Ultimate Hits Collection

~ Veröffentlichung von Ray Charles (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Mess Around
Produzent(in):
Herb Abramson und Ahmet Ertegun (US American Songwriter, producer)
baritone saxophone [baritone sax]:
Dave McRae (US clarinetist & saxophonist) (am 1953-05-17)
Gitarre:
MacHouston "Mickey" Baker (am 1953-05-17)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1953-05-17)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1953-05-17)
Schlagzeug:
Connie Kay (am 1953-05-17)
Tenorsaxophon [tenor sax]:
Sam "The Man" Taylor (US jazz/blues saxophonist 1916-1990) (am 1953-05-17)
Trompete:
Jesse Drakes (am 1953-05-17)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1953-05-17) und Renald Richard (am 1953-05-17)
arranger:
Jesse Stone
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1953-05-17)
recording of:
Mess Around (am 1953-05-17)
Verfasser(in):
Ahmet Ertegun (US American Songwriter, producer)
publisher:
Progressive Music (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:41
2I've Got a Woman
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-Tenorsaxophon:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
WGST Studio in Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2019) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 235)
recording of:
I Got a Woman (am 1954-11-18)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4.52:55
3A Fool for You
recorded in:
Miami, Florida, Vereinigte Staaten (am 1955-04-23)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
alto saxophone [alto sax] und baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1955-04-23)
Bass:
Roosevelt "Whiskey" Sheffield (am 1955-04-23)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1955-04-23)
Schlagzeug:
William Peeples (am 1955-04-23)
Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1955-04-23)
Trompete:
Joe Bridgewater (am 1955-04-23) und Riley Webb (am 1955-04-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1955-04-23)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
A Fool for You (am 1955-04-23)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
23:07
4Greenbacks
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Greenbacks (am 1954-11-18)
Texter und Komponist(in):
Renald Richard
12:51
5Drown in My Own Tears
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (am 1955-11-30)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
Kontrabass [bass]:
Paul West (bass) (am 1955-11-30)
Schlagzeug:
David "Panama" Francis (US swing jazz drummer) (am 1955-11-30)
Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1955-11-30)
Trompete:
Joe Bridgewater (am 1955-11-30) und Joshua "Jack" Willis (trumpet) (am 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-11-30)
cover recording of:
Drown in My Own Tears (am 1955-11-30)
Texter und Komponist(in):
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music und Trio Music Co., Inc.
3.353:22
6Hallelujah I Love Her So
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (am 1955-11-30)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
Kontrabass [bass]:
Paul West (bass) (am 1955-11-30)
Schlagzeug:
David "Panama" Francis (US swing jazz drummer) (am 1955-11-30)
Solo-Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1955-11-30)
Trompete:
Joe Bridgewater (am 1955-11-30) und Joshua "Jack" Willis (trumpet) (am 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-11-30)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Hallelujah, I Love Her So (am 1955-11-30)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music und Unichappell Music, Inc.
3.352:34
7Lonely Avenue
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone [baritone sax]:
Emmott Dennis (am 1956-05-16)
Bass:
Roosevelt "Whiskey" Sheffield (am 1956-05-16)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1956-05-16)
Schlagzeug:
William Peeples (am 1956-05-16)
Solo-Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1956-05-16)
Trompete:
Joe Bridgewater (am 1956-05-16) und John Hunt (trumpeter) (am 1956-05-16)
Hintergrundgesang:
The Cookies (50s girl group) (am 1956-05-16)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1956-05-16)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-05-16)
recording of:
Lonely Avenue (am 1956-05-16)
Texter und Komponist(in):
Doc Pomus
publisher:
Carlin Music Corporation, Great Moments in Music LLC, Pomus Songs Inc., Progressive Music (publisher), Spirit One Music, Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:36
8Ain't That Love
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone [baritone sax]:
Emmott Dennis (am 1956-11-26)
Bass:
Roosevelt "Whiskey" Sheffield (am 1956-11-26)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1956-11-26)
Schlagzeug:
William Peeples (am 1956-11-26)
Tamburin:
Jerry Wexler (am 1956-11-26)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1956-11-26)
Trompete:
Joe Bridgewater (am 1956-11-26) und John Hunt (trumpeter) (am 1956-11-26)
Hintergrundgesang:
The Raelettes (am 1956-11-26)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1956-11-26)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Ain’t That Love (am 1956-11-26)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Progressive Music (publisher)
22:54
9(Night Time Is) The Right Time
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer), Leiber and Stoller (songwriting team) und Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (am 1958-10-28)
Bass:
Edgar Willis (bass) (am 1958-10-28)
Hybrid-Piano:
Ray Charles (soul musician, singer and songwriter) (am 1958-10-28)
Schlagzeug:
Milt Turner (am 1958-10-28)
Solo-alto saxophone [alto sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1958-10-28)
Trompete:
Marcus Belgrave (am 1958-10-28) und Lee "Ricky" Harper" (Lee Harper, trumpet player (Ray Charles)) (am 1958-10-28)
Hintergrundgesang:
The Raelettes (am 1958-10-28)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1958-10-28) und Margie Hendrix (am 1958-10-28)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1958-10-28)
cover recording of:
Night Time Is the Right Time (am 1958-10-28)
Komponist(in):
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. und Tro-Essex Music
3.53:24
10What'd I Say, Parts I & II
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (am 1959-02-18)
Bass:
Edgar Willis (bass) (am 1959-02-18)
Hybrid-Piano:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
Schlagzeug:
Milt Turner (am 1959-02-18)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1959-02-18)
Trompete:
Marcus Belgrave (am 1959-02-18)
Hintergrundgesang:
The Raelettes (am 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 80)
recording of:
What’d I Say (am 1959-02-18)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
36:28
11Don't Let the Sun Catch You Cryin'
Produzent(in):
Nesuhi Ertegun und Jerry Wexler
Bass:
Wendell Marshall (am 1959-05-06)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1959-05-06)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1959-05-06)
Schlagzeug:
Ted Sommers (am 1959-05-06)
Ventilposaune:
Bob Brookmeyer (am 1959-05-06)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1959-05-06)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1959-05-06)
arranger:
Ralph Burns
aufgenommen bei:
6 West Recording in New York, New York, Vereinigte Staaten (am 1959-05-06) und Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-06)
cover recording of:
Don’t Let the Sun Catch You Cryin’ (am 1959-05-06)
Texter und Komponist(in):
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
publisher:
Northern Music (song publisher) und Universal Music Corp. (USA, affiliated with ASCAP)
2.53:45
12Them That Got
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1959-12-29)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1959-12-29)
Bass:
Edgar Willis (bass) (am 1959-12-29)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1959-12-29)
Schlagzeug:
Milton Turner (am 1959-12-29)
Solo-Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1959-12-29)
Trompete:
Marcus Belgrave (am 1959-12-29) und John Hunt (trumpeter) (am 1959-12-29)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1959-12-29)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-12-29)
recording of:
Them That Got (am 1959-12-29)
Komponist(in):
Ray Charles (soul musician, singer and songwriter)
22:50
13Sticks and Stones
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1960-04-27)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1960-04-27)
Bass:
Edgar Willis (bass) (am 1960-04-27)
Hybrid-Piano:
Ray Charles (soul musician, singer and songwriter) (am 1960-04-27)
Schlagzeug:
Milton Turner (am 1960-04-27)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1960-04-27)
Trompete:
Martin Banks (am 1960-04-27) und John Hunt (trumpeter) (am 1960-04-27)
Hintergrundgesang:
The Raelettes (am 1960-04-27)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1960-04-27)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-27)
recording of:
Sticks and Stones (am 1960-04-27)
Texter und Komponist(in):
Titus Turner
publisher:
Piccadilly Music Corporation, Tangerine Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:15
14Georgia on My Mind
Produzent(in):
Sid Feller
Bassgitarre:
Edgar Willis (bass) (am 1960-03-25)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1960-03-25)
Schlagzeug:
Milton Turner (am 1960-03-25)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1960-03-25)
arranger:
Ralph Burns
phonographisches Urheberrecht (℗) von:
Ray Charles Ent. (in 1960)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 16), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 44) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 283)
cover recording of:
Georgia on My Mind (am 1960-03-25)
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
43:40
15Ruby
Produzent(in):
Sid Feller
Bassgitarre:
Edgar Willis (bass) (am 1960-08-23)
Gitarre:
Bill Pittman (am 1960-08-23)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1960-08-23)
Schlagzeug:
Irving Cottler (am 1960-08-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1960-08-23)
arranger:
Marty Paich
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-23)
cover recording of:
Ruby (am 1960-08-23)
Orchestrator(in):
Marty Paich
Texter:
Mitchell Parish
Komponist(in):
Heinz Roemheld
publisher:
Miller Music (publisher) (in 1960)
13:53
16One Mint Julep
Produzent(in):
Creed Taylor
alto saxophone:
George Dorsey (am 1960-12-27) und Earle Warren (am 1960-12-27)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1960-12-27)
Gitarre:
Sam Herman (guitar, jazz) (am 1960-12-27)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1960-12-27)
Orgel:
Ray Charles (soul musician, singer and songwriter) (am 1960-12-27)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1960-12-27), Urbie Green (am 1960-12-27), Keg Johnson (jazz trombonist) (am 1960-12-27) und George Matthews (trombone) (am 1960-12-27)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1960-12-27)
Tenorsaxophon:
Budd Johnson (am 1960-12-27) und Seldon Powell (am 1960-12-27)
Trompete:
John Frosk (am 1960-12-27), Jimmy Nottingham (am 1960-12-27) und Joe Wilder (am 1960-12-27)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1960-12-27)
arranger:
Quincy Jones
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1960-12-27)
cover recording of:
One Mint Julep (am 1960-12-27)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Regent Music (BMI) und Unichappell Music
13:06
17I've Got News for You
Produzent(in):
Creed Taylor
alto saxophone:
Marshall Royal (am 1960-12-26) und Frank Wess (am 1960-12-26)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1960-12-26)
Gitarre:
Freddie Green (am 1960-12-26)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1960-12-26)
Orgel:
Ray Charles (soul musician, singer and songwriter) (am 1960-12-26)
Posaune:
Henry Coker (jazz trombonist) (am 1960-12-26), Urbie Green (am 1960-12-26), Al Grey (trombone) (am 1960-12-26) und Benny Powell (jazz trombonist) (am 1960-12-26)
Schlagzeug:
Sonny Payne (am 1960-12-26)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1960-12-26) und Billy Mitchell (US jazz saxophonist) (am 1960-12-26)
Trompete:
Eugene "Snooky" Young (am 1960-12-26), Phillip Guilbeau (am 1960-12-26), Thad Jones (American jazz trumpeter) (am 1960-12-26), Joe Newman (US jazz trumpeter) (am 1960-12-26) und Clark Terry (American swing trumpeter) (am 1960-12-26)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1960-12-26)
arranger:
Ralph Burns
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1960-12-26)
cover recording of:
I’ve Got News for You (am 1960-12-26)
Texter und Komponist(in):
Roy Alfred (Tin Pan Alley lyricist and composer)
publisher:
AVCO Embassy Music Publishing Inc. (beendet), Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music (London) Ltd.
14:33
2▼CD
Nr.TitelKünstlerBewertungLänge
1Hit the Road Jack
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1961-07-05)
Bass:
Edgar Willis (bass) (am 1961-07-05)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05)
Schlagzeug:
Edward "Bruno" Carr (am 1961-07-05)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1961-07-05)
Trompete:
Phillip Guilbeau (am 1961-07-05) und John Hunt (trumpeter) (am 1961-07-05)
Hintergrundgesang:
The Raelettes (am 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05) und Margie Hendrix (am 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-07-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 248)
recording of:
Hit the Road Jack (am 1961-07-05)
Texter und Komponist(in):
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles4.351:59
2Unchain My Heart
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1961-07-05)
Bass:
Edgar Willis (bass) (am 1961-07-05)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05)
Schlagzeug:
Edward "Bruno" Carr (am 1961-07-05)
Solo-Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1961-07-05)
Trompete:
Phillip Guilbeau (am 1961-07-05) und John Hunt (trumpeter) (am 1961-07-05)
Hintergrundgesang:
The Raelettes (am 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-07-05)
cover recording of:
Unchain My Heart (am 1961-07-05)
Texter und Komponist(in):
Bobby Sharp
Verfasser(in):
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Ray Charles32:52
3But on the Other Hand Baby
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1961-07-05)
Bass:
Edgar Willis (bass) (am 1961-07-05)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05)
Schlagzeug:
Edward "Bruno" Carr (am 1961-07-05)
Solo-Trompete:
Phillip Guilbeau (am 1961-07-05)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1961-07-05)
Trompete:
John Hunt (trumpeter) (am 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-07-05)
recording of:
But on the Other Hand
Verfasser(in):
Percy Mayfield
publisher:
Tangerine Music
Ray Charles3:14
4Hide 'Nor Hair
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1962-02-12)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1962-02-12)
Bass:
Edgar Willis (bass) (am 1962-02-12)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-12)
Schlagzeug:
Edward "Bruno" Carr (am 1962-02-12)
Solo-Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1962-02-12)
Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1962-02-12)
Trompete:
Phillip Guilbeau (am 1962-02-12) und John Hunt (trumpeter) (am 1962-02-12)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-12)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-02-12)
recording of:
Hide nor Hair (am 1962-02-12)
Texter und Komponist(in):
Percy Mayfield
publisher:
Tangerine Music Corp.
Ray Charles23:10
5At the Club
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1962-02-12)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1962-02-12)
Bass:
Edgar Willis (bass) (am 1962-02-12)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-12)
Schlagzeug:
Edward "Bruno" Carr (am 1962-02-12)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1962-02-12)
Trompete:
Phillip Guilbeau (am 1962-02-12) und John Hunt (trumpeter) (am 1962-02-12)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-12)
arranger:
Ray Charles (soul musician, singer and songwriter)
engineered at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-02-12)
recording of:
At the Club
Verfasser(in):
Percy Mayfield
Ray Charles3:01
6I Can't Stop Loving You
Techniker(in):
Bill Putnam
Produzent(in):
Sid Feller
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-15)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-15)
arranger:
Marty Paich
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-02-15)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 161)
cover recording of:
I Can’t Stop Lovin’ You (am 1962-02-15)
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC und Acuff-Rose Publications, Inc. (BMI) (am 1958-02-07)
Ray Charles3.654:14
7You Don't Know Me
Techniker(in):
Bill Putnam
Produzent(in):
Marty Paich
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-15)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1962-02-15)
arranger:
Marty Paich
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-02-15)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 6)
cover recording of:
You Don’t Know Me (am 1962-02-15)
Verfasser(in):
Eddy Arnold und Cindy Walker (US songwriter, singer and dancer)
publisher:
J. Albert & Son, Unichappell Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Unichappell Music, Inc. (in 1955), Hill and Range Songs, Inc. (publisher) (am 1955-08-19) und Mijac Music (in 2006)
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2006)
Ray Charles33:16
8You Are My Sunshine
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1962-09-05) und Rudy Powell (am 1962-09-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1962-09-05)
Bass:
Edgar Willis (bass) (am 1962-09-05)
Gitarre:
Elbert "Sonny" Forriest (am 1962-09-05)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1962-09-05)
Posaune:
Henderson Chambers (am 1962-09-05), Frederic "Keg" Johnson (jazz trombonist) (am 1962-09-05), James Harbert (am 1962-09-05) und Leon Comegee (am 1962-09-05)
Schlagzeug:
Edward "Bruno" Carr (am 1962-09-05)
Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1962-09-05) und David “Fathead” Newman (American jazz saxophonist) (am 1962-09-05)
Trompete:
Marcus Belgrave (am 1962-09-05), Wallace Davenport (am 1962-09-05), Phillip Guilbeau (am 1962-09-05) und John Hunt (trumpeter) (am 1962-09-05)
Hintergrundgesang:
The Raelettes (am 1962-09-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1962-09-05) und Margie Hendrix (am 1962-09-05)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1962-09-05)
cover recording of:
You Are My Sunshine (am 1962-09-05)
Nationalhymne von:
Louisiana, Vereinigte Staaten
Verfasser(in):
Jimmie Davis (American politician, singer and songwriter) und Charles Mitchell (1940s songwriter and steel guitarist)
publisher:
Peer International (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1940-01-30)
Ray Charles23:00
9Don't Set Me Free
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1963-01-03) und Rudy Powell (am 1963-01-03)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1963-01-03)
Bass:
Edgar Willis (bass) (am 1963-01-03)
Gitarre:
Elbert "Sonny" Forriest (am 1963-01-03)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1963-01-03)
Posaune:
Ed Burke (trombonist) (am 1963-01-03), Henderson Chambers (am 1963-01-03), Frederic "Keg" Johnson (jazz trombonist) (am 1963-01-03) und James Harbert (am 1963-01-03)
Schlagzeug:
Wilbert Hogan (jazz drummer) (am 1963-01-03)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1963-01-03) und Harold Vick (am 1963-01-03)
Trompete:
Marcus Belgrave (am 1963-01-03), Wallace Davenport (am 1963-01-03), Phillip Guilbeau (am 1963-01-03) und John Hunt (trumpeter) (am 1963-01-03)
Hintergrundgesang:
The Raelettes (am 1963-01-03)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1963-01-03) und Margie Hendrix (am 1963-01-03)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Don’t Set Me Free
Verfasser(in):
Teddy Powell und Bobby Sharp
Ray Charles2:37
10Take These Chains From My Heart
Techniker(in):
Al Schmitt
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1962-09-07)
Hintergrundgesang:
The Jack Halloran Singers (am 1962-09-07)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1962-09-07)
conductor:
Marty Paich (am 1962-09-07)
arranger:
Marty Paich
cover recording of:
Take These Chains From My Heart (am 1962-09-07)
Verfasser(in):
Hy Heath und Fred Rose (songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1952-10-31)
Ray Charles32:57
11No One
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1963-01-03) und Rudy Powell (am 1963-01-03)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1963-01-03)
Bass:
Edgar Willis (bass) (am 1963-01-03)
Gitarre:
Elbert "Sonny" Forriest (am 1963-01-03)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1963-01-03)
Posaune:
Ed Burke (trombonist) (am 1963-01-03), Henderson Chambers (am 1963-01-03), Frederic "Keg" Johnson (jazz trombonist) (am 1963-01-03) und James Harbert (am 1963-01-03)
Schlagzeug:
Wilbert Hogan (jazz drummer) (am 1963-01-03)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1963-01-03) und Harold Vick (am 1963-01-03)
Trompete:
Marcus Belgrave (am 1963-01-03), Wallace Davenport (am 1963-01-03), Phillip Guilbeau (am 1963-01-03) und John Hunt (trumpeter) (am 1963-01-03)
Hintergrundgesang:
The Raelettes (am 1963-01-03)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1963-01-03)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-01-03)
cover recording of:
No One
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
EMI Longitude Music, Hill and Range Songs, Inc. (publisher) und Pomus Songs
Ray Charles23:11
12Busted
Techniker(in):
Bob Arnold (engineer) und Bill Putnam
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1963-07-24) und Buddy Pearson (sax player) (am 1963-07-24)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1963-07-24)
Bassgitarre:
Edgar Willis (bass) (am 1963-07-24)
Gitarre:
Elbert "Sonny" Forriest (am 1963-07-24)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1963-07-24)
Posaune:
Henderson Chambers (am 1963-07-24), Frederic "Keg" Johnson (jazz trombonist) (am 1963-07-24), James Harbert (am 1963-07-24) und Julian Priester (am 1963-07-24)
Schlagzeug:
Wilbert Hogan (jazz drummer) (am 1963-07-24)
Tenorsaxophon [tenor sax]:
James Clay (am 1963-07-24) und David “Fathead” Newman (American jazz saxophonist) (am 1963-07-24)
Trompete:
Oliver Beener (trumpeter) (am 1963-07-24), Wallace Davenport (am 1963-07-24) und Phillip Guilbeau (am 1963-07-24)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1963-07-24)
Interpret(in):
The Ray Charles Big Band
arranger:
Benny Carter
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-07-24)
cover recording of:
Busted (am 1963-07-24)
Texter und Komponist(in):
Harlan Howard
Ray Charles12:12
13Crying Time
Klavier:
Ray Charles (soul musician, singer and songwriter) (in 1965-06)
Hintergrundgesang:
The Jack Halloran Singers (in 1965-06)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1965-06)
arranger:
Sid Feller
cover recording of:
Crying Time (in 1965-06)
Texter und Komponist(in):
Buck Owens (in 1964)
publisher:
Beachaven Music Corporation und Sony/ATV Tree Publishing
Ray Charles32:58
14Together Again
Produzent(in):
Sid Feller
Klavier:
Ray Charles (soul musician, singer and songwriter) (in 1965-01)
Hintergrundgesang:
The Jack Halloran Singers (in 1965-01)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1965-01)
arranger:
Sid Feller
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965-01)
cover recording of:
Together Again (in 1965-01)
Texter und Komponist(in):
Buck Owens
publisher:
Carlin Music Corporation
Ray Charles12:40
15Let's Go Get Stoned
Klavier:
Ray Charles (soul musician, singer and songwriter) (in 1965)
Orgel:
Billy Preston (in 1965)
Hintergrundgesang:
The Raelettes (in 1965)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1965)
aufgenommen bei:
RPM International Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
cover recording of:
Let’s Go Get Stoned (in 1965)
Texter und Komponist(in):
Jo Armstead, Nickolas Ashford und Valerie Simpson
Ray Charles13:02
16Yesterday
Bass:
Edgar Willis (bass) (in 1967-01)
Klavier und Orgel:
Ray Charles (soul musician, singer and songwriter) (in 1967-01)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1967-01)
arranger:
Sid Feller
engineered at:
RPM International Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-01)
cover recording of:
Yesterday (original by The Beatles) (in 1967-01)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (vom 1965 bis heute)
Ray Charles12:47
17America the Beautiful
Produzent(in):
Ray Charles (soul musician, singer and songwriter)
Bass:
Ray Brown (jazz bassist) (in 1972), Bob Cranshaw (in 1972) und Chuck Rainey (American bassist) (in 1972)
Gitarre:
Eric Gale (in 1972), Jim Hall (US jazz guitarist, composer & arranger) (in 1972) und Jean "Toots" Thielemans (in 1972)
Hybrid-Piano, Klavier und Orgel:
Ray Charles (soul musician, singer and songwriter) (in 1972)
Rohrblattinstrumente:
Hubert Laws (in 1972) und Jerome Richardson (in 1972)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1972)
Schlagzeug:
Grady Tate (in 1972)
Trompete:
Freddie Hubbard (in 1972), Joe Newman (US jazz trumpeter) (in 1972) und Ernie Royal (in 1972)
Hintergrundgesang:
The Raelettes (in 1972)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1972)
conductor:
Sid Feller (in 1972)
arranger:
Quincy Jones
cover recording of:
America the Beautiful (in 1972)
Texter:
Katharine Lee Bates
Komponist(in):
Samuel Augustus Ward
Ray Charles2.53:40
18Seven Spanish Angels
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Akustikgitarre:
Dale Sellers (Nashville session guitarist) (in 1984)
Bass:
Robert Wray (in 1984)
Keyboard:
Hargus "Pig" Robbins (in 1984)
klassiche Gitarre [gut string guitar]:
Pete Bordonali (in 1984) und Billy Sanford (guitar) (in 1984)
Mundharmonika:
Terry McMillan (in 1984)
Saiteninstrumente:
The “A” Strings (in 1984)
Schlagzeug:
Kenneth Malone (session drummer/percussion) (in 1984)
Steel-Gitarre:
Pete Drake (steel guitar player) (in 1984)
Trompete:
Bill McElhiney (in 1984) und Jose McElhiney (in 1984)
Hintergrundgesang:
Louis Nunley (in 1984), Lisa Silver (in 1984), Diane Tidwell (in 1984) und Hurshel Wiginton (in 1984)
Sologesang:
Ray Charles (soul musician, singer and songwriter) (in 1984) und Willie Nelson (in 1984)
conductor:
Bill McElhiney (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
aufgenommen bei:
Eleven Eleven Studio in Nashville, Tennessee, Vereinigte Staaten (in 1984) und Pedernales Recording Studio in Spicewood, Texas, Vereinigte Staaten (in 1984)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 24)
recording of:
Seven Spanish Angels (in 1984)
Verfasser(in):
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist) und Eddie Setser (In Groups: James Brown And The Dapps, Jellyroll, The Dapps)
publisher:
WB Music Group
Ray Charles feat. Willie Nelson3.253:52
19I'll Be Good to You
Synthesizer-Programmierung:
Michael Boddicker (in 1989), Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (in 1989), Steve Porcaro (in 1989) und Ian Underwood (in 1989)
Produzent(in):
Quincy Jones
Bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1989)
Gitarre:
George Johnson (member of Brothers Johnson, guitar) (in 1989)
Keyboard:
David Paich (in 1989), Greg Phillinganes (in 1989) und Ian Prince (US arranger/producer/composer) (in 1989)
Schlagzeug:
Harvey Mason (jazz drummer) (in 1989) und Bruce Swedien (in 1989)
Hintergrundgesang:
Siedah Garrett (in 1989), James Ingram (R&B singer) (in 1989), James Gilstrap (in 1989), George Johnson (member of Brothers Johnson, guitar) (in 1989), Louis Johnson (bass, member of Brothers Johnson) (in 1989), Phil Perry (US R&B/jazz singer, songwriter & musician) (in 1989) und Syretta Wright (US singer‐songwriter active 1970s–80s) (in 1989)
vocals:
Ray Charles (soul musician, singer and songwriter) (in 1989) und Chaka Khan (in 1989)
arranger:
Quincy Jones
cover recording of:
I’ll Be Good to You (in 1989)
Verfasser(in):
George Johnson (member of Brothers Johnson, guitar) und Louis Johnson (bass, member of Brothers Johnson)
Ray Charles feat. Quincy Jones & Chaka Khan14:56

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
art direction:Hugh Brown (US art director and photographer)
Design/Illustrationen:Rachel Gutek
liner notes:David Ritz (American author)
Produzent(in):James Austin (US producer, associated with Rhino Records)
Michael Johnson (UK recording engineer and producer)
Billy Vera
mastering:Terry Howard
Doug Sax
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Rhino Entertainment Company (not for release label use!) (vom 1999 bis heute)
mastered at:The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/4849806 [Info]
ASIN:US: B00000I72B [Info]