Pearl Fishers Duet: World-Famous Operatic Duets

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Les Pêcheurs de perles : « C’est toi » … « Au fond du temple saint »
baritone vocals [Zurga]:
Gino Quilico (baritone) (in 1992)
tenor vocals [Nadir]:
Gregory Cross (tenor) (in 1992)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992)
conductor:
Charles Dutoit (conductor) (in 1992)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (in 1992)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
ABC Classic 100 (2001) (number: 7)
part of:
Les Pêcheurs de perles : Acte I
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Récit « C’est toi, toi qu’enfin je revois ! » (Zurga, Nadir) (in 1992)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet7:31
2La Bohème: “In un coupé” … “O Mimì, tu più non torni”
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972)
conductor:
Herbert von Karajan (conductor) (in 1972)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1972)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1972)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini4:42
3I puritani: “Il rival salvar tu dêi” … “Suoni la tromba”
baritone vocals [Riccardo]:
Piero Cappuccilli (baritone) (in 1973)
bass vocals [Giorgio]:
Nicolaï Ghiaurov (operatic bass) (in 1973)
orchestra:
London Symphony Orchestra (in 1973)
conductor:
Richard Bonynge (conductor and pianist) (in 1973)
recording of:
I puritani: Atto II. N°17a Duetto “Il rival salvar tu dêi” (Giorgio, Riccardo) (in 1973)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
recording of:
I puritani: Atto II. N°17d “Suoni la tromba, e intrepido” (Giorgio, Riccardo) (in 1973)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini12:50
4La forza del destino: “Invano Alvaro” … “Le minaccie, i fieri accenti”Giuseppe Verdi8:28
5Don Carlo: “Ascolta! Le porte dell’asil s’apron già” … “Dio, che nell’alma infondere”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (baritone) (in 1965)
bass vocals [Un frate]:
Tugomir Franc (operatic bass) (in 1965)
tenor vocals [Don Carlo]:
Carlo Bergonzi (tenor) (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (conductor) (in 1965)
recording of:
Don Carlo: Atto I, scena 1. N°3 “Ascolta! Le porte dell’asil s’apron già” (Rodrigo, Carlo) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi5:34
6Madame Butterfly: “Amore o grillo”
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974)
tenor vocals [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974)
conductor:
Herbert von Karajan (conductor) (in 1974)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (in 1974)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:13
7Don Carlo: “Il grande inquisitor!“ … “Son io dinanzi al re”
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (in 1965)
bass vocals [Il grande inquisitore]:
Martti Talvela (operatic bass) (in 1965)
tenor vocals [Il Conte di Lerma]:
Kenneth MacDonald (tenor) (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (conductor) (in 1965)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi9:17
8La forza del destino: “Solenne in quest’ora”
baritone vocals [Carlo]:
Ettore Bastianini (baritone) (in 1955-07)
tenor vocals [Alvaro]:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955-07)
recording of:
La forza del destino: Atto III, scena 1. “Solenne in quest’ora” (Alvaro, Don Carlo) (in 1955-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi4:07
9L’elisir d’amore: “Voglio dire” … “Obbligato”
bass-baritone vocals [Dulcamara]:
Spiro Malas (bass-baritone) (in 1970)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (in 1970)
orchestra:
English Chamber Orchestra (in 1970)
conductor:
Richard Bonynge (conductor and pianist) (in 1970)
recording of:
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” … “Obbligato, ah! Sì obbligato!” (Nemorino, Dulcamara) (in 1970)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:41
10Luisa Miller: “Egli delira” … “L’alto retaggio”
baritone vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975)
bass vocals [Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975)
conductor:
Peter Maag (conductor) (in 1975)
recording of:
Luisa Miller: Atto II, Nº 8a. Recitativo "Egli delira: sul mattin degli anni" (Walter) (in 1975)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
recording of:
Luisa Miller: Atto II, Nº 8c. Duetto "L'alto retaggio non ho bramato" (Walter, Wurm) (in 1975)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi7:31
11Otello: “Ah! – mille vite” … “Si, pel ciel marmoreo giuro!”
baritone vocals [Iago]:
Leo Nucci (baritone) (in 1991)
tenor vocals [Otello]:
Luciano Pavarotti (tenor) (in 1991)
orchestra:
Chicago Symphony Orchestra (in 1991)
conductor:
Sir Georg Solti (conductor) (in 1991)
recording of:
Otello: Atto II. “Oh! mostruosa colpa!” … “Ah! mille vite” (Otello, Iago) (in 1991)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago) (in 1991)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi3:29