60s Soul 90s Soul

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:41
2Now I Know What Makes Otis Blue
recording of:
Now I Know What Made Otis Blue
composer:
Mick Leeson and Peter Vale (writer/arranger)
Paul Young3:38
3I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:31
4You’re All That Matters to Me
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
recording of:
You’re All That Matters to Me
writer:
Shelly Peiken, Curtis Stigers and Gregg Sutton
publisher:
C. Montrose’s Music, Inc., Hit & Run Music (Publishing) Ltd, Irving Music (BMI), Piccadilly Music Corporation, Rondor Music (London) Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Curtis Stigers34:35
5When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:49
6When You Tell Me That You Love Me
executive producer:
Diana Ross
producer:
Peter Asher
recording of:
When You Tell Me That You Love Me
lyricist:
John Bettis
composer:
Albert Hammond
publisher:
Albert Hammond Music, John Bettis Music, WB Music Corp. (1929–2019) and Windswept Music Ltd.
Diana Ross14:09
7What Becomes of the Brokenhearted
producer:
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Jimmy Ruffin4.652:54
8Move Closer
producer:
Yves Dessca and Pascal Rivaton
phonographic copyright (℗) by:
OVC Ltd., Dessca Entertainment Company (in 1984) and Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:17
9Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:53
10All Woman
recording of:
All Woman
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
Lisa Stansfield4:47
11(Take a Little) Piece of My Heart
producer:
Bert Russell Berns
vocals:
Erma Franklin (in 1967-08)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (in 1967-08)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
Piece of My Heart (in 1967-08)
writer:
Bert Russell and Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. and Wren Music Co.
Erma Franklin3.752:33
12Dreams
producer:
Richie Fermie
mixer:
John Brough
guitar:
Paul Noble (member of "Warm Jets")
phonographic copyright (℗) by:
Go Beat Ltd. (in 1993) and Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1993)
recording of:
Dreams (in 1993)
writer:
Tim Laws and Louise Gabrielle Bobb (British singer-songwriter)
publisher:
Imagem London Ltd., Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gabrielle33:40
13In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:30
14I Don’t Wanna Fight
recording of:
I Don’t Wanna Fight
writer:
Steve DuBerry, Billy Lawrie and Lulu (Scottish singer and actress, best known for “To Sir With Love”)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner4:24
15I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:13
16Would I Lie to You
producer:
Josh Deutsch
edit of:
Would I Lie to You? by Charles & Eddie
recording of:
Would I Lie to You?
writer:
Michael Leeson and Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L and BMG VM Music Ltd. (from 2013-05-16 to present)
Charles & Eddie3.353:39
17The Tracks of My Tears
recording of:
The Tracks of My Tears
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson2:48
18So Close
Dina Carroll3:51
19Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:55
20Come in Out of the Rain
vocals:
Wendy Moten
recording of:
Come In Out of the Rain
writer:
Curtiss Boone (songwriter, producer and musician from Detroit) and Ernest Williamson (Keyboard player, songwriter)
Wendy Moten34:14