Autumn Sonatas

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: A Warner Classics release, © 2025 Parlophone Records Limited
A Warner Classics release, ℗ 2025 Parlophone Records Limited

Annotation last modified on 2025-10-29 17:38 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Préludes, Livre II, CD 131, L. 123: No. 2. Feuilles mortes
producer:
Eric Macleod (producer)
piano:
Michel Béroff (French pianist) (from 1970-06 until 1970-07)
balance engineer:
Paul Vavasseur (engineer)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1970, in 2000)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1970-06 until 1970-07)
recording of:
Préludes, Livre II, L. 123: II. Feuilles mortes. Lent et mélancolique (Préludes, Book II: 2. Feuilles mortes) (from 1970-06 until 1970-07)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:57
2Keyboard Sonata in C major, KK. 159 "The Hunt"
piano:
Georges Cziffra (pianist)
recording of:
Sonata in C major, K 159, L 104 "La caccia": Allegro
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 104) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 159)
Domenico Scarlatti2:23
3Année passée, Livre II "Jours d'automne": I. Feuilles jaunies. Assez lent
engineer:
Paul Vavasseur (engineer)
producer:
Gréco Casadesus
piano:
Aldo Ciccolini (pianist) (on 1979-01-22)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1979-01-22)
recording of:
Année passée II: No. 1 (on 1979-01-22)
composer:
Jules Massenet (French Romantic composer)
part of:
Année passée II
Jules Massenet1:42
4The Four Seasons, Violin Concerto in F major, op. 8 no. 3, RV 293 "Autumn": I. Allegro
engineer:
Lucienne Rosset
editor:
Roberto Chinellato
solo violin:
Enrico Onofri (in 1993-09)
orchestra:
Il Giardino Armonico (Italian baroque ensemble) (in 1993-09)
conductor:
Giovanni Antonini (conductor and flautist) (in 1993-09)
recorded at:
Radio Televisione della Svizzera Italiana: Studio 1 in Lugano, Ticino, Switzerland (in 1993-09)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (in 1993-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:24
5Phaëton, LWV 61: Act 4: "C'est par vous, ô Soleil, que le ciel s'illumine" (L'Automne)
bass vocals [L'Automne]:
Jérôme Varnier (operatic bass) (from 2005-05-27 until 2005-06-03)
orchestra:
Les Musiciens du Louvre (from 2005-05-27 until 2005-06-03)
conductor:
Marc Minkowski (bassoonist and conductor) (from 2005-05-27 until 2005-06-03)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (from 2005-05-27 until 2005-06-03)
partial recording of:
Phaëton : Acte IV (from 2005-05-27 until 2005-06-03)
composer:
Jean‐Baptiste Lully (composer)
librettist:
Philippe Quinault
part of:
Phaëton
Jean-Baptiste Lully2:37
66 Études d'exécution transcendante d'après Paganini, S. 140: No. 5, La chasse
piano:
Cécile Ousset (French pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse”
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 9 in E major: Allegretto “La Chasse”
part of:
Études d’exécution transcendante d’après Paganini, S. 140
Franz Liszt2:45
7Sylvia: Acte I: No. 3, Fanfare. Les chasseresses
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
André Cluytens (Belgian-born French conductor)
recording of:
Sylvia : Acte I. No. 3a. Les Chasseresses
composer:
Léo Delibes (French composer)
part of:
Sylvia : Acte I
Léo Delibes3:25
8On an Overgrown Path, Book I: No. 2, A Blown-Away Leaf
producer:
Étienne Collard
piano:
Mikhail Rudy (pianist) (from 1990-03-12 until 1990-03-18)
balance engineer:
Georges Kisselhoff (audio/sound engineer) (from 1990-03-12 until 1990-03-18)
phonographic copyright (℗) by:
EMI France (in 1990)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1990-03-12 until 1990-03-18)
recording of:
On an Overgrown Path, Book 1: No. 2. A Blown Away Leaf (from 1990-03-12 until 1990-03-18)
composer:
Leoš Janáček (Czech composer) (from 1900 until 1911)
arrangement of:
On an Overgrown Path, Book 1: No. 2. A Blown Away Leaf (arr. Miloš Sádlo for cello and piano)
part of:
On an Overgrown Path, Book 1
Leoš Janáček2:15
9Premier livre de pièces de clavecin, Cinquième ordre: XII. Les vendangeuses
harpsichord:
Laurence Boulay
recording of:
Cinquième ordre de clavecin en la majeur: No. 12. Les Vendangeuses
composer:
François Couperin (French composer of the Baroque era)
part of:
Cinquième ordre de clavecin en la majeur
François Couperin1:53
10A Foggy Day
double bass:
Pierre Michelot
drums (drum set):
Ronnie Verrell
piano:
Laurie Holloway
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
George Gershwin3:47
11Der Freischütz, op. 77, J. 277: Act 3: Huntsmen's Chorus. "Was gleicht wohl auf Erden dem Jägervergnügen?" (Chor)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:36
12Cinderella, op. 87: Act 1: No. 15, Autumn Fairy
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1983-04-06 until 1983-04-18)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1983-04-06 until 1983-04-18)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1983-04-06 until 1983-04-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-04-06 until 1983-04-18)
recording of:
Cinderella, op. 87: Act I. No. 15. Autumn Fairy (from 1983-04-06 until 1983-04-18)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev1:30
13Autumn Leaves
recording engineer:
Jin Choi (engineer) (from 2023-01-02 until 2023-01-05)
producer:
Michael Fine (producer)
cello:
Gautier Capuçon (cellist) (from 2023-01-02 until 2023-01-05)
piano:
Jérôme Ducros (pianist) (from 2023-01-02 until 2023-01-05)
arranger:
Jérôme Ducros (pianist)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2023)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2023-01-02 until 2023-01-05)
instrumental recording of:
Les Feuilles mortes (Autumn Leaves) (from 2023-01-02 until 2023-01-05)
lyricist:
Jacques Prévert (in 1946)
composer:
Joseph Kosma (composer) (in 1946)
Joseph Kosma4:17
14Love in Bath: IV. Hunting Scene
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
recording of:
Love In Bath: Hunting Dance
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
George Frideric Handel1:27
15September
recording engineer:
Tobias Lehmann (from 2003-11-06 until 2003-11-08)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (from 2003-11-06 until 2003-11-08)
mezzo-soprano vocals:
Susan Graham (mezzo-soprano) (from 2003-11-06 until 2003-11-08)
phonographic copyright (℗) by:
Warner Classics (in 2004)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria
recording of:
September, S. 346 (from 2003-11-06 until 2003-11-08)
lyricist:
Folgóre da San Gimignano (from 1308 until 1316)
composer:
Charles Ives (American composer) (from 1919 until 1920)
translator:
Dante Gabriel Rossetti (in 1861)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 346)
Charles Ives0:49
163 Morceaux en forme de poire: I. Manière de commencement. Allez modérément
producer:
John West (classical engineer/producer)
piano:
Catherine Collard (pianist) (in 1990-10) and Anne Queffélec (pianist) (in 1990-10)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1990-10, from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Manière de commencement (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
recording of:
Trois morceaux en forme de poire : Manière de commencement (in 1990-10)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie3:19
17Gathering Mushrooms
recording engineer and producer:
Georges Kisselhoff (audio/sound engineer)
piano:
Mstislav Rostropovich (cellist/conductor)
soprano vocals:
Galina Vishnevskaya (soprano)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1991)
recorded at:
La Clé d'Ut in Paris, Île-de-France, France
recording of:
По грибы (Gathering Mushrooms)
lyricist:
Лев Мей (Lev Mei, XIX c. poet, prose writer, playwright, translator)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
Modest Mussorgsky1:26
18The Christian Harmony: No. 8, Harvest Hymn
choir vocals:
The Boston Camerata
conductor:
Joel Cohen (conductor of Boston Camerata)
recording of:
Harvest Hymn
lyricist:
[anonymous] (special purpose artist)
composer:
Jeremiah Ingalls
part of:
The Christian Harmony
Jeremiah Ingalls2:21
19The Fairy Queen, Z. 629: Act 4: Song "See, see my many colour'd fields"
orchestra:
Amsterdam Baroque Orchestra (from 1994-07-08 until 1994-07-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-07-08 until 1994-07-10)
recorded at:
Schloss Herrenhausen (Herrenhausen Palace) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1994-07-08 until 1994-07-10)
recording of:
The Fairy Queen, Z. 629: Act IV, no. 38. Song: "See My Many Colour's Fields" (Autumn) (from 1994-07-08 until 1994-07-10)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell2:23
20New England Idyls, op. 62: No. 10, The Joy of Autumn
sound engineer:
Jacques Doll and Roland Guillotel
producer and editor:
Roland Guillotel
solo piano:
Michel Legrand (from 1994-05-23 until 1994-05-27)
recorded at:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (from 1994-05-23 until 1994-05-27)
recording of:
New England Idyls, op. 62: No. 10. The Joy of Autumn (from 1994-05-23 until 1994-05-27)
composer:
Edward MacDowell (American composer, pianist) (from 1901 until 1902)
part of:
New England Idyls, op. 62
Edward MacDowell2:15
21Légendes d'automne
cover recording of:
Legends of the Fall
orchestrator:
Don Davis (American score composer) and Thomas Pasatieri
composer:
James Horner (American score composer)
publisher:
TSP Music, Inc.
part of:
Legends of the Fall
James Horner4:02
22The Seasons, op. 67: Pt. 4 "Autumn": No. 15, Petit adagio
engineer:
Jean Chatauret (from 2004-01-06 until 2004-01-08) and Jean‐Martial Golaz (from 2004-01-06 until 2004-01-08)
producer and editor:
Tim Oldham (editor / producer)
orchestra:
Royal Scottish National Orchestra (from 2004-01-06 until 2004-01-08)
conductor:
José Serebrier (Uruguayan conductor and composer) (from 2004-01-06 until 2004-01-08)
recorded at:
Henry Wood Hall (old [R]SNO Centre, Glasgow) in Glasgow, Scotland, United Kingdom (from 2004-01-06 until 2004-01-08)
recording of:
Les saisons, op. 67: Tableau IV. L'Automne. No. 15. Petit adage (from 2004-01-06 until 2004-01-08)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936)
part of:
Les saisons, op. 67: Tableau IV. L'Automne
Alexander Glazunov4:18
23Achante et Céphise: Act 2: Entrée des chasseurs et des chasseresses
orchestra:
Les Ambassadeurs ~ La Grande Écurie
conductor:
Alexis Kossenko (flutist and conductor)
recording of:
Achante et Céphise, Act 2: Entrée des chasseurs et des chasseresses
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Acanthe et Céphise, ou La Sympathie
Jean-Philippe Rameau1:56
2410 Blake Songs: No. 7, Ah! Sun-flower
instruments:
Music Group of London (chamber music ensemble)
oboe:
Janet Craxton
tenor vocals:
Ian Partridge (tenor)
recording of:
Ten Blake Songs: VII. Ah, Sun-flower!
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Ralph Vaughan Williams (English composer) (in 1957)
part of:
Ten Blake Songs (for solo tenor or soprano, and oboe)
Ralph Vaughan Williams1:27
25Estaciones porteñas: II. Otoño porteño
recording engineer:
Hugues Deschaux (from 2016-04-08 until 2016-04-14)
producer:
Hugues Deschaux
classical guitar:
Thibaut Garcia (guitarist) (from 2016-04-08 until 2016-04-14)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2016)
recorded at:
Maladrerie Saint-Lazare de Voisinlieu in Beauvais, Oise, Hauts-de-France, France (from 2016-04-08 until 2016-04-14)
recording of:
Otoño porteño (for guitar, Assad) (from 2016-04-08 until 2016-04-14)
composer:
Astor Piazzolla (composer and bandoneón player)
arranger:
Sérgio Assad
arrangement of:
Otoño porteño
part of:
Las cuatro estaciones porteñas (for guitar, Assad)
Astor Piazzolla5:08
264 Moravian Duets, op. 38, B. 69: No. 2, Der Apfel
producer:
Christfried Bickenbach and Fritz Ganss (producer)
piano:
Gerald Moore (pianist) (from 1960-12-01 until 1960-12-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-12-01 until 1960-12-03)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1960-12-01 until 1960-12-03)
balance engineer:
Horst Lindner (engineer) (from 1960-12-01 until 1960-12-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recorded at:
Gemeindehaus Studios in Berlin, Germany (from 1960-12-01 until 1960-12-03)
recording of:
Moravské dvojzpěvy, op. 38: 2. Jablko (from 1960-12-01 until 1960-12-03)
composer:
Antonín Dvořák (composer) (in 1877-08)
part of:
Moravské dvojzpěvy, op. 38, B. 69 (for soprano, alto and piano)
Antonín Dvořák1:50
27The Seasons, op. 37a: No. 10, October. Autumn Song
piano:
Viktoria Postnikova (pianist)
recording of:
The Seasons, op. 37a: X. October “Autumn Song”
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Pyotr Ilyich Tchaikovsky5:36
28Swing Songs: No. 6, The Apple Tree
choir vocals:
Estonian Philharmonic Chamber Choir (from 1995-05-06 until 1995-05-08)
conductor:
Tõnu Kaljuste (conductor) (from 1995-05-06 until 1995-05-08)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-05-06 until 1995-05-08)
recording of:
Kiigelaulud, nr. 6: Õunapuu (Swing Songs, no. 6: Apple Tree) (from 1995-05-06 until 1995-05-08)
lyricist:
[traditional] (special purpose artist)
composer:
Veljo Tormis (Estonian composer) (in 1966)
part of:
Kiigelaulud (Swing Songs)
Veljo Tormis0:58
29Undine, Act 4: "Im Wein ist Wahrheit nur allein" (Hans, Veit)
bass vocals [Hans]:
Gottlob Frick (operatic bass)
tenor vocals [Veit]:
Peter Schreier (German tenor and conductor)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Robert Heger (conductor)
partial recording of:
Undine: Akt IV
composer:
Albert Lortzing (German composer)
part of:
Undine
Albert Lortzing2:39
304 Letzte Lieder: No. 2, September
soprano vocals:
Anneliese Rothenberger (soprano)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:50
31Im weißen Rössl: Act 2: "Äpfel! Birnen!" (Josepha, Leopold, Chor)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals [Josepha]:
Anneliese Rothenberger (soprano)
tenor vocals [Leopold]:
Willy Mattes (composer, arranger and conductor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Willy Mattes (composer, arranger and conductor)
partial recording of:
Im weißen Rößl (Singspiel in 3 Akten)
lyricist:
Robert Gilbert
additional composer:
Robert Gilbert and Robert Stolz (Viennese operetta composer, songwriter and conductor)
composer:
Ralph Benatzky
Ralph Benatzky1:53
32Was mir behagt, BWV 208 "Jagdkantate": No. 12, Duett "Entzücket uns beide ihr Strahlen der Freude"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
tenor vocals [Endymion]:
Fritz Wunderlich (operatic tenor) (in 1961-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-11)
conductor:
Karl Forster (chorus master/conductor) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:19
3324 Caprices, op. 1: No. 9 in E major "The Hunt"
violin:
Frank Peter Zimmermann (violinist)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 3 in E minor: Sostenuto – Presto
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini2:54
34Das Land des Lächelns: Act 3: Duett. "Zig, zig, zig! Wenn die Chrysanthemen blühen" (Mi, Gustl)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (from 1982-04-26 until 1982-04-30)
conductor:
Willi Boskovsky (violinist and conductor) (from 1982-04-26 until 1982-04-30)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1982)
recorded at:
Funkhaus des Bayerischen Rundfunk in München (Munich), Bayern (Bavaria), Germany (from 1982-04-26 until 1982-04-30)
recording of:
Das Land des Lächelns: Akt III. Nr. 15 Duett „Zig, zig, zig” … „Wenn die Chrysanthemen blüh’n” … „Du bist so lieb…” (Mi, Gustl) (from 1982-04-26 until 1982-04-30)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt III
Franz Lehár2:17
353 Mélodies, op. 5: No. 1, Chant d'automne
piano:
Dalton Baldwin (American pianist) (ended)
baritone vocals:
Gérard Souzay (baritone) (ended)
recording of:
Chant d'automne, op. 5 no. 1
lyricist:
Charles Baudelaire
composer:
Gabriel Fauré (French composer) (in 1864)
part of:
3 Songs, op. 5
Gabriel Fauré4:01
36Violin Concerto no. 2 "The American Four Seasons": Movement I
violin:
Etienne Gara (violinist)
orchestra:
Delirium Musicum (string ensemble)
recording of:
Violin Concerto no. 2 “The American Four Seasons”: 2. Movement I
composer:
Philip Glass (US composer & pianist)
part of:
Violin Concerto no. 2 “The American Four Seasons”
Philip Glass6:42
37Études pour piano, Livre I: No. 7, Automne à Varsovie
recording engineer:
Philipp Nedel
assistant engineer:
Mark Donahue (engineer)
producer:
Christoph Claßen (producer/engineer)
piano:
Pierre‐Laurent Aimard (pianist) (on 2001-12-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 2001-12-03)
recording of:
Études, Book I: No. 6. Automne à Varsovie (on 2001-12-03)
composer:
György Ligeti (Austrian-Hungarian composer)
part of:
Études
György Ligeti4:44
38Voices of Autumn
solo tenor vocals:
Kevin Baum
vocals:
Chanticleer (from 2002-07-24 until 2002-07-31)
conductor:
Joseph Jennings (from 2002-07-24 until 2002-07-31)
recording of:
Voices of Autumn
lyricist and composer:
Jackson Hill (American composer)
Jackson Hill4:45
39String Quartet no. 17 in B-flat major, op. 10 no. 3, K. 458 "Hunt": I. Allegro vivace assai
cello:
Valentin Erben (cellist)
string quartet:
Alban Berg Quartett (Alban Berg Quartet, string quartet) (in 1979)
viola:
Hatto Beyerle (violist)
violin [violin 1]:
Günter Pichler (violinist)
violin [violin 2]:
Gerhard Schulz (violinist)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (from 1979 to present)
recording of:
Quartet for Strings no. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": I. Allegro vivace assai (in 1979)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Quartet for Strings no. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt"
Wolfgang Amadeus Mozart8:23
40The Seasons, Hob. XXI:3 "Autumn": No. 23, Terzett und Chor "So lohnet die Natur den Fleiss" (Simon, Hanne, Lukas, Chorus)
bass vocals [Simon]:
Robert Holl (bass‐baritone) (from 1987-01-11 until 1987-01-12)
choir vocals:
Arnold Schoenberg Chor (from 1987-01-11 until 1987-01-12)
soprano vocals [Hanne]:
Angela Maria Blasi (soprano) (from 1987-01-11 until 1987-01-12)
tenor vocals [Lucas]:
Josef Protschka (tenor) (from 1987-01-11 until 1987-01-12)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1987-01-11 until 1987-01-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01-11 until 1987-01-12)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (from 1987-01-11 until 1987-01-12)
live recording of:
Die Jahreszeiten, Der Herbst: XX. Terzett mit Chor: Allegretto: "So lohnet die Natur den Fleiß" (Simon, Hanne, Lukas, Chor) (from 1987-01-11 until 1987-01-12)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn6:52
4111 Jungendlieder: No. 8, Im Herbste
recorded in:
Berlin, Germany (in 1989-12)
piano:
Geoffrey Parsons (pianist) (in 1989-12)
baritone vocals:
Thomas Hampson (baritone) (in 1989-12)
recording of:
Im Herbste, WoO 10 Nr. 3 (in 1989-12)
lyricist:
Justinus Kerner
composer:
Robert Schumann (German classical composer) (in 1828)
part of:
Works of Robert Schumann without opus numbers (listed by Hofmann/Keil) (number: WoO 10.3)
Robert Schumann1:11
426 Romances, op. 7: No. 1, Autumn Song
producer:
René Challan (French composer) (on 1973-12-17)
piano:
Alexandre Tcherepnine (Alexander Tcherepnin, Russian composer) (on 1973-12-17)
tenor vocals:
Nicolai Gedda (tenor) (on 1973-12-17)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1973-12-17)
recording of:
Chant d'autumne, op. 7 no. 1 (on 1973-12-17)
composer:
Николай Николаевич Черепнин (Nikolai Tcherepnin, composer)
Nikolaï Tcherepnin3:26
434 Poèmes, op. 8: No. 3, Nuit d'automne
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Colette Alliot-Lugaz (soprano)
recording of:
Nuit d'automne, op. 8 no. 2
lyricist:
Henri de Régnier
composer:
Albert Roussel (French composer) (in 1907)
part of:
Quatre Poèmes, op. 8
Albert Roussel3:01
44Paysages franciscains, op. 43: II. Les olivaies de la plaine d'Assise. Crépuscule d'automne
producer:
Gréco Casadesus
orchestra:
Orchestre Philharmonique des Pays de Loire (from 1978-07-23 until 1978-07-24)
conductor:
Pierre Dervaux (French conductor and composer) (from 1978-07-23 until 1978-07-24)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Lycée Joachim-du-Bellay in Angers, Maine-et-Loire, Pays-de-la-Loire, France (from 1978-07-23 until 1978-07-24)
recording of:
Paysages franciscains, op. 43: II. Les Olivaies de la plaine d’Assaise (Crépuscule d’automne) (from 1978-07-23 until 1978-07-24)
composer:
Gabriel Pierné (French composer and conductor) (in 1919)
part of:
Paysages franciscains, op. 43
Gabriel Pierné6:46
4517 Songs, op. 74: No. 17, Śpiew z mogiłky
piano:
Halina Czerny‐Stefańska (pianist)
soprano vocals:
Teresa Żylis‐Gara (Polish operatic soprano)
recording of:
Song in E‐flat minor, op. 74 no. 17 “Śpiew z mogiły”
lyricist:
Wincenty Pol (Polish poet)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Chopin National Edition: WN Catalogue (number: WN 49)
part of:
Pieśni, op. 74 (Songs, op. 74)
Frédéric Chopin5:45
46En plein air, Sz. 81: V. La chasse
piano:
Michel Béroff (French pianist)
recording of:
Out of Doors, Sz. 81, BB 89, No. 5: The Chase
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
part of:
Out of Doors, Sz. 81, BB 89
Béla Bartók2:22
47Cantates françoises, op. 5 "Les quatre saisons", No. 3 "L'automne": Air "C’est en fait, par Bacchus"
baritone vocals:
Gérard Souzay (baritone)
orchestra:
Orchestre de chambre Jean‐François Paillard
conductor:
Jean‐François Paillard (French conductor)
recording of:
Cantates françoises, op. 5 "Les quatre saisons": No. 3 "L'automne": Air "C’est en fait, par Bacchus"
composer:
Joseph Bodin de Boismortier (French baroque composer, 1689-1755)
part of:
Cantates françoises, op. 5 "Les quatre saisons": No. 3 "L'automne"
Joseph Bodin de Boismortier3:27
48Le chasseur danois, H 104b
producer and balance engineer:
Yolanta Skura
baritone vocals:
Gilles Cachemaille (bass-baritone) (from 1989-04 until 1989-11)
orchestra:
Orchestre de l’Opéra de Lyon (from 1989-04 until 1989-11)
conductor:
John Eliot Gardiner (from 1989-04 until 1989-11)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1990)
recorded at:
Église Sainte-Marie-Madeleine de Pérouges in Pérouges, Ain, Auvergne-Rhône-Alpes, France (from 1989-04 until 1989-11)
recording of:
Le chasseur danois, op. 19 no. 6, H. 104B (for voice and orchestra) (from 1989-04 until 1989-11)
lyricist:
Adolphe de Leuven
composer:
Hector Berlioz (French composer) (in 1844)
revised by:
Hector Berlioz (French composer) (in 1845)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 104B)
revision of:
Le chasseur danois, op. 19 no. 6, H. 104A (for voice and piano)
Hector Berlioz3:24
49Dispute de bergers, H. 484 "Il faut rire et chanter": II. Brouillards, glaçons, neige, frimas
sound engineer:
Didier Jean (from 1998-05-10 until 1998-05-17)
producer:
Arnaud Moral (French audio)
editor:
Ysabelle Van Wersch-Cot
soprano vocals:
Sophie Daneman (soprano) (from 1998-05-10 until 1998-05-17) and Patricia Petibon (soprano) (from 1998-05-10 until 1998-05-17)
conductor:
William Christie (harpsichordist and conductor) (from 1998-05-10 until 1998-05-17)
performer:
Les Arts Florissants (French baroque ensemble) (from 1998-05-10 until 1998-05-17)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1999)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1998-05-10 until 1998-05-17)
recording of:
Dispute de bergers, H. 484: "Brouillards, glaçons, neige, frimas" (from 1998-05-10 until 1998-05-17)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Dispute de bergers, H. 484
Marc-Antoine Charpentier2:15
506 Poèmes d'Apollinaire: No. 3, Automne
recording engineer:
Jacques Doll
assistant engineer:
Jacky Coué (Technician (Radio France))
producer:
Tim Oldham (editor / producer)
piano:
Jérôme Ducros (pianist) (on 1999-03-26)
soprano vocals:
Dawn Upshaw (soprano) (on 1999-03-26)
phonographic copyright (℗) by:
Erato Disques (valid as release label only if logo is "ΣEratoDisques") (in 1999)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (on 1999-03-26)
live recording of:
Six poèmes extraits d'Alcools d'Apollinaire: No. 3. Automne (on 1999-03-26)
lyricist:
Guillaume Apollinaire (French poet)
composer:
Arthur Honegger (composer) (in 1915)
part of:
Six poèmes extraits d'Alcools d'Apollinaire
Arthur Honegger2:33
513 Songs, op. 84: No. 2, Herbstlied, MWV K99
piano:
Geoffrey Parsons (pianist) (in 1980-12)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (in 1980-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-12)
recording of:
Herbstlied, op. 84 no. 2 (in 1980-12)
lyricist:
Karl Klingemann
composer:
Felix Mendelssohn (composer)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV K 99)
part of:
3 Lieder, op. 84
Felix Mendelssohn3:20
52Crisantemi
producer:
David Groves (classical music producer at EMI)
editor:
Sally Drew (Decca engineer)
orchestra:
London Symphony Orchestra (in 2000-09)
conductor:
Antonio Pappano (conductor and pianist) (in 2000-09)
balance engineer:
Jonathan Allen (engineer)
recorded at:
No 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-09)
recording of:
I Crisantemi, SC 65 (for string orchestra) (in 2000-09)
composer:
Giacomo Puccini (Italian composer) (in 1890)
orchestration of:
Crisantemi (for string quartet)
Giacomo Puccini7:02
53The Three-Cornered Hat: Pt. 1: The Grapes
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Victor Olof
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1963-10-28 until 1964-04-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1963-10-28 until 1964-04-12)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1963-10-28 until 1964-04-12)
partial recording of:
El sombrero de tres picos: Parte I. Las uvas (from 1963-10-28 until 1964-04-12)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:15
54The Engadiner Suite: II. Autumn
partial recording of:
The Engadiner Suite
composer:
Maurice Jarre (composer and conductor)
Maurice Jarre5:59
55Symphony no. 2 in B major, op. 14: IV. To October. "My shli, my prosili raboty i khleba"
executive producer:
John Fraser (UK producer)
producer:
Wilhelm Meister (Tonmeister / recording producer)
editor:
Elizabeth Panzer (engineer)
bassoon:
Marco Postinghel (bassoonist) (from 2004-06-29 until 2005-01-10)
clarinet:
Stefan Schilling (from 2004-06-29 until 2005-01-10)
violin:
Andreas Röhn (violinist) (from 2004-06-29 until 2005-01-10)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 2004-06-29 until 2005-01-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 2004-06-29 until 2005-01-10)
conductor:
Mariss Jansons (Latvian conductor) (from 2004-06-29 until 2005-01-10)
chorus master:
Michael Gläser (German singer and choral conductor) (from 2004-06-29 until 2005-01-10)
balance engineer:
Wolfgang Karreth (sound engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 2004-06-29 until 2005-01-10, on 2005-01-10)
recording of:
Symphony no. 2 in B major, op. 14 “To October”: IV. Chorus: “To October” (from 2004-06-29 until 2005-01-10)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1927)
librettist:
Alexander Bezymensky
part of:
Symphony no. 2 in B major, op. 14 “To October”
Dmitri Shostakovich7:17
56Nebbie, P. 64
piano:
Gerald Moore (pianist)
baritone vocals:
Tito Gobbi (baritone)
recording of:
Nebbie, P. 64
lyricist:
Ada Negri
composer:
Ottorino Respighi (composer) (in 1906)
part of:
Ottorino Respighi Catalog by Potito Pedarra (number: P. 064)
Ottorino Respighi3:09
57Songs from the Chinese, op. 58: No. 3, The Autumn Wind
guitar:
Xuefei Yang (楊雪霏)
tenor vocals:
Ian Bostridge (tenor)
recording of:
Songs from the Chinese, op. 58: III. The Autumn Wind
lyricist:
漢世宗孝武皇帝 (emperor of the Han Dynasty)
composer:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Arthur Waley (English scholar of Chinese and Japanese studies)
part of:
Songs from the Chinese, op. 58
Benjamin Britten1:14
587 Chansons grises: No. 1, Chanson d'automne
engineer:
Michel Pierre (audio engineer)
producer:
Étienne Collard
strings:
Quatuor Ébène (from 2014-06 until 2014-10)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-06 until 2014-10)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2014-06 until 2014-10)
recording of:
Chansons grises: No. 1. Chanson d'automne (catch-all for arrangements) (from 2014-06 until 2014-10)
lyricist:
Paul Verlaine (French poet)
composer:
Reynaldo Hahn (composer)
arrangement of:
Chansons grises: No. 1. Chanson d'automne
Reynaldo Hahn2:10
59Songs of the Seasons: No. 1, Poème d'automne
piano:
Kevin J. Miller
tenor vocals:
Lawrence Brownlee (tenor)
recording of:
Songs of the Seasons: Poème d'Automne
lyricist:
Langston Hughes
composer:
Margaret Bonds (American composer) (in 1936)
part of:
Songs of the Seasons
Margaret Bonds2:09
60Four Seasons of Manhattan: II. Autumn
engineer, producer and editor:
Ryan Streber (engineer)
assistant editor:
Hansdale Hsu (engineer)
viola:
David Aaron Carpenter (from 2015-01-15 until 2015-01-16)
orchestra:
Salomé Chamber Orchestra (from 2015-01-15 until 2015-01-16)
conductor:
David Aaron Carpenter (from 2015-01-15 until 2015-01-16)
recorded at:
DiMenna Center: Mary Flagler Cary Hall in New York, New York, United States (from 2015-01-15 until 2015-01-16)
recording of:
Four Seasons of Manhattan: II. Autumn (from 2015-01-15 until 2015-01-16)
composer:
Alexey Shor (American composer)
part of:
Four Seasons of Manhattan
Alexey Shor3:57
61Scènes historiques II, op. 66: No. 1, The Hunt
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (on 1969-08-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1969-08-04)
balance engineer:
Martin Benge (on 1969-08-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1969-08-04)
recording of:
Scènes historiques, op. 66: I. La chasse (on 1969-08-04)
composer:
Jean Sibelius (Finnish composer) (from 1911 until 1912)
part of:
Scènes historiques II, op. 66
Jean Sibelius7:53
62Herbst, D. 945
recording engineer:
Baptiste Chouquet
producer:
Étienne Collard
mixer and editor:
Michel Pierre (audio engineer)
piano:
Jérôme Ducros (pianist) (from 2020-02-14 until 2020-02-17)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2020-02-14 until 2020-02-17)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 2024)
recorded at:
RIFFX 1 Studio in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 2020-02-14 until 2020-02-17)
recording of:
Herbst, D. 945 (from 2020-02-14 until 2020-02-17)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (on 1828-04-28)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 945)
Franz Schubert3:31
63Piano Sonata no. 18 in E-flat major, op. 31 no. 3 "The Hunt": I. Allegro
producer:
Fred Gaisberg and Peter de Jongh
piano:
Claudio Arrau (pianist) (ended, from 1947-01-10 until 1947-01-15)
balance engineer:
Arthur Clarke (engineer) (from 1947-01-10 until 1947-01-15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-01-10 until 1947-01-15)
recording of:
Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro (from 1947-01-10 until 1947-01-15)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Sonata for Piano no. 18 in E-flat major, op. 31 no. 3
recording of:
Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro (ended)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Sonata for Piano no. 18 in E-flat major, op. 31 no. 3
Ludwig van Beethoven8:12
64Chanson d'automne
engineer:
Michel Pierre (audio engineer)
producer:
Étienne Collard
piano:
Jérôme Ducros (pianist) (from 2014-06 until 2014-10)
strings:
Quatuor Ébène (from 2014-06 until 2014-10)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2014-06 until 2014-10)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2014-06 until 2014-10)
recording of:
Chanson d’automne (transcription for counter-tenor, string quartet and piano) (from 2014-06 until 2014-10)
lyricist:
Paul Verlaine (French poet)
composer:
Charles Trenet
arranger:
Jérôme Ducros (pianist)
is based on:
Verlaine (Chanson d’automne)
Charles Trenet2:53
65Thumbs Up: Autumn in New York
bass:
Lennie Bush
drums (drum set):
Ronnie Verrell
piano:
Brian Lemmon (Pianist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
instrumental recording of:
Autumn in New York (1934)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Vernon Duke4:20
66Knickerbocker Holiday: Act 1: September Song "When I was a young man courting the girls" (Pieter Stuyvesant)
vocals:
Kevin Colson
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
recording of:
Knickerbocker Holiday: September Song
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Kurt Weill4:02
67Herbstmanöver: "Auf der Heide bluh'n die letzten Rosen"
producer:
David Groves (classical music producer at EMI)
editor:
Simon Kiln and Bob Whitney (engineer)
baritone vocals:
Thomas Hampson (baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Franz Welser‐Möst (conductor)
balance engineer:
John Kurlander (engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (ended)
recording of:
Auf der Heide blüh'n die letzten Rosen
lyricist:
Bruno Balz (German lyricist)
composer:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
publisher:
Wiener Bohème Verlag GmbH
Robert Stolz4:13
68Suite from Adam Zero: VII. Approach to Autumn
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Adam Zero Suite: VI. Approach of Autumn
composer:
Sir Arthur Bliss (composer)
part of:
Adam Zero Suite, op. 67b, F. 1b
Arthur Bliss3:54
69Ritual Dances from "The Midsummer Marriage": First Dance. The Earth in Autumn, The Hound Chases the Hare - Transformation - Preparation for the Second Dance
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Bournemouth Symphony Orchestra (in 1984-12)
conductor:
Rudolf Barshai (viola player and conductor) (in 1984-12)
balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s) (in 1984-12)
recorded at:
The Lighthouse in Poole, England, United Kingdom (in 1984-12)
recording of:
Ritual Dances from “The Midsummer Marriage”: The First Dance. The Earth in Autumn (in 1984-12)
composer:
Sir Michael Tippett (composer) (from 1947 until 1952)
part of:
Ritual Dances from “The Midsummer Marriage”
recording of:
Ritual Dances from “The Midsummer Marriage”: Transformation and Preparation for the Second Dance (in 1984-12)
composer:
Sir Michael Tippett (composer) (from 1947 until 1952)
part of:
Ritual Dances from “The Midsummer Marriage”
Sir Michael Tippett5:26
70North Country Sketches: No. 1, Autumn. The Wind Soughs in the Trees
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
North Country Sketches, RT vi/20: I. Autumn
composer:
Frederick Delius (English composer)
part of:
North Country Sketches, RT vi/20
Frederick Delius7:26
71Autumn's Twilight
piano:
Gerald Moore (pianist)
baritone vocals:
Frederick Harvey (baritone)
recording of:
Autumn Twilight
lyricist:
Arthur Symons (British writer)
composer:
Peter Warlock (British composer)
Peter Warlock2:39
72Wein, Weib und Gesang, op. 333
producer:
David Groves (classical music producer at EMI)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 2000-01-01)
conductor:
Riccardo Muti (conductor) (on 2000-01-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 2000-01-01)
live recording of:
Wein, Weib und Gesang, op. 333 (Wine, Woman and Song) (on 2000-01-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 333)
Johann Strauss II11:08
73I vespri siciliani: Act 3: Divertimento "Le stagioni": Autunno
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1978-07-11, on 1980-07-16)
conductor:
Riccardo Muti (conductor) (on 1978-07-11, on 1980-07-16)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1978-07-11, on 1980-07-16)
Giuseppe Verdi9:08
74Le chasseur maudit, FWV 44
orchestra:
Orchestre Philharmonique de Liège (Liège Royal Philharmonic, Belgian orchestra, aka “OPRL”)
conductor:
Paul Strauss (conductor)
recording of:
Le Chasseur maudit, CFF 128
composer:
César Franck (Belgian‐born French composer) (in 1882)
part of:
Franck Werke Verzeichnis (number: 44) and Catalogue of the works of César Franck by Joël-Marie Fauquet (CFF) (number: CFF 128)
César Franck14:56
75Clarinet Quintet in B minor, op. 115: I. Allegro
cello:
Gautier Capuçon (cellist)
clarinet:
Paul Meyer (clarinetist and conductor)
viola:
Béatrice Muthelet (violist)
violin:
Renaud Capuçon (violinist) and Aki Saulière
recorded at:
Chapelle de l'hôpital Notre-Dame de Bon Secours in Paris, Île-de-France, France (from 2007-07-09 until 2007-07-10)
recording of:
Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115: I. Allegro
composer:
Johannes Brahms (German composer) (in 1891)
part of:
Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115
Johannes Brahms12:49
76In Autumn, op. 11
sound engineer:
Jean Chatauret (from 2000-05-30 until 2000-06-01)
producer:
Wolfram Graul (Conductor, engineer, producer)
orchestra:
City of Birmingham Symphony Orchestra (from 2000-05-30 until 2000-06-01)
conductor:
Sakari Oramo (conductor) (from 2000-05-30 until 2000-06-01)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 2000-05-30 until 2000-06-01)
recording of:
I Høst (In Autumn) – Concert Overture for Orchestra, op. 11 (from 2000-05-30 until 2000-06-01)
orchestrator:
Edvard Grieg (composer) (in 1887)
composer:
Edvard Grieg (composer) (in 1865, in 1866)
part of:
Works of Edvard Grieg by opus number (number: op. 11)
Edvard Grieg11:21
77Roma, WD 37: I. Une chasse dans la forêt d'Ostie. Andante tranquillo - Andante
assistant engineer:
Aude-Marie Piloz
producer:
Philip Traugott
editor:
Aurélie Messonnier (engineer)
orchestra:
Orchestre de Paris (from 2009-11-20 until 2009-11-21)
conductor:
Paavo Järvi (conductor) (from 2009-11-20 until 2009-11-21)
balance engineer:
Anne Chosson
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2010)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (from 2009-11-20 until 2009-11-21)
recording of:
Symphony in C major "Roma": I. Andante tranquillo - Allegro agitato (from 2009-11-20 until 2009-11-21)
composer:
Georges Bizet (French composer)
part of:
Symphony in C major "Roma"
Georges Bizet11:52
78Der Wein
soprano vocals:
Deborah Voigt (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Giuseppe Sinopoli (conductor)
edit of:
Der Wein by Deborah Voigt (soprano), Staatskapelle Dresden (Dresden Symphonic Orchestra), Giuseppe Sinopoli (conductor)
recording of:
Der Wein
lyricist:
Charles Baudelaire
composer:
Alban Berg (Austrian composer) (in 1929)
dedicated to and was commissioned by:
Ružena Herlinger (soprano)
translator:
Stefan George (German symbolist poet, † 1933)
premiered at:
[concert] (1930-06-04)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1930)
Alban Berg11:02
79Das Lied von der Erde: II. Der Einsame im Herbst
producer:
Peter Andry (producer) and Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1964-02-19 until 1966-07-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-02-19 until 1966-07-09)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-02-19 until 1966-07-09)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-02-19 until 1966-07-09) and Douglas Larter (from 1964-02-19 until 1966-07-09)
recording of:
Das Lied von der Erde: II. Der Einsame im Herbst (The Song of the Earth: II. The Lonely Man in Autumn) (from 1964-02-19 until 1966-07-09)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
錢起 (Qián Qǐ)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
效古秋夜長
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler10:10