The Royal Ballet Gala Performances

~ Release by Ernest Ansermet (see all versions of this release, 7 available)

Tracklist

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1▼SACD
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1The Nutcracker Suite, Op. 71a: March
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Tchaikovsky2:33
2The Nutcracker Suite, Op. 71a: Dance of the Sugar Plum Fairy
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Tchaikovsky1:46
3The Nutcracker Suite, Op. 71a: Arabian Dance
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Tchaikovsky3:37
4The Nutcracker Suite, Op. 71a: Chinese Dance
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Tchaikovsky1:09
5The Nutcracker Suite, Op. 71a: Dance of the Toy Flutes
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Tchaikovsky2:20
6The Nutcracker Suite, Op. 71a: Waltz of the Flowers
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Tchaikovsky6:39
7La Boutique fantasque: Tarantella
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
La Boutique fantasque: II. Tarantelle. Allegro con brio – Vivo (from 1959-01-13 until 1959-01-16)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
part of:
La boutique fantasque, P. 120
Rossini2:08
8La Boutique fantasque: Andante mosso
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
La Boutique fantasque: V. Cancan. Allegretto grottesco – Vivacissimo – Poco meno vivo – Andantino mosso – Andantino mosso (from 1959-01-13 until 1959-01-16)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Péchés de vieillesse, Volume 10 "Miscellanée pour piano": No. 6. Petite Caprice (Style Offenbach)
part of:
La boutique fantasque, P. 120
Rossini2:40
9La Boutique fantasque: Can-Can
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
La Boutique fantasque: V. Cancan. Allegretto grottesco – Vivacissimo – Poco meno vivo – Andantino mosso – Andantino mosso (from 1959-01-13 until 1959-01-16)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Péchés de vieillesse, Volume 10 "Miscellanée pour piano": No. 6. Petite Caprice (Style Offenbach)
part of:
La boutique fantasque, P. 120
Rossini2:05
10Coppélia: Act 1. Introduction and Mazurka
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
Coppélia : Tableau I, no. 2. Scène (Swanhilde et Frantz) (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
recording of:
Coppélia : Tableau I, no. 3. Mazurka (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes4:22
11Coppélia: Act 1. Introduction and Waltz
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
Coppélia : Tableau I, no. 1a. Prélude et Mazurka (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente) (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes2:59
12Coppélia: Act 1. Czárdás
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Coppélia : Tableau I, no. 7a. Czárdás (Danse hongroise) (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes3:43
13Coppélia: Act 2. Valse de la poupée
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
Coppélia : Tableau II, No. 14. Scène et Valse de la Poupée (from 1959-01-13 until 1959-01-16)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau II
Léo Delibes2:05
14Giselle: Act 1. Introduction and Waltz
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
partial recording of:
Giselle: Act I. Entrée de Giselle (from 1959-01-13 until 1959-01-16)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
partial recording of:
Giselle: Act I. Retour de la vendange (from 1959-01-13 until 1959-01-16)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam5:06
15Giselle: Act 2. Pas de deux and Variation
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Giselle: Act II. Grand pas de deux (from 1959-01-13 until 1959-01-16)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
recording of:
Giselle: Act II. Variation de Giselle (from 1959-01-13 until 1959-01-16)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam4:50
16The Nutcracker Suite, Op. 71a: March (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Tchaikovsky2:34
17The Nutcracker Suite, Op. 71a: Dance of the Sugar Plum Fairy (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Tchaikovsky1:47
18The Nutcracker Suite, Op. 71a: Arabian Dance (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Tchaikovsky3:38
19The Nutcracker Suite, Op. 71a: Chinese Dance (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Tchaikovsky1:09
20The Nutcracker Suite, Op. 71a: Dance of the Toy Flutes (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Tchaikovsky2:18
21The Nutcracker Suite, Op. 71a: Waltz of the Flowers (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Tchaikovsky6:36
22La Boutique fantasque: Tarantella (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
La Boutique fantasque: II. Tarantelle. Allegro con brio – Vivo
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
part of:
La boutique fantasque, P. 120
Rossini2:08
23La Boutique fantasque: Andante mosso (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
partial recording of:
La boutique fantasque, P. 120
composer:
Gioachino Rossini (composer) and Ottorino Respighi (composer) (in 1918)
premiered at:
Alhambra Theatre in Westminster, London (Greater London), England, United Kingdom (on 1919-06-05)
Rossini2:41
24La Boutique fantasque: Can-Can (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
La Boutique fantasque: V. Cancan. Allegretto grottesco – Vivacissimo – Poco meno vivo – Andantino mosso – Andantino mosso
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Péchés de vieillesse, Volume 10 "Miscellanée pour piano": No. 6. Petite Caprice (Style Offenbach)
part of:
La boutique fantasque, P. 120
Rossini2:03
25Coppélia: Act 1. Introduction and Mazurka (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Coppélia : Tableau I, no. 1a. Prélude et Mazurka
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes4:22
26Coppélia: Act 1. Introduction and Waltz (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes2:59
27Coppélia: Act 1. Czárdás (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Coppélia : Tableau I, no. 7a. Czárdás (Danse hongroise)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes3:43
28Coppélia: Act 2. Valse de la poupée (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Coppélia : Tableau II, No. 14. Scène et Valse de la Poupée
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau II
Léo Delibes2:04
29Giselle: Act 1. Introduction and Waltz (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Giselle: Act I. Introduction
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam5:06
30Giselle: Act 2. Pas de deux and Variation (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Giselle: Act II. Grand pas de deux
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam4:46
2▼SACD
#TitleArtistRatingLength
1Swan Lake, Op. 20: Act 2. Scene (Moderato)
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1959-01-13 until 1959-01-16)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Tchaikovsky3:10
2Swan Lake, Op. 20: Act 2. Scene; Dance of the Little Swans
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans") (from 1959-01-13 until 1959-01-16)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Tchaikovsky1:22
3Swan Lake, Op. 20: Act 2. Scene - Pas de deux
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
solo violin:
Charles Taylor (violinist) (from 1959-01-13 until 1959-01-16)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tchaikovsky6:34
4Swan Lake, Op. 20: Act 2. Waltz
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse (from 1959-01-13 until 1959-01-16)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
Tchaikovsky7:52
5Carnaval, Op. 9: Pierrot
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Carnaval, op. 9: II. Pierrot (orch. Glazunov) (from 1959-01-13 until 1959-01-16)
orchestrator:
Alexander Glazunov (Russian composer, 1865–1936)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: II. Pierrot
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Tchaikovsky1:11
6Carnaval, Op. 9: Reconnaissance
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Carnaval, op. 9: XIV. Reconnaissance (orch. Wihtol) (from 1959-01-13 until 1959-01-16)
orchestrator:
Joseph Wihtol
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: XIV. Reconnaissance
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Schumann1:36
7Carnaval, Op. 9: Aveu
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Carnaval, op. 9: XVII. “Aveu” (orch. Sokolov) (from 1959-01-13 until 1959-01-16)
orchestrator:
Nikolai Sokolov (Nikolay Sokolov, Russian composer, Nikolay Alexandrovich Sokolov)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: XVII. Aveu
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Schumann1:08
8Carnaval, Op. 9: Pantalon et Columbine
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Carnaval, op. 9: XV. Pantalon et Colombine (orch. Arensky) (from 1959-01-13 until 1959-01-16)
orchestrator:
Anton Arensky (Russian composer, pianist and conductor)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: XV. Pantalon et Colombine
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Schumann1:07
9The Sleeping Beauty, Op. 66: Introduction; Prologue: The Lilac Fairy
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas (from 1959-01-13 until 1959-01-16)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Tchaikovsky4:44
10The Sleeping Beauty, Op. 66: Act 1. Rose adagio; Pas d'action
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Tchaikovsky6:17
11The Sleeping Beauty, Op. 66: Act 1. Waltz
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse (from 1959-01-13 until 1959-01-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Tchaikovsky4:30
12Les Sylphides: Overture: Prelude in A, Op. 28, No. 7
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Les Sylphides: VI. Prélude (orch. by Douglas) (from 1959-01-13 until 1959-01-16)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Prélude no. 7 in A major, op. 28: Andantino
part of:
Les Sylphides (orch. by Douglas)
Chopin1:48
13Les Sylphides: Mazurka in C, Op. 67, No. 3
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Les Sylphides: V. Mazurka (orch. by Douglas) (from 1959-01-13 until 1959-01-16)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Mazurka no. 44 in C major, op. 67 no. 3
part of:
Les Sylphides (orch. by Douglas)
Chopin1:57
14Les Sylphides: Grande valse brillante in E-Flat, Op. 18
engineer:
Kenneth Wilkinson (engineer) (from 1959-01-13 until 1959-01-16)
producer:
Michael Williamson (classical music producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1959-01-13 until 1959-01-16)
conductor:
Ernest Ansermet (conductor) (from 1959-01-13 until 1959-01-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-01-13 until 1959-01-16)
recording of:
Les Sylphides: VIII. Walzer (in E‐flat major, op. 18 no. 1) (orch. by Douglas) (from 1959-01-13 until 1959-01-16)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante”
part of:
Les Sylphides (orch. by Douglas)
Chopin5:40
15Swan Lake, Op. 20: Act 2. Scene (Moderato) (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Tchaikovsky3:10
16Swan Lake, Op. 20: Act 2. Scene; Dance of the Little Swans (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans")
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Tchaikovsky1:24
17Swan Lake, Op. 20: Act 2. Scene - Pas de deux (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tchaikovsky6:34
18Swan Lake, Op. 20: Act 2. Waltz (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
Tchaikovsky7:50
19Carnaval, Op. 9: Pierrot (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Carnaval, op. 9: II. Pierrot (orch. Glazunov)
orchestrator:
Alexander Glazunov (Russian composer, 1865–1936)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: II. Pierrot
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Tchaikovsky1:10
20Carnaval, Op. 9: Reconnaissance (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Carnaval, op. 9: XIV. Reconnaissance (orch. Wihtol)
orchestrator:
Joseph Wihtol
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: XIV. Reconnaissance
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Schumann1:36
21Carnaval, Op. 9: Aveu (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Carnaval, op. 9: XVII. “Aveu” (orch. Sokolov)
orchestrator:
Nikolai Sokolov (Nikolay Sokolov, Russian composer, Nikolay Alexandrovich Sokolov)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: XVII. Aveu
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Schumann1:08
22Carnaval, Op. 9: Pantalon et Columbine (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Carnaval, op. 9: XV. Pantalon et Colombine (orch. Arensky)
orchestrator:
Anton Arensky (Russian composer, pianist and conductor)
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
orchestration of:
Carnaval, op. 9: XV. Pantalon et Colombine
part of:
Carnaval, op. 9 (orch. Glazunov, Rimsky-Korsakov, et al.)
Schumann1:06
23The Sleeping Beauty, Op. 66: Introduction; Prologue: The Lilac Fairy (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Tchaikovsky4:45
24The Sleeping Beauty, Op. 66: Act 1. Rose adagio; Pas d'action (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio")
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Tchaikovsky6:17
25The Sleeping Beauty, Op. 66: Act 1. Waltz (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Tchaikovsky4:29
26Les Sylphides: Overture: Prelude in A, Op. 28, No. 7 (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Les Sylphides: VI. Prélude (orch. by Douglas)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Prélude no. 7 in A major, op. 28: Andantino
part of:
Les Sylphides (orch. by Douglas)
Chopin1:49
27Les Sylphides: Mazurka in C, Op. 67, No. 3 (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Les Sylphides: V. Mazurka (orch. by Douglas)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Mazurka no. 44 in C major, op. 67 no. 3
part of:
Les Sylphides (orch. by Douglas)
Chopin1:57
28Les Sylphides: Grande valse brillante in E-Flat, Op. 18 (mono)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Ernest Ansermet (conductor)
recording of:
Les Sylphides: VIII. Walzer (in E‐flat major, op. 18 no. 1) (orch. by Douglas)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante”
part of:
Les Sylphides (orch. by Douglas)
Chopin5:38