Grandes Vozes: Colecção

~ Release by Frank Sinatra / Maria Callas / Nat King Cole / Billie Holiday / Édith Piaf (see all versions of this release, 1 available)

Tracklist

| |
1CD: CD 1: Frank Sinatra
#TitleArtistRatingLength
1You Make Me Feel So Young
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison (on 1956-01-09), Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-09)
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
recording of:
You Make Me Feel So Young (on 1956-01-09)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
E bi eit barn med deg
Frank Sinatra3.753:00
2I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Frank Sinatra2:57
3My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Frank Sinatra2:32
4Pennies From Heaven
cover recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
Frank Sinatra2:45
5What Is This Thing Called Love?
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison (on 1955-02-16)
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-16)
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1955-02-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Frank Sinatra12:35
6In the Wee Small Hours
recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Frank Sinatra3:01
7I've Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Frank Sinatra3:46
8Don't Worry 'Bout Me
recording of:
Don’t Worry ’Bout Me
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
Frank Sinatra3:12
9Can't We Be Friends?
recording of:
Can’t We Be Friends?
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
Frank Sinatra2:48
10Old Devil Moon
recording of:
Old Devil Moon (from “Finian’s Rainbow”)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
Frank Sinatra4:00
11They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Frank Sinatra1:59
12Too Marvelous for Words
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra2:31
13Three Coins in the FountainFrank Sinatra3:07
14The Girl Next DoorFrank Sinatra2:38
2CD: CD 2: Maria Callas
#TitleArtistRatingLength
1Gianni Schicchi: “O mio babbino caro”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Maria Callas2:37
2Tosca: “Vissi d'arte”
soprano vocals:
Maria Callas (soprano)
tenor vocals:
Giuseppe Di Stefano (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Maria Callas3:18
3Tosca: “Com'e lunga l'atesa” ... “Presto! Su, Mario”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Maria Callas3:32
4Tosca: “Amaro sol... Trionfo”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Maria Callas5:56
5Madama Butterfly: “Un bel dì vedremo”
baritone vocals:
Mario Borrelli
soprano vocals:
Maria Callas (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Maria Callas4:44
6Madama Butterfly: “Che tua madre”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Herbert von Karajan (conductor) (in 1953)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Maria Callas3:26
7Madama Butterfly: “Con onor muore”
producer:
Walter Legge (British classical producer)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Maria Callas5:21
8La Bohème: “Si, mi chiamano Mimì”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-15 until 1954-09-18)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Maria Callas4:51
9La Bohème: “Donde lieta usci”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-21)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (from 1954-09-15 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Maria Callas3:20
10Suor Angelica: “Senza mamma”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
Maria Callas5:29
11Manon Lescaut: “In quelle trine morbide”Maria Callas2:50
12Manon Lescaut: “Sola, perduta, abbandonata”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (on 1954-09-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1954-09-17)
conductor:
Tullio Serafin (conductor) (on 1954-09-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-17)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux) (on 1954-09-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
Maria Callas5:49
13Turandot: “Signore, ascolta”
soprano vocals:
Maria Callas (soprano)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Maria Callas2:29
14Turandot: “Tu che di gel sei cinta”
soprano vocals [Liù]:
Maria Callas (soprano)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
Maria Callas2:45
15Turandot: “In questa regia”
soprano vocals:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Maria Callas6:24
16Lucia di Lammermoor: Mad scene [Part I]
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Maria Callas5:00
17Lucia di Lammermoor: Mad scene [Part II]
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Maria Callas2:13
18Lucia di Lammermoor: Mad scene [Part III]
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Maria Callas5:38
3CD: CD 3: Nat King Cole
#TitleArtistRatingLength
1When I Fall in Love
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole3:03
2Unforgettable
celesta and piano:
Buddy Cole (on 1951-08-17)
cello:
Cy Bernard (on 1951-08-17) and Eleanor Slatkin (US cellist, b. Aller) (on 1951-08-17)
congas:
Joe Costanzo (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
drums (drum set):
Nick Fatool (on 1951-08-17)
guitar:
Bob Bain (guitarist) (on 1951-08-17)
harp:
Ann Mason Stockton (American harpist) (on 1951-08-17)
viola:
Paul Robyn (on 1951-08-17) and Dave Sterkin (on 1951-08-17)
violin:
Alex Beller (on 1951-08-17), Harry Bluestone (on 1951-08-17), Walter Edelstein (on 1951-08-17), Henry Hill (Violin player) (on 1951-08-17), Dan Lube (on 1951-08-17), Erno Neufeld (on 1951-08-17), Mischa Russell (violinist) (on 1951-08-17) and Marshall Sosson (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (on 1951-08-17)
conductor:
Nelson Riddle (on 1951-08-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole43:12
3Mona Lisa
cover recording of:
Mona Lisa
lyricist:
Raymond B. Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1950 winner)
Nat King Cole3:14
4Quizás, quizás, quizás
background vocals [chorus vocal]:
The Facundo Rivero Four (on 1958-02-20)
vocals:
Nat King Cole (on 1958-02-20)
orchestra:
Orquesta Cubana de Música Moderna (on 1958-02-20)
recorded at:
Panart Studios in La Habana (Havana), Cuba (on 1958-02-20)
cover recording of:
Quizás, quizás, quizás (on 1958-02-20)
lyricist and composer:
Osvaldo Farrés
publisher:
Peer International Corporation (BMI)
Nat King Cole42:43
5A Blossom Fell
bass:
Red Callender (on 1954-12-20)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-20)
cello:
Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-12-20)
flute:
Harry Klee (on 1954-12-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-12-20) and Champ Webb (on 1954-12-20)
French horn:
Vincent DeRosa (on 1954-12-20) and Joseph Eger (horn player) (on 1954-12-20)
guitar:
Al Hendrickson (on 1954-12-20)
harp:
Kathryn Julye (on 1954-12-20)
piano:
Ray Turner (pianist) (on 1954-12-20)
trombone:
Joe Howard (american trombone player) (on 1954-12-20)
trumpet:
Harry “Sweets” Edison (on 1954-12-20)
valve trombone:
Juan Tizol (on 1954-12-20)
viola:
Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
violin:
Israel Baker (American violinist) (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (violinist) (on 1954-12-20)
vocals:
Nat King Cole (on 1954-12-20)
orchestra:
Nelson Riddle and His Orchestra (on 1954-12-20)
conductor:
Nelson Riddle (on 1954-12-20)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-20)
recording of:
A Blossom Fell (on 1954-12-20)
writer and composer:
Howard Barnes, Harold Cornelius and Dominic John (songwriter, aka Dominic John)
Nat King Cole42:32
6(I Love You) For Sentimental Reasons
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-08-22)
guitar:
Oscar Moore (on 1946-08-22)
piano:
Nat King Cole (on 1946-08-22)
vocals:
Nat King Cole (on 1946-08-22)
performer:
The Nat King Cole Trio (on 1946-08-22)
recorded at:
WMCA Studios in New York, New York, United States (on 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (on 1946-08-22)
lyricist:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
Nat King Cole42:54
7Straighten Up and Fly Right
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
performer:
The Nat King Cole Trio (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Straighten Up and Fly Right (on 1943-11-30)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30)
Nat King Cole52:27
8Nature Boy
vocals:
Nat King Cole
recording of:
Nature Boy
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole2:40
9Acércate más
Nat King Cole2:46
10Too Young
recording of:
Too Young
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
Nat King Cole3:13
11Smile
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1954-07-27)
bass trombone:
George Roberts (american bass trombone) (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (US cellist, b. Aller) (on 1954-07-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (American horn player) (on 1954-07-27)
guitar:
John Collins (US jazz guitarist) (on 1954-07-27)
percussion:
Louis Singer (percussionist) (on 1954-07-27)
piano:
Bill Miller (pianist) (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (trombone) (on 1954-07-27)
viola:
Stanley Harris (US big band viola player) (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (violinist) (on 1954-07-27), Eudice Shapiro (Violinist) (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (American violinist and strings conductor) (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (on 1954-07-27)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
Nat King Cole2:54
12Pretend
producer:
Lee Gillette
double bass:
Joe Comfort (on 1952-12-30)
guitar:
Irving Ashby (on 1952-12-30)
piano:
Nat King Cole (on 1952-12-30)
vocals:
Nat King Cole (on 1952-12-30)
orchestra:
Nelson Riddle and His Orchestra (on 1952-12-30)
conductor:
Ralph Carmichael and Nelson Riddle
recording of:
Pretend (1952 song popularized by Nat King Cole) (on 1952-12-30)
lyricist:
Lew Douglas, Frank Lavere and Cliff Parman
composer:
Dan Belloc, Lew Douglas, Frank Lavere and Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Nat King Cole2:45
13(Get Your Kicks on) Route 66
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
Nat King Cole3:02
14(Merry Christmas to You) The Christmas Song
producer:
Lee Gillette
piano:
Nat King Cole (on 1961-03-30)
vocals:
Nat King Cole (on 1961-03-30)
conductor:
Ralph Carmichael (on 1961-03-30)
orchestrator:
Charles R. Grean and Pete Rugolo
part of:
Billboard Hot 100: 2025-12-27 (number: 6), Billboard Hot 100: 2026-01-03 (number: 6), Billboard Hot 100: 2025-12-20 (number: 8), Billboard Hot 100: 2025-12-13 (number: 9), Billboard Hot 100: 2025-12-06 (number: 18) and Billboard Hot 100: 2025-11-29 (number: 29)
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (on 1961-03-30)
lyricist:
Robert Wells (songwriter) (in 1945-07) and Mel Tormé (“The Velvet Fog”) (in 1945-07)
composer:
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
Nat King Cole3.753:12
4CD: CD 4: Billie Holiday
#TitleArtistRatingLength
1Lady Sing the Blues
recording of:
Lady Sings the Blues
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday3:47
2Trav'lin' Light
recorded in:
New York, New York, United States (on 1956-06-07)
bass:
Aaron Bell (jazz double bassist) (on 1956-06-07)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-06, on 1956-06-07)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-06)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-06, on 1956-06-07)
guitar:
Kenny Burrell (on 1956-06-06, on 1956-06-07)
piano:
Wynton Kelly (on 1956-06-06, on 1956-06-07)
tenor saxophone:
Paul Quinichette (on 1956-06-06, on 1956-06-07)
trumpet:
Charlie Shavers (on 1956-06-06, on 1956-06-07)
vocals:
Billie Holiday (on 1956-06-06)
recording of:
Trav’lin’ Light (on 1956-06-06)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
Billie Holiday23:10
3I Must Have That Man
recording of:
I Must Have That Man
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
Billie Holiday3:06
4Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:03
5God Bless the Child
recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday4:00
6Embraceable You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Embraceable You (on 1957-01-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Billie Holiday56:49
7Stormy WeatherBillie Holiday3:43
8Lover Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Billie Holiday3:36
9He's Funny That WayBillie Holiday3:15
10Yesterdays
recording of:
Yesterdays (on 1952-07-27)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
recording of:
Yesterdays (from 1960-02-11 to present)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Billie Holiday2:50
11I Get Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Billie Holiday5:41
12Please Don't Talk About Me
recording of:
Please Don’t Talk About Me When I’m Gone
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
Billie Holiday4:21
13Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday6:22
14I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Billie Holiday5:54
5CD: CD 5: Edith Piaf
#TitleArtistRatingLength
1La Vie En Rose
piano:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1946-10-09)
vocals:
Édith Piaf (on 1946-10-09)
orchestra:
Guy Luypaert and His Orchestra (on 1946-10-09)
conductor:
Guy Luypaerts (on 1946-10-09)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 71)
recording of:
La Vie en rose (French original) (on 1946-10-09)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi) and Édith Piaf
publisher:
Éditions Beuscher Arpège and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Édith Piaf53:09
2Rien De Rien
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
recording of:
Rien de rien (Not the famous "Je ne regrette rien") (on 1951-04-13)
lyricist:
Marcel Achard, Charles Aznavour and Mitty Goldin
composer:
Pierre Roche
Édith Piaf2:20
3Padam... Padam
vocals:
Édith Piaf (on 1951-10-15)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1951-10-15)
recording of:
Padam… padam (on 1951-10-15)
lyricist:
Henri Contet
composer:
Norbert Glanzberg
publisher:
Éditions Salabert
Édith Piaf3:18
4Hymne À L'Amour
choir vocals:
Les Chœurs René Saint-Paul (on 1950-05-02)
vocals:
Édith Piaf (on 1950-05-02)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1950-05-02)
recording of:
Hymne à l’amour (on 1950-05-02)
lyricist:
Édith Piaf
composer:
Marguerite Monnot
publisher:
Éditions Raoul Breton
Édith Piaf3:28
5Mon Legionnaire
vocals:
Édith Piaf (on 1937-01-28)
orchestra:
Orchestre Emile Stern (on 1937-01-28)
recording of:
Mon légionnaire (on 1937-01-28)
lyricist:
Raymond Asso
composer:
Marguerite Monnot
Édith Piaf3:53
6Milord
Édith Piaf4:43
7Mon Manège À Moi
recording of:
Mon manège à moi (Tu me fais tourner la tête)
lyricist:
Jean Constantin
composer:
Norbert Glanzberg
publisher:
Meridian (publisher)
Édith Piaf2:54
8La Foule
vocals:
Édith Piaf (on 1957-02-28)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1957-02-28)
recording of:
La Foule (on 1957-02-28)
lyricist:
Michel Rivgauche
composer:
Ángel Cabral (singer, guitarist, composer) (in 1936)
publisher:
Éditions Métropolitaines and Warner Chappell Music France
version of:
Que nadie sepa mi sufrir
Édith Piaf53:02
9Mon Dieu
recording of:
Mon Dieu
lyricist:
Michel Vaucaire
composer:
Charles Dumont (French singer and composer)
publisher:
Éditions Meridian (publisher)
Édith Piaf3:05
10Les Trois Cloches
vocals:
Édith Piaf (, on 1946-06-25) and Les Compagnons de la Chanson (on 1946-06-25)
conductor:
Claude Normand
arranger:
Marc Herrand
recording of:
Les Trois Cloches (on 1946-06-25)
lyricist and composer:
Gilles (Swiss composer/vocalist/actor Jean Villard Gilles) (in 1939)
publisher:
Marbot and Southern Music Publishing Company
Édith Piaf4:13
11L'Accordéoniste
vocals:
Édith Piaf (on 1956-05-25)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1956-05-25)
recording of:
L’Accordéoniste (on 1956-05-25)
lyricist and composer:
Michel Emer
recording of:
Regarde-moi toujours comme ça
lyricist:
Henri Contet
composer:
Marguerite Monnot
Édith Piaf3:38
12Comme Moi
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
live recording of:
Comme moi (on 1957-12-07)
lyricist:
Claude Delécluse and Michelle Senlis (French lyricist)
composer:
Marguerite Monnot
Édith Piaf2:59
13Avant Nous
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
recording of:
Avant nous (on 1956-02-08)
lyricist:
René Rouzaud (lyricist)
composer:
Marguerite Monnot
Édith Piaf3:01
14Bravo Pour Le Clown
vocals:
Édith Piaf (on 1953-07-18)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1953-07-18)
recording of:
Bravo pour le clown ! (on 1953-07-18)
lyricist:
Henri Contet
composer:
Louiguy (French composer Louis Guglielmi)
Édith Piaf3:06