Love and Tragedy

~ Release by Tchaikovsky, Berlioz, Prokofiev, Stravinsky, de Falla, Rimsky Korsakov; Lorin Maazel, Berliner Philharmoniker, Radio-Symphonie-Orchester Berlin (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Sleeping Beauty, Op. 66 (Excerpts)
Pyotr Ilyich Tchaikovsky41:51
2The Song of the Nightingale: I. Introduction. Presto
Igor Stravinsky2:27
3The Song of the Nightingale: II. Marche chinoise
Igor Stravinsky3:41
4The Song of the Nightingale: III. Chant du rossignole
Igor Stravinsky3:37
5The Song of the Nightingale: IV. Jeu du rossignol mecanique
Igor Stravinsky12:45
2▼CD
#TitleArtistRatingLength
1Roméo et Juliette, Op. 17, H 79 (Excerpts): The Capulet’s Ball
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 2. Roméo seul - Tristesse - Bruit lointain de bal et de concert - Grande Fête chez Capulet (from 1957-02 until 1997-06)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz11:46
2Roméo et Juliette, Op. 17, H 79 (Excerpts): Queen Mab
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 4. Scherzo: La Reine Mab, ou la Fée des Songes (from 1957-02 until 1957-06)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz7:42
3Roméo et Juliette, Op. 17, H 79 (Excerpts): Love Scene
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
partial recording of:
Roméo et Juliette, op. 17 : Deuxième partie: Nº 3. Scène d'amour: Nuit sereine - Le Jardin de Capulet, silencieux et désert « Ohé ! Capulets, bonsoir ! » - Les jeunes Capulets sortant de la fête, passent en chantant des réminiscences de la musique du bal (from 1957-02 until 1957-06)
lyricist:
Émile Deschamps (poet)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz17:36
4Roméo et Juliette, Op. 17, H 79 (Excerpts): Romeo at the Capulet’s Tomb
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
partial recording of:
Roméo et Juliette, op. 17 : Troisième partie : Nº 6. Roméo au tombeau des Capulets – Invocation – Réveil de Juliette – Joie délirante, désespoir – Dernières angoisses et mort des deux amants (from 1957-02 until 1957-06)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz7:59
3▼CD
#TitleArtistRatingLength
1Romeo and Juliet, TH 42
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
balance engineer:
Alfred Steinke (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1957-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky22:15
2Suite No. 2 from “Romeo and Juliet”, Op. 64ter (Excerpts): I. The Montagues and Capulets
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev5:27
3Suite No. 2 from “Romeo and Juliet”, Op. 64ter (Excerpts): IV. Dance
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: IV. Dance (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev1:50
4Suite No. 2 from “Romeo and Juliet”, Op. 64ter (Excerpts): VII. Romeo at Juliet’s Grave
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: VII. Romeo at Juliet's Grave (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev6:33
5Suite No. 2 from “Romeo and Juliet”, Op. 64ter (Excerpts): VI. Dance of the Girls with Lillies
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: VI. Dance of the Girls with Lilies (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev2:17
6Suite No. 1 from “Romeo and Juliet”, Op. 64bis: VII. Tybalt’s Death
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1957-06)
conductor:
Lorin Maazel (conductor) (in 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-06)
recording of:
Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt (in 1957-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet Suite no. 1, op. 64bis
Sergei Prokofiev4:43
4▼CD
#TitleArtistRatingLength
1The Firebird Suite: I. Introduction - II. The Firebird and Its Dance
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: I. Introduction (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
recording of:
L’Oiseau de feu: I. L’Oiseau de feu et sa danse (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:25
2The Firebird Suite: III. Variation of the Firebird
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: I. Variation de l’Oiseau de feu (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky1:16
3The Firebird Suite: IV. Ring Dance of the Princesses
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: II. Ronde des princesses (Khorovode) (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky5:30
4The Firebird Suite: V. Infernal Dance of King Kashchey
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:56
5The Firebird Suite: VI. Lullaby
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: III. Berceuse (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:26
6The Firebird Suite: VII. Finale
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:29
7El sombrero de tres picos (Excerpts)
Manuel de Falla20:10
8Capriccio espagnol, Op. 34: I. Alborada
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio espagnol, op. 34: I. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky‐Korsakov1:12
9Capriccio espagnol, Op. 34: II. Variazioni
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: II. Variazioni (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky‐Korsakov4:46
10Capriccio espagnol, Op. 34: III. Alboarada
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: III. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky‐Korsakov1:11
11Capriccio espagnol, Op. 34: IV. Scebe e canto gitano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: IV. Scena e canto gitano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky‐Korsakov4:27
12Capriccio espagnol, Op. 34: V. Fandango asturiano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: V. Fandango asturiano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky‐Korsakov3:05