| # | Title | Artist | Rating | Length |
|---|
| 1 | L'amor dona ch'io te porto | [anonymous] | | 2:52 |
| 2 | So ell'enzina | [anonymous] | | 2:20 |
| 3 | Ojos garços ha la niña | [anonymous] | | 2:40 |
| 4 | Dime robadora | [anonymous] | | 1:24 |
| 5 | Fantasia que contrahaze la harpa en la manera de Luduvico | Alonso Mudarra | | 2:02 |
| 6 | "Con amores, la mi madre", part song for 4 voices | Juan de Anchieta | | 1:51 |
| 7 | "De los álamos vengo, madre", song | Juan Vásquez | | 2:34 |
| 8 | Niña y viña | [anonymous] | | 2:06 |
| 9 | Propiñan de Melyor | [anonymous] | | 2:14 |
| 10 | Diferencias (7) for guitar on "Guárdame las vacas" | Luis de Narváez | | 2:10 |
| 11 | Recercada No. 2 | Diego Ortiz | | 1:32 |
| 12 | "El Fuego", ensalada for 4 voices | Mateu Fletxa | | 5:28 |
| 13 | Sanctissima Maria, choral | Francisco Guerrero | | 2:21 |
| 14 | Salve Regina, motet for 4 voices | Francisco Guerrero | | 8:24 |
| 15 | Surrexit Pastor Bonus, motet for 6 voices | Tomás Luis de Victoria | | 2:47 |
| 16 | Vere languores nostros, motet for 4 voices | Tomás Luis de Victoria | | 4:40 |
| 17 | Eram quasi agnus, responsory for 4 voices | Tomás Luis de Victoria | | 3:35 |
| 18 | Pueri Hebraeorum, motet for 4 voices | Tomás Luis de Victoria | | 3:50 |
| 19 | Ascendens Christus in altum, motet for 5 voices | Tomás Luis de Victoria | | 2:21 |
| 20 | Ave Maria, motet for 4 voices | Tomás Luis de Victoria | | 2:06 |
| 21 | O vos omnes, qui transitis per viam, motet for 4 voices | Tomás Luis de Victoria | | 4:23 |
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