My Last Days On Earth

~ Veröffentlichung von Bill Monroe (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Packaging: 4 CDs in individual jewel cases in LP-sized box with booklet.

Anmerkung zuletzt geändert am 2018-07-03 00:20 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Old Ebenezer Scrooge
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Butch Robins (am 1981-02-03)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1981-02-03)
Kontrabass:
Mark Hembree (am 1981-02-03)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1981-02-03)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-02-03)
recording of:
Old Ebenezer Scrooge (am 1981-02-03)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:03
2Come Hither to Go Yonder
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Butch Robins (am 1981-02-03)
Fiddle:
Kenny Baker (US fiddler) (am 1981-02-03)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1981-02-03)
Kontrabass:
Mark Hembree (am 1981-02-03)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1981-02-03)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-02-03)
recording of:
Come Hither to Go Yonder (am 1981-02-03)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:54
3Right, Right On
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Butch Robins (am 1981-02-03)
Fiddle:
Kenny Baker (US fiddler) (am 1981-02-03)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1981-02-03)
Kontrabass:
Mark Hembree (am 1981-02-03)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1981-02-03)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-02-03)
recording of:
Right, Right On (am 1981-02-03)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:20
4Lochwood
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Butch Robins (am 1981-02-04)
Fiddle:
Kenny Baker (US fiddler) (am 1981-02-04)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1981-02-04)
Kontrabass:
Mark Hembree (am 1981-02-04)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1981-02-04)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-02-04)
recording of:
Lochwood (am 1981-02-04)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:55
5Old Danger Field
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Butch Robins (am 1981-02-04)
Fiddle:
Kenny Baker (US fiddler) (am 1981-02-04)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1981-02-04)
Kontrabass:
Mark Hembree (am 1981-02-04)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1981-02-04)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-02-04)
recording of:
Old Dangerfield (am 1981-02-04)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:05
6Fair Play
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Butch Robins (am 1981-02-04)
Fiddle:
Kenny Baker (US fiddler) (am 1981-02-04)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1981-02-04)
Kontrabass:
Mark Hembree (am 1981-02-04)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1981-02-04)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-02-04)
recording of:
Fair Play (am 1981-02-04)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:30
7Melissa’s Waltz for J.B.
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Butch Robins (am 1981-02-19)
Fiddle:
Kenny Baker (US fiddler) (am 1981-02-19)
Gitarre:
Norman Blake (bluegrass guitarist) (am 1981-02-19) und Wayne Lewis (bluegrass guitarist) (am 1981-02-19)
Kontrabass:
Mark Hembree (am 1981-02-19)
Mandoline:
Jesse McReynolds (am 1981-02-19), Bill Monroe (“The Father of Bluegrass”) (am 1981-02-19) und Larry Sledge (US bluegrass mandolinist) (am 1981-02-19)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-02-19)
recording of:
Melissa’s Waltz for J.B. (am 1981-02-19)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:50
8Lady of the Blue Ridge
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Butch Robins (am 1981-02-19)
Fiddle:
Kenny Baker (US fiddler) (am 1981-02-19)
Gitarre:
Norman Blake (bluegrass guitarist) (am 1981-02-19) und Wayne Lewis (bluegrass guitarist) (am 1981-02-19)
Kontrabass:
Mark Hembree (am 1981-02-19)
Mandoline:
Jesse McReynolds (am 1981-02-19), Bill Monroe (“The Father of Bluegrass”) (am 1981-02-19) und Larry Sledge (US bluegrass mandolinist) (am 1981-02-19)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-02-19)
recording of:
Lady of the Blue Ridge (am 1981-02-19)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:44
9My Last Days on Earth
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Gitarre:
Norman Blake (bluegrass guitarist) (am 1981-02-19, am 1981-04-07)
Kontrabass:
Mark Hembree (am 1981-02-19, am 1981-04-07)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1981-02-19)
Saiteninstrumente:
Sheldon Kurland Strings (am 1981-04-28)
Hintergrundgesang:
Arlene Harden (am 1981-04-07), Cindy Nelson (Nashville studio vocalist circa 1981) (am 1981-04-07) und Curtis Young (country singer) (am 1981-04-07)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (von 1981-02-19 bis 1981-04-28)
recording of:
My Last Days on Earth (von 1981-02-19 bis 1981-04-28)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
4:37
10Evening Prayer Blues
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Butch Robins (am 1981-02-19)
Fiddle:
Kenny Baker (US fiddler) (am 1981-02-19)
Gitarre:
Norman Blake (bluegrass guitarist) (am 1981-02-19) und Wayne Lewis (bluegrass guitarist) (am 1981-02-19)
Instrumente:
Larry Sledge (US bluegrass mandolinist) (am 1981-02-19)
Kontrabass:
Mark Hembree (am 1981-02-19)
Mandoline:
Jesse McReynolds (am 1981-02-19) und Bill Monroe (“The Father of Bluegrass”) (am 1981-02-19)
aufgenommen bei:
Music Mill Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-02-19)
recording of:
Evening Prayer Blues (am 1981-02-19)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
basiert auf:
Evening Prayer Blues (harmonica solo)
3:23
11Precious Memories
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre und Sologesang:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
Baritongesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1982-07-04)
Bass-Gesang:
Jon Mohr (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
live recording of:
Precious Memories (am 1982-07-04)
Verfasser(in):
J.B.F. Wright (Hymn songwriter)
5:02
12Little Shepherd
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
recording of:
Call of the Shepherd (am 1982-07-04)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:12
13The Old Crossroads
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre und Sologesang:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
Baritongesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1982-07-04)
Bass-Gesang:
Jon Mohr (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
live recording of:
The Old Crossroad (am 1982-07-04)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
4:24
14Wayfaring Stranger
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
live recording of:
Wayfaring Stranger (am 1982-07-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
Roud Folk Song Index (Nummer: 3339)
5:38
15In the Gloryland Way
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
Baritongesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1982-07-04)
Bass-Gesang:
Jon Mohr (am 1982-07-04)
Sologesang:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04) und Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
live recording of:
The Glory Land Way (am 1982-07-04)
Texter und Komponist(in):
J.S. Torbett (gospel songwriter)
2:17
16What a Friend We Have in Jesus
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre und Sologesang:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
Baritongesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1982-07-04)
Bass-Gesang:
Jon Mohr (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
live recording of:
What a Friend We Have in Jesus (am 1982-07-04)
Texter:
Joseph Medlicott Scriven (in 1855)
Komponist(in):
Charles Crozat Converse (in 1868)
4:15
17Shouting on the Hills of Glory
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre und Sologesang:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
Baritongesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1982-07-04)
Bass-Gesang:
Jon Mohr (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
recording of:
Shouting on the Hills of Glory (am 1982-07-04)
Texter und Komponist(in):
Carter Stanley
2:48
18Baptize Me in the Cumberland River
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
live recording of:
Baptize Me in the Cumberland River (am 1982-07-04)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:26
19Wicked Path of Sin
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre und Sologesang:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
Baritongesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1982-07-04)
Bass-Gesang:
Jon Mohr (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
live recording of:
Wicked Path of Sin (am 1982-07-04)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:35
20I’ll Fly Away
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-07-04)
Fiddle:
Kenny Baker (US fiddler) (am 1982-07-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-07-04)
Gitarre und Sologesang:
Wayne Lewis (bluegrass guitarist) (am 1982-07-04)
Kontrabass:
Mark Hembree (am 1982-07-04)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-07-04)
Baritongesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1982-07-04)
Bass-Gesang:
Jon Mohr (am 1982-07-04)
aufgenommen bei:
Cathedral Caverns in Woodville, Alabama, Vereinigte Staaten (am 1982-07-04)
live recording of:
I’ll Fly Away (am 1982-07-04)
Texter und Komponist(in):
Albert E. Brumley (in 1929)
Verfasser(in):
Albert E. Brumley und Matthew D. Washington
publisher:
Skyhill Music
2:23
2▼CD
Nr.TitelKünstlerBewertungLänge
1My Louisiana Love
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-12-16)
Fiddle:
Kenny Baker (US fiddler) (am 1982-12-16)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1982-12-16)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-12-16)
Sologesang:
Mel Tillis (am 1982-12-16)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (am 1982-12-16)
recording of:
My Louisiana Love (am 1982-12-16)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Mel Tillis2:38
2Is the Blue Moon Still Shining?
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-12-22)
Fiddle:
Kenny Baker (US fiddler) (am 1982-12-22) und Hoot Hester (am 1982-12-22)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1982-12-22) und Dale Sellers (Nashville session guitarist) (am 1982-12-22)
Mandoline, Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-12-22)
vocals:
Larry Gatlin (am 1982-12-22), Rudy Gatlin (am 1982-12-22) und Steve Gatlin (am 1982-12-22)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (am 1982-12-22)
recording of:
Is the Blue Moon Still Shining? (am 1982-12-22)
Texter und Komponist(in):
Melissa Monroe (Singer, daughter of Bill Monroe)
Bill Monroe & The Gatlin Brothers4:38
3My Sweet Blue-Eyed Darlin’
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1982-12-23)
Fiddle:
Kenny Baker (US fiddler) (am 1982-12-23) und Buddy Spicher (American country and bluegrass fiddle player) (am 1982-12-23)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1982-12-23), Dale Sellers (Nashville session guitarist) (am 1982-12-23) und Ricky Skaggs (am 1982-12-23)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1982-12-23)
Sologesang:
Ricky Skaggs (am 1982-12-23)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (am 1982-12-23)
recording of:
My Sweet Blue Eyed Darlin' (am 1982-12-23)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Ricky Skaggs2:53
4Old Riverman
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
John Hartford (am 1983-01-06) und Blake Williams (banjo player) (am 1983-01-06)
Fiddle:
Kenny Baker (US fiddler) (am 1983-01-06) und Buddy Spicher (American country and bluegrass fiddle player) (am 1983-01-06)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1983-01-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1983-01-06)
Sologesang:
John Hartford (am 1983-01-06)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (am 1983-01-06)
recording of:
Old Riverman (am 1983-01-06)
Verfasser(in):
John Hartford und Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
Bill Monroe & John Hartford4:05
5With Body and Soul
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1983-01-26)
Fiddle:
Kenny Baker (US fiddler) (am 1983-01-26) und Buddy Spicher (American country and bluegrass fiddle player) (am 1983-01-26)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1983-01-26) und Gary Scruggs (am 1983-01-26)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1983-01-26)
Sologesang:
Waylon Jennings (US country musician) (am 1983-01-26)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (am 1983-01-26)
cover recording of:
With Body and Soul (am 1983-01-26)
Texter und Komponist(in):
Virginia Stauffer
Bill Monroe & Waylon Jennings3:43
6I Still Miss Someone
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1983-01-27)
Fiddle:
Kenny Baker (US fiddler) (am 1983-01-27) und Buddy Spicher (American country and bluegrass fiddle player) (am 1983-01-27)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1983-01-27)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1983-01-27)
Sologesang:
Johnny Cash (country music legend) (am 1983-01-27)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (am 1983-01-27)
recording of:
I Still Miss Someone (am 1983-01-27)
Texter:
Roy Cash Jr.
Komponist(in):
Johnny Cash (country music legend) und Roy Cash Jr.
publisher:
Aberbach (London) (publisher), House of Cash Southwind Music und Unichappell Music, Inc.
Bill Monroe & Johnny Cash2:56
7Blue Moon of Kentucky
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1983-02-01)
Fiddle:
Kenny Baker (US fiddler) (am 1983-02-01) und Buddy Spicher (American country and bluegrass fiddle player) (am 1983-02-01)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1983-02-01) und Joe Stuart (US bluegrass musician) (am 1983-02-01)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1983-02-01)
vocals:
The Oak Ridge Boys (am 1983-02-01)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (am 1983-02-01)
recording of:
Blue Moon of Kentucky (am 1983-02-01)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Bill Monroe & The Oak Ridge Boys3:46
8The Sunset Trail
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1983-02-22)
Fiddle:
Kenny Baker (US fiddler) (am 1983-02-22) und Buddy Spicher (American country and bluegrass fiddle player) (am 1983-02-22)
Gitarre:
Charlie Collins (country guitar player) (am 1983-02-22), Wayne Lewis (bluegrass guitarist) (am 1983-02-22) und Willie Nelson (am 1983-02-22)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1983-02-22)
Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1983-02-22) und Willie Nelson (am 1983-02-22)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (am 1983-02-22)
recording of:
The Sunset Trail (am 1983-02-22)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Willie Nelson3:44
9Kentucky Waltz
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (von 1983-04-20 bis 1986-04-20)
Fiddle:
Kenny Baker (US fiddler) (von 1983-04-20 bis 1986-04-20) und Buddy Spicher (American country and bluegrass fiddle player) (von 1983-04-20 bis 1986-04-20)
Gitarre:
Wayne Lewis (bluegrass guitarist) (von 1983-04-20 bis 1986-04-20) und Joe Stuart (US bluegrass musician) (von 1983-04-20 bis 1986-04-20)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (von 1983-04-20 bis 1986-04-20)
Sologesang und Tenor-Gesang:
Emmylou Harris (von 1983-04-20 bis 1986-04-20)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (von 1983-04-20 bis 1986-04-20)
recording of:
Kentucky Waltz (von 1983-04-20 bis 1986-04-20)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1945)
Bill Monroe & Emmylou Harris3:07
10My Rose of Old Kentucky
Produzent(in):
Walter Haynes (steel guitarist, producer and songwriter)
Banjo:
Blake Williams (banjo player) (am 1983-05-04)
Fiddle:
Kenny Baker (US fiddler) (am 1983-05-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1983-05-04)
Gitarre:
Ken Lewis (session drummer in Nashville, TN) (am 1983-05-04) und Wayne Lewis (bluegrass guitarist) (am 1983-05-04)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1983-05-04)
Resonatorgitarre [dobro] und Tenor-Gesang:
Barbara Mandrell (am 1983-05-04)
aufgenommen bei:
Burns Station Sound in Burns, Tennessee, Vereinigte Staaten (am 1983-05-04)
recording of:
My Rose of Old Kentucky (am 1983-05-04)
Verfasser(in):
Joe Ahr (“The Father of Bluegrass”)
Bill Monroe & Barbara Mandrell3:19
11I Hear a Sweet Voice Calling
Techniker(in):
Vic Gabany (recording engineer and producer) (Aufgabe: consulting engineer), Tim Kish (Aufgabe: second engineer), Mark Coddington (Aufgabe: second engineer), Russ Martin (Recording & mixing engineer) (Aufgabe: second engineer) und Steve Tillisch (Sound engineer) (Aufgabe: first engineer)
Produzent(in):
Emory Gordy, Jr.
Akustikgitarre:
Wayne Lewis (bluegrass guitarist)
Banjo:
Sonny Osborne (am 1985-05-02) und Blake Williams (banjo player) (am 1985-05-02)
Bass:
Clarence "Tater" Tate
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-05-02)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-05-02)
Kontrabass:
Clarence "Tater" Tate (am 1985-05-02)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1985-05-02) und Bobby Osborne (am 1985-05-02)
Baritongesang:
Sonny Osborne (am 1985-05-02)
Sologesang:
Bobby Osborne (am 1985-05-02)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-05-02)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1985-05-02)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
I Hear a Sweet Voice Calling (am 1985-05-02)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & The Osborne Brothers4:29
12True Life Blues
Techniker(in):
Vic Gabany (recording engineer and producer) (Aufgabe: consulting engineer), Tim Kish (Aufgabe: second engineer), Mark Coddington (Aufgabe: second engineer), Russ Martin (Recording & mixing engineer) (Aufgabe: second engineer) und Steve Tillisch (Sound engineer) (Aufgabe: first engineer)
Produzent(in):
Emory Gordy, Jr.
Akustikgitarre:
Wayne Lewis (bluegrass guitarist) und Carl Story (Bluegrass artist)
Banjo:
Blake Williams (banjo player) (am 1985-05-02)
Bass:
Clarence "Tater" Tate
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-05-02)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-05-02) und Carl Story (Bluegrass artist) (am 1985-05-02)
Kontrabass:
Clarence "Tater" Tate (am 1985-05-02)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-05-02)
Sologesang:
Carl Story (Bluegrass artist) (am 1985-05-02)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1985-05-02)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
True Life Blues (am 1985-05-02)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Carl Story2:18
13Lord, Protect My Soul
Techniker(in):
Vic Gabany (recording engineer and producer) (Aufgabe: consulting engineer), Tim Kish (Aufgabe: second engineer), Mark Coddington (Aufgabe: second engineer), Russ Martin (Recording & mixing engineer) (Aufgabe: second engineer) und Steve Tillisch (Sound engineer) (Aufgabe: first engineer)
Produzent(in):
Emory Gordy, Jr.
Akustikgitarre:
Wayne Lewis (bluegrass guitarist) und Charlie Waller (American bluegrass musician)
Banjo:
Blake Williams (banjo player) (am 1985-05-06)
Bass:
Clarence "Tater" Tate
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-05-06)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-05-06) und Charlie Waller (American bluegrass musician) (am 1985-05-06)
Kontrabass:
Clarence "Tater" Tate (am 1985-05-06)
Mandoline:
Jimmy Gaudreau (am 1985-05-06) und Bill Monroe (“The Father of Bluegrass”) (am 1985-05-06)
Baritongesang:
Jimmy Gaudreau (am 1985-05-06)
Bass-Gesang:
Bill Yates (US bluegrass bassist) (am 1985-05-06)
Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-05-06) und Charlie Waller (American bluegrass musician) (am 1985-05-06)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-05-06)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1985-05-06)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Lord Protect My Soul (am 1985-05-06)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe & The Country Gentlemen3:04
14Travelin’ This Lonesome Road
Techniker(in):
Vic Gabany (recording engineer and producer) (Aufgabe: consulting engineer), Tim Kish (Aufgabe: second engineer), Mark Coddington (Aufgabe: second engineer), Russ Martin (Recording & mixing engineer) (Aufgabe: second engineer) und Steve Tillisch (Sound engineer) (Aufgabe: first engineer)
Produzent(in):
Emory Gordy, Jr.
Akustikgitarre:
Wayne Lewis (bluegrass guitarist) und Mac Wiseman
Banjo:
Blake Williams (banjo player) (am 1985-05-06)
Bass:
Clarence "Tater" Tate
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-05-06)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-05-06) und Mac Wiseman (am 1985-05-06)
Kontrabass:
Clarence "Tater" Tate (am 1985-05-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-05-06)
Sologesang:
Mac Wiseman (am 1985-05-06)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1985-05-06)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Travelin' This Lonesome Road (am 1985-05-06)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Mac Wiseman3:32
15I’m on My Way Back to the Old Home
Techniker(in):
Vic Gabany (recording engineer and producer) (Aufgabe: consulting engineer), Tim Kish (Aufgabe: second engineer), Mark Coddington (Aufgabe: second engineer), Russ Martin (Recording & mixing engineer) (Aufgabe: second engineer) und Steve Tillisch (Sound engineer) (Aufgabe: first engineer)
Produzent(in):
Emory Gordy, Jr.
Akustikgitarre:
Wayne Lewis (bluegrass guitarist) und Jim McReynolds
Banjo:
Blake Williams (banjo player) (am 1985-06-17)
Bass:
Clarence "Tater" Tate
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-06-17) und Bobby Hicks (American bluegrass fiddler) (am 1985-06-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-06-17) und Jim McReynolds (am 1985-06-17)
Kontrabass:
Clarence "Tater" Tate (am 1985-06-17)
Mandoline:
Jesse McReynolds (am 1985-06-17) und Bill Monroe (“The Father of Bluegrass”) (am 1985-06-17)
Baritongesang:
Jesse McReynolds (am 1985-06-17)
Sologesang:
Jim McReynolds (am 1985-06-17)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-06-17)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-17) und Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-17)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
I'm on My Way Back to the Old Home (am 1985-06-17)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Jim and Jesse2:48
16It’s Mighty Dark to Travel
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1985-06-17)
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-06-17) und Bobby Hicks (American bluegrass fiddler) (am 1985-06-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-06-17) und Jim McReynolds (am 1985-06-17)
Kontrabass:
Clarence "Tater" Tate (am 1985-06-17)
Mandoline:
Jesse McReynolds (am 1985-06-17) und Bill Monroe (“The Father of Bluegrass”) (am 1985-06-17)
Baritongesang:
Jesse McReynolds (am 1985-06-17)
Sologesang:
Jim McReynolds (am 1985-06-17)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-06-17)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-17) und Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-17)
recording of:
It's Mighty Dark to Travel (am 1985-06-17)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe & Jim and Jesse2:50
17Remember the Cross
Techniker(in):
Vic Gabany (recording engineer and producer) (Aufgabe: consulting engineer), Tim Kish (Aufgabe: second engineer), Mark Coddington (Aufgabe: second engineer), Russ Martin (Recording & mixing engineer) (Aufgabe: second engineer) und Steve Tillisch (Sound engineer) (Aufgabe: first engineer)
Produzent(in):
Emory Gordy, Jr.
Akustikgitarre:
Wayne Lewis (bluegrass guitarist)
Banjo:
Blake Williams (banjo player) (am 1985-05-07)
Bass:
Emory Gordy, Jr.
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-05-07)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-05-07)
Kontrabass:
Emory Gordy, Jr. (am 1985-05-07)
Mandoline, Sologesang und Tenor-Gesang:
John Duffey (am 1985-05-07) und Bill Monroe (“The Father of Bluegrass”) (am 1985-05-07)
Resonatorgitarre [dobro] und Baritongesang:
Mike Auldridge (am 1985-05-07)
Bass-Gesang:
Clarence "Tater" Tate (am 1985-05-07)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1985-05-07)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Remember the Cross (am 1985-05-07)
Verfasser(in):
Bill Monroe (“The Father of Bluegrass”) und Howard Watts (bluegrass bassist, aka Cedric Rainwater)
Bill Monroe & The Seldom Scene3:06
18Let the Gates Swing Wide
Techniker(in):
Vic Gabany (recording engineer and producer) (Aufgabe: consulting engineer), Tim Kish (Aufgabe: second engineer), Mark Coddington (Aufgabe: second engineer), Russ Martin (Recording & mixing engineer) (Aufgabe: second engineer) und Steve Tillisch (Sound engineer) (Aufgabe: first engineer)
Produzent(in):
Emory Gordy, Jr.
Akustikgitarre:
Wayne Lewis (bluegrass guitarist)
Banjo:
Blake Williams (banjo player) (am 1985-06-10)
Bass:
Emory Gordy, Jr.
Fiddle und Baritongesang:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-06-10)
Gitarre und Sologesang:
Wayne Lewis (bluegrass guitarist) (am 1985-06-10)
Kontrabass:
Emory Gordy, Jr. (am 1985-06-10)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-06-10)
Bass-Gesang:
Clarence "Tater" Tate (am 1985-06-10)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-10)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Let the Gates Swing Wide (am 1985-06-10)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Tater Tate2:53
19Can’t You Hear Me Callin’
Produzent(in):
Emory Gordy, Jr.
Banjo:
Ralph Stanley (US bluegrass singer and banjo player) (am 1985-06-10) und Blake Williams (banjo player) (am 1985-06-10)
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-06-10)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-06-10)
Kontrabass:
Clarence "Tater" Tate (am 1985-06-10)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-06-10)
Sologesang:
Ralph Stanley (US bluegrass singer and banjo player) (am 1985-06-10)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-10)
recording of:
Can't You Hear Me Callin' (am 1985-06-10)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Ralph Stanley2:56
20The Golden West
Techniker(in):
Vic Gabany (recording engineer and producer) (Aufgabe: consulting engineer), Tim Kish (Aufgabe: second engineer), Mark Coddington (Aufgabe: second engineer), Russ Martin (Recording & mixing engineer) (Aufgabe: second engineer) und Steve Tillisch (Sound engineer) (Aufgabe: first engineer)
Produzent(in):
Emory Gordy, Jr.
Akustikgitarre:
Wayne Lewis (bluegrass guitarist)
Banjo:
Blake Williams (banjo player) (am 1985-06-17)
Bass:
Clarence "Tater" Tate
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-06-17) und Bobby Hicks (American bluegrass fiddler) (am 1985-06-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-06-17)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1985-06-17)
aufgenommen bei:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten und Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-17)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
The Golden West (am 1985-06-17)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Bobby Hicks3:15
21The Old Brown Country Barn
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1985-06-17)
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-06-17) und Bobby Hicks (American bluegrass fiddler) (am 1985-06-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-06-17)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1985-06-17)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-17)
recording of:
The Old Brown Country Barn (am 1985-06-17)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Bobby Hicks2:30
22I’m Going Back to Old Kentucky
Techniker(in):
Vic Gabany (recording engineer and producer) (Aufgabe: consulting engineer), Tim Kish (Aufgabe: second engineer), Mark Coddington (Aufgabe: second engineer), Russ Martin (Recording & mixing engineer) (Aufgabe: second engineer) und Steve Tillisch (Sound engineer) (Aufgabe: first engineer)
Produzent(in):
Emory Gordy, Jr.
Akustikgitarre:
Wayne Lewis (bluegrass guitarist) und Del McCoury
Banjo:
Blake Williams (banjo player) (am 1985-06-17)
Bass:
Clarence "Tater" Tate
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-06-17) und Bobby Hicks (American bluegrass fiddler) (am 1985-06-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-06-17) und Del McCoury (am 1985-06-17)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-06-17)
Sologesang:
Del McCoury (am 1985-06-17)
aufgenommen bei:
Sound Emporium in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-17)
remixed at:
Sound Stage Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
I'm Going Back to Old Kentucky (am 1985-06-17)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe & Del McCoury3:12
23Bluest Man in Town
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1985-06-17)
Fiddle:
Glen Duncan (bluegrass multi-instrument musician) (am 1985-06-17) und Bobby Hicks (American bluegrass fiddler) (am 1985-06-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1985-06-17) und Del McCoury (am 1985-06-17)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1985-06-17)
Sologesang:
Del McCoury (am 1985-06-17)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1985-06-17)
recording of:
Bluest Man in Town (am 1985-06-17)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
Bill Monroe & Del McCoury4:05
3▼CD
Nr.TitelBewertungLänge
1Dancin’ in Brancin’
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1986-03-17)
Fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (am 1986-03-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1986-03-17)
Kontrabass:
Clarence "Tater" Tate (am 1986-03-17)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1986-03-17)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1986-03-17)
recording of:
Dancin’ in Brancin’ (am 1986-03-17)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:33
2Jekyll Island
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1986-03-17)
Fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (am 1986-03-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1986-03-17)
Kontrabass:
Clarence "Tater" Tate (am 1986-03-17)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1986-03-17)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1986-03-17)
recording of:
Jekyll Island (am 1986-03-17)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:34
3Stay Away From Me
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1986-03-17)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1986-03-17) und Buddy Spicher (American country and bluegrass fiddle player) (am 1986-03-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1986-03-17)
Kontrabass:
Clarence "Tater" Tate (am 1986-03-17)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1986-03-17)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1986-03-17)
recording of:
Stay Away From Me (am 1986-03-17)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:17
4Music Valley Waltz
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1986-03-17)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1986-03-17) und Buddy Spicher (American country and bluegrass fiddle player) (am 1986-03-17)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1986-03-17)
Kontrabass:
Clarence "Tater" Tate (am 1986-03-17)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1986-03-17)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1986-03-17)
recording of:
Music Valley Waltz (am 1986-03-17)
Verfasser(in):
John Hartford und Bill Monroe (“The Father of Bluegrass”)
2:58
5Angels Rock Me to Sleep
Produzent(in):
Emory Gordy, Jr.
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1986-03-18)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1986-03-18) und Buddy Spicher (American country and bluegrass fiddle player) (am 1986-03-18)
Gitarre und Sologesang:
Wayne Lewis (bluegrass guitarist) (am 1986-03-18)
Kontrabass:
Emory Gordy, Jr. (am 1986-03-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1986-03-18)
Bass-Gesang:
Clarence "Tater" Tate (am 1986-03-18)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1986-03-18)
recording of:
Angels Rock Me to Sleep (am 1986-03-18)
Verfasser(in):
Marion Easterling und Thomas Ramsey
3:01
6The Long Bow
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1986-03-18)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1986-03-18) und Buddy Spicher (American country and bluegrass fiddle player) (am 1986-03-18)
Gitarre:
Wayne Lewis (bluegrass guitarist) (am 1986-03-18)
Kontrabass:
Clarence "Tater" Tate (am 1986-03-18)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1986-03-18)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1986-03-18)
recording of:
The Long Bow (am 1986-03-18)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:47
7God Holds the Future in His Hands
Produzent(in):
Emory Gordy, Jr.
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1986-08-19)
Fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (am 1986-08-19) und Clarence "Tater" Tate (am 1986-08-19)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1986-08-19)
Kontrabass:
Johnny Montgomery (US bluegrass bassist) (am 1986-08-19)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1986-08-19)
Bass-Gesang:
Clarence "Tater" Tate (am 1986-08-19)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1986-08-19)
recording of:
God Holds the Future in His Hands (am 1986-08-19)
Verfasser(in):
[traditional] (special purpose artist)
3:40
8The Old Cross Roads
Produzent(in):
Emory Gordy, Jr.
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1986-08-19)
Fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (am 1986-08-19) und Clarence "Tater" Tate (am 1986-08-19)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1986-08-19)
Kontrabass:
Johnny Montgomery (US bluegrass bassist) (am 1986-08-19)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1986-08-19)
Bass-Gesang:
Clarence "Tater" Tate (am 1986-08-19)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1986-08-19)
recording of:
The Old Crossroad (am 1986-08-19)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
4:07
9Southern Flavor
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1988-01-04)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-04), Bobby Hicks (American bluegrass fiddler) (am 1988-01-04) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-04)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-04)
Kontrabass:
Clarence "Tater" Tate (am 1988-01-04)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-04)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-04)
recording of:
Southern Flavor (am 1988-01-04)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:16
10Stone Coal
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1988-01-05)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-05), Bobby Hicks (American bluegrass fiddler) (am 1988-01-05) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-05)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-05)
Kontrabass:
Clarence "Tater" Tate (am 1988-01-05)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-05)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-05)
recording of:
Stone Coal (am 1988-01-05)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:57
11Texas Lone Star
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1988-01-05)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-05), Bobby Hicks (American bluegrass fiddler) (am 1988-01-05) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-05)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-05)
Kontrabass:
Clarence "Tater" Tate (am 1988-01-05)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-05)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-05)
recording of:
Texas Lone Star (am 1988-01-05)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:35
12Sugar Loaf Mountain
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1988-01-08)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-08), Bobby Hicks (American bluegrass fiddler) (am 1988-01-08) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-08)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-08)
Kontrabass:
Clarence "Tater" Tate (am 1988-01-08)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-08)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-08)
recording of:
Sugar Loaf Mountain (am 1988-01-08)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:56
13The Days Gone By
Produzent(in):
Emory Gordy, Jr.
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1988-01-12)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-12), Bobby Hicks (American bluegrass fiddler) (am 1988-01-12) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-12)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-12)
Kontrabass:
Clarence "Tater" Tate (am 1988-01-12)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-12)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-12)
recording of:
The Days Gone By (am 1988-01-12)
Verfasser(in):
Tom Ewing (US bluegrass guitarist and singer) und Bill Monroe (“The Father of Bluegrass”)
3:30
14White Rose
Produzent(in):
Emory Gordy, Jr.
Banjo:
Blake Williams (banjo player) (am 1988-01-12)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-12), Bobby Hicks (American bluegrass fiddler) (am 1988-01-12) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-12)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-12)
Kontrabass:
Clarence "Tater" Tate (am 1988-01-12)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-12)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-12)
recording of:
White Rose (am 1988-01-12)
Texter und Komponist(in):
Carl Butler
3:18
15Life’s Highway
Produzent(in):
Emory Gordy, Jr.
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1988-01-13)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-13), Bobby Hicks (American bluegrass fiddler) (am 1988-01-13) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-13)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-13)
Kontrabass:
Clarence "Tater" Tate (am 1988-01-13)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-13)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-13)
recording of:
Life’s Highway (am 1988-01-13)
Texter und Komponist(in):
Bobby Smith (US bluegrass musician)
2:57
16Give Me Wings
Produzent(in):
Emory Gordy, Jr.
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1988-01-14)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-14), Bobby Hicks (American bluegrass fiddler) (am 1988-01-14) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-14)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-14)
Kontrabass:
Emory Gordy, Jr. (am 1988-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-14)
Bass-Gesang:
Clarence "Tater" Tate (am 1988-01-14)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-14)
recording of:
Lord Give Me Wings (am 1988-01-14)
Texter und Komponist(in):
Gerald Evans (US bluegrass musician and songwriter)
3:45
17What a Wonderful Life
Produzent(in):
Emory Gordy, Jr.
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1988-01-14)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-14), Bobby Hicks (American bluegrass fiddler) (am 1988-01-14) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-14)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-14)
Kontrabass:
Emory Gordy, Jr. (am 1988-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-14)
Bass-Gesang:
Clarence "Tater" Tate (am 1988-01-14)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-14)
recording of:
What a Wonderful Life (am 1988-01-14)
Texter und Komponist(in):
Raymond Huffmaster (US bluegrass musician)
4:20
18Take Courage Un’ Tomorrow
Produzent(in):
Emory Gordy, Jr.
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1988-01-14)
Fiddle:
Michael Feagan (US bluegrass fiddler) (am 1988-01-14), Bobby Hicks (American bluegrass fiddler) (am 1988-01-14) und Buddy Spicher (American country and bluegrass fiddle player) (am 1988-01-14)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1988-01-14)
Kontrabass:
Emory Gordy, Jr. (am 1988-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1988-01-14)
Bass-Gesang:
Clarence "Tater" Tate (am 1988-01-14)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten (am 1988-01-14)
recording of:
Take Courage Un’ Tomorrow (am 1988-01-14)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:27
4▼CD
Nr.TitelBewertungLänge
1Molly and Tenbrooks
Banjo:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
Molly and Tenbrooks (von 1989-05 bis 1989-06)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
basiert auf:
Molly and Tenbrooks
2:59
2Footprints in the Snow
Banjo:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
Footprints in the Snow (von 1989-05 bis 1989-06)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
basiert auf:
I Traced Her Little Footmarks in the Snow
2:57
3Sittin’ Alone in the Moolight
Banjo:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
Sitting Alone in the Moonlight (von 1989-05 bis 1989-06)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:04
4Precious Memories
Banjo und Baritongesang:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle und Bass-Gesang:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
Precious Memories (von 1989-05 bis 1989-06)
Verfasser(in):
J.B.F. Wright (Hymn songwriter)
5:00
5Rawhide
Banjo:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
Rawhide (mandolin instrumental) (von 1989-05 bis 1989-06)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:54
6My Sweet Darlin’
Banjo und Baritongesang:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
My Sweet Blue Eyed Darlin' (von 1989-05 bis 1989-06)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:23
7In the Pines
Banjo:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06) und Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
In the Pines (Black Girl) (von 1989-05 bis 1989-06)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 3421)
3:43
8Love, Please Come Home
Banjo:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
Love, Please Come Home (von 1989-05 bis 1989-06)
Texter und Komponist(in):
Leon Jackson (bluegrass artist)
2:21
9Pike County Breakdown
Banjo:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
Pike County Breakdown (von 1989-05 bis 1989-06)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
2:43
10I’m Working on a Building
Banjo und Baritongesang:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle und Bass-Gesang:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06) und Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live recording of:
I’m Working on the Building (Carter version, verses begin "If I was...") (von 1989-05 bis 1989-06)
Texter und Komponist(in):
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Version von:
Working on the Building
2:54
11Watermelon Hanging on the Vine
Banjo:
Blake Williams (banjo player) (von 1989-05 bis 1989-06)
Fiddle:
Clarence "Tater" Tate (von 1989-05 bis 1989-06)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (von 1989-05 bis 1989-06)
Kontrabass:
Billy Rose (US bluegrass musician) (von 1989-05 bis 1989-06)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (von 1989-05 bis 1989-06)
live instrumental recording of:
Watermelon on the Vine (von 1989-05 bis 1989-06)
Verfasser(in):
[traditional] (special purpose artist)
0:40
12Just a Little Talk With Jesus
Produzent(in):
Steve Buchanan (Nashville producer)
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1990-05-15)
Fiddle und Bass-Gesang:
Clarence "Tater" Tate (am 1990-05-15)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-05-15)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-05-15)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-05-15)
aufgenommen bei:
Reflections Studios in Nashville, Tennessee, Vereinigte Staaten (am 1990-05-15)
recording of:
Just a Little Talk With Jesus (am 1990-05-15)
Texter und Komponist(in):
Cleavant Derricks (pastor, choir director, and songwriter)
publisher:
Songs of Universal, Inc. (BMI) und Stamps-Baxter Music and Printing Co. (am 1937-01-01)
2:28
13Harbor of Love
Produzent(in):
Steve Buchanan (Nashville producer)
Banjo:
Blake Williams (banjo player) (am 1990-05-21)
Fiddle:
Jimmy Campbell (US bluegrass fiddler) (am 1990-05-21) und Clarence "Tater" Tate (am 1990-05-21)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-05-21) und Ricky Skaggs (am 1990-05-21)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-05-21)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-05-21)
Baritongesang:
Ricky Skaggs (am 1990-05-21)
Bass-Gesang:
Clarence "Tater" Tate (am 1990-05-21)
Sologesang:
Ralph Stanley (US bluegrass singer and banjo player) (am 1990-05-21)
aufgenommen bei:
Reflections Studios in Nashville, Tennessee, Vereinigte Staaten (am 1990-05-21)
recording of:
Harbor of Love (am 1990-05-21)
Texter und Komponist(in):
Carter Stanley
3:30
14Are You Lost in Sin?
Produzent(in):
Steve Buchanan (Nashville producer)
Banjo:
Blake Williams (banjo player) (am 1990-06-12)
Fiddle:
Jimmy Campbell (US bluegrass fiddler) (am 1990-06-12) und Clarence "Tater" Tate (am 1990-06-12)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-06-12)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-06-12)
Mandoline:
Jesse McReynolds (am 1990-06-12) und Bill Monroe (“The Father of Bluegrass”) (am 1990-06-12)
Baritongesang:
Jesse McReynolds (am 1990-06-12)
Bass-Gesang:
Clarence "Tater" Tate (am 1990-06-12)
Sologesang:
Jim McReynolds (am 1990-06-12)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-06-12)
aufgenommen bei:
Reflections Studios in Nashville, Tennessee, Vereinigte Staaten (am 1990-06-12)
recording of:
Are You Lost in Sin? (am 1990-06-12)
Verfasser(in):
Jesse McReynolds und Jim McReynolds
publisher:
Central Songs
3:08
15He’ll Take You In
Produzent(in):
Steve Buchanan (Nashville producer)
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1990-06-12)
Fiddle und Bass-Gesang:
Clarence "Tater" Tate (am 1990-06-12)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-06-12)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-06-12)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-06-12)
aufgenommen bei:
Reflections Studios in Nashville, Tennessee, Vereinigte Staaten (am 1990-06-12)
recording of:
He’ll Take You In (am 1990-06-12)
Verfasser(in):
Billy Smith (US bluegrass guitarist and songwriter)
publisher:
Bats and Crows
3:03
16Just Over in the Glory Land
Produzent(in):
Steve Buchanan (Nashville producer) (am 1990-06-27)
Banjo:
Sonny Osborne (am 1990-06-27) und Blake Williams (banjo player) (am 1990-06-27)
Fiddle und Bass-Gesang:
Clarence "Tater" Tate (am 1990-06-27)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-06-27)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-06-27)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1990-06-27) und Bobby Osborne (am 1990-06-27)
Baritongesang:
Sonny Osborne (am 1990-06-27)
Sologesang:
Bobby Osborne (am 1990-06-27)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-06-27)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1990-06-27)
recording of:
Over in the Gloryland (am 1990-06-27)
Texter und Komponist(in):
Ralph Stanley (US bluegrass singer and banjo player)
3:01
17Baptize Me in the Cumberland River
Produzent(in):
Steve Buchanan (Nashville producer) (am 1990-06-27)
Banjo:
Blake Williams (banjo player) (am 1990-06-27)
Fiddle:
Clarence "Tater" Tate (am 1990-06-27)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-06-27)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-06-27)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-06-27)
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten (am 1990-06-27)
recording of:
Baptize Me in the Cumberland River (am 1990-06-27)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:37
18You’re Drifting Away
Produzent(in):
Steve Buchanan (Nashville producer)
Gitarre und Sologesang:
Ricky Skaggs (am 1990-07-17)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-07-17)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-07-17)
Baritongesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-07-17)
Bass-Gesang:
Clarence "Tater" Tate (am 1990-07-17)
aufgenommen bei:
Digital Recorders in Nashville, Tennessee, Vereinigte Staaten (am 1990-07-17)
recording of:
You're Drifting Away (am 1990-07-17)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:39
19This World Is Not My Home
Produzent(in):
Steve Buchanan (Nashville producer)
Banjo:
Blake Williams (banjo player) (am 1990-07-24)
Fiddle und Baritongesang:
Clarence "Tater" Tate (am 1990-07-24)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-07-24)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-07-24)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-07-24)
Sologesang:
Mac Wiseman (am 1990-07-24)
aufgenommen bei:
Reflections (am 1990-07-24)
recording of:
This World Is Not My Home (am 1990-07-24)
Texter und Komponist(in):
J.R. Baxter
Verfasser(in):
[traditional] (special purpose artist)
2:37
20Cryin’ Holy Unto the Lord
Produzent(in):
Steve Buchanan (Nashville producer)
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1990-07-24)
Fiddle und Bass-Gesang:
Clarence "Tater" Tate (am 1990-07-24)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-07-24)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-07-24)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-07-24)
aufgenommen bei:
Reflections (am 1990-07-24)
recording of:
On the Rock Where Moses Stood (am 1990-07-24)
Verfasser(in):
The Carter Family (the original Carter Family, 1927–1943)
2:57
21Shine Hallelujah Shine
Produzent(in):
Steve Buchanan (Nashville producer)
Banjo und Baritongesang:
Blake Williams (banjo player) (am 1990-07-24)
Fiddle und Bass-Gesang:
Clarence "Tater" Tate (am 1990-07-24)
Gitarre und Sologesang:
Tom Ewing (US bluegrass guitarist and singer) (am 1990-07-24)
Kontrabass:
Billy Rose (US bluegrass musician) (am 1990-07-24)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1990-07-24)
aufgenommen bei:
Reflections (am 1990-07-24)
recording of:
Shine Hallelujah Shine (am 1990-07-24)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:32
22Boston Boy
Produzent(in):
Vic Gabany (recording engineer and producer)
Banjo:
Dana Cupp (US bluegrass musician) (am 1994-01-09)
Fiddle:
Robert Bowlin (guitar / mandolin) (am 1994-01-09)
Gitarre:
Tom Ewing (US bluegrass guitarist and singer) (am 1994-01-09)
Kontrabass:
Clarence "Tater" Tate (am 1994-01-09)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1994-01-09)
recording of:
Boston Boy (am 1994-01-09)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:35
23Southern Flavor
Produzent(in):
Tim Riley (Producer, promoter, and label executive)
Gitarre:
Marty Stuart (in 1994)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
aufgenommen bei:
Audio Productions in Nashville, Tennessee, Vereinigte Staaten (in 1994)
recording of:
Southern Flavor (in 1994)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
1:30
24Never Leave the A String
Produzent(in):
Tim Riley (Producer, promoter, and label executive)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
aufgenommen bei:
Audio Productions in Nashville, Tennessee, Vereinigte Staaten (in 1994)
recording of:
Never Leave the A String (in 1994)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
0:43
25Tennessee Blues
Produzent(in):
Tim Riley (Producer, promoter, and label executive)
Gitarre:
Marty Stuart (in 1994)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
aufgenommen bei:
Audio Productions in Nashville, Tennessee, Vereinigte Staaten (in 1994)
recording of:
Tennessee Blues (in 1994)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:13
26I’d Love to Be Over Yonder
Produzent(in):
Tim Riley (Producer, promoter, and label executive)
Gitarre:
Marty Stuart (in 1994)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
aufgenommen bei:
Audio Productions in Nashville, Tennessee, Vereinigte Staaten (in 1994)
recording of:
I’d Love to Be Over Yonder (in 1994)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
0:41
27Rawhide
Produzent(in):
Tim Riley (Producer, promoter, and label executive)
Gitarre:
Marty Stuart (in 1994)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
aufgenommen bei:
Audio Productions in Nashville, Tennessee, Vereinigte Staaten (in 1994)
recording of:
Rawhide (mandolin instrumental) (in 1994)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
0:49
28Sally Goodin
Produzent(in):
Tim Riley (Producer, promoter, and label executive)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
aufgenommen bei:
Audio Productions in Nashville, Tennessee, Vereinigte Staaten (in 1994)
recording of:
Sally Goodin’ (in 1994)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 739)
0:25

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ASIN:US: B000L43NB8 [Info]