Kantaten BWV 173a, BWV 173, BWV 26

~ Release by Johann Sebastian Bach; Hans-Joachim Rotzsch (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Durchlauchtster Leopold, BWV 173a: 1. Rezitativ (Sopran) »Durchlauchtster Leopold«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02 until 1974-11)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
soprano vocals:
Regina Werner (German soprano) (from 1974-02 until 1974-11)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02 until 1974-11)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02 until 1974-11)
balance engineer:
Eberhard Richter (engineer) (from 1974-02 until 1974-11)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02 until 1974-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": I. Recitativo (Sopran) "Durchlauchtster Leopold" (from 1974-02 until 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach0:44
2Durchlauchtster Leopold, BWV 173a: 2. Arie (Sopran) »Güldner Sonnen frohe Stunden«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02 until 1974-11)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
soprano vocals:
Regina Werner (German soprano) (from 1974-02 until 1974-11)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02 until 1974-11)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02 until 1974-11)
balance engineer:
Eberhard Richter (engineer) (from 1974-02 until 1974-11)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02 until 1974-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": II. Aria (Sopran) "Güldner Sonnen frohe Stunden" (from 1974-02 until 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach4:42
3Durchlauchtster Leopold, BWV 173a: 3. Arie (Bass) »Leopolds Vortrefflichkeiten«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02 until 1974-11)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
bass vocals:
Siegfried Lorenz (baritone) (from 1974-02 until 1974-11)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02 until 1974-11)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02 until 1974-11)
balance engineer:
Eberhard Richter (engineer) (from 1974-02 until 1974-11)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02 until 1974-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": III. Basso solo "Leopolds Vortrefflichkeiten" (from 1974-02 until 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach2:02
4Durchlauchtster Leopold, BWV 173a: 4. Arie/Duett (Sopran, Bass) »Unter seinem Purpursaum«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02 until 1974-11)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
bass vocals:
Siegfried Lorenz (baritone) (from 1974-02 until 1974-11)
soprano vocals:
Regina Werner (German soprano) (from 1974-02 until 1974-11)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02 until 1974-11)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02 until 1974-11)
balance engineer:
Eberhard Richter (engineer) (from 1974-02 until 1974-11)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02 until 1974-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": IV. Aria (Sopran, Bass) "Unter seinem Purpursaum" (from 1974-02 until 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach4:19
5Durchlauchtster Leopold, BWV 173a: 5. Rezitativ (Sopran, Bass) »Durchlauchtigster, den Anhalt Vater nennt«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02 until 1974-11)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
bass vocals:
Siegfried Lorenz (baritone) (from 1974-02 until 1974-11)
soprano vocals:
Regina Werner (German soprano) (from 1974-02 until 1974-11)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02 until 1974-11)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02 until 1974-11)
balance engineer:
Eberhard Richter (engineer) (from 1974-02 until 1974-11)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02 until 1974-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": V. Recitativo (Sopran, Bass) "Durchlauchtigster, den Anhalt Vater nennt" (from 1974-02 until 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach1:17
6Durchlauchtster Leopold, BWV 173a: 6. Arie (Sopran) »So schau dies holden Tages Licht«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02 until 1974-11)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
soprano vocals:
Regina Werner (German soprano) (from 1974-02 until 1974-11)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02 until 1974-11)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02 until 1974-11)
balance engineer:
Eberhard Richter (engineer) (from 1974-02 until 1974-11)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02 until 1974-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": VI. Aria (Sopran) "So schau dies holden Tages Licht" (from 1974-02 until 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach4:16
7Durchlauchtster Leopold, BWV 173a: 7. Arie (Bass) »Dein Name gleich der Sonnen geh«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02 until 1974-11)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
bass vocals:
Siegfried Lorenz (baritone) (from 1974-02 until 1974-11)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02 until 1974-11)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02 until 1974-11)
balance engineer:
Eberhard Richter (engineer) (from 1974-02 until 1974-11)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02 until 1974-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": VII. Aria (Bass) "Dein Name gleich der Sonnen geh" (from 1974-02 until 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach3:13
8Durchlauchtster Leopold, BWV 173a: 8. Arie/Duett (Sopran, Bass) »Nimm auch, großer Fürst, uns auf«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02 until 1974-11)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
bass vocals:
Siegfried Lorenz (baritone) (from 1974-02 until 1974-11)
soprano vocals:
Regina Werner (German soprano) (from 1974-02 until 1974-11)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02 until 1974-11)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02 until 1974-11)
balance engineer:
Eberhard Richter (engineer) (from 1974-02 until 1974-11)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02 until 1974-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": VIII. Coro (Sopran, Bass) "Nimm auch, großer Fürst, uns auf" (from 1974-02 until 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach3:05
9Erhöhtes Fleisch und Blut, BWV 173: 1. Rezitativ (Tenor) »Erhöhtes Fleisch und Blut«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02-11 until 1974-11-19)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02-11 until 1974-11-09)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02-11 until 1974-11-09)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02-11 until 1974-11-09)
balance engineer:
Eberhard Richter (engineer) (from 1974-02-11 until 1974-11-19)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02-11 until 1974-11-09)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut" (from 1974-02-11 until 1974-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach0:51
10Erhöhtes Fleisch und Blut, BWV 173: 2. Arie (Tenor) »Ein geheiligtes Gemüte«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02-11 until 1974-11-19)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02-11 until 1974-11-09)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02-11 until 1974-11-09)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02-11 until 1974-11-09)
balance engineer:
Eberhard Richter (engineer) (from 1974-02-11 until 1974-11-19)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02-11 until 1974-11-09)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte" (from 1974-02-11 until 1974-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach4:22
11Erhöhtes Fleisch und Blut, BWV 173: 3. Arie (Alt) »Gott will, o ihr Menschenkinder«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02-11 until 1974-11-19)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
alto vocals:
Heidi Riess (contralto) (from 1974-02-11 until 1974-11-09)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02-11 until 1974-11-09)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02-11 until 1974-11-09)
balance engineer:
Eberhard Richter (engineer) (from 1974-02-11 until 1974-11-19)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02-11 until 1974-11-09)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder" (from 1974-02-11 until 1974-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach2:09
12Erhöhtes Fleisch und Blut, BWV 173: 4. Arie/Duett (Sopran, Bass) »So hat Gott die Welt geliebt«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02-11 until 1974-11-19)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
bass vocals:
Hermann Christian Polster (operatic bass) (from 1974-02-11 until 1974-11-09)
soprano vocals:
Regina Werner (German soprano) (from 1974-02-11 until 1974-11-09)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02-11 until 1974-11-09)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02-11 until 1974-11-09)
balance engineer:
Eberhard Richter (engineer) (from 1974-02-11 until 1974-11-19)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02-11 until 1974-11-09)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt" (from 1974-02-11 until 1974-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach4:28
13Erhöhtes Fleisch und Blut, BWV 173: 5. Rezitativ/Duett (Sopran, Tenor) »Unendlichster, den man doch Vater nennt«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02-11 until 1974-11-19)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
soprano vocals:
Regina Werner (German soprano) (from 1974-02-11 until 1974-11-09)
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02-11 until 1974-11-09)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02-11 until 1974-11-09)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02-11 until 1974-11-09)
balance engineer:
Eberhard Richter (engineer) (from 1974-02-11 until 1974-11-19)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02-11 until 1974-11-09)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt" (from 1974-02-11 until 1974-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach1:31
14Erhöhtes Fleisch und Blut, BWV 173: 6. Chor »Rühre, Höchster, unsern Geist«
recording engineer:
Hartmut Kölbach (engineer) (from 1974-02-11 until 1974-11-19)
producer:
Eberhard Geiger
editor:
Hildegard Mehe
choir vocals:
Thomanerchor Leipzig (from 1974-02-11 until 1974-11-09)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1974-02-11 until 1974-11-09)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1974-02-11 until 1974-11-09)
balance engineer:
Eberhard Richter (engineer) (from 1974-02-11 until 1974-11-19)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig, Sachsen (Saxony), Germany (from 1974-02-11 until 1974-11-09)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist" (from 1974-02-11 until 1974-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach3:06
15Ach wie flüchtig, ach wie nichtig, BWV 26: 1. Chor »Ach wie flüchtig, ach wie nichtig«
recording engineer:
Wolf-Dieter Stöbel (recording engineer) (from 1977-05-11 until 1977-05-13)
producer:
Eberhard Geiger
editor:
Liane Klasen
choir vocals:
Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
balance engineer:
Horst Kunze (balance engineer) (from 1977-05-11 until 1977-05-13)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1977-05-11 until 1977-05-13)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach3:10
16Ach wie flüchtig, ach wie nichtig, BWV 26: 2. Arie (Tenor) »So schnell ein rauschend Wasser schießt«
recording engineer:
Wolf-Dieter Stöbel (recording engineer) (from 1977-05-11 until 1977-05-13)
producer:
Eberhard Geiger
editor:
Liane Klasen
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
balance engineer:
Horst Kunze (balance engineer) (from 1977-05-11 until 1977-05-13)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1977-05-11 until 1977-05-13)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach6:52
17Ach wie flüchtig, ach wie nichtig, BWV 26: 3. Rezitativ (Alt) »Die Freude wird zur Traurigkeit«
recording engineer:
Wolf-Dieter Stöbel (recording engineer) (from 1977-05-11 until 1977-05-13)
producer:
Eberhard Geiger
editor:
Liane Klasen
alto vocals:
Rosemarie Lang (mezzo-soprano)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
balance engineer:
Horst Kunze (balance engineer) (from 1977-05-11 until 1977-05-13)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1977-05-11 until 1977-05-13)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:57
18Ach wie flüchtig, ach wie nichtig, BWV 26: 4. Arie (Bass) »An irdische Schätze das Herze zu hängen«
recording engineer:
Wolf-Dieter Stöbel (recording engineer) (from 1977-05-11 until 1977-05-13)
producer:
Eberhard Geiger
editor:
Liane Klasen
bass vocals:
Hermann Christian Polster (operatic bass)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
balance engineer:
Horst Kunze (balance engineer) (from 1977-05-11 until 1977-05-13)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1977-05-11 until 1977-05-13)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach4:25
19Ach wie flüchtig, ach wie nichtig, BWV 26: 5. Rezitativ (Sopran) »Die höchste Herrlichkeit und Pracht«
recording engineer:
Wolf-Dieter Stöbel (recording engineer) (from 1977-05-11 until 1977-05-13)
producer:
Eberhard Geiger
editor:
Liane Klasen
soprano vocals:
Regina Werner (German soprano)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
balance engineer:
Horst Kunze (balance engineer) (from 1977-05-11 until 1977-05-13)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1977-05-11 until 1977-05-13)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:55
20Ach wie flüchtig, ach wie nichtig, BWV 26: 6. Choral »Ach wie flüchtig, ach wie nichtig«
recording engineer:
Wolf-Dieter Stöbel (recording engineer) (from 1977-05-11 until 1977-05-13)
producer:
Eberhard Geiger
editor:
Liane Klasen
choir vocals:
Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
balance engineer:
Horst Kunze (balance engineer) (from 1977-05-11 until 1977-05-13)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1977-05-11 until 1977-05-13)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig"
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:46