Here Come The Classics, Volume One

~ Release by Royal Philharmonic Orchestra (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Overture, Light Cavalry
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture)
composer:
Franz von Suppé (Franz von Suppè, composer)
part of:
Leichte Kavallerie (Light Cavalry)
Franz von Suppé6:44
2Chanson de matin
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Edward Elgar3:15
3Pomp and Circumstance March no. 1
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:33
4On the Beautiful Blue Danube
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss9:53
5Piano Concerto (Allegro con fuoco)
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
piano:
Lucy Parham
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky7:09
6Canon in D
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:40
7Carmen Suite: Prelude and Aragonaise, Les Toreadors
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet6:01
8Adagio for Strings
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber7:47
9The Liberty Bell March
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
The Liberty Bell
composer:
John Philip Sousa (conductor and composer) (in 1893)
arrangement of:
The Devil’s Deputy
John Philip Sousa2:27
10Intermezzo from Cavalleria Rusticana
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:18
11Nessun Dorma from Turandot
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
tenor vocals:
Wynne Evans (Welsh tenor) (from 2002-01-07 until 2002-01-10)
orchestra:
Royal Philharmonic Orchestra (from 2002-01-07 until 2002-01-10)
conductor:
Philip Ellis (from 2002-01-07 until 2002-01-10)
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster) (from 2002-01-07 until 2002-01-10)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:00
12Can-can from Orpheus in the Underworld
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach2:13
13Bolero
producer:
Alan Boyd (musician, sound engineer, producer and filmmaker)
orchestra:
Royal Philharmonic Orchestra
conductor:
Philip Ellis
balance engineer:
Gary Thomas (engineer)
concertmaster:
Jonathan Carney (violinist, conductor and concertmaster)
phonographic copyright (℗) by:
Imagination Entertainments (in 2002) and Royal Philharmonic Orchestra (in 2002)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (from 2002-01-07 until 2002-01-10)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel14:40

Credits

Release

manufactured in:the EU (Europe)
photography:Eric Richmond (photographer)
Suzie E. Maeder (photographer)
R. Moran
Sven Arnstein (photographer)
copyrighted (©) by:Imagination Entertainments (in 2002)
Royal Philharmonic Orchestra (in 2002)
ASIN:UK: B002VCR1L6 [info]

Release group

part of:Here Come The Classics (number: 1) (order: 1)