, Inc.
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Don’t Cry Out Loud
lyricist:
Carole Bayer Sager (in 1976)
composer:
Peter Allen (Australian singer‐songwriter) (in 1976)
publisher:
Begonia Melodies Inc., Chappell Music Co. Inc., Chappell Music Ltd., Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd. and Woolnough Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Melissa Manchester53:52
3Diary
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Diary
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
Bread3:08
4Send in the Clowns
recording engineer:
Phil Ramone
producer:
Arif Mardin
conductor:
Jonathan Tunick
arranger:
Jonathan Tunick
phonographic copyright (℗) by:
Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (in 1975)
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
cover recording of:
Send In the Clowns (A Little Night Music)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
Judy Collins34:02
5Raindrops Keep Falling on My Head
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1969 winner)
B.J. Thomas2:56
6Deja Vu
recording of:
Déjà vu
lyricist:
Adrienne Anderson
composer:
Isaac Hayes
publisher:
Cotton Picking Soul Music, Rightsong Music Inc. and Universal Music Careers
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dionne Warwick3:48
7Suspicions
Eddie Rabbitt4:21
8Look What They've Done to My Song Ma
cover recording of:
What Have They Done to My Song, Ma?
lyricist and composer:
Melanie Safka (US singer‐songwriter Melanie Safka)
The New Seekers3:18
9Hobo's Lullaby
Arlo Guthrie43:57
10Ain't No Way to Treat a Lady
cover recording of:
Ain't No Way to Treat a Lady
lyricist and composer:
Harriet Schock
Helen Reddy3:26
11Vincent
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
Vincent (Starry Starry Night)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
translated version of:
Wim
Don McLean4.43:55
12Good Time Charlie's Got the Blues
recording of:
Good Time Charlie’s Got the Blues
lyricist and composer:
Danny O’Keefe
publisher:
Burlington Music Co., Ltd., Road Canon Music, Inc., Sixteen Stars Music (BMI-affiliated) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
Danny O’Keefe2:59
13Oh Me Oh My (I'm a Fool for You Baby)
Lulu2:45
14Come Saturday Morning
The Sandpipers3:03
15If You Leave Me Tonight I'll Cry
Jerry Wallace2:42
16Diamonds and Rust
recording of:
Diamonds & Rust
lyricist and composer:
Joan Baez (US folk singer)
dedicated to:
Bob Dylan
publisher:
Carlin Music Corporation and Chandos Music Company
Joan Baez4:44
17Remember When the Music
producer:
Howard Albert and Ron Albert
acoustic guitar:
Tom Chapin
electric guitar [electric guitars]:
Chuck Kirkpatrick
horn [horns] arranger and strings arranger:
Stephen Chapin
recording of:
Remember When the Music
lyricist and composer:
Harry Chapin
Harry Chapin3:50
18Don't Say You Don't Remember
Beverly Bremers3:28
19After the Lovin'
cover recording of:
After the Lovin’
lyricist:
Alan Bernstein
composer:
Ritchie Adams
Engelbert Humperdinck3.53:57
20Escape (The Pina Colada Song)
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Jim Boyer (producer/engineer) and Rupert Holmes
bass [electric bass]:
Frank Gravis
drums (drum set):
Leo Adamian
phonographic copyright (℗) by:
Geffen Records, Infinity Records Inc. and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Plaza Sound Studios in New York, New York, United States
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:37