Aria Awards 20th Anniversary

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

ARIA = Australian Recording Industry Association

Annotation last modified on 2014-01-01 05:03 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1You're the Voice
recording engineer and mixer:
Doug Brady (engineer)
drum machine programming and synthesizer [Fairlight] programming:
Dave (Australian score composer), Jack and Ross
assistant engineer:
Michael Wickow (engineer)
producer:
Ross Fraser
fretless bass:
Roger McLachlan
guitar:
Brett Garsed
keyboard and synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
background vocals:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton and Sandy Weekes
lead vocals:
Whispering Jack
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 15)
recording of:
You’re the Voice
writer:
Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing AB (Sweden)
John Farnham4.15:02
2Electric Blue
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988)
recording of:
Electric Blue
writer:
Iva Davies and John Oates
publisher:
BMG Music, EMI Songs, EMI Songs Australia Pty. Ltd., Kobalt Music Publishing Australia P/L and Universal Music Publishing MGB Australia
Icehouse4:24
3Beds Are Burning
artist & repertoire support:
S. Ralbovsky
assistant engineer:
Kathy Naunton (editor)
engineer:
Guy Gray
producer:
Warne Livesey and Midnight Oil (Australian rock band)
bass:
Peter Gifford
cello:
John Ockwell (Cello Artist)
drums (drum set) [drums]:
Rob Hirst
French horn:
Jeremy Smith (Horns)
guitar:
Jim Moginie and Martin Rotsey
keyboard:
Warne Livesey and Jim Moginie
trombone:
Glad Reed
phonographic copyright (℗) by:
Midnight Oil (Australian rock band) (in 1987)
phonographic copyright (℗) by:
Midnight Oil Ents Pty Ltd (in 1987) and Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1987)
recorded at:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 18) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 95)
recording of:
Beds Are Burning
writer:
Peter Garrett, Rob Hirst and Jim Moginie
publisher:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sprint Music Pty. Ltd.
Midnight Oil4.54:17
4Better Be Home Soon
recording engineer:
Tchad Blake
producer:
Mitchell Froom
mixer:
Bob Clearmountain
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric bass guitar [bass]:
Nick Seymour (Nicholas More Seymour)
guitar and lead vocals:
Neil Finn
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1988)
mixed for:
Fast Forward Productions, Ltd.
part of:
triple j’s Hottest 100 of Australian Songs (number: 38)
recording of:
Better Be Home Soon
lyricist and composer:
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Mushroom Publishing and Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:10
5Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
The Church (in 2009)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
triple j’s Hottest 100 of Australian Songs (number: 29) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:59
6Tucker's Daughter
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1989)
recording of:
Tucker's Daughter (Ian Moss song)
writer:
Ian Moss and Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Rondor Music, Rondor Music (Australia) P/L, Sony/ATV Music Publishing and Sony/ATV Music Publishing Australia Pty Ltd.
Ian Moss4:34
7Crying in the Chapel
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1989)
recording of:
Crying in the Chapel (Peter Blakeley song)
writer:
Peter Blakeley and Aaron Zigman (American score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal/MCA Music Publishing Pty Ltd, Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Peter Blakeley3:41
8Blue Sky Mine
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Warne Livesey and Midnight Oil (Australian rock band)
part of:
triple j’s Hottest 100 of Australian Songs (number: 99)
recording of:
Blue Sky Mine
writer:
Midnight Oil (Australian rock band)
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Midnight Oil34:21
9I Don't Wanna Be With Nobody but You
phonographic copyright (℗) by:
rooART Pty Ltd (in 1989) and Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1990)
cover recording of:
I Don’t Want to Be With Nobody but My Baby
writer:
Eddie Floyd and Joe Shamwell (Soul singer, songwriter, producer and radio deejay)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia) P/L and Rondor Music (Australia) Pty Ltd
recording of:
I Don’t Want to Be With Nobody but My Baby
writer:
Eddie Floyd and Joe Shamwell (Soul singer, songwriter, producer and radio deejay)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia) P/L and Rondor Music (Australia) Pty Ltd
Absent Friends4:48
10Early Warning
engineer:
Kevin Shirley (producer & mixer)
producer:
Mike Chapman (Australian producer and songwriter)
mixer:
Mike Chapman (Australian producer and songwriter) and Kevin Shirley (producer & mixer)
bass guitar [bass]:
Eddie Parise
drums (drum set) [drums]:
Frank Celenza
guitar:
Suze DeMarchi and Dave Leslie
lead vocals [vocals]:
Suze DeMarchi
vocals:
Dave Leslie and Eddie Parise
phonographic copyright (℗) by:
Imago Recording Company (in 2007)
recording of:
Early Warning
writer:
Suze DeMarchi, Dave Leslie and Eddie Parise
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Baby Animals3:58
11Treaty (Filthy Lucre remix)
recording of:
Treaty
writer:
Peter Garrett, Stuart Kellaway, Paul Kelly (Australian singer/songwriter), Banula Marika, Witiyana Marika, Milkayngu Mununggurr, Cal Williams, Geoffrey Gurrumul Yunupingu and Mandawuy Yunupingu
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Sony/ATV Music Publishing and Yothu Yindi Music
Yothu Yindi4:04
12Tip of My Tongue
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
phonographic copyright (℗) by:
Chrysalis Australia (in 1992), EMI Music Australia (defunct holding company, not for release label use!) (in 1992), EMI Music Australia Pty. Limited (not for release label use!) (in 1992) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1992)
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Tip of My Tongue
writer:
Diesel (Australian pop rock aka Mark Lizotte) and John Daniel Tate
publisher:
BMG Gold Songs, BMG Rights Management Canada A, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Virgin Music Publishing, EMI Virgin Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Mushroom Records and Tate Music Group
Diesel34:12
13The Day You Went Away
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1992) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1992)
cover recording of:
The Day You Went Away
writer:
Guy Batson and Johnny Male
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Wendy Matthews4:42
14The Honeymoon Is Over
phonographic copyright (℗) by:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1993) and Polydor Records Australia (in 1993)
recording of:
The Honeymoon Is Over
writer:
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) and Dan Rumour
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:08
15Chains
mixer:
Chris Lord‐Alge
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994), Sony Music Productions (for copyrights use only) (in 1994) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1998)
recording of:
Chains
writer:
Tina Arena (in 1993-10), Pam Reswick (American songwriter) (in 1993-10) and Steve Werfel (in 1993-10)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena4:03
16Tomorrow
recording engineer and mixer:
Kevin Shirley (producer & mixer)
producer:
Kevin ‘Caveman’ Shirley (producer & mixer)
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
recorded at:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia
mixed at:
Eclipse Studio in Sydney, New South Wales, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 17)
recording of:
Tomorrow
lyricist and composer:
Ben Gillies and Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (in 1995), Sony/ATV Music Publishing Australia Pty Ltd. (from 1997-10-14 until 2020-12-15) and Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (from 2020-12-15 to present)
Silverchair4.14:26
2▼CD
#TitleArtistRatingLength
1Soldiers
recording of:
Soldiers
lyricist and composer:
Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I2:31
2Where the Wild Roses Grow
recording engineer:
Tony Cohen and Victor van Vugt
producer:
Nick Cave & the Bad Seeds, Tony Cohen and Victor van Vugt
mixer:
Gregg Jackman
acoustic guitar and guitar:
Mick Harvey
bass:
Martyn P. Casey
bell:
Jim Sclavunos
cello:
Helen Mountfort
drums (drum set):
Thomas Wydler
guitar:
Blixa Bargeld (German musician)
piano:
Nick Cave (Australian singer‐songwriter, musician and score composer)
viola:
Kerran Coulter
violin:
Jen Anderson and Sue Simpson
background vocals:
Mick Harvey and Conway Savage
lead vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Kylie Minogue
strings arranger:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Mick Harvey
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1995, in 1996)
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
music videos:
Where the Wild Roses Grow by Nick Cave (Australian singer‐songwriter, musician and score composer) & Kylie Minogue
recording of:
Where the Wild Roses Grow
lyricist and composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mute Song (international) and Mute Song Ltd.
Nick Cave & the Bad Seeds feat. Kylie Minogue4.453:57
3Polyester Girl
assistant recording engineer:
Argonaut (Australian engineer Jason Gendrolious)
recording engineer:
Magoo (Australian producer Lachlan Goold) and Regurgitator
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1997)
recorded at:
The Dirty Room in Fortitude Valley, Brisbane, Queensland, Australia
music videos:
Polyester Girl (music video) by Regurgitator
recording of:
Polyester Girl
lyricist and composer:
Quan Yeomans
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Regurgitator33:31
4Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
triple j’s Hottest 100 of Australian Songs (number: 32), Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:05
5The Day You Come
recording of:
The Day You Come
writer:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug and Darren Middleton
publisher:
Kobalt Music Publishing Australia P/L
Powderfinger34:00
6Mascara
recording of:
Mascara
composer:
Ella Hooper and Jesse Hooper (Killing Heidi)
publisher:
Wah Wah Music Ltd.
Killing Heidi34:50
7Don't Call Me Baby
engineer and mixer:
Mark Rachelle
producer:
Madison Avenue (Australian electronic music duo)
lead vocals:
Cheyne Coates
phonographic copyright (℗) by:
Vicious Grooves (in 1999)
engineered at:
Backbeach Recording Co. in Rye, Shire of Mornington Peninsula, Victoria, Australia
samples:
Ma quale idea by Pino D’Angiò (Italo disco artist)
edit of:
Don’t Call Me Baby (original 12” mix) by Madison Avenue (Australian electronic music duo)
recording of:
Don’t Call Me Baby
writer:
Andrew Van Dorsselaer, Giuseppe Chierchia, Cheyne Coates, Jerry Cohen, Gene McFadden, Duane Morrison and John Whitehead
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crisler, Universal Music (plain logo: “Universal Music”) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
is based on:
Ma quale idea
Madison Avenue2.83:49
8My Happiness
recording engineer and mixer:
Nick DiDia
producer:
Nick DiDia and Powderfinger (Australian rock band)
phonographic copyright (℗) by:
Grudge Records Australia (in 2000)
part of:
triple j’s Hottest 100 of Australian Songs (number: 6) and triple j’s Hottest 100 (Australian annual music listener poll) (number: 2000)
recording of:
My Happiness
writer:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug and Darren Middleton
publisher:
Egg the Nest Music and Kobalt Music Publishing Australia P/L
Powderfinger44:39
9Not Pretty Enough
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001)
recording of:
Not Pretty Enough
lyricist and composer:
Kasey Chambers (Australian country singer‐songwriter)
publisher:
Mushroom Music Pty. Ltd. and Sony/ATV Music Publishing Australia Pty Ltd.
Kasey Chambers3:20
10Can't Get You Out of My Head
drum machine programming:
Rob Davis (songwriter/producer was in Mud)
engineer and mixer:
Tim Orford
producer:
Rob Davis (songwriter/producer was in Mud) and Cathy Dennis
electric guitar and keyboard:
Rob Davis (songwriter/producer was in Mud)
background vocals and lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) and KDB Pty Limited (in 2001)
produced for:
19 Productions
music videos:
Can’t Get You Out of My Head by Kylie Minogue
part of:
triple j’s Hottest 100 of Australian Songs (number: 27), Billboard Year-End Hot 100 singles of 2002 (number: 45) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 207)
recording of:
Can’t Get You Out of My Head
lyricist:
Cathy Dennis
composer:
Rob Davis (songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kylie Minogue3.953:51
11(Baby I've Got You) On My Mind
additional engineer:
Anton Hagop
assistant engineer:
Catherine Claire (engineer)
engineer:
Nick DiDia
producer:
Nick DiDia and Tony Reyes (songwriter/producer/multi‐instrumentalist)
mixer:
Brendan O’Brien (engineer)
recorded at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia (from 2003-01 until 2003-02)
mixed at:
Southern Tracks in Atlanta, Georgia, United States (in 2003-03)
part of:
triple j’s Hottest 100 of Australian Songs (number: 70)
recording of:
(Baby I've Got You) On My Mind (from 2003-01 until 2003-02)
writer:
Powderfinger (Australian rock band)
publisher:
Kobalt Music Publishing Australia P/L
Powderfinger33:22
12Born to Try
producer:
Ric Wake
lead vocals:
Delta Goodrem
arranger:
Ric Wake
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 2002)
music videos:
Born to Try (ten year anniversary acoustic version) by Delta Goodrem
recording of:
Born to Try
lyricist and composer:
Delta Goodrem and Audius Mtawarira
Delta Goodrem4:13
13Are You Gonna Be My Girl?
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:36
14Scar
acoustic guitar:
Jay Newland (producer, engineer and mixer)
drums (drum set):
Dean Butterworth
electric bass guitar:
Keith Christopher (American bassist)
electric cello:
Martin Tillman
flugelhorn:
Darrell Leonard
guitar:
Stuart Mathis (guitarist)
guitar [electric & acoustic guitars]:
John Porter (producer and musician US and UK)
keyboard:
Jamie Muhoberac
percussion:
Debra Dobkin
vocals:
Missy Higgins
phonographic copyright (℗) by:
Eleven: A Music Company (in 2004)
part of:
triple j’s Hottest 100 of Australian Songs (number: 4)
recording of:
Scar
publisher:
Missy Higgins
writer:
Kevin Griffin (member of Better Than Ezra) and Missy Higgins
publisher:
Mushroom Music Pty. Ltd.
Missy Higgins33:35
15Catch My Disease
recording of:
Catch My Disease
writer:
Ben Lee (Australian singer/songwriter) and Markey Southworth McGowan
publisher:
BMG Music Publishing Australia Pty Ltd, McGowan Music, Songs for the World Music, Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Group
Ben Lee4:14

Credits

Release

liner notes:Glenn A. Baker (in 2006-08)
Discogs:https://www.discogs.com/release/802706 [info]