Only Rock 'n' Roll 1965-1969

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Mony Mony
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Mony Mony
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Tommy James & the Shondells2:52
2Soul Man
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-08-10)
Produzent(in):
Isaac Hayes, David Porter (US soul musician, producer & songwriter) und Jim Stewart (US producer, founder for Stax & Volt Records)
Instrumente:
Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
Sologesang:
Sam Moore (singer, ex "Sam and Dave") (in 1967) und David Prater (soul artist) (in 1967)
phonographisches Urheberrecht (℗) von:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 458)
recording of:
Soul Man (am 1967-08-10)
Verfasser(in):
Isaac Hayes (in 1967) und David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:38
3Happy Together
phonographisches Urheberrecht (℗) von:
White Whale (late 60s/early 70s California) (in 1967)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 257)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner (singer and songwriter) und Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.352:56
4Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds4.152:21
5(Your Love Keeps Lifting Me) Higher and Higher
Produzent(in):
Carl Davis (record producer)
Bass:
James Jamerson (am 1967-07-06)
Gitarre:
Robert White (US funk/soul guitarist) (am 1967-07-06)
Keyboard:
Johnny Griffith (am 1967-07-06)
Schlagzeug:
Richard "Pistol" Allen (am 1967-07-06)
Sologesang:
Jackie Wilson (soul singer) (am 1967-07-06)
Interpret(in):
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographisches Urheberrecht (℗) von:
Brunswick Recording Corporation (in 1967)
aufgenommen bei:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Vereinigte Staaten (am 1967-07-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 246) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (am 1967-07-06)
Verfasser(in):
Gary Jackson, Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Jackie Wilson4.82:53
6I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:13
7Windy
Produzent(in):
Bones Howe
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 310)
recording of:
Windy
Texter und Komponist(in):
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:55
8Eli's Coming
recording of:
Eli’s Comin’
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc. und Tuna Fish Music, Inc.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Three Dog Night52:45
9California Dreamin'
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:41
10And When I Die
Techniker(in):
Fred Catero und Roy Halee
Produzent(in):
James William Guercio
alto saxophone und Klavier:
Fred Lipsius (von 1968-10-07 bis 1968-10-22)
Bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
Flügelhorn und Trompete:
Lew Soloff (von 1968-10-07 bis 1968-10-22) und Chuck Winfield (von 1968-10-07 bis 1968-10-22)
flute, Orgel, Klavier und Posaune:
Dick Halligan (von 1968-10-07 bis 1968-10-22)
Gitarre und Mundharmonika:
Steve Katz (guitarist for Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
recorder und Posaune:
Jerry Hyman (trombone player) (von 1968-10-07 bis 1968-10-22)
Schlagzeug und Perkussion:
Bobby Colomby (von 1968-10-07 bis 1968-10-22)
Sologesang:
David Clayton‐Thomas (von 1968-10-07 bis 1968-10-22)
vocals:
Bobby Colomby (von 1968-10-07 bis 1968-10-22), Dick Halligan (von 1968-10-07 bis 1968-10-22) und Steve Katz (guitarist for Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
arranger:
Blood, Sweat & Tears und Dick Halligan
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1968-10-07 bis 1968-10-22)
cover recording of:
And When I Die (von 1968-10-07 bis 1968-10-22)
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Blood, Sweat & Tears44:05
11Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:28
12Devil With A Blue Dress On / Good Golly Miss Molly
Mitch Ryder3:07
13(Sittin' On) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:44
14Summer in the City
zusätzlich Hybrid-Piano:
Artie Schroeck
Sologesang:
John Sebastian
conductor:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1966) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 393)
recording of:
Summer in the City
Verfasser(in):
Steve Boone, John Sebastian und Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) und Trio Music Co., Inc.
The Lovin’ Spoonful4.82:41
15Magic Carpet Ride
Produzent(in):
Gabriel Mekler
recording of:
Magic Carpet Ride
Verfasser(in):
John Kay (lead singer of Steppenwolf) und Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. und Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:26
16The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:55
17Groovin'
Produzent(in):
The Rascals (US soul & rock group, formerly known as The Young Rascals)
Hintergrundgesang:
David Brigati
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Groovin’
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Rascals2:33
18It's Your Thing
Produzent(in):
Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und O'Kelly Isley
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 420)
recording of:
It’s Your Thing
Verfasser(in):
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) und Rudolph Isley
publisher:
Tee Pee Music Ltd.
The Isley Brothers4.352:51
19In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Memphis pianist) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett32:30
20Gloria
cover recording of:
Gloria (Van Morrison/Them song)
Texter und Komponist(in):
Van Morrison
publisher:
Carlin Music Corporation, Chappell & Co., Chappell & Co., Inc. (USA), Exile Publishing Ltd., Gallo Music Publishers, PolyGram Music Publishing Ltd., Unichappell Music, Bernice Music, Inc. (in 1965) und Unichappell Music, Inc. (in 1965)
Teil von:
Gloria: In excelsis Deo
The Shadows of Knight32:35