Grandes Cantantes Mozartianos

~ Release by Mozart; Elisabeth Schwarzkopf, Victoria de los Ángeles, Anton Dermota, Fritz Wunderlich (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Die Zauberflöte: Dies Bildnis ist bezaubernd schön
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (on 1959-04-17)
orchestra:
Orchester der Hamburgischen Staatsoper (Hamburg Philharmonic State Orchestra) and Radio‐Sinfonieorchester Stuttgart des SWR (Stuttgart Radio Symphony Orchestra) (on 1959-04-17)
conductor:
Artur Rother (conductor) and Carl Schuricht (on 1959-04-17)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (on 1959-04-17)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:07
2Die Zauberflöte: Ach ich fühl's, es ist verschwunden
soprano vocals [Pamina]:
Lucia Popp (soprano)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:17
3Die Zauberflöte: In diesen heiligen Hallen
bass vocals [Sarastro]:
Gottlob Frick (operatic bass)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:52
4Ch'io mi scordi di te?
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
recording of:
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene"
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786-12)
dedicated to:
Nancy Storace
premiered at:
[farewell concert of Nancy Storage] (1787-02-23)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 505), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 505) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 505)
Wolfgang Amadeus Mozart11:22
5Die Entführung aus dem Serail: Marten aller Arten
soprano vocals [Konstanze]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:53
6Die Entführung aus dem Serail: Konstanze, dich wieder zu sehen
tenor vocals [Belmonte]:
Anton Dermota (tenor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:21
7Die Entführung aus dem Serail: Solche hergelauf'ne Laffen
bass vocals [Osmin]:
Josef Greindl (operatic bass)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:03
8Die Entführung aus dem Serail: O, wie will ich triumphieren
bass vocals [Osmin]:
Ludwig Weber (Austrian bass)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:19
9Vado, ma dove?
soprano vocals:
Irmgard Seefried (soprano)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!”
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 583) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 583)
Wolfgang Amadeus Mozart4:02
10Le nozze di Figaro: Non più andrai
baritone vocals [Figaro]:
Tito Gobbi (baritone)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:41
11Le nozze di Figaro: Se vuol ballare
bass-baritone vocals [Figaro]:
Ezio Pinza (operatic bass)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:44
12Don Giovanni: Finch'han dal vino
bass-baritone vocals [Don Giovanni]:
George London (bass-baritone)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:24
13Don Giovanni: Mi tradì quell'alma ingrata
mezzo-soprano vocals [Donna Elvira]:
Sena Jurinac (soprano) (in 1970)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:14
14Don Giovanni: Madamina, il catalogo è questo
baritone vocals [Leporello]:
Erich Kunz (baritone) (in 1949)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:39
15Il re pastore: L'amerò, sarò constante
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals [Aminta]:
Anna Moffo (soprano) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
part of:
Il rè pastore, K. 208: Act II
Wolfgang Amadeus Mozart5:48

Credits

Release

part of:250 Aniversario Mozart - El País (Serie of CDs with extensive booklets commemorating the 250th anniversary of Mozart's birth by Spanish newspaper El País) (number: 24) (order: 23)