| # | Title | Artist | Rating | Length |
|---|
| 1 | The Fairy Queen, Z. 629, Suite I: I. Air | Wiener Solisten & Wilfried Böttcher | | 1:40 |
| 2 | The Fairy Queen, Z. 629, Suite I: II. Rondeau | Wiener Solisten & Wilfried Böttcher | | 1:43 |
| 3 | The Fairy Queen, Z. 629, Suite I: III. Dance for the Fairies | Wiener Solisten & Wilfried Böttcher | | 0:57 |
| 4 | The Fairy Queen, Z. 629, Suite I: IV. Hornpipe | Wiener Solisten & Wilfried Böttcher | | 1:02 |
| 5 | The Fairy Queen, Z. 629, Suite I: V. Jig | Wiener Solisten & Wilfried Böttcher | | 1:15 |
| 6 | The Fairy Queen, Z. 629, Suite II: I. Prelude | Wiener Solisten & Wilfried Böttcher | | 1:27 |
| 7 | The Fairy Queen, Z. 629, Suite II: II. Mondey’s Dance | Wiener Solisten & Wilfried Böttcher | | 1:35 |
| 8 | The Fairy Queen, Z. 629, Suite II: III. Air | Wiener Solisten & Wilfried Böttcher | | 1:29 |
| 9 | The Fairy Queen, Z. 629, Suite II: IV. Chaconne | Wiener Solisten & Wilfried Böttcher | | 5:26 |
| 10 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Symphony (Largo-Allegro-Adagio) | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 3:54 |
| 11 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 2:13 |
| 12 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Sound the Trumpet | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 2:41 |
| 13 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art (reprise) | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 1:29 |
| 14 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Strike the Viol | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 5:13 |
| 15 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: the Day that Such a Blessing | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 3:12 |
| 16 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Bid the Virtues | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 3:04 |
| 17 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z, 323: These are the Sacred Charms | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 1:44 |
| 18 | Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: See Nature Rejoicing | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 2:51 |
| 19 | The Fantasias for Viol, Three-Voice Fantasia No. 1, in D Minor, Z. 732 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 2:47 |
| 20 | The Fantasias for Viol, Three-Voice Fantasia No. 2, in F Major, Z. 733 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 3:10 |
| 21 | The Fantasias for Viol, Three-Voice Fantasia No. 3, in G Minor, Z. 734 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 2:17 |
| 22 | The Fantasias for Viol, Four-Voice Fantasia No. 5, in D Minor, Z. 739 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 3:47 |
| 23 | The Fantasias for Viol, Four-Voice Fantasia No. 6, in a Minor, Z. 740 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 3:03 |
| 24 | The Fantasias for Viol, Four-Voice Fantasia No. 1, in G Minor, Z. 735 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 3:33 |
| 25 | The Fantasias for Viol, Four-Voice Fantasia No. 7, in E Minor, Z. 741 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 4:34 |
| 26 | The Fantasias for Viol, Four-Voice Fantasia No. 2, in B-flat Major, Z. 736 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 4:16 |
| 27 | The Fantasias for Viol, Four-Voice Fantasia No. 8, in G Major, Z. 742 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 3:35 |
| 28 | The Fantasias for Viol, Four-Voice Fantasia No. 3, in F Major, Z. 737 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 4:15 |
| 29 | The Fantasias for Viol, Four-Voice Fantasia No. 4, in C Minor, Z. 738 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 3:45 |
| 30 | The Fantasias for Viol, Four-Voice Fantasia No. 9, in D Minor, Z. 743 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 3:42 |
| 31 | The Fantasias for Viol, Fantasia upon One note, 5 Voices in F Major, Z. 744 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 2:49 |
| 32 | The Fantasias for Viol, in Nomine of 7 Part, Z. 747 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 2:17 |
| 33 | The Fantasias for Viol, in Nomine of 6 Parts, Z. 746 | Concentus Musicus Wien & Nikolaus Harnoncourt | | 3:31 |
| 34 | Rejoice in the Lord Alway (The Bell Anthem), Z. 49 | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 9:29 |
| 35 | Musick's Handmaid, Lessons 1-6: i. Song Tune in C Major, Z. T694 | George Malcolm | | 1:05 |
| 36 | Musick's Handmaid, Lessons 1-6: ii. Con Spirito, Z.647 | George Malcolm | | 0:53 |
| 37 | Musick's Handmaid, Lessons 1-6: iii. March in C Major, Z648 | George Malcolm | | 0:58 |
| 38 | Musick's Handmaid, Lessons 1-6: iv. New Minuet in D Minor, Z.T689 | George Malcolm | | 1:22 |
| 39 | Musick's Handmaid, Lessons 1-6: v. Minuet in a Minor, Z.649 | George Malcolm | | 1:03 |
| 40 | Musick's Handmaid, Lessons 1-6: vi. Minuet in a Minor, Z.650 | George Malcolm | | 0:55 |
| 41 | Musick's Handmaid, Lessons 7-12: i. a New Scotch Tune in G Major, Z. 655 | George Malcolm | | 1:27 |
| 42 | Musick's Handmaid, Lessons 7-12: ii. a New Ground in E Minor, Z. T682 | George Malcolm | | 2:29 |
| 43 | Musick's Handmaid, Lessons 7-12: iii. a New Irish Tune, Z. 646 | George Malcolm | | 0:34 |
| 44 | Musick's Handmaid, Lessons 7-12: iv. Rigadoon in C Major, Z. 653 | George Malcolm | | 0:45 |
| 45 | Musick's Handmaid, Lessons 7-12: v. Sefauchi's Farewell in D Minor, Z. 656 | George Malcolm | | 2:04 |
| 46 | Musick's Handmaid, Lessons 7-12: vi. Minuet in D Minor, Z. T688 | George Malcolm | | 1:12 |
| 47 | My Beloved Spake, Z. 28: Symphony | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 1:04 |
| 48 | My Beloved Spake, Z. 28: My Beloved Spake | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 0:55 |
| 49 | My Beloved Spake, Z. 28: For, Lo, the Winter is Past | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 1:48 |
| 50 | My Beloved Spake, Z. 28: the Time of Singing | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 1:47 |
| 51 | My Beloved Spake, Z. 28: and the Voice of the Turtle | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 1:31 |
| 52 | My Beloved Spake, Z. 28: the Fig Tree | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 1:04 |
| 53 | My Beloved Spake, Z. 28: Arise | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 0:35 |
| 54 | My Beloved Spake, Z. 28: My Beloved is Mine | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann & Kalmar Chamber Orchestra of London | | 3:07 |
| 55 | Harpsichord Suite No. 6 in D Major: I. Prelude | George Malcolm | | 0:24 |
| 56 | Harpsichord Suite No. 6 in D Major: II. Allemande | George Malcolm | | 2:40 |
| 57 | Harpsichord Suite No. 6 in D Major: III. Hornpipe | George Malcolm | | 1:08 |
| 58 | The Masque in Dioclesian, Z. 627: Call the Nymphs and the Fauns | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:44 |
| 59 | The Masque in Dioclesian, Z. 627: Let the Graces and Pleasures Repair | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:55 |
| 60 | The Masque in Dioclesian, Z. 627: Come, come away | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:08 |
| 61 | The Masque in Dioclesian, Z. 627: Behold O mighty’st of gods | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 4:18 |
| 62 | The Masque in Dioclesian, Z. 627: Paspe (Passepied) | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:52 |
| 63 | The Masque in Dioclesian, Z. 627: Oh the Sweet Delights of love | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:41 |
| 64 | The Masque in Dioclesian, Z. 627: Let monarchs fight for power and fame | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:53 |
| 65 | The Masque in Dioclesian, Z. 627: Make room for the great God | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:50 |
| 66 | The Masque in Dioclesian, Z. 627: I’m here with my jolly crew | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 2:26 |
| 67 | The Masque in Dioclesian, Z. 627: Dance of the Bacchanals | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:30 |
| 68 | The Masque in Dioclesian, Z. 627: Still I’m wishing, still desiring | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:51 |
| 69 | The Masque in Dioclesian, Z. 627: Can Drusilla give me no more? | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 3:11 |
| 70 | The Masque in Dioclesian, Z. 627: Canaries | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:31 |
| 71 | The Masque in Dioclesian, Z. 627: Tell me why, my charming fair | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 6:45 |
| 72 | The Masque in Dioclesian, Z. 627: Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:54 |
| 73 | The Masque in Dioclesian, Z. 627: All our days and nights | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 2:05 |
| 74 | The Masque in Dioclesian, Z. 627: Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:50 |
| 75 | The Masque in Dioclesian, Z. 627: Triumph Victorious Love | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 5:19 |
| 76 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Music | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 2:01 |
| 77 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Act Tune or Hornpipe | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:42 |
| 78 | The Masque in Dioclesian, Z. 627: Instrumental Interlude | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:42 |
| 79 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, Dance of the Furies | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 2:38 |
| 80 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, Second Act Tune | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:24 |
| 81 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, the Chair Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:24 |
| 82 | 82 the Masque in Dioclesian, Z. 627: Incidental Music in the play, Third Act Tune | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:43 |
| 83 | The Masque in Dioclesian, Z. 627: Instrumental Interlude | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 0:49 |
| 84 | The Masque in Dioclesian, Z. 627: Incidental Music in the play, Butterfly Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:40 |
| 85 | The Masque in Dioclesian, Z. 627: Country Dance | Concentus Musicus Wien, Alfred Deller, Honor Sheppard, Sally Le Sage, Philip Todd, Max Worthley & Maurice Bevan | | 1:05 |
| 86 | Chaconne in G Minor, Z. 730 | Wiener Kammerorchester & Franz Litschauer | | 8:52 |
| 87 | Fantasia in G minor, Z.735 | Wiener Kammerorchester & Franz Litschauer | | 3:38 |
| 88 | Fantasia in B-flat major, Z.736 | Wiener Kammerorchester & Franz Litschauer | | 3:29 |
| 89 | Fantasia in F major, Z.737 | Wiener Kammerorchester & Franz Litschauer | | 3:16 |
| 90 | Fantasia in C minor, Z.738 | Wiener Kammerorchester & Franz Litschauer | | 5:08 |
| 91 | Fantasia on One Note, Z.745 | Wiener Kammerorchester & Franz Litschauer | | 3:39 |
| 92 | Fantasia in D minor, Z.739 | Wiener Kammerorchester & Franz Litschauer | | 4:02 |
| 93 | Fantasia in a minor, Z.740 | Wiener Kammerorchester & Franz Litschauer | | 3:13 |
| 94 | Fantasia in E minor, Z.741 | Wiener Kammerorchester & Franz Litschauer | | 4:04 |
| 95 | Fantasia in G major, Z.742 | Wiener Kammerorchester & Franz Litschauer | | 3:22 |
| 96 | Fantasia in D minor, Z.743 | Wiener Kammerorchester & Franz Litschauer | | 3:41 |
| 97 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Symphony (Overture) | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | | 10:42 |
| 98 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail Bright Cecilia | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | | 4:51 |
| 99 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hark, Each Tree | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | | 5:13 |
| 100 | Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Tis Nature's Voice | April Cantelo, Gerald English, Alfred Deller, Maurice Bevan, Walter Bergmann, Peter Salmon, Wilfred Brown, John Frost, Kalmar Chamber Orchestra of London, Ambrosian Singers & Sir Michael Tippett | | 4:20 |
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