The Very Best of Fritz Wunderlich

~ Release by Fritz Wunderlich (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Dalla sua pace (Don Giovanni)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1960)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1960)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) (in 1960)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1960)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:59
2Il mio tesoro (Don Giovanni)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963)
conductor:
Horst Stein (conductor) (in 1963)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1963)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:22
3Konstanze, dich wiederzusehen (Die Entführung aus dem Serail)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1960)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1960)
conductor:
Berislav Klobučar (conductor) (in 1960)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1960)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:13
4Un'aura amorosa (Così fan tutte)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1960)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1960)
conductor:
Berislav Klobučar (conductor) (in 1960)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1960)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:25
5Dies Bildnis (Die Zauberflöte)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1960)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1960) and Orchester der Hamburgischen Staatsoper (Hamburg Philharmonic State Orchestra) (in 1960)
conductor:
Arthur Rother (conductor) (in 1960) and Berislav Klobučar (conductor) (in 1960)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1960)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:07
6Ombra mai fu (Serse)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Orchester der Bayerischen Staatsoper München (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Müller-Kray (conductor, professor and director)
performer:
Hans Müller-Kray (conductor, professor and director) (in 1963)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (in 1963)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:02
7Ach, so fromm (Martha)
sound engineer:
Horst Lindner (engineer)
producer:
Fritz Ganss (producer)
tenor vocals [Lyonel]:
Fritz Wunderlich (operatic tenor) (from 1960-05-15 until 1960-05-16)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (from 1960-05-15 until 1960-05-16)
conductor:
Berislav Klobučar (conductor) (from 1960-05-15 until 1960-05-16)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1960)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-05-15 until 1960-05-16)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel) (from 1960-05-15 until 1960-05-16)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow2:48
8Mit Gewitter und Sturm (Der fliegende Hollander)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Deutschen Staatsoper Berlin
conductor:
Franz Konwitschny (conductor)
partial recording of:
Der fliegende Holländer, WWV 63: Akt I, Nr. 1. Introduction "Hojohe! Hallojo!"
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt I
Richard Wagner4:23
9So leb' ich noch ... Vor deinem Fenster (Der Barbier von Bagdad)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Müller-Kray (conductor, professor and director) (in 1963)
recording of:
Der Barbier von Bagdad: Akt I. „So leb’ ich noch!“ (Nureddin) / „Vor deinem Fenster die Blumen“ (Nureddin) (in 1963)
lyricist and composer:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad: Akt I
Peter Cornelius6:53
10Lebe wohl, mein flandrisch Mädchen (Zar und Zimmermann)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1960)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1960)
conductor:
Berislav Klobučar (conductor) (in 1960)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor) (in 1960)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing4:46
11Selig sind (Der Evangelimann)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Müller-Kray (conductor, professor and director) (in 1963)
recording of:
Der Evangelimann: Zweiter Aufzug, I. Teil. „Selig sind, die Verfolgung leiden“ (Mathias) (in 1963)
composer:
Wilhelm Kienzl (Austrian composer) (in 1894)
part of:
Der Evangelimann: Zweiter Aufzug
Wilhelm Kienzl6:33
12Horch, die Lerche singt im Hain (Die lustigen Weiber von Windsor)
tenor vocals [Fenton]:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Robert Heger (conductor) (in 1963)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 7b. „Horch, die Lerche singt am Hain!“ (Romanze des Fenton) (in 1963)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai5:02
13Fenton! Mein Mädchen (Die lustigen Weiber von Windsor)
soprano vocals:
Edith Mathis (soprano) (in 1963)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Robert Heger (conductor) (in 1963)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 7c. „Fenton!“ … „Mein Mädchen“ (Duettino Anna, Fenton) (in 1963)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai6:13
14Armer Narr (Die verkaufte Braut)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bamberger Symphoniker (Bamberg Symphony) (in 1963)
conductor:
Rudolf Kempe (conductor) (in 1963)
partial recording of:
Die verkaufte Braut (The Bartered Bride) (in 1963)
lyricist:
Karel Sabina
composer:
Bedřich Smetana (composer)
translated version of:
Prodaná nevěsta (The Bartered Bride)
version of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana3:27
15So find' ich dich ... Mein lieber Schatz (Die verkaufte Braut)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bamberger Symphoniker (Bamberg Symphony) (in 1963)
conductor:
Rudolf Kempe (conductor) (in 1963)
partial recording of:
Die verkaufte Braut (The Bartered Bride) (in 1963)
lyricist:
Karel Sabina
composer:
Bedřich Smetana (composer)
translated version of:
Prodaná nevěsta (The Bartered Bride)
version of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana4:38
16Lensky's Aria (Eugene Onegin)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962)
conductor:
Horst Stein (conductor) (in 1962)
recording of:
Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Интродукция и сцена "Ну, что же" (Introduction and Scene "Nu, chto zhe") (in 1962)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие второе (Eugene Onegin, op. 24: Act II)
Pyotr Ilyich Tchaikovsky6:34
2▼CD
#TitleArtistRatingLength
1Adieu, Mignon (Mignon)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1961)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) and Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961)
conductor:
Berislav Klobučar (conductor) (in 1961)
recording of:
Mignon : Acte II, no. 11. Mélodie « Adieu, Mignon, courage! » (Wilhelm) (in 1961)
composer:
Ambroise Thomas (opera composer)
part of:
Mignon : Acte II. Un boudoir élégant / Un coin du parc
recording of:
Mignon: II. Akt "Leb' wohl, Mignon" (Adieu Mignon, courage) (Wilhelm Meister)
composer:
Ambroise Thomas (opera composer)
translated version of:
Mignon : Acte II, no. 11. Mélodie « Adieu, Mignon, courage! » (Wilhelm)
part of:
Mignon (german lyrics)
Ambroise Thomas4:39
2En fermant les yeux (Manon)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Müller-Kray (conductor, professor and director) (in 1963)
recording of:
Manon : Acte II. « Instant charmant » … « En fermant les yeux » (des Grieux) (le rêve de Des Grieux) (in 1963)
composer:
Jules Massenet (French Romantic composer) (in 1884)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
Jules Massenet2:52
3Viens, gentille dame (La Dame blanche)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Müller-Kray (conductor, professor and director) (in 1963)
recording of:
La Dame blanche : Acte II. « Maintenant, observons » … « Viens, gentille dame » (Georges Brown) (in 1963)
composer:
François‐Adrien Boïeldieu
part of:
La Dame blanche
François‐Adrien Boïeldieu5:46
4Quanto è bella (L'elisir d'amore)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Müller-Kray (conductor, professor and director) (in 1963)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) (in 1963)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:34
5Una furtiva lagrima (L'elisir d'amore)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Müller-Kray (conductor, professor and director) (in 1963)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1963)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:25
6Komm in die Gondel (Eine Nacht in Venedig)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1960)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1960)
conductor:
Fried Walter (German composer and conductor) (in 1960)
recording of:
Eine Nacht in Venedig: Akt I. Gondellied "Komm' in die Gondel, mein Liebchen" (Herzog, Delacqua, Annina) (in 1960)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss2:54
7Ach, wie so herrlich (Eine Nacht in Venedig)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1960)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1960)
conductor:
Fried Walter (German composer and conductor) (in 1960)
recording of:
Eine Nacht in Venedig: Akt III. "Ach, wie so herrlich zu schau'n" (Caramello) (in 1960)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss3:46
8Durch diesen Kuss sei unser Bund geweiht (Der Bettelstudent)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1960)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1960)
conductor:
Werner Schmidt-Boelcke (composer, chorusmaster and conductor) (in 1960)
recording of:
Der Bettelstudent: Akt II. Duett Bronislawa, Jan: „Durch diesen Kuss, sei unser Bund geweiht“ (in 1960)
composer:
Carl Millöcker (composer)
part of:
Der Bettelstudent
Carl Millöcker3:59
9Freunde, das Leben ist lebenswert (Giuditta)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Moltkau (in 1963)
recording of:
Giuditta: Akt I. Nr. 4 Auftrittslied „Freunde, das Leben ist lebenswert!” (Octavio, Chor, Antonio) (in 1963)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt I
Franz Lehár3:20
10Von Apfelblüten einen Kranz (Das Land des Lächelns)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Moltkau (in 1963)
recording of:
Das Land des Lächelns: Akt I. Nr. 5 „Von Apfelblüten einen Kranz” (Sou-Chong) (in 1963)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
Franz Lehár4:04
11Dein ist mein ganzes Herz (Das Land des Lächelns)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1964)
conductor:
Carl Michalski (conductor) (in 1964)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) (in 1964)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
Franz Lehár3:37
12Wolgalied (Der Zarewitsch)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Moltkau (in 1963)
recording of:
Der Zarewitsch: Akt I. Nr. 5 Wolgalied „Allein, wieder allein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch) (in 1963)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
Franz Lehár4:33
13Zwei Märchenaugen (Die Zirkusprinzessin)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Moltkau (in 1963)
recording of:
Die Zirkusprinzessin: Akt I. „Zwei Märchenaugen” (in 1963)
composer:
Emmerich Kálmán (Kálmán Imre - composer)
part of:
Die Zirkusprinzessin: Akt I
Emmerich Kálmán3:23
14Grüß mir mein Wien (Grafin Mariza)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Moltkau (in 1963)
recording of:
Gräfin Mariza: Akt I. „Grüß mir mein Wien“ (Tassilo) (in 1963)
composer:
Emmerich Kálmán (Kálmán Imre - composer)
part of:
Gräfin Mariza: Akt I
Emmerich Kálmán4:49
15Komm, Zigany (Grafin Mariza)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Moltkau (in 1963)
recording of:
Gräfin Mariza: Akt I. „Komm Zigány“ (Tassilo) (in 1963)
composer:
Emmerich Kálmán (Kálmán Imre - composer)
part of:
Gräfin Mariza: Akt I
Emmerich Kálmán4:44
16O frag mich nicht (Lied des Stefan)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1964)
conductor:
Carl Michalski (conductor) (in 1964)
recording of:
Der fidele Bauer: Akt II. „O, frag'mich nicht” (Stefan) (in 1964)
lyricist:
Victor Léon (librettist)
composer:
Leo Fall
part of:
Der fidele Bauer: Akt II
Leo Fall3:13
17O Rose von Stambul (Die Rose von Stambul)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Moltkau (in 1963)
partial recording of:
Die Rose von Stambul (in 1963)
composer:
Leo Fall
librettist:
Julius Brammer and Alfred Grünwald
adaptations:
The Rose of Stambul (English version)
Leo Fall3:57
18Zwei Augen (Die Rose von Stambul)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1963)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1963)
conductor:
Hans Moltkau (in 1963)
recording of:
Die Rose von Stambul: Akt III: „Zwei Augen, die wollen mir nicht aus dem Sinn” (in 1963)
composer:
Leo Fall
part of:
Die Rose von Stambul: Akt III
Leo Fall3:52
19Der Rattenfanger
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962)
orchestra:
FFB‐Orchester (Radio Forces Françaises de Berlin) (in 1962)
conductor:
Werner Eisbrenner (German composer) (in 1962)
recording of:
Der Rattenfänger (in 1962)
composer:
Adolf Neuendorff
recording of:
Wandern, ach, wandern (Rattenfänger‐Lied)
lyricist:
Robert Engelhardt (lyricist)
composer:
Adolf Neuendorff
Adolf Neuendorff4:23