Floorfillers III

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
11999
recording engineer:
Peggy McCreary (from 1982-07 until 1982-08)
producer:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
cowbell, cymbal, drum machine [Linn LM-1], electric bass guitar, electric guitar, electronic drum set [Pearl SY-1 Syncussion], handclaps, synthesizer [ARP Omni-2], synthesizer [Oberheim OB-Xa] and tambourine:
Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
background vocals:
Jesse Johnson (original guitarist for The Time) (from 1982-07 until 1982-08)
lead vocals:
Lisa Coleman (US pianist/keyboardist & composer) (from 1982-07 until 1982-08), Dez Dickerson (from 1982-07 until 1982-08), Jill Jones (American singer, songwriter, and actress) (from 1982-07 until 1982-08) and Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
arranger:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
edit of:
1999 (album version) by Prince (“The Artist Formerly Known as…”)
music videos:
1999 by Prince (“The Artist Formerly Known as…”)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 212) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 339)
recording of:
1999 (from 1982-07 until 1982-08)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:36
2Voodoo Child
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 2005)
recording of:
Voodoo Child
writer:
Jamie Appleby (australian? composer), Elvis Costello and Steve Davis (founding member of Rogue Traders)
publisher:
Orient Pacific Music Pty. Ltd. and Universal Music Publishers MGB Australia Pty Ltd
Rogue Traders3.353:31
3SOS
recording engineer:
Al Hemberger and Jonathan Rotem
producer:
Evan Rogers (musician/producer) (lead vocals), Jonathan “J.R.” Rotem and Carl Sturken (lead vocals)
assistant mixer:
Rob Skipworth
mixer:
Phil Tan (Malaysian-American audio engineer)
background vocals:
Rihanna (Barbadian R&B/pop singer) and Evan Rogers (musician/producer)
mixed for:
RiotpProof Productions, Inc.
produced for:
NetWorth Music Publishing
recorded at:
Barmitzvah Hall Studios in Century City, Los Angeles, California, United States and The Loft Recording Studios in Bronxville, New York, United States
mixed at:
Silent Sound Studios in Atlanta, Georgia, United States
samples:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
recording of:
SOS
writer:
E. Kidd Bogart and Jonathan “J.R.” Rotem
additional composer:
Ed Cobb
quotes music from:
Tainted Love
Rihanna3.853:59
4Flaunt It
TV Rock featuring Seany B3:28
5Push the Button
producer:
Dallas Austin
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2005)
recording of:
Push the Button
writer:
Dallas Austin, Keisha Buchanan, Mutya Buena and Heidi Range
Sugababes3.353:35
64ever
recording of:
4ever
writer:
Łukasz Gottwald and Max Martin (Swedish record producer)
publisher:
MXM Music AB, Kasz Money Publishing (ASCAP affiliated) (in 2005) and Maratone (in 2005)
The Veronicas3:28
7I Like the Way
producer:
BodyRockers
music videos:
I Like The Way by BodyRockers
recording of:
I Like the Way
writer:
Dylan Burns and Kaz James
BodyRockers33:19
8Filthy/Gorgeous
Scissor Sisters3:47
9Canned Heat
assistant engineer:
Paul Stoney
producer:
Jay Kay (English singer, Jamiroquai) and Al Stone (UK engineer)
mixer:
Al Stone (UK engineer)
strings arranger:
Simon Hale and Jay Kay (English singer, Jamiroquai)
recording of:
Canned Heat
lyricist, composer and arranger:
Jay Kay (English singer, Jamiroquai)
strings arranger:
Simon Hale
Jamiroquai3.53:44
10The Rockafeller Skank
engineer and mixer:
Simon Thornton (Big beat mixing engineer)
producer:
Fatboy Slim
performer:
Just Brothers
phonographic copyright (℗) by:
Skint Records (in 1998)
samples:
Beat Girl (Main Title) by The John Barry Seven and Sliced Tomatoes by Just Brothers
music videos:
Rockafeller Skank by Fatboy Slim
recording of:
The Rockafeller Skank
writer:
John Barry (English score composer), Fatboy Slim and Winifred Terry
publisher:
Gold Forever Music Inc., MCA Music Ltd., Polygram Music Publishing Ltd. (GB), Robbins Music Corp. Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
is based on:
Beat Girl (main title)
is based on:
Sliced Tomatoes
Fatboy Slim43:56
11My Humps
recording of:
My Humps
writer:
David Payton and will.i.am (American rapper and producer)
publisher:
Sugar Hill Music Publishing Ltd. and will.i.am Music Inc.
quotes music from:
I Need a Freak
Black Eyed Peas4:10
12Wild Thing
engineer:
Mario Caldato Jr.
producer and mixer:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
arranger:
Matt Dike (American producer) and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
phonographic copyright (℗) by:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1989)
samples:
Jamie’s Cryin’ by Van Halen (American hard rock band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 90)
recording of:
Wild Thing
writer:
Anthony Smith, Matt Dike (American producer), Marvin Young and Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Tone Loc3.854:24
13Rock Star (Jason Nevins remix edit)
remixer:
Jason Nevins
recording of:
Rock Star
writer:
Chad Hugo and Pharrell Williams
N*E*R*D3:48
14Milkshake
producer:
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
vocals:
Kelis
recording of:
Milkshake
writer:
Chad Hugo and Pharrell Williams
Kelis3.83:04
15Superstar
programming:
Joe Belmaati
producer:
Joe Belmaati and Mich Hansen
cover recording of:
Superstar
writer:
Joe Belmaati, Mich Hansen and Remee (Danish producer, composer and songwriter)
publisher:
Cutfather & Joe Music Ltd., Remee Songs, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell (Warner/Chappell Music, Inc.)
Jamelia3.653:33
16The Cup of Life (La Copa de La Vida)
Ricky Martin4:31
17Oops!... I Did It Again
recording engineer, programming, producer and mixer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
engineer:
John Amatiello
electric bass guitar [bass]:
Tomas Lindberg (Swedish bass player) (from 1999-11 until 2000-02)
guitar [guitars]:
Johan Carlberg (from 1999-11 until 2000-02) and Esbjörn Öhrwall (from 1999-11 until 2000-02)
keyboard [keyboards]:
Max Martin (Swedish record producer) (from 1999-11 until 2000-02) and Rami (Swedish record producer and songwriter) (from 1999-11 until 2000-02)
background vocals [backing vocals]:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini) (from 1999-11 until 2000-02)
background vocals [backing vocals] and spoken vocals [dialog]:
Max Martin (Swedish record producer) (from 1999-11 until 2000-02)
background vocals [backing vocals], lead vocals and spoken vocals [dialog] and lead vocals:
Britney Spears (from 1999-11 until 2000-02)
other vocals [crowd]:
“The Fanchoir” (from 1999-11 until 2000-02)
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2000)
produced for:
Cheiron Productions
recorded at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1999-11 until 2000-02)
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
Oops!… I Did It Again by Britney Spears, Oops!... I Did It Again (Uncut) by Britney Spears and Oops!…I Did It Again (official music video) by Britney Spears
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 4) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 268)
recording of:
Oops!…I Did It Again (from 1999-11 until 2000-02)
writer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
publisher:
GV-MXM, Imagem London Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 2000)
Britney Spears3.93:31
18Four to the Floor (Thin White Duke mix)
engineer:
Danton Supple
producer:
Starsailor and Danton Supple
assistant mixer:
Nathaniel Chan
mixer:
Michael Brauer (engineer)
remixer:
Jacques Lu Cont and Thin White Duke (Stuart David Price)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Four to the Floor
writer:
Ben Byrne, James Stelfox, James Walsh (from Starsailor) and Barry Westhead
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Starsailor54:34
19Close to Me
producer and mixer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
bass guitar:
Simon Gallup
drums (drum set):
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson and Lol Tolhurst
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1985)
music videos:
Close to Me by The Cure
recording of:
Close to Me
lyricist and composer:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co. and Fiction Songs Ltd.
The Cure3.853:39
20Blue Monday
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
samples:
Uran by Kraftwerk
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (number: 61) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 235)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
New Order3.77:23
2CD
#TitleArtistRatingLength
1That's the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band4.43:02
2Le Freak
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.43:28
3I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. and Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
The Jackson 54.152:56
4Lay Your Love on Me
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) and RAK (in 1979)
recording of:
Lay Your Love on Me
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music and Universal Music Publishing MGB Australia
Racey3:16
5Devil Gate Drive
recording of:
Devil Gate Drive
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Suzi Quatro3:46
6Walk Right In
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977, in 2002)
cover recording of:
Walk Right In
writer:
Darling and Svanoe
composer:
Gus Cannon and Hosea Woods
publisher:
Southern Music (publisher), Southern Music Publ. Co. (A'Asia) and Southern Music Publishing Co. (publishing company)
Dr. Hook2:56
7The Locomotion
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Little Eva22:21
8Wouldn't It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
background vocals:
Al Jardine (guitarist and singer) (on 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1966-01-22), Carl Wilson (Beach Boys) (on 1966-01-22) and Dennis Wilson (Beach Boys) (on 1966-01-22)
lead vocals:
Mike Love (Beach Boys) (on 1966-01-22) and Brian Wilson (Beach Boys co‐founder) (on 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.42:29
9I Want You Back
recording of:
I Want You Back
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama3:43
10Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:26
11Whip It
associate producer:
Robert Margouleff
producer:
DEVO (new wave/rock band)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 15), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 63) and Indie 88: Top 500 Indie Rock Songs (number: 463)
recording of:
Whip It (Devo song)
writer:
Gerald Casale and Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd and Nymph Music
DEVO4.452:38
12Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.13:23
13Turning Japanese
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) and Glenwood Music Corp.
The Vapors3:43
14Dancing With Myself
engineer:
Nigel Walker (UK producer/engineer/guitarist)
producer:
Keith Forsey (drummer, producer and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1980-09)
remixer:
Keith Forsey (drummer, producer and songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
remix of:
Dancing With Myself (extended version) by Gen X (English post‐punk band aka “Gen X”)
recording of:
Dancing With Myself (in 1980-09)
writer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
publisher:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Billy Idol4.354:47
15Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:29
16Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
drums (drum set):
John Keeble (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
recording of:
Glow
lyricist and composer:
Gary Kemp
Spandau Ballet3.53:48
17Flashdance... What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.653:53
18Miss Me Blind
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Miss Me Blind by Culture Club (English pop group)
recording of:
Miss Me Blind (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
Culture Club3.354:30
19The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:37
20Addicted to LoveRobert Palmer4:14
21You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:12
3CD
#TitleArtistRatingLength
1The Bad Touch
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
The Bloodhound Gang4:20
2Who Let the Dogs Out (Barking Mad mix)
drum machine [drums] programming and keyboard programming:
The Magician (worked with Baha Men)
engineer:
Dr. Mo (task: mix engineer)
additional producer:
The Berman Brothers and Matt Dexter
producer:
Steve Greenberg (Record producer) and Michael Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
bass guitar [bass]:
Isaiah Taylor
cowbell:
Pat Carey, Colyn Grant, Herschel Small and Isaiah Taylor
drums (drum set) [set drums]:
Colyn Grant
guitar:
Pat Carey
membranophone [goat skin drum]:
Anthony Flowers, Colyn Grant and Isaiah Taylor
percussion:
Anthony (Monk) Flowers
background vocals:
Chea, Steve Greenberg (Record producer), Herschel, Isaiah, Marvin, Moe, Monks, Pat and Monty Taylor
lead vocals:
Rick Carey
other vocals [rap]:
Marvin Prosper
remixer:
The Berman Brothers and Matt Dexter
cover recording of:
Who Let the Dogs Out?
writer:
Anslem Douglas, Osbert Gurley and Marvin Prosper
publisher:
BMG Platinum Songs US, Desmoné Music, Full Wingspan Music, Hyckryck Publishing Inc, Wyz Girl Entertainment Consulting LLC, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Baha Men3:10
35, 6, 7, 8
assistant engineer:
Bradlee Spreadborough and Al Unsworth
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Les Sharma
banjo:
Sean Lyons
drums (drum set) [drums]:
Chris McDonnell (engineer)
guitar [guitars]:
Mark Topham and Barry Upton (songwriter, arranger, musician, record producer)
keyboard [keyboards]:
Karl Twigg
violin:
Chris Haigh (violinist)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1997)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
5, 6, 7, 8
writer:
Steve Crosby (record producer, songwriter, music manager) and Barry Upton (songwriter, arranger, musician, record producer)
publisher:
All Boys Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:21
4Bring It All Back
additional producer:
Andy Wright (UK songwriter, producer and Simply Red keyboardist)
producer:
Eliot Kennedy (songwriter, producer), Tim Lever and Mike Percy
assistant mixer:
Jan “Stan” Kybert (producer / mixer / engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass:
Mike Percy
drums (drum set), membranophone and tambourine:
Geoff Holroyde
guitar:
Tim Lever
keyboard:
Eliot Kennedy (songwriter, producer) and Andy Wright (UK songwriter, producer and Simply Red keyboardist)
saxophone:
Steve Beighton
trumpet:
Nicolas Coombs (trumpeter)
lead vocals and solo lead vocals:
Jo O’Meara
solo vocals:
Tina Barrett, Jo O’Meara, Hannah Spearritt and Rachel Stevens
performer:
S Club (formerly “S Club 7”)
phonographic copyright (℗) by:
S Club Ltd. (in 1999)
recorded at:
Steelworks Studios (Sheffield based music production studio) in Sheffield, South Yorkshire, England, United Kingdom
music videos:
Bring It All Back by S Club 7 (formerly “S Club 7”)
recording of:
Bring It All Back
writer:
Tina Barrett, Paul Cattermole, Jonathan Lee (singer, S Club 7 & musicals), Eliot Kennedy (songwriter, producer), Tim Lever, Bradley McIntosh, Jo O’Meara, Mike Percy, Hannah Spearritt and Rachel Stevens
publisher:
19 Music Ltd., BMG Music Publishing Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
S Club 73.853:24
5Boom! Shake the Room
producer:
Mr. Lee (US hip-hop/pop producer Leroy Williams)
background vocals:
Tyrone Smith (NYC‐based jazz saxophonist and recording technician)
arranger:
Mr. Lee (US hip-hop/pop producer Leroy Williams)
samples:
Funky Worm by Ohio Players, Movin’ (single edit) by Brass Construction and The Jones (12″ Sugery mix) by The Temptations (Motown soul vocal group)
recording of:
Boom! Shake the Room
writer:
Lee Haggard, Keith Mayberry, Will Smith (US actor aka The Fresh Prince) and Wayne Williams (DJ, producer, promoter and record label executive from Chicago.)
DJ Jazzy Jeff & the Fresh Prince3.253:44
6Crying at the Discoteque
producer:
Alexander Bard, Anders Hansson (producer / writer / performer) and Johan Strandkvist
part of:
The Downloader’s Music Source Book (number: 324)
recording of:
Crying at the Discoteque
writer:
Alexander Bard, Bernard Edwards (American bassist and record producer), Michael Goulos, Anders Hansson (producer / writer / performer), Nile Rodgers and Anders Wollbeck (pop music songwriter and producer)
is based on:
Spacer
Alcazar43:51
7From Paris to BerlinInfernal33:28
8You and Me
Uniting Nations43:04
9Boys of Summer
co-producer:
Martin Eyerer and Oliver Laib
vocals:
Loona (Dutch vocalist Marie-José van der Kolk) and Mel (vocalist on Boys of Summer)
edit of:
The Boys of Summer (extended version) by DJ Sammy
cover recording of:
The Boys of Summer
lyricist and composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Don Henley
publisher:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Wild Gator Music (publishing company for Mike Campbell of Tom Petty and the Heartbreakers) and Woody Creek Music
recording of:
The Boys of Summer
lyricist and composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Don Henley
publisher:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Wild Gator Music (publishing company for Mike Campbell of Tom Petty and the Heartbreakers) and Woody Creek Music
DJ Sammy3.654:00
10Star 2 Fall
recording of:
Star to Fall
writer:
George Merrill and Shannon Rubicam
cover recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Cabin Crew2:46
11Mesmerized (Freemasons radio edit)
recording of:
Mesmerized
writer:
Homer Banks (soul singer and songwriter), George Benson (jazz guitarist/singer), Bettye Crutcher, Don Davis (American record producer), Faith Evans, Raymond Jackson (songwriter, guitarist and producer), Andre "AJ" Johnson, Stephanie Johnson, Todd Russaw, Don Sebesky, Chucky Thompson and Kameelah Williams
publisher:
Bingo Long Publishing (BMI), Faith Evans Publishing (BMI), Fred Alhert Music (BMI), Haleem Music (ASCAP), Irving Music, Inc., Life Print Publishing (BMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV and Woman On Top Music (ASCAP)
Faith Evans3:20
12Doctor Pressure
Mylo vs Miami Sound Machine3:25
13Poison
cover recording of:
Poison
writer:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Groove Coverage3:04
14Stupidisco
recording of:
Stupidisco
writer:
David Innes, David Innis, Sam Lorber and Vito Lucente (Electronic dance producer and DJ)
Junior Jack3:37
15Lola's Theme
producer:
The Shapeshifters (UK electronic group, aka Shape:UK, and Shapeshifters)
bass:
Simon Marlin
keyboard:
Simon Marlin and Max Reich
background vocals:
Nate James and Karen Poole
lead vocals:
Cookie (featured vocalist with Shapeshifters)
phonographic copyright (℗) by:
Nocturnal Groove Ltd. (in 2004)
recording of:
Lola’s Theme
lyricist:
Karen Poole
writer:
Gianni Bini, Sylvia Macura, Simon Marlin, Patrick Moten (producer, arranger, writer, pianist, keyboardist and synthesizer player), Fulvio Perniola, Karen Poole and Max Reich
publisher:
AFP-Sony ATV, BMG Platinum Songs (Rosetta), Brightsail, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Éditer à Paris, EMI Music Publishing (do not use as a release label!), EMI Virgin Songs, Inc., Kassner Associated Publishers, Nocturnal Groove, Pay Back Publishing Company, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, Spaced Hands Music, Supreme Songs Ltd, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
What About My Love
quotes lyrics from:
Love Me Tonight
The Shapeshifters3.53:24
16Your Body
recording of:
Your Body
writer:
Michael Marshall (US hip-hop/R&B vocalist/producer, member of Timex Social Club), Adrian Misiewicz and Tom Novy
Tom Novy3:28
17Put 'em HighStoneBridge featuring Therese3:26
18Professional Widow (remix)
miscellaneous support:
Johnny “D” De Mairo (US electro/breaks DJ aka "Johnny D")
drum machine programming:
Alan Friedman
programming:
Alan Friedman
mastering:
Jon Astley
additional producer:
Armand van Helden
producer:
Tori Amos and Ian Stanley
bass guitar:
George Porter, Jr.
drums (drum set):
Manu Katché
guitar:
Steve Caton
vocals:
Tori Amos
remixer:
Armand van Helden
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
mixed for and produced for:
X-Mix Productions
recording of:
Professional Widow
lyricist and composer:
Tori Amos
publisher:
Sword and Stone
Tori Amos3.153:46
19There's Nothing I Won't Do
recording of:
There's Nothing I Won't Do
lyricist and composer:
Jake Williams (UK techno producer aka Rex The Dog, JX, Mekka, Oblik)
JX4:26
20Another Night
producer:
Olaf Jeglitza, Quickmix and Jürgen Wind
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 484)
recording of:
Another Night
writer:
Frank Hassas, Olaf Jeglitza and Jürgen Wind
publisher:
Diamond Cut and Universal Music Corp. (USA, affiliated with ASCAP)
Real McCoy4.53:56
21100% Pure Love
recording of:
100% Pure Love
writer:
Thomas Davis (house), Teddy Douglas, Jay Steinhour and Crystal Waters
publisher:
BMG Music, Control (ASCAP), Basement Boys Music (in 1994) and C-Water Music (in 1994)
Crystal Waters3:00
22Set You Free
recording of:
Set You Free
writer:
Mike Lewis (DJ and member of N-Trance), Dale Longworth and Kevin O’Toole
publisher:
BMG Music
N‐Trance4:20

Credits

Release group

part of:Floorfillers (EMI Australia) (number: 3) (order: 4)