The Very Best of Buddy Holly and the Crickets

~ Veröffentlichung von Buddy Holly and The Crickets (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Heartbeat
Produzent(in):
Norman Petty
Bass:
George Atwood (von 1958-05-25 bis 1958-05-26)
Gitarre:
Tommy Allsup (von 1958-05-25 bis 1958-05-26) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
Schlagzeug:
Jerry Allison (von 1958-05-25 bis 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1958-05-25 bis 1958-05-26)
recording of:
Heartbeat (von 1958-05-25 bis 1958-05-26)
Verfasser(in):
Bob Montgomery (USA) und Norman Petty
publisher:
Melody Lane Publications Inc. und Peermusic (UK) Limited
Buddy Holly4.652:11
2That’ll Be the Day
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly4.62:17
3Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
Buddy Holly4.52:31
4Oh, Boy!
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
Hintergrundgesang:
Bob Lapham (am 1957-08-18), Bill Pickering (am 1957-08-18) und John Pickering (vocalist and leader of The Picks) (am 1957-08-18)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01, am 1957-08-18)
recording of:
Oh, Boy! (von 1957-07-01 bis 1957-08-18)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
Buddy Holly42:10
5Rave On
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-25)
Produzent(in):
Milton DeLugg, Norman Petty und Bob Thiele (producer & songwriter)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-01-25, am 1958-01-26)
Gitarre:
Donald Amone (am 1958-01-25), Al Caiola (am 1958-01-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-26)
Klavier:
Norman Petty (am 1958-01-25, am 1958-01-26)
Schlagzeug:
Jerry Allison (am 1958-01-25, am 1958-01-26)
Hintergrundgesang:
Robert Bollinger (am 1958-01-25), Robert Harter (am 1958-01-25), Abby Hoffer (am 1958-01-25), William Marine (am 1958-01-25) und Merril Ostrus (am 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-25, am 1958-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1958-01-26)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 154)
cover recording of:
Rave On (am 1958-01-26)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
Buddy Holly4.21:51
6Think It Over
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (in 1958-02)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
Klavier:
Vi Petty (in 1958-02)
Schlagzeug:
Jerry Allison (in 1958-02)
Hintergrundgesang:
The Roses (American rock backing vocal trio) (in 1958-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (in 1958-02)
recording of:
Think It Over (in 1958-02)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
Buddy Holly41:48
7Brown Eyed Handsome Man
recording engineer:
Norman Petty (von 1956-12 bis 1957-01)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (von 1956-12 bis 1957-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
Schlagzeug:
Jerry Allison (von 1956-12 bis 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1956-12 bis 1957-01)
cover recording of:
Brown Eyed Handsome Man (von 1956-12 bis 1957-01)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly3.352:06
8Love’s Made a Fool of You
Produzent(in):
Norman Petty
Bass:
George Atwood (von 1958-07 bis 1958-08)
Gitarre:
Tommy Allsup (von 1958-07 bis 1958-08) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-07 bis 1958-08)
Schlagzeug:
Bo Clarke (von 1958-07 bis 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-07 bis 1958-08)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1958-07 bis 1958-08)
recording of:
Love’s Made a Fool of You (von 1958-07 bis 1958-08)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
Buddy Holly32:01
9True Love Ways
Produzent(in):
Dick Jacobs (arranger, musician and bandleader)
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1960) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1958-10-21)
recording of:
True Love Ways (am 1958-10-21)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.52:50
10Raining in My Heart
Produzent(in):
Dick Jacobs (arranger, musician and bandleader)
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Bratsche / Viola:
Howard Kay (Violin player) (am 1958-10-21) und David Schwartz (violist) (am 1958-10-21)
Cello:
Maurice Bialkin (am 1958-10-21) und Maurice Brown (jazz cellist) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1959) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1958-10-21)
recording of:
Raining in My Heart (am 1958-10-21)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC und Sony/ATV Music Publishing (UK) Ltd.
Buddy Holly52:49
11Everyday
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-29)
Celesta:
Vi Petty (am 1957-05-29)
Gitarre und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Perkussion [cardboard box percussion]:
Jerry Allison (am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-29)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 236)
recording of:
Everyday (am 1957-05-27)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:09
12Wishing
Produzent(in):
Norman Petty
Bass:
George Atwood (von 1958-07 bis 1958-08)
Gitarre:
Tommy Allsup (von 1958-07 bis 1958-08) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-07 bis 1958-08)
Schlagzeug:
Bo Clarke (von 1958-07 bis 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-07 bis 1958-08)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1963)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1958-07 bis 1958-08)
recording of:
Wishing (von 1958-07 bis 1958-08)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery (USA)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Buddy Holly42:02
13It’s So Easy
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1958-06 bis 1958-08)
Gitarre:
Tommy Allsup (von 1958-06 bis 1958-08) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-06 bis 1958-08)
Schlagzeug:
Jerry Allison (von 1958-06 bis 1958-08)
Hintergrundgesang:
The Roses (American rock backing vocal trio) (von 1958-06 bis 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-06 bis 1958-08)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1958-06 bis 1958-08)
recording of:
It’s So Easy (von 1958-06 bis 1958-08)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
Buddy Holly3.52:11
14Listen to Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
Listen to Me (von 1957-06-29 bis 1957-07-01)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
Verfasser(in):
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
Buddy Holly3.52:22
15It Doesn’t Matter Anymore
Produzent(in):
Dick Jacobs (arranger, musician and bandleader) und Norman Petty
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Bratsche / Viola:
Howard Kay (Violin player) (am 1958-10-21) und David Schwartz (violist) (am 1958-10-21)
Cello:
Maurice Bialkin (am 1958-10-21) und Maurice Brown (jazz cellist) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1959) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1958-10-21)
recording of:
It Doesn’t Matter Anymore (am 1958-10-21)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
Buddy Holly2.752:05
16Words of Love
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-04-08)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
Schlagzeug:
Jerry Allison (am 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-04-08)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-04-08)
cover recording of:
Words of Love (Buddy Holly song) (am 1957-04-08)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. und Southern Music Publishing Company Limited
recording of:
Words of Love (Buddy Holly song)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. und Southern Music Publishing Company Limited
Buddy Holly41:56
17I’m Gonna Love You Too
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
I’m Gonna Love You Too (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty und Niki Sullivan
publisher:
MPL (Paul McCartney-related) (beendet), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
Buddy Holly4.52:15
18Well… All Right
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-12)
Becken:
Jerry Allison (am 1958-02-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1958-02-12)
recording of:
Well… All Right (am 1958-02-12)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
Buddy Holly42:15
19Bo Diddley
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
cover recording of:
Bo Diddley
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Buddy Holly52:21
20Blue Suede Shoes
recorded in:
Lubbock, Texas, Vereinigte Staaten (von 1956-11 bis 1956-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
Schlagzeug:
Jerry Allison (von 1956-11 bis 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1964) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Blue Suede Shoes (von 1956-11 bis 1956-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly41:54
21Shake Rattle & Roll
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
cover recording of:
Shake, Rattle and Roll
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
Buddy Holly41:24
22What to Do
recorded in:
New York, Vereinigte Staaten (in 1959-01)
Produzent(in):
Norman Petty
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
Instrumente:
The Fireballs (USA 1960s surf rock band)
Hintergrundgesang:
The Fireballs (USA 1960s surf rock band)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recording of:
What to Do (vom 1959-01 bis ????)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
Buddy Holly3.51:55
23Midnight Shift
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre:
Sonny Curtis (am 1956-01-26), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26) und Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Midnight Shift (am 1956-01-26)
Verfasser(in):
Jimmie Ainsworth und Earl Lee (Luke McDaniel, track "Midnight Shift")
publisher:
Good Music (UK Publisher (1950s - 1970s)) und Sony Tree Publishing Co., Inc.
Buddy Holly42:11
24Love Is Strange
Produzent(in):
Norman Petty
Hintergrundgesang:
The Fireballs (USA 1960s surf rock band)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1969)
cover recording of:
Love Is Strange
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
Buddy Holly3:05
25Crying, Waiting, Hoping
Produzent(in):
Norman Petty
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1965)
recording of:
Crying, Waiting, Hoping
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited und Southern Music Pub. Co. Ltd.
Buddy Holly2:05
2▼CD
Nr.TitelKünstlerBewertungLänge
1Peggy Sue Got Married
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-05, am 1959-06-30)
Produzent(in):
Jack Hansen
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
Bass:
Sanford Bloch (Bass player) (am 1959-06-30)
Gitarre:
Donald Amone (am 1959-06-30)
Klavier:
Andrew Ackers (am 1959-06-30)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-06-30)
Hintergrundgesang:
The Ray Charles Singers (am 1959-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1959)
recording of:
Peggy Sue Got Married (von 1958-12-05 bis 1959-06-30)
Komponist(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
Buddy Holly2:07
2Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Buddy Holly3.752:04
3Early in the Morning
recorded in:
New York, New York, Vereinigte Staaten (am 1958-06-19)
Produzent(in):
Dick Jacobs (arranger, musician and bandleader)
Bass:
Sanford Bloch (Bass player) (am 1958-06-19)
Gitarre:
George Barnes (am 1958-06-19), Al Chernet (am 1958-06-19) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-06-19)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-06-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1958-06-19) und Philip Kraus (am 1958-06-19)
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (am 1958-06-19)
Hintergrundgesang:
The Helen Way Singers (am 1958-06-19), Theresa Merritt (am 1958-06-19), Maeretha Stewart (am 1958-06-19), Helen Way (am 1958-06-19) und Harriet Young (am 1958-06-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-06-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
cover recording of:
Early in the Morning (am 1958-06-19)
Verfasser(in):
Bobby Darin und Woody Harris
publisher:
Good Music Ltd., Royalty und United Artists Music Co., Inc.
Buddy Holly52:08
4You’re So Square (Baby, I Don’t Care)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (am 1957-12-19)
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
Buddy Holly51:37
5Reminiscing
Produzent(in):
Norman Petty
Bassgitarre:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Saxophon:
King Curtis (saxophonist)
Schlagzeug:
Jerry Allison
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1962)
recording of:
Reminiscing
Texter und Komponist(in):
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) und Nor-Va-Jak Music, Inc
Buddy Holly2:01
6Valley of Tears
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter)
Klavier:
Vi Petty
Orgel:
Norman Petty
Schlagzeug:
Jerry Allison
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
cover recording of:
Valley of Tears
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter und Travis Music Co.
Buddy Holly42:09
7Learning the Game
Produzent(in):
Norman Petty
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1966)
recording of:
Learning the Game
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Southern Music Pub. Co. Ltd.
Buddy Holly2:02
8Look at Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Klavier:
Vi Petty (am 1957-12-19)
Perkussion [cardboard box]:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
recording of:
Look at Me (von 1957-05 bis 1957-07)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
Buddy Holly52:05
9Fool’s Paradise
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (in 1958-02)
Gitarre und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
Klavier:
Vi Petty (in 1958-02)
Schlagzeug:
Jerry Allison (in 1958-02)
Hintergrundgesang:
The Roses (American rock backing vocal trio) (in 1958-02)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (in 1958-02)
recording of:
Fool’s Paradise (in 1958-02)
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
Buddy Holly32:30
10Take Your Time
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter)
Orgel:
Norman Petty
Schlagzeug:
Jerry Allison
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
recording of:
Take Your Time
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Buddy Holly51:58
11Not Fade Away
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-27)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
Gitarre [lead guitar], Gitarre [rhythm guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-29)
Schlagzeug:
Jerry Allison (am 1957-05-27, am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 107)
recording of:
Not Fade Away (am 1957-05-27)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
recording of:
Not Fade Away (am 1957-05-29)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
Buddy Holly4.652:23
12Blue Monday
Produzent(in):
Norman Petty
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1969)
cover recording of:
Blue Monday
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Chappell Music (UK) und Chappell Music Ltd.
Buddy Holly52:02
13Girl on My Mind
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-07-22)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-07-22)
Gitarre:
Sonny Curtis (am 1956-07-22) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
Schlagzeug:
Jerry Allison (am 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-07-22)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recording of:
Girl on My Mind (am 1956-07-22)
Verfasser(in):
Don Guess (best known for his association with Buddy Holly)
publisher:
Cedarwood Pub. Co., Inc., Southern Music (publisher) und Universal Cedarwood Publishing
Buddy Holly52:18
14Love Me
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre [lead guitar]:
Sonny Curtis (am 1956-01-26)
Gitarre [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
Love Me (Buddy Holly Song) (am 1956-01-26)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Sue Parrish
publisher:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) und Universal Cedarwood Publishing
Buddy Holly2:07
15Baby Won’t You Come Out Tonight
Produzent(in):
Norman Petty
Bassgitarre:
Don Guess (best known for his association with Buddy Holly)
Gitarre:
Sonny Curtis
Schlagzeug:
Jerry Allison
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
recording of:
Baby, Won't You Come Out Tonight
Texter und Komponist(in):
Don Guess (best known for his association with Buddy Holly)
publisher:
Universal Cedarwood Publishing
Buddy Holly1:54
16Rock‐A‐Bye Rock
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1956-02 bis 1956-04)
recording engineer:
Norman Petty (von 1956-02 bis 1956-04)
Produzent(in):
Norman Petty
Gitarre:
Sonny Curtis (von 1956-02 bis 1956-04) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-02 bis 1956-04)
Schlagzeug:
Jerry Allison (von 1956-02 bis 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-02 bis 1956-04)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
recording of:
Rock-a-Bye Rock (von 1956-02 bis 1956-04)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Buddy Holly2:24
17Send Me Some Lovin’
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) und Niki Sullivan
Schlagzeug:
Jerry Allison
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
cover recording of:
Send Me Some Lovin’
Texter:
Leo Price
Komponist(in):
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. und Sony/ATV Songs LLC
Buddy Holly2:35
18Moondreams
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1960)
cover recording of:
Moondreams
Verfasser(in):
Norman Petty
publisher:
Wren Music Co.
Buddy Holly2:41
19You’ve Got Love
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-09-27 bis 1957-09-28)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1957-09-28) und Niki Sullivan (von 1957-09-27 bis 1957-09-28)
Schlagzeug:
Jerry Allison (von 1957-09-27 bis 1957-09-28)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-09-28 bis 1957-11-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1958-09-28)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Tinker Air Force Base (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (von 1957-09-27 bis 1957-09-28) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-09-28 bis 1957-11-27)
recording of:
You’ve Got Love (von 1957-09-27 bis 1957-11-27)
Verfasser(in):
Roy Orbison, Norman Petty und Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
Buddy Holly42:07
20Ready Teddy
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) und Niki Sullivan
Klavier:
Vi Petty
Schlagzeug:
Jerry Allison
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
cover recording of:
Ready Teddy
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
Buddy Holly1:33
21You’re the One
Produzent(in):
Norman Petty
Hintergrundgesang:
The Fireballs (USA 1960s surf rock band)
Interpret(in):
Slim Corbin und Waylon Jennings (US country musician)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recording of:
You’re the One
Verfasser(in):
Slim Corbin, Buddy Holly (1950s rock & roll singer‐songwriter) und Waylon Jennings (US country musician)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly2:03
22You Are My One Desire
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly)
Gitarre:
Grady Martin (country/rockabilly guitarist)
Klavier:
Floyd Cramer
Tenorsaxophon:
Dutch McMillin (saxophonist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
You Are My One Desire
Verfasser(in):
Don Guess (best known for his association with Buddy Holly) und Jack Neal
publisher:
Palace Music, Unichappell Music, Inc. und Valley Music Ltd (publisher)
Buddy Holly2:23
23Changing All Those Changes
Produzent(in):
Norman Petty
Bass:
Don Guess (best known for his association with Buddy Holly)
Gitarre:
Sonny Curtis
Schlagzeug:
Jerry Allison
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
recording of:
I’m Changing All These Changes
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Cedarwood Music und Cedarwood Pub. Co., Inc.
Buddy Holly1:41
24That Makes It Tough
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1960)
recording of:
That Makes It Tough
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
Buddy Holly2:28
25It’s Too Late
Produzent(in):
Norman Petty
Gitarre [lead guitar], Gitarre [rhythm guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-05 bis 1957-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
cover recording of:
It’s Too Late (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. und Unichappell Music, Inc.
Buddy Holly52:25

Nennungen

Veröffentlichung

hergestellt in:Europa
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2008)
Discogs:https://www.discogs.com/release/6415990 [Info]